Tagged: Interview

The Horror Tree Presents…An Interview with D.T. Neal

The Horror Tree Presents…An Interview with D.T. Neal

By Ruschelle Dillon

 

Ruschelle: Today in the darkest part of the Horror Tree Forest we welcome author D.T. Neal who released the third book in the Wolfshadow trilogy, Norm, this past October 31 from Nosetouch Press.  A Halloween baby!  But a scant month before Neal rolled out the blood red carpet his re-vamped edition of Suckage. Great works from an author to be plucked from Amazon and Barnes and Noble! Before we wrestle with the werewolf let’s discuss your fresh bloodletting of Suckage. What made you decide to re-release it on the unsuspecting public? 

D.T.: I love vampires! When I first wrote SUCKAGE, people were still suffering from a very TWILIGHT-infused cultural hangover. I wrote that book as a reaction to the trend of sparkly vampires at the time. Now that what I would consider toothless vampires have come and gone, the time seemed right to exhume SUCKAGE and let it afflict a new bunch of readers. For me, it’s a very Gen X kind of vampire novel, mixing dark humor with horror.

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Interview with award-winning horror author, Deborah Sheldon

Deborah Sheldon is an award-winning Australian author with a long list of titles to her name, including short stories, novelettes, novellas and novels. Sheldon is masterful at the art of writing horror: believable plots, convincing characters, well-defined settings, decisive pacing, and the perfect amount of mayhem, destruction and bloodletting. Her new action-horror novella, Man-Beast (Severed Press) reflects all these skills. Recently, I had the opportunity to chat with Deb about horror writing in general, and Man-Beast in particular.

 

The title character in your book is a humanoid, but not the standard version. How did you go about revamping the Bigfoot trope?
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Watch Our Interview with Kevin Lucia

Enjoy this Author Interview between Author Kevin Lucia & host Ivana Sanders about his experiences as a horror author, horror fan, movie buff, and his newest release “October Nights” a collection of horror novellas!

✨ Kevin Lucia’s short fiction has appeared in several anthologies, most recently with Neil Gaiman, Clive Barker, Bentley Little, Peter Straub and Robert McCammon.
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‘To Bring Him Home and Other Tales’ Tour – An Insight Into Warren Rochelle’s Writing

Title: To Bring Him Home and Other Tales

 

A plotter or a pantser? Oh, definitely a plotter. Before I can start, I have to know where the story is going to end.  This doesn’t have to be very specific at all.  For example: at the beach, what beach, and how they got there, to be determined. Or, in the White City. Where the White City is and how they got there and why they went, something I will learn as the story progresses. I also have to be a beginning in which I can feel the flag drop, so to speak. Here, at this place, this point in time, the story moves forward, it begins. I also find myself dropping up time lines of significant events to be sure the continuity works and as a part of world-building. Most of the time I prepare an outline, knowing it will change, but the outline gives me a shape and a structure within which to tell my story.
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The Horror Tree Presents an Interview with Alexandrea Weis

The Horror Tree Presents- an Interview with Alexandrea Weis

By Ruschelle Dillon

 

Ruschelle: Alexandrea, welcome to the Horror Tree, where you will find all sorts of fruit, nuts and meat sacks hanging for you to snack on. Watch out for the disgustingly bloody ones. They’re not quite ripe yet. It’s great to have you here. You have a fantastic selection of books out there for your newfound fans to feast from. Many take place in your hometown of New Orleans which has seen more than its fair share of destruction from hurricanes, Ida being the most recent. At the penning of these questions, there are still swaths of Louisiana that are still without electricity and are digging out of Ida’s wrath. Has the devastating weather played a part in inspiring your books? Horrors can beget horrors.

Alexandrea: Honestly, the response in the aftermath has been fantastic compared to what we went through with Katrina. Then we had weeks without running water, power, gasoline, or food. It was a nightmare and very horror worthy. We’ve been fortunate this time. I got my power back in six days. A big THANK YOU to the line men and women who came to restore our electricity. They are a godsend!

 

Ruschelle: New Orleans has such a rich history. What are some aspects of NOLA that you must include when writing your stories? Conversely, are there nibblets that you find trite or just flat out wrong that you refuse to put in black and white? (I liked the word nibblets. I am also hungry for corn right now…)
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Interview: Tais Teng, A Modern Renaissance Man

Tais Teng, A Modern Renaissance Man

By Angelique Fawns

 

Tais Teng is a Dutch writer and prolific creator in several languages and mediums. Not only does he write fantasy fiction, science fiction, hardboiled detective mysteries, and children’s books; but he also illustrates, sculpts, paints, and works as a writing coach. Born Thijs van Ebbenhorst Tengbergen, he found this name a tad long to put on the cover of books (and for English readers to pronounce) so he chose Tais Teng as a pen name.  With more than 100 published books and 200 plus short stories, I was fascinated to learn about the multi-faceted career of this talented (and comedic) creator. Spoiler alert. Did you know he created the Ziltpunk movement? Read on to learn more.

 

AF:  You wear a lot of hats in the creative world! Can you tell our readers how you make a living and what your favorite branch of income is?

TT: Well, yes, I wear a veritable Tower of Babel of hats. I am a writer, an illustrator, a writing coach, and a sculptor. Each uses a completely different part of my brain. 

Writing comes very close to lucid dreaming to me. If I start a sentence, the words arrive almost as a voice-over, telling me what to type next. Sometimes it switches into the fast-forward mode and I get whole paragraphs or even half a page. I have to type like mad then before all those words fade back into the racial unconsciousness. It feels exactly like a sugar cube dissolving in hot tea.

Almost all things I do are in deep concentration,  in hyperfocus. If someone enters the room, I probably won’t notice. Even it is a burgler: as long as he doesn’t take my keyboard, I just go on writing. (more…)

Eda Obey & The Last Girls Club: “We Choose What We Bleed Over”

Eda Obey & The Last Girls Club: “We Choose What We Bleed Over”

By Angelique Fawns

 

The Last Girls Club is more than just a magazine, it’s a place where established norms are shredded and rebuilt. Eda Obey has created a “club” for creatives which incorporates a magazine, podcast, newsletter, and any other artistic expression that fits the concept of “indie feminist horror.”

Obey is a fierce voice and aggressively challenges stereotypes and literary preconceptions. She’s already tackled the power dynamic of women in fairy tales and the concept of birth in her first two issues. 

The third issue of the magazine drops on Wednesday September 22, and revolves around the theme of “Dark Shadows: The Gay 90s; closeted, cast out, or converted.” 

 Submissions for the fourth issue, which asks for stories related to devout-martyrs, massacres, and cults, open on Friday October 1.

I sat down with Eda Obey to learn more about her vision and projects. 

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