Taking Submissions: Apparition Lit Magazine – October 2018

Deadline: August 31st, 2018
Payment: $0.01 per word, minimum of 10.00

Apparition Lit is open for poetry and short story submissions four times a year.

  • February 15-28
  • May 15-31
  • August 15-31
  • November 15-30

Apparition Lit also holds monthly flash fiction contests. These stories will follow selected themes and be published online.

For more information on themes and submission guidelines, please see the flash fiction drop down below.

Our themes for 2018 will be:

  • Apparition (Published January 2018)
  • Delusion (Published April 2018)
  • Vision (Published July 2018)
  • Diversion (opens for submissions August 15-31, 2018, publishing October 2018)

PAYMENT:

Apparition is a semi-pro rate magazine, paying $0.01 per word, minimum of 10.00 dollars (excluding flash contest, a flat rate of 5.00 dollars to the winning flash). If we accept your story, we are purchasing the right to publish the story online and in the quarterly edition. Rights will revert back to the artist after one year.

WHAT WE’RE LOOKING FOR:

SHORT FICTION:

We will only accept stories between 1000-5000 words. If the story is complete with an extra hundred words, then it will still be considered. Any stories over 5,200 words will automatically be rejected.

PAYMENT:

Apparition is a token-rate magazine, paying $0.01 per word, minimum of 10.00 dollars (excluding flash contest). If we accept your story, we are purchasing the right to publish the story online and in the quarterly edition. Rights will revert back to the artist after one year.

HOW TO SUBMIT:

  1. Format the story using the Shunn manuscript
  2. Please only use Times New Roman or Arial font in your document
  3. Save as an RTF file and attach to an email
  4. In the text of the email, provide a brief cover letter that includes your name, the title of the short story, word count, and any relevant publications
  5. Edit the email’s subject line so it reads: SUBMISSION: Title of Your Story
  6. Email your formatted email and short story manuscript to [email protected]
  7. Add Apparition Lit to your Safe Senders list so you can receive our auto-response emails

RESPONSE TIME:

All acceptances and rejections will be emailed by the 15th day of the following month after submissions close.

If you have not heard back by the 15th, send a query to: [email protected] with the title of your submission. Before emailing, please check your spam folder.

To make sure you receive all emails from Apparition Lit, please add us to your Safe Senders list in your email client.

POETRY:

Apparition Lit is seeking original, unpublished speculative poetry that meet our quarterly theme. These poems must have obvious fantasy or sci-fi elements that make it clear it this isn’t a literary poem that you stuck an ogre into.

We want poetry that is more than just formatting. Send us all types of poetry, including traditional forms.

Writers can include up to five (5) poems per submission.

LENGTH:

There is no minimum length.

Each poem must be no longer than 2-pages in length.

PAYMENT:

We play a flat fee of $10 per poem.

HOW TO SUBMIT:

  1. Include each poem as a separate page in a single document.
  2. You may submit up to five (5) poems in one file.
  3. Please only use Times New Roman or Arial font in your document
  4. Save as an RTF file and attach to an email. (Please include the name of one of your poems in the file name, i.e. TheBirds.rtf. This will make it easier for us to find the file as we read.)
  5. In the text of the email, provide a brief cover letter that includes your name, the titles of the poems, how the poems match the theme, and any relevant publications
  6. Edit the email’s subject line so it reads: POETRY SUBMISSION: Titles
  7. Email your poetry to [email protected]
  8. Add Apparition Lit to your Safe Senders list so you can receive our auto-response emails

RESPONSE TIME:

All poetry acceptances and rejections will be emailed by the 15th day of the following month after submissions close.

If you have not heard back by the 15th, send a query at:[email protected] with the title of your submission. Before emailing, please check your spam folder.

To make sure you receive all emails from Apparition Lit, please add us to your Safe Senders list in your email client.

Apparition Lit is seeking original, unpublished speculative fiction that meet our quarterly theme. Speculative fiction is weird, almost unclassifiable. It’s fantasy, sci-fi, horror, and literary. We want it all. Send us your strange, misshapen stories.

Send us stories with enough emotional heft to break a heart, with prose that’s as clear and delicious as broth. We’re looking for proactive characters and beautiful language, all wrapped up in a complete story.

Diversity is as important in fiction as it is in real life. We want a mosaic of stories, from authors of all identities and walks of life.

WHAT WE DON’T ACCEPT:

While we love dark stories with macabre elements, we will not accept stories with gratuitous and graphic violence or rape. We also will not consider stories that have extreme, purposeless violence toward animals.

We do not publish erotica or thinly-veiled fanfiction.

We do not accept multiple or simultaneous submissions. Please send only one submission per category during each reading period. Apparition Lit wants your best story that meets the current theme. At some point, if your story does not meet the theme, you’re just throwing spaghetti at the wall.

At this time, we do not accept reprints or resubmissions.

Via: Apparition Lit.

Taking Submissions: The Eagle Has Landed

Deadline: September 15th, 2018.
Payment: 1 cent/word against a pro-rata share of royalties

I’m currently working on THE EAGLE HAS LANDED, a reprint anthology that celebrates the 50th anniversary of the Apollo 11’s moon landing with the best moon-related SF published since then.

Publisher: Night Shade Books
Formats: Ebook, Print, and Audio
Publication Date: 2019
Payment: 1 cent/word against a pro-rata share of royalties
Submissions Window: Submissions will be open today through September 15th, 2018.

WHAT ARE YOU LOOKING FOR?

  • Science fiction reprints (no original stories) published within the last 50 years
  • 3000-22000 words in length
  • English language (translations are welcome)
  • Stories must take place on the moon or feature the moon in a significant way

HOW SHOULD YOU LET ME KNOW ABOUT A STORY?

If you are an editor or fan and would like to recommend a story for consideration, please leave a comment on this post or send email to [email protected]

If you’re an author and have a story you would like considered for this anthology, please submit a copy in .doc or .rtf format at: http://clarkesworldmagazine.com/anthology/

Multiple submissions permitted.

Via: Neil Clarke.

Taking Submissions: Breach September 2018 Issue

Deadline: August 31st
Payment: Short Stories are at 1 cent a word, to a maximum of $20 with Poetry at $5 per piece
Note: NZ and Australian authors only

We publish SF, horror and dark fantasy short fiction from NZ and Australian authors.

We publish bimonthly and open for submissions for the month prior to release. Our submission periods for 2018 are as follows:

Issue #08: August (to publish in September)

Issue #09: October (to publish in November)

Issue #10: December (to publish in January 2019)

In the Zine

All work must be original and previously unpublished. We pay for first worldwide publication rights and nonexclusive reprint rights. Copyright belongs to the author or artist. We simply ask for you to credit Breach as the site of first publication if your work is then subsequently reprinted elsewhere.

Stories between 500 and 2000 words, in doc format.

Poetry of a page length, doc format.

Cover art in A4, 600dpi, RGB.

Payment

Short stories: 1 cent a word, to a maximum of $20.

Poetry: $5 per piece.

Cover art: $20 per piece.

From August, 2018 we’ll also accept submissions of longer works of novella (17,000 to 40,000 words) and novelette (7,500 to 17,000 words) length. Our short stories lean toward horror and the darker side of science fiction and we’d like to carry that over to longer works. If you’re interested in publishing with us, please send the first chapter and a single-page synopsis as a Word doc using the form below. All work must be original and previously unpublished.

Breach pays 50% royalties from all print and ebook sales – we don’t offer advances. We pay for worldwide publication rights to any and all editions of the work, for the duration of the copyright.

Via: Breach.

Ongoing Submissions: Quatrain.Fish

Payment: $1 (twenty-five cents a line)

Long Guidelines for Short Poetry

Very short poetry is often treated like very long poetry—as if only cocksure geniuses are allowed to present it to the public so don’t you dare waste our time. Bollocks, we say. An excellent short poem is the purest poetic joy. So: we’re on the hunt.

The rules for Quatrain.Fish are simple: All poems are of four lines or fewer.

One is good. Two is good. Three is good. Four is good. Five is right out. Try Cinquain.Fish.

(Please don’t, say, rewrite a seven-line poem to make it three. Poems are at their best in their native shape. Respect your poem’s shape. Form, as you know, means shape.)

Submit your work as a standard document file or as part of your email, but keep in mind two things—we post screenshots of poems. Which means how it appears on our screen is how how it will appear on the site. So make sure it looks how you want it to look. Corollary: If you use a wacky font, we may reject your very good poem. We don’t want Quatrain.Fish to look like a seventh-grader searching for identity.

(If you want to send instead an image file of your poem, we may just use that instead of a screenshot. We’re more agreeable to handwritten text than Curlz, but keep your personality in check regardless.)

We’ve chosen this screenshot format/method in part because we hope your work will be picked up and shared across the web. BECAUSE OF THIS please put your name in a visible location that it may be part of the posted image. You don’t have to of course, and we’re happy to just put your name below the image, but it will eventually disappear should your poem go viral and start appearing all over the place.

Quatrain.Fish is a paying publisher. And for our one measly dollar (twenty-five cents a line!), we’re buying neverending nonexclusive web rights.

Note that in months future we may occasionally repost a poem we’ve published in the past. We do not consider this a second publication and thus do not pay a second time when reposting. Our assumption when you submit is that you have no problem with this, all the Internet being one great round.

We have nothing against previously published work, but please don’t send scans or screenshots of your poem as part of that previous publication. Do alert us of that previous publication upon submission though. And note that if your poem is already easily accessible online, we may well choose an equally good not-on-the-web poem over yours.

SUBMIT ONLY YOUR OWN ORIGINAL WORK.

Agented submissions are fine but hardly necessary.

Although we don’t have specific guidelines as to how many works you can submit at one time, if you can’t tell what your best work is, we probably don’t care.

As personal as writing poetry is, selecting poetry for publication is just as personal. We make no excuses for making decisions that might seem at times to be petulant or inconsistent.

Similarly, liking or disliking a poem is very much about the poem and not a perception of, for instance, its politics or genre or author’s peccadilloes. Poems are considered on their own merits and no assumption of the editor’s opinions on anything else should be made on the basis of acceptance or rejection.

We are of unimpressed ambivalence regarding the use of so-called bad language, but without sound poetic reasons for fuck, you’re better off without it. Taking the muffler off your Camaro doesn’t make us think you’re cooler. The same can be said of sesquipedalia.

We have no preferences for “form” beyond the four-line limit. Rhyme, meter, neither—all fine. Just make it good.

Remember: short doesn’t equal simple (though simple can be one of its delights) and short isn’t stupid (unless charmingly so).

We’re not opposed to poems that are essentially punchlines but do not anticipate publishing many of them. So yours should be exceptional.

Haiku is a lovely form, and we expect plenty of haiku submissions, but if we’re overwhelmed with haiku we’ll slap a quota on them faster than you can say refrigerator. Besides, the world’s already filled with haiku, both good and badbadbad.

So! Whether your poem occurred in a moment of inspiration or after hours of labor, impress us, surprise us, enlighten us, amaze us, calm us down.

(On titles: poems that require titles should have titles. Poems are neither accepted nor rejected on the basis of a title’s existence or nonexistence. Titles do not count toward line-count, but beware abuse of this fact.)

Look: Even more than other poesy, the challenge of short poetry is the reader either gets it or does not get it. The poem has no extra space to make its defense. So take a breath, submit your work, and surrender to hope.

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Payments

We only make payments through PayPal. We’ll assume that the email you used to contact us is where you want your $1 sent; if that isn’t the case, tell us so in the original email. (We can’t keep track of multiple items of correspondence.) You may also, should the philanthropic urge strike you, donate your $1 back to the kitty. (Just throw that fact in the ol’ original email.) In order to keep our books clean, if you don’t claim your $1 within six weeks, we reserve the right to cancel the payment.

Isn’t it awful how money complicates things? The important thing, I suppose, is that we all read this page and go along with what it says, even if begrudgingly.

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Art

We are open to occasionally publishing scans of simple doodles. We do not, however, pay for art submissions.

It’s too soon to say, but we imagine we will prefer black-and-white work.

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Where

All submissions should be sent to our editor at [due to ongoing technical difficulties, send submissions to [email protected]].

Via: Quatrain.Fish.

Taking Submissions: Grimm, Grit, and Gasoline

Deadline: September 30th, 2018
Payment: $0.01 per word + contributor copy

GRIMM, GRIT, AND GASOLINE: An anthology of Dieselpunk and Decopunk Fairy Tales
Anthologist: Rhonda Parrish
Open for Submissions: August 1, 2018 – September 30, 2018
Expected Publication: mid-2019
Story Length: up to 7,500 words
Payment: $0.01 per word + contributor copy

Dieselpunk and decopunk are alternative history reimaginings of the WWI and WWII eras beginning with the assassination of Archduke Franz Ferdinand and ending before the bombing of Hiroshima and Nagasaki. I’m looking for tales with the grit of roaring bombers, rumbling tanks, of ‘We Can Do It’, the Great Depression and old time gangsters or the glamour (real or imagined) of flappers, Hollywood starlets, smoky jazz, elegant cars and Radio City Music Hall.

Plus fairy tales.

For example: a ‘mend and make do’ take on the Elves and the Shoemaker, a trench warfare version of The Emperor’s New Clothes, or Hansel and Gretel as Bonnie and Clyde. The possibilities are limitless.

Original fairy tales are welcome, as are retellings. If you choose to retell a familiar favourite, make sure your story offers something new and interesting. I’d rather see stories that reflect the long history of fairy tales as social commentary than those which simply tell the same story with a different setting.

And while dieselpunk tends to be focused on North America and Western Europe, this anthology needn’t be. I am open to stories set all over the world, and would love to see ‘Own Voices’ stories.

Need inspiration? Check out The Mammoth Book of Dieselpunk, Amberlough, or Sky Captain and the World of Tomorrow.

Simultaneous submissions = okay. Multiple submissions = no.

How to submit: Between August 1 and September 30, upload your story here: https://niteblade.submittable.com/submit

About the Anthologist: Rhonda Parrish is driven by the desire to do All The Things. She was the founder and editor-in-chief of Niteblade Magazine, is an Assistant Editor at World Weaver Press, and is the editor of several anthologies including, most recently, Equus and D is for Dinosaur. In addition, Rhonda is a writer whose work has been included or is forthcoming in dozens of publications including Tesseracts 17: Speculating Canada from Coast to Coast, Imaginarium: The Best Canadian Speculative Writing (2012 & 2015), and Mythic Delirium. Her website, updated weekly, is at rhondaparrish.com.

Via: World Weaver Press.

Taking Submissions: Unnerving Magazine #8 Inspired by Stephen King

Deadline: August 31st, 2018
Payment: 1¢/word and a contributor’s copy

Extended issue for release in November 2018

Over the almost two years I’ve been running Unnerving, many stories very obviously inspired by Stephen King’s work have landed in my inbox, most a bit too on the nose. I’ve usually rejected these stories, thinking it would be cool to have an entire issue of King-inspired tales.

Though different, this issue follows all the same rules about topics (no cop dramas, no space operas, no wars, no Lovecraft). Again, each story must have been inspired by a Stephen King story (or mashing multiple Stephen King-ish scenerios) without simply rewriting King’s stories. That said, no fan fiction: no Pennywise, no Overlook Hotel, no Cujo, no Derry, you get it. Do not infringe on copyright.

Horror – Crime – Science-fiction – Suspense

Unnerving Magazine accepts short story submissions of horror, dark science fiction (light), dark fantasy, crime, thriller, and suspense. Generally leaning toward horror over other genres. Sex, gore and violence are welcome in moderation (nothing gratuitous). The same goes for bizarro works, nothing too far gone (whatever that means). Please no hard science fiction, sword and sorcery fantasy, erotica, romance, humor that isn’t sinister or literary works that venture so far into experimental that they become nonsense, no cop dramas unless hard boiled gumshoe vs. supernatural, no fan fiction, no war stories, no stories where rape is the lead character’s motivator (victim/victim spouse/rapist none of that stuff, it’s burnt toast), and no blatant rip-offs.

Moving forward, I am less interested in quiet horror, though still will print it, as there are significantly more paying markets for dark literary and dark weird than thrilling and commercial horror.  Payment is 1¢/word + paperback contributor copy. Original fiction only. Reprints by invitation only. I ask for three months exclusivity from publication date and non-exclusive print-on-demand rights for five years.

Submit only one story at a time. Submit in .docx or .doc only. Double-spaced. No tabs. No extra spaces after periods. Please use common sense when formatting. Everything hard on the eyes will be rejected automatically. Allow for up to 6 months before querying. Simultaneous submissions are welcome.  Multiple submissions are not.

Open to authors from any country. Payment by PayPal only within 30 days of publication.  If accepted, wait four issues to submit again.

Only stories from 800-4,000 (FIRM! DO! NOT! ASK! TO! SUBMIT! OTHER! LENGTHS!) words will be considered with preference leaning towards fewer than 3,000 words.

Via: Unnerving Magazine’s Submittable.

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