Deadline: December 30th, 2017!
Payment: 3 cents/word (CAD) and a contributor’s copy
Note: Canadian writers have preferred status but they aren’t only taking Canadian authors.
Edited by Kate Story and Derek Newman-Stille
To be published by Renaissance Press
Mary Shelley published Frankenstein in 1818, sparking the genres of horror and science fiction. On this, the 200th anniversary of its publication, the narrative is more relevant than ever. We live in an age where we need to ask critical questions about the limits of science. How do scientific pursuits relate to the body? Attention to issues of disability lead us to consider how identity relates to the body, and how the body can shift and change over time. Shelley’s bodily assemblage – a collective of parts given life – still shapes our ideas about ourselves, and about what we create to be our monsters. This anthology will gather together tales inspired by Shelley’s strange alchemy, lightning strikes of inspiration from Frankenstein. We are looking for a broad range of stories, from direct interactions with Shelley’s texts to explorations of the stitched, assembled body and narrative experiments in monstrous creations.
We Shall Be Monsters is a fiction collection that will feature explorations of disability through Frankenstein, queer and trans identity, ideas of race and colonialism. Shelley’s story provides a space for exploring a multitude of identities through the figure of the sympathetic outsider. Frankenstein’s “monster” is a figure of Otherness, and one that can tell stories of exclusion and social oppression.
Stories do not need to be JUST about Frankenstein or his monster. We hope to get stories that play with ideas around Frankenstein and inspired by the theme. Of course, we want some stories that deal with Mary Shelley’s text.
For this anniversary anthology, we are looking for short stories of 2000-7500 words in length, poetry up to 500 words in length, and graphic narratives (comics) up to 6 pages. We are only interested in previously unpublished works.
We are interested in new imaginings of the Frankenstein mythos. For example:
What if Mary Shelley was the scientist who created the Monster?
What if Frankenstein had finished making a mate for the Monster?
What if the Monster had reached the “New World”?
What if the Monster joined a circus?
What if Frankenstein’s monster met Dracula?
What if Dr. Frankenstein had created other monstrous assemblages before he created his “monster”
What is it like to be Dr. Frankenstein’s lab assistant?
What if Dr. Frankenstein had actually raised his creation?
What if the military decided to weaponize Frankenstein’s Monster?
We want your stories of science gone wrong, your tales of monstrous creations, your imaginings about bodily assemblages, and other creations that your minds can create.
Your submission can be in any genre that suits the theme of your story.
Length: 2000 to 7500 words for short fiction, but it will be easier to place shorter works
500 words maximum for poetry
6 pages for graphic fiction (comics)
Payment: 3 cents/word (CAD) for original fiction, and a contributor’s copy.
Canadian citizens (living in Canada and/or paying taxes in Canada) and permanent residents of Canada will receive preferred status.
We encourage authors from a wide range of diverse voices and interpretations, including writers of colour and of indigenous/Native heritage, Francophone writers, writers with disabilities, LGBTQ2IA+ (or QUILTBAG or Queer-identified) writers, and new generation writers (aged 18-30).
No multiple submissions. If you received a rejection before the deadline, you may submit a new work.
We are looking for original fiction only. No reprints, please.
Submit stories in standard manuscript format as a .doc, .docx, or RTF with indented paragraphs, italics in in italics, and bold in bold. Include full contact information and word count on the first page. Include a cover letter (name, story title, and word count, contact information, previous publications) in the body of the email.
Submissions in English only, although stories translated into English are also acceptable.
Rights purchased: First English-Language Rights & Non-exclusive Anthology Rights (Print and eBook).
Indicate in the subject line: Submission: Story Title, Last Name.
Deadline: March 30th, 2018
Payment: $.03 per word and 2 contributor’s copies
Corpus Press is now accepting submissions for a new Halloween-themed horror anthology. Submissions will be accepted according to our publishing needs, regardless of author publication history or status. Submissions should appeal to a wide audience (late teen to adult).
What we are looking for:
Not previously published short stories of 4,500-8,500 words that have a central theme associated with Halloween and can be characterized within the broad realm of “horror” fiction.
Successful submissions will be highly original, well written and cleanly edited.
Stories can be frightening, thought-provoking, atmospheric, humorous or satirical (or any combination thereof), but MUST contain a complete tale.
What we are NOT looking for:
Stories that have been hastily retrofitted with a coating of “Halloween” references to fit the submission guidelines. These are easily spotted and will be immediately rejected.
Stories that contain excessively explicit language, sexuality and violence, or that have a main goal of shocking the audience with poor taste (language, sexuality and violence is acceptable, however, if it is essential to the story and is handled in a tasteful manner). This IS NOT an “extreme horror” or “Splatterpunk” anthology.
Abstract mood pieces, vignettes, and highly experimental approaches to literature are discouraged.
Stories featuring exaggerated dialects, colloquialisms or excessive references to pop culture or current fads are discouraged.
We will not be accepting epistolary fiction for this anthology.
Document Requirements: Submissions must be in an editable format. No PDFs or scanned documents sent as image files will be accepted. Preference is for author name, email address and word count information to be placed at the end of the document to assist in blind review process.
Submission window: October 29, 2017 – March 30, 2018. No multiple submissions. Simultaneous submissions are okay, but please disclose this in your submission. Notifications of acceptance / rejection will be sent no later than May 31, 2018.
Pay Rate: $.03 per word. Two (2) free contributor copies (paperback) will be provided, with contributors having the option to buy additional quantities at cost post-publication. Payment on publication.
Anthology target length: 300-350 pages. Title TBD.
Terms: Corpus Press maintains exclusive paperback, hardcover and eBook publishing rights from date of publication until November 2019, at which time full republication rights revert back to the author. Author retains all audiobook rights. Publisher retains future publishing rights to maintain the submitted work in print as part of the published anthology. Final contract required to be signed upon acceptance which may contain additional terms and conditions.
(Please note: the terms of these submissions guidelines are for reference only, are subject to change without notice and do not constitute any legal agreement or offer to contract by Corpus Press or any of its operators. By submitting your work to Corpus Press for consideration, submitters agree not to hold Corpus Press or any of its operators liable for any damages, perceived or real, arising from their submission.)
Deadline: December 31st, 2017
Payment: 3 cents per word
Crystal Lake Publishing will be accepting submissions for the non-themed anthology Tales from the Lake Volume 5 from October 1st, 2017 through December 1st, 2017. In previous anthologies we’ve published Clive Barker, Neil Gaiman, Jack Ketchum, Ramsey Campbell, Elizabeth Massie, Rena Mason, Graham Masterton, Lisa Morton, Kealan Patrick Burke, Damien Angelica Walters, Joe R. Lansdale, Gene O’Neill, and Tim Waggoner.
We can’t wait to announce who will be headlining this anthology! One name we can already reveal is the inclusion of a brand new story by Gemma Files.
Tales from the Lake Volume 5 will be edited by Kenneth W. Cain.
WHAT WE’RE LOOKING FOR:
We want stories that haunt the readers for months to come.
We prefer quiet horror and dark fiction with a literary bent. Don’t use gore for the sake of grossing us out. Use it sparingly, and only to further the story.
Stories should be no longer than 6000 words, but that doesn’t mean the story should use all 6000 words. Use the word count it takes to write YOUR story. The sweet spot will likely be closer to 4000 words.
Ground your stories in the REAL world.
Create believable, three-dimensional characters just as real as your friends and neighbors. The world these characters inhabit should be equally authentic, hitting all the senses.
Originality is important—we don’t want your version of someone else’s story from yesteryear.
Although our arms are wide open, we’re more interested in fiction that reflects the modern. Kelly Link, Karen Russell, Joe Hill, Damien Angelica Walters, and Mercedes M. Yardley are prime examples of current dark fiction writers encapsulating the above in their work.
Quality of the work must be top notch! The authors mentioned above represent the high-water mark we’re looking for.
WHAT WE’RE NOT LOOKING FOR:
Stories sent before or after the submission window. These will not be read.
Rape stories or sexual abuse or any explicit abuse toward children or animals is expressly forbidden. This can be mentioned or remembered by your main character, but be subtle.
Stories that are not short horror stories.
Novels or novellas.
Stories with flat worlds.
Stories about serial killers.
Stories about zombies, vampires, werewolves or ghosts need to bring something new to the table. You must have a unique premise.
To avoid too many writers writing about lakes, please keep in mind this is a non-themed anthology.
For this anthology we are paying 3 cents (USD) per word up to 6000 words via PayPal.
We DO NOT accept reprints.
We prefer you do not submit your story elsewhere while it’s being considered by us, especially if it’s been shortlisted. No multiple submissions, either. You get one shot. Make it count.
For the most part, acceptances will not go out until some time after the deadline. Rejections and shortlisting notices will go out sooner. Feel free to query if longer than 3 months.
We are seeking FIRST world rights, both in print, electronic, and audio forms as well as film rights for an exclusive period of 1 year and then non-exclusive after that.
Submit your manuscript in Shunn Format (http://www.shunn.net/format/story.html) as a .doc or .docx attachment. Keep your cover letter brief, but relay any pertinent information. You should also include a short bio. Subject of your email should start with SUBMISSION and then the title of your story.
Remember, submissions only open on the first of October. Early submissions will not be accepted. Until then, it won’t be the worst idea to familiarize yourself with the series (Vol.4, edited by Ben Eads, will be out in October):
Deadline: December 15th, 2017
Payment: $0.02 cent a word paid on publication + shared royalties.
B Cubed Press is accepting short story submissions for “After the Orange,” an original science fiction and fantasy anthology about the post-Trump world.
The Trump Presidency has come and gone. Has this invoked the Trump Dynasty or has it spawned a return to core values, a hedonistic paradise or what? Truly, what does the future, the post Trump future hold?
What We Want:
We are looking for near- or farther-future stories, society as it is AFTER 2032 – at least two presidential election cycles after Donald Trump’s last eligibility. Show us America or the world in a new era, or look at world politics changed by the actions of US policies and people. Or go beyond.
Stories may present an optimistic or pessimistic, utopian or apocalyptic visions of the future, with some clear connection to current events and the world as it is in 2017. Political shenanigans would be interesting, as well as romance, spooks, robots and evil overlords, satire or parodies. But remember, the world has moved on. The editors generally favor character- and/or plot-driven stories.
Payment: $25-50 for fiction, $15-25 for poetry
Note: Updated 10/17/2017
So you want to submit to Gallows Hill. Awesome! There’s a good chance we’d like to read your work! But let’s get some ground rules set so we don’t waste your time and effort. Remember – more rejections are sent out due to a piece not being a great fit for a magazine than for a piece being poorly written, so it is a good idea to read these guidelines and understand them before submitting.
We publish dark fiction. This primarily means horror, but dark fantasy, gothic, supernatural and ghost stories, black comedy, and genre-benders stand an equal chance if they are well written. In fact, there are certain issues coming up that focus entirely on the genres that are tangential to horror, like dark fantasy.
We publish short stories. We are a roughly 60-page magazine that balances fiction with tons of other awesome content. That means we can only devote limited space to fiction, and we want to publish as many people as possible. So we do not consider novels or novellas for the magazine. We do hold competitions such as our annual NaNoWriMo competition that look for long-form fiction, but general submissions should be no more than 9,000 words.
We publish upsetting content. This magazine revolves around horror, a genre dedicated to making the reader uncomfortable. If you have scenes or elements in your work that you are afraid might upset us, submit it anyway. Our editors checked their delicate sensibilities at the door. Of course, any mature content needs to be justified in the story. Any sex or violence or gore can’t be done strictly for shock value.
We publish articles, reviews, and columns. Do you have something to say about horror? Want to submit a review or exclusive interview? Want to start a monthly column that discusses a particular aspect of horror culture? We’d love to hear from you! Feel free to submit your work to us, or email our Editor-in-Chief ([email protected]) with a pitch if you’d rather.
We publish poetry. Send your dark poems on over! Short poems are cool because we can scatter them in with other content, but we do longer poetry as well. Just don’t send a 10,000-line epic. See #2 for reasoning.
We publish artwork. We love dark art (note: different than the dark arts). We are always looking for artwork, photography, or any other sort of visual piece to publish. From cover images to illustrations, from photography to serial-published visual stories, we want it all! If you are interested in submitting artwork and photography, please email [email protected] directly.
We are humans. That’s right. Despite what some websites might claim, a good editor cannot be replaced with a robot or algorithm. Our staff reads every submission we get, and that takes a lot of time. So be patient. You can stay up-to-date with where your piece is by tacking its progress on HeyPublish. We will respond to every request once we make a decision, but we can’t guarantee that our decision will be quick. With that in mind, we are totally cool with simultaneous submissions. Just let us know if your piece has been accepted elsewhere.
We don’t just publish a magazine. That’s right. We do more. While we are still in the developmental stage for our book, comics, and poetry imprints, we do offer you the chance to get published in our anthologies. Most notably our annual Editor’s Choice Awards. Because our magazine revolves around themes, sometimes our favorite pieces just don’t fit into the publishing schedule for Gallows Hill. That’s when we go hit the golden buzzer in the middle of the office and unleash a cascade of streamers and glitter and balloons. Those stories will be accepted into our year-end special edition e-book and promoted all year. Cleaning up the office afterwards is a pain, though.
We do believe in paying writers and artists for their work. While we are working diligently to getting to a full $0.05 per word, our current rates are $25-50 for fiction, $15-25 for poetry, and $10-50 for artwork and photography.
That’s pretty much all I can think of to tell you. On behalf of all of the editors here at Gallows Hill, I wish you the best of luck with your submission. We are looking forward to reading your work!
Now go submit. What are you waiting for? A giant button to click?
Submit Here. (Sorry, we I’m too busy to code in the button like they have on the actual page!) 😉
Deadline: December 31st, 2017
Payment: 5 cents a word, 2 cents a word if a reprint.
Note: Reprints Allowed
edited by Steve Berman
Avarice and a fealty to Mammon are elements of this forthcoming anthology slated for January of 2018. Lethe is seeking weird and eerie stories of people consumed by wealth. Each tale must be suffused with the trappings of the well-to-do. Decadence should be paramount. However, we do not want these tales to be moralistic; we’re celebrating those who can buy the finest things in life…they just happen to be the leads in a horror story. The better stories will incorporate status and wealth as both character traits and elements of the plot. For an excellent example, we recommend “Dirty American” by Lara Elena Donnelly or “His Mouth Will Taste of Wormwood” by Poppy Z. Brite. Our preference is for stories that are contemporary but we are willing to read and purchase a few historical tales. No vampire or zombie tales.
Stories should be from 4,000 to 14,000 in length. Original fiction is more important to us, but we will make an offer on exceptional reprints. Payment for reprints is 2 cents per word. Payment for original fiction is 5 cents a word. All payment is upon publication in Summer of 2018. We’ll be doing a lovely, off-set, hardback edition of this book, perhaps a trade paperback, digital and audiobook versions.
Deadline is January of 2018. Please submit to Steve Berman at lethepress @aol.com with the Subject line of Midas Clutch Submission. Include an embedded copy letter with biographical details, if the story is original, and some sense of prior publications (if any).
Basic Submission Guidelines
If you would like to submit a manuscript to Lethe Press here are our guidelines:
We seek manuscripts that are a minimum of 45,000 words but no more than 135,000 words (and we are very, very selective on submissions more than 100,000 words).
We are primarily interested in queer speculative fiction. That is our specialty. We are willing to read and consider other genres (however, we have more resources to apply to such titles).
Currently we are only interested in reading poetry manuscripts for our Tincture imprint.
When submitting, please email to Steve Berman (at [email protected]) a synopsis of your ms. and the first three chapters as a RTF file or MS Word document. Please include a cover letter (you may list previous publications) and give us a sense why you have chosen to submit to Lethe Press.
Obviously we will not consider any title that has a negative perspective of LGBT individuals.
Please allow us 120 days to respond to your query; we do not consider simultaneous submissions.