Deadline: July 15th, 2018
Payment: 6 cents per word
“Terra! Tara! Terror!” – SF, Fantasy, Horror. Whether the setting is a cabin in the woods (Terra), Fae (Tara), or spaceship Nostromo (Terror), take us there and spin your adventure. For a bit of mood whiplash, we’d like a mixture of dark and bright stories. Examples: Obsession with odd artifacts (like Roadside Picnic’s golden sphere?), alternate histories, paranormal romance (no erotica, please, we’re PG-13). (Image: The initial letter of the fairy tale “Guleesh” created by John D. Batten for Joseph Jacob’s collection, Celtic Fairy Tales. 1892. commons.wikimedia.org)
Reading Period: June 15 – July 15, 2018
Writer Deadline: July 15, 2018
Publication Date: September 20, 2018
Third Flatiron Publishing is based in Boulder, Colorado, and Ayr, Scotland. We are looking for submissions to our (approximately) quarterly themed anthologies. Our focus is on science fiction and fantasy and anthropological fiction. We want tightly plotted tales in out-of-the-ordinary scenarios. Light horror is acceptable, provided it fits the theme.
Please send us short stories that revolve around age-old questions and have something illuminating to tell us as human beings. Fantastical situations and creatures, exciting dialog, irony, mild horror, and wry humor are all welcome. Stories should be between 1,500 and 3,000 words. Inquire if longer.
Role models for the type of fiction we want include Kurt Vonnegut, Arthur C. Clarke, Dan Simmons, Connie Willis, Vernor Vinge, and Ken Kesey. We want to showcase some of the best new shorts available today.
For each anthology, we will also accept a few very short humor pieces on the order of the “Shouts and Murmurs” feature in The New Yorker Magazine (600 words or so). These can be written from a first-person perspective or can be mini-essays that tell people what they ought to do, how to do something better, or explain why something is like it is, humorously. An SF/Fantasy bent is preferred.
See the “Submissions” tab for preferred formats, etc.
Via: Third Flat Iron.
Deadline: July 5, 2018
Payment: 5 cents per word and 2 contributor’s copies
We will be accepting submissions from June 5, 2018 until July 5, 2018 from authors who have never sold a story to the magazine before. If you’ve already had a story accepted for publication in the magazine, please wait for the next reading period. Thank you for your understanding.
PLEASE only send your very best original work. No trunk stories, no rejects from theme anthologies, no reprints of any kind. ONE SUBMISSION PER AUTHOR—make it count!
Guidelines: Well written horror, dark mystery, and suspense short stories up to 5,000 words. Originals, no reprints. We want tales that are powerful and emotional—creepy, chilling, disturbing, and moody. Suspense/mystery/crime tales with a horror element are always welcome. Both supernatural and psychological stories are fine.
Most common reasons for rejection: Lack of power, lack of originality, slow pacing, poor writing, boring themes, all gore and no heart. Read the magazine, see what type of fiction we are publishing—please don’t submit with a blind eye!
Multiple Submissions? Please only send ONE story.
Payment: Professional rates, minimum of five cents per word, plus two contributor copies. Payable within 30 days of publication. Up to 5,000 words; maximum payment of $250.
Response Time: Up to four months.
Submission Window: June 5, 2018 until July 5, 2018
Via: Cemetery Dance’s Submittable.
Payment: 8-10 cents per word for short stories up to 7,500 words, and 8 cents for each word over 7,500.
Payment & Rights
Asimov’s Science Fiction magazine is an established market for science fiction stories. Asimov’s pays 8-10 cents per word for short stories up to 7,500 words, and 8 cents for each word over 7,500. We seldom buy stories shorter than 1,000 words or longer than 20,000 words, and we don’t serialize novels. We pay $1 a line for poetry, which should not exceed 40 lines. We buy First English Language serial rights plus certain non-exclusive rights explained in our contract. We do not publish reprints, and we do not accept “simultaneous submissions” (stories sent at the same time to a publication other than Asimov’s). Asimov’s will consider material submitted by any writer, previously published or not. We’ve bought some of our best stories from people who have never sold a story before.
In general, we’re looking for “character oriented” stories, those in which the characters, rather than the science, provide the main focus for the reader’s interest. Serious, thoughtful, yet accessible fiction will constitute the majority of our purchases, but there’s always room for the humorous as well. SF dominates the fiction published in the magazine, but we also publish borderline fantasy, slipstream, and surreal fiction. No sword & Sorcery, please. Neither are we interested in explicit sex or violence. A good overview would be to consider that all fiction is written to examine or illuminate some aspect of human existence, but that in science fiction the backdrop you work against is the size of the Universe.
Electronic Submission and Manuscript Format
Asimov’s now uses an Online Submissions System that has been designed to streamline our process and improve communication with authors. We do not accept email submissions. Please see Manual Submission Guidelines for information about paper submissions.
Our online submissions form for fiction asks for your name, email address, cover letter, story title, and story. Cover letter is optional. If you choose to include it, it should contain the length of your story and your publishing history. Story word count can, and should, also be indicated in the upper right corner of the first page of the manuscript. We ask for the same information for poetry. Please fill out a separate form for each poem submitted for consideration. All stories and poems should be in standard manuscript format and can be submitted in .RTF or .DOC format. For information about standard formatting, see William Shunn’s guide to Proper Manuscript Format. After you have submitted your work, a tracking number will be displayed and an automated email confirmation containing this information will be sent to you. If you have not received this email within twenty-four hours, please notify us by email. Your tracking number will allow you to monitor the status of your submission through our website, so please don’t lose it.
NOTE: Yahoo.com occasionally treats our email as spam, please keep an eye on your spam folder.
Our average response time runs about five weeks. If you have not heard from us in three months, you can query us about the submission at [email protected]. Thanks for your interest in Asimov’s and good luck!
Manual Submission and Manuscript Format
Manuscripts submitted to Asimov’s must be neatly typed, double-spaced on one side of the sheet only, on bond paper (no erasable paper, please). Any manuscript longer than 5 pages should be mailed to us flat. Dot matrix printouts are acceptable only if they are easily readable. Please do NOT send us submissions on disk. When using a word processor, please do not justify the right margin. If sending a printout, separate the sheets first. The manuscript should include the title, your name and address, and the number of words in your story. Enclose a cover letter if you like. All manuscripts must be accompanied by a self-addressed stamped envelope (if manuscript is over 5 pages, use a 9” x 12” envelope) carrying enough postage to return the manuscript If you wish to save on postage, you may submit a clear copy of your story along with a standard (#10) envelope, also self-addressed and stamped. Mark your manuscript “DISPOSABLE,” and you will receive our reply only. We do not suggest that you have us dispose of your original typescript. If you live overseas or in Canada, use International Reply Coupons for postage, along with a self-addressed envelope.
Via: Asimov’s Science Fiction.
Deadline: July 1st, 2018
Payment: 8 cents per word
We are now open to original short stories of urban weird fiction (so stories about cities and dealing with the complexity that is other people) for the upcoming Nowhereville: Weird is Other People. These are modern weird tales (give or take a few decades) that could only be told of the weirdness of the urban experience and our interactions with one another.
We want diverse stories with modern sensibilities from many different voices that show the immense and diverging possibilities for weird fiction, fearlessly exploring the new and the strange. We are actively seeking submissions from writers from underrepresented populations. (This includes, but is not limited to, writers of any race, gender, sexual orientation, religion, nationality, class, and physical or mental abledness.)
- Original, previously unpublished weird fiction short stories of 3,000-7,500 words (you can read more of what we’re looking for with regard to weird fiction briefly below and in more detail at Eyedolon magazine in the Overview under the title “Toward a Weirder Tomorrow”)
- Pay rate of 8 c/w for first rights to digital, audio, and print formats in English.
- Simultaneous submissions are welcome, but please, let us know as soon as possible if your submission has become unavailable before you hear back from us.
- No Cthulhu Mythos for this one.
- Only one submission per author.
- We seek both rich characters and grandiose ideas. We seek diverse characters.
Submit your story in standard manuscript format as an attachment to submissions(at)brokeneyebooks(dot)com with a subject line of the following: [NWV] “Your Story Title”.
Submission window open from May 1, 2018 to July 1, 2018. (We cannot confirm receipt of your manuscript, so please don’t ask. We will accept or reject as quickly as we can.) The published anthology will be a mix of stories both from invited authors and from submissions. Don’t self-reject. If in doubt, submit.
The selected stories will appear in Eyedolon magazine, and then, when we have some to-be-determined critical mass of stories, they’ll be collected in print form as an anthology. Then we’ll pick a new topic and start the whole process over for another anthology. (It’s a magazine-anthology hybrid.)
EYEDOLON MAGAZINE is an online magazine of weird tales. These are the stories that take place in the realms between science fiction and fantasy, between the realistic and the absurd. This is weird fiction and its borders with other genres.
And what is weird fiction? We at least want to tell you what it is to us. So here’s a quick list and then below, (You can read more of our thoughts on weird fiction at Eyedolon magazine.) We are looking for, in no particular order, dark fantasy, cosmic horror, fabulism, folk horror, magical realism, slipstream, “soft” science fiction, supernatural horror, and surrealism. In short, weird fiction and where it borders with science fiction and fantasy:
- It must be speculative fiction.
- It need not be horror. At its core, weird fiction is the unknown. That sits very well as warding off the shadows—or horror—but beyond the grotesque, it reaches clear to the ecstatic with stopovers at all modes in between, such as at the comedic and the slice of life.
- As a landscape, speculative fiction exists on a spectrum with other genres and at times shares their borders. These frontiers are evershifting.
- The weird sits in an “uncanny valley” of realism, snug between the impossibility of fantasy and the certitude of science fiction.
And it needs to incorporate the current theme…
Thank you for your support!
Broken Eye Books is an independent press based in Seattle, here to bring you the odd, strange, and offbeat side of speculative fiction. Our stories tend to blend genres, blurring the boundaries of sci-fi, fantasy, and the weird.
Support weird. Support indie.
Via: Broken Eye Books.
Payment: Six cents per word
So. We’re all geeks here, so we probably don’t have to tell you that Amazing Stories was started in 1926 by Hugo Gernsback, giving it the distinction of being the first science fiction magazine. You already know that Amazing Stories published many of the early greats in the field, including Jules Verne, H. G. Wells, E. E. “Doc” Smith, Ursula Le Guin, Isaac Asimov, John Campbell Jack Williamson and Claire Winger Harris.
But what has Amazing Stories done lately?
The field of science fiction (or scientifiction as Gernsback liked to call it) has changed substantially in the ninety years since Amazing Stories was first published. For one thing, science has progressed substantially, giving us men on the moon, a map of the human genome, virtual reality, the Internet of things, and real robots and artificial intelligence; never before have science fiction writers had so many toys to play with, and new ones seem to be appearing every day. For another thing, science fiction readers are more sophisticated than they were an almost century ago; they’ve been there and done that with the formulae of the genre, and they’re looking for what’s next.
Amazing Stories plans to be what’s next.
What We’re Looking For
Amazing Stories is looking for short stories that are fresh and new. We want to be surprised. We want to be delighted. We want your stories to be amazing. It’s not enough to be technically proficient and have a sort of, somewhat semi-original idea; we want to be dazzled by your original style and substance.
Remember when science fiction was optimistic, when the future was something to be embraced as a bold adventure instead of a place of dystopias, seemingly endless wars and mutant monstrosities to be feared? Amazing Stories will not shy away from stories that explore the negative impacts of technologies on individuals and society, but we have a strong preference for stories that take a bright view of human ingenuity and the possible futures we can make with it. Have you ever read a short story or novel and thought to yourself, “I want to take part in making that future a reality?” That is what we would like to see.
We intend to have a balance of relatively known and relatively new writers. Don’t be reluctant to submit stories just because you aren’t a famous writer – if you have an original idea and style, submitting to Amazing Stories could be your first step to becoming one.
We are happy to consider stories with a strong point of view, especially in light of the fact that one of the strengths of science fiction is its exploration of how science and technology can change interpersonal relationships and politics. However, we do not want stories that are basically political screeds or other kinds of preaching. Point of view needs to arise naturally out of the workings of the plot and the interactions of the characters.
We will not reject stories solely because of “adult” content. Keep in mind, however, that such content is not in keeping with our optimistic approach, which will make stories with graphic content (of a sexual or violent nature) a hard sell.
Amazing Stories encourages visible minorities, QUILTBAG writers and members of other minority or marginalized groups to submit to the magazine. The future will be diverse; we would like to see that reflected in the stories we tell and the writers who tell them.
We speak humor here. Well written humorous stories are always welcome.
LENGTH: 1,000 to 10,000 words
PAYMENT: Six cents per word. Payment is upon final acceptance.
RIGHTS: Amazing Stories buys first world publication rights. In addition, we are buying non-exclusive electronic archival rights, in perpetuity, and the right for non-exclusive publication in the quarterly issue (ebook and print on demand, as well as a print “collector’s edition”). We also ask for non-exclusive rights to republish the story in an anthology for a separate fee.
REPRINTS: Although Amazing Stories publishes reprints, they will be limited in number and solicited by the publisher, so please do not submit them (although suggestions are appreciated). The reprint rate is $100 regardless of story length.
SUBMISSIONS: We do not accept emailed or print submissions. Stories must be submitted using our online submission system, which will be open starting on a date which we will announce. This will require setting up an account. Under LogIn on the top right corner of this page, you will be asked to create a username and supply your email address. When you have submitted this information, you will receive an email asking you to activate your account. Click on the link in the email and you will now have an Amazing Stories submissions account.
When you next log onto the submissions page, you will see more options, including “Submit a Story” and “Stories.” When you click on “Submit a Story,” you will be asked for information about the story and to upload a digital copy. If you want to see a list of stories you have submitted and what their current status is, click on the “Stories” button.
Amazing Stories uses a randomized submission system, so please make sure that your name does not appear anywhere on the manuscript; if any identifying information appears anywhere in your submission, it will be rejected unread. We could repeat this instruction five times to show you just how serious we are about it, but we’d hate to waste the bandwidth, so let’s assume that you are paying attention and will follow it.
SIMULTANEOUS SUBMISSION: No. Just…no.
MULTIPLE SUBMISSION: Also no.
MANUSCRIPT FORMAT: Do we have to tell you to use standard manuscript format? Really? Double spaced? Bold and italics in bold and italics? If you’re in doubt, you can find the standard guidelines here: www.sfwa.org/2008/11/manuscript-preparation/. But Remember: DO NOT include your name on the ms.
Via: Amazing Stories.