Category: Non-fiction

Non-fiction

Artwork / Events / Flash / Flat Amount / Magazine / Non-fiction / Poetry / Reprints Allowed

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Taking Submissions: parABnormal Magazine 2023 – Second Call

Deadline: July 31st, 2023
Payment: $25.00 for original stories, $7.00 for reprints. $6.00 for each poem. $20.00 for original articles, $6.00 for reprints. $7.00 for reviews and interviews. $5.00 for interior art
Theme: The paranormal

Submissions are accepted Feb 1 – Mar 31, Jun 1 – Jul 31, Oct 1 – Nov 30.

Anything submitted outside those periods will be deleted unread.

We no longer accept simultaneous or multiple submissions.

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No matter how far we move forward as humans, we are still bound by the instincts and ancestral memories of our animalistic past. None of these are so strong as the fight or flight response. However, there are times when we seem to be perfectly safe, completely at ease and comfortable, when that urge to run from something sneaks up on us. What causes these sensations? Is there something lurking in the darkness? Why is that man giving you the creeps, he’s not even looking at you? And yet, there is something odd. Something instinctual, something you know without fully understanding. We may have moved on, we may have forgotten and left behind those old stories and legends of beasts, voracious monsters, and dark spirits… But they have not forgotten or left us…

What We Want

The subject matter of parABnormal Magazine is, yes, the paranormal. For us, this includes ghosts, spectres, haunts, various whisperers, and so forth. It also includes shapeshifters and creatures from various folklores.

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Events / Flash / Flat Amount / Magazine / Non-fiction / Poetry

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Taking Submissions: Taco Bell Quarterly Volume 7

Deadline: July 31st, 2023
Payment: $100
Theme: Fiction or poetry that mix art and Taco Bell

Taco Bell Quarterly is a literary magazine that explores the intersection of Art and Taco Bell. Our only guideline is that it must contain a Taco Bell reference. We publish art that explores, provokes, and tests the conventions of creative writing as it relates to Taco Bell. Whether or not you believe any of this is up to you, the creative writer.

We are looking for short stories, non-fiction, prose, essays, poetry, art, comics, flash, films, undefinable auras, experiments, and completely ordinary shit that will peak in the seventh issue of a literary magazine in a corner of the internet. You are, were, and always will be a Literary Writer.

We are looking for innovative ways to lower the bar. We are looking for ways to degrade ourselves with flair. We are looking for universes that could be extremely traumatizing if the writers weren’t cowards. We are looking for ways to address the nightmares more directly.

We are drawn to writing that is urgent. We are drawn to screams and fever dreams. We want to publish: the stuff that no one else gets, the stuff that speaks to the moment, the stuff that speaks to nothing at all, the stuff that is grilled and nacho stuft. Have fun. Make stuff.  Screw your Koch Perception Boxes. Send us your panorama shoeboxes. Run for the border so that we can dismantle the borders altogether.

We want to hear from everyone, especially queer writers, trans writers, writers of color, neurodiverse writers, disabled writers, non-literary writers, genre writers, not-even-writers and total outsiders. Simultaneously subbed? Previously pubbed? We have no rules. Shoehorn a bean burrito in it and send it. Taco Bell Quarterly loves you.

We pay $100.

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Artwork / Events / Flash / Flat Amount / Magazine / Non-fiction / Poetry / Semipro

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Taking Submissions: Haven Speculative 2023 General Submissions Call #3 (Early)

Submission Window: June 1st – 30th, 2023
Payment: 1 cent per word for fiction, $5 for poetry, 1 cent per word for non-fiction, $35 for cover art
Theme: Speculative fiction

It’s our goal to publish diverse voices from around the world, and to do that, we are actively seeking stories, poems, and non-fiction pieces by authors from backgrounds that have been historically underrepresented in the science fiction and fantasy canon. Our submission cycle is therefore split into two categories, where every other month is explicitly reserved for submissions by authors of color, members of the LGBTQIA+ community, and other underrepresented groups. The interposing six months remain open to everyone.

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Artwork / Events / Flash / Flat Amount / Magazine / Non-fiction / Poetry / Semipro

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Taking Submissions: Haven Speculative 2023 Limited Submissions Call #3 (Early)

Submission Window: May 1st – 31st, 2023
Payment: 1 cent per word for fiction, $5 for poetry, 1 cent per word for non-fiction, $35 for cover art
Theme: Speculative fiction

It’s our goal to publish diverse voices from around the world, and to do that, we are actively seeking stories, poems, and non-fiction pieces by authors from backgrounds that have been historically underrepresented in the science fiction and fantasy canon. Our submission cycle is therefore split into two categories, where every other month is explicitly reserved for submissions by authors of color, members of the LGBTQIA+ community, and other underrepresented groups. The interposing six months remain open to everyone.

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Artwork / Events / Flash / Flat Amount / Magazine / Non-fiction

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Taking Submissions: Samjoko Spring 2023 Issue

Deadline: April 10th, 2023
Payment: $20
Theme: Non-Genre Specific Fiction, Non-Fiction, and Poetry

$20 Contributor’s Payment if accepted

Submissions period: 2023/02/10 – 2023/04/10

No reprints

Submit once per reading cycle

Submissions that do not follow guidelines will be deleted unread.

If previously accepted, please wait 24 months before submitting again. Only submit once per reading cycle.

We are non-genre specific. Read previous issues to get a sense of what we publish.

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Anthology / Events / Flash / Flat Amount / Non-fiction / Poetry

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Taking Submissions: The First Line – Summer 2023

Deadline: May 1st, 2023
Payment: $25.00 – $50.00 for fiction, $5.00 – $10.00 for poetry
Theme: Story must begin with: “All the lawns on Mentone Avenue are mowed on Wednesdays.”

We love that writers around the world are inspired by our first lines, and we know that not every story will be sent to us. However, we ask that you do not submit stories starting with our first lines to other journals (or post them online on public sites) until we’ve notified you as to our decision (usually four weeks after the deadline). When the entire premise of the publication revolves around one sentence, we don’t want it to look as if we stole that sentence from another writer. If you have questions, feel free to drop us a line.

Also, we understand that writers may add our first line to a story they are currently working on or have already completed, and that’s cool. But please do not add our first line to a previously published story and submit it to us. We do not accept previously published stories, even if they have been repurposed for our first lines. And, just to be clear, we do not accept simultaneous submissions.

One more thing while I’ve got you here: Writers compete against one another for magazine space, so, technically, every literary magazine is running a contest. There are, however, literary magazines that run traditional contests, where they charge entry fees and rank the winners. We do not – nor will we ever – charge a submission fee, nor do we rank our stories in order of importance. Occasionally, we run contests to help come up with new first lines, or we run fun, gimmicky competitions for free stuff, but the actual journal is not a contest in the traditional sense.

Fiction: All stories must be written with the first line provided. The line cannot be altered in any way, unless otherwise noted by the editors. The story should be between 300 and 5,000 words (this is more like a guideline and not a hard-and-fast rule; going over or under the word count won’t get your story tossed from the slush pile). The sentences can be found on the home page of The First Line’s website, as well as in the prior issue. Note: We are open to all genres. We try to make TFL as eclectic as possible.

Poetry: We do accept poetry, though rarely. We have no restrictions on form or line count, but all poems must begin with the first line provided. The line cannot be altered in any way.

Non-Fiction: 500-800 word critical essays about your favorite first line from a literary work.

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Events / Flash / Flat Amount / Magazine / Non-fiction

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Taking Submissions: Cunning Folk #6

Deadline: March 1st, 2023
Payment: £100 per article, interview or short story and £50 for poetry and rituals
Theme: The Vampire

We are open to non-fiction pitches and short fiction and poetry submissions for issue 6 until 1 March 2023. The theme is THE VAMPIRE.

“Vampires are so nearly human that they are excellent to think with.”

–Professor Nick Groom, author of The Vampire: A New History

Vampires charm and terrify us. We fear them, envy them, and pity them, eternal witnesses to the passage of time, conquerors of impermanence, and creatures of the night. The vampire is a symbol of the shadow side, of the old world meeting modernity, and of the 19th-century preoccupation with mesmerism and blood; the vampire eludes, too, to the pitfalls of aestheticism, for behind this creature’s seductive glamour lies a ruthless – often narcissistic and nihilistic – consumer. Of course, the vampire also has roots in older, Eastern European folk beliefs, such as the Romanian strigoi – which had much in common with the witch of the witch trials – and this supernatural being converges with many other cultural beliefs around the undead. The modern vampire continues to haunt our collective imagination, from Count Dracula and Carmilla to Anne Rice’s Vampire Chronicles and True Blood, exposing our basest impulses and thoughts, and forcing us to confront the personal and collective shadow. Why does this monster appear to us in dreams and sleep paralysis? Why are we scared of – and fascinated by – the liminal space between life and death? What even is death? What is it to live forever? And what does the vampire’s infinite quest for blood tell us of our own lives? Are we, too, a little vampiric? How can we fend off the vampires exterior and interior to ourselves? We want your articles, interviews, rituals, poetry and short fiction pertaining to the vampiric, that intersect with our other themes and that shine light on what lies behind the vampire’s shiny façade – and what that tells us about the current age, the unconscious shadow and humanity. This question can be explored via journalism, art, literature, science, pop culture and the personal.

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Artwork / Flash / Flat Amount / Magazine / Non-fiction / Poetry / Pro

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Taking Submissions: Strange Horizons: Wuxia & Xianxia Special

Deadline: March 1st, 2023
Payment: Fiction: 10¢/word USD, Poetry: $50 per poem, Non-Fiction: $50 for a column, $40 for a reprinted essay, $150 for an original essay, $45 to an interviewer, and $45 to an interviewee, $20 to a roundtable moderator, and $20 to each other contributor
Theme: Stories that fit in wuxia and xianxia fiction

Imagine yourself as a sword fighter, a vigilante hero and upholder of justice. Imagine you are a xia in the world of jianghu—whether a solitary traveller on a mission, an outlaw on the run, or a member of a powerful sect or dying clan. Or imagine you are a Daoist cultivator, soaring across the sky atop swords and clouds, with a story that stretches across realms and even lifetimes.

Welcome to the Wuxia & Xianxia Special, fellow walkers of the jianghu.

Many of us have become fans of wuxia and xianxia fiction ever since we first encountered eminent wuxia and xianxia authors like Jin Yong, Gu Long, and Huan Zhu Lou Zhu. Others among us fell in love with these genres through films from the Shaw Brothers Studio, Pili puppet shows, drama adaptations, RPGs, manhua, and other kinds of popular media.

Over the past decade, there has also been a new and revived interest in the xianxia genre with the rise of web novels, and more recently, through the lens of danmei, as shown by the popularity of dramas like The Untamed.

For this special issue, we are interested in:

  • Traditional and new approaches to wuxia and xianxia fiction
  • Stories full of action, conflict, drama, and intrigue
  • Rich, diverse, colourful, and nuanced worldbuilding, whether featuring the jianghu, a xianxia world, the imperial court, or other kinds of setting
  • Unique approaches to classic wuxia themes like honour, free love, good versus evil, and individual choice versus fate
  • Re-imaginings of what these genres look like in the 21st century
  • Works that experiment with, subvert, and reinvent genre tropes, including in combination with other Sinophone literary traditions such as danmei, chuanyue (time travel), gong’an fiction (court case), and beyond

The editors for the Wuxia/Xianxia Special invite you to submit fiction, poetry, translations, and nonfiction.
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