Taking Submissions: Elf Saga: Beyond Doomsday

Deadline: April 30th, 2018
Payment: $50 and royalties

Do you really love classic fantasy, but also love making totally modern snarky jokes? Have you always wanted to write an episode of Buffy the Vampire Slayer or Supernatural? Do you want to write about an amazing fantasy heroine who doesn’t seem to fit into any other setting? Then this is the anthology for you!

ELF SAGA is a series about heroines from all over the world coming together to solve mysteries, slay beasts, save innocents, and deal with family drama (usually). It’s also about making fun of your situation, even as your situation is trying to eat you alive. It’s about pointing out absurdity, even as you’re forced to be friends with that absurdity. It’s about laughing at death, even as you’re dying. (But mostly laughing.)

This new anthology, ELF SAGA: BEYOND DOOMSDAY, is set around the time of the novel ELF SAGA: DOOMSDAY. Writers are invited to create their own original characters to explore new corners of this vast fantasy world. You are encouraged to read the novel (it’s free) to get a sense of the world and the tone, and then let your imagination run wild. You can set your story before, during, or after the novel (the world changes a lot during the novel, so it may matter to your story). Let’s get right into the details:


Anthology Title: “Elf Saga: Beyond Doomsday”

Submission Length: 5,000 – 10,000 words

Pay per original story accepted: [1] Flat fee $50, payable upon publication, plus [2] one (1) equal share of all profits generated in the first six (6) months after publication. The anthology will be priced at $3.99. (For example: if the anthology were to make 2,000 sales, this would result in $5,400 in revenue. Subtracting costs for artwork and initial fees would result in profits of about $4,400. Dividing between 10 stories would result in a royalty payment of about $440 per each story.)

All payments will be made via PayPal.

Submissions due: April 30, 2018

Notification of Acceptance: May 31, 2018

Projected publication date: August 1, 2018

Joseph Lewis, Producer and Managing Editor, will select the stories that will appear in this volume.

Cover Artist: Series artist Linggar Bramanty

This release will NOT be published as part of Kindle Unlimited (KU). After 90 days, authors of stories not previously published will be free to publish their stories independently.

Idea pitch: You can send me an email ([email protected]) to pitch your idea and get a little feedback up front, or you can dive right in, write your story, and let me see it for the first time when you submit. Your choice. (Choose wisely!)

Authors who are accepted agree to supply one-sentence blurbs about their story, representative photographs of their faces, and a brief author biography.

Authors who are accepted will be expected to promote the series to the best of their ability.

For reference, see ELF SAGA: DOOMSDAY on Amazon (free): https://www.amazon.com/dp/B00R706OLK/

Send submissions to Joseph Lewis at this address: [email protected]

Prepare your submitted stories in Word (.doc or .docx are both fine), Times New Roman, Font size 12. Single spacing, only one space after a period. When you have a scene change, indicate it via a line with three asterisks, centered, with a space in between, like this: * * * Nothing else fancier!

Preface your story with the title, your name, your email address, and the word length. All of this makes your story easier to read and edit, and then quickly format for publication.

When submitting, include in your email any pertinent facts, such as: You’re a New York Times Bestselling author (which would be great, but certainly isn’t a requirement), you have a notable social media presence, a large list of newsletter subscribers, etc.

Guidelines for Acceptance: Here are some of the key things I’m looking for in your submission: strong characters, imaginative imagery, humorous dialogue, relatable relationships, some action and adventure, maybe a little social commentary, and of course, decent writing/editing. Bonus points if your story fits beautifully into the ELF SAGA world. Extra bonus points if you can make me laugh out loud.


The following is not a proper series bible, but a collection of notes that should help you get started.

This short story collection is set during the events of the novel DOOMSDAY. The following people, places, and creatures are available for you.

The World: “Vaenos” is a world very much like ours. It has several continents, dozens of nations, and diverse ecosystems. Across these lands are many elf societies and cultures loosely modeled on real peoples and places.

People: Everyone is an elf, which is short-hand for “ethnically diverse humans with pointy ears”.

The Drogori: A group of elves who bond with and ride dragons. By consuming the powdered bones of dead dragons, these elves have acquired (over generations) the ability to sense the presence of dragons, to commune telepathically with dragons, and to become immune to dragon fire. They are easily identified by the small red scales dotting their skin. Individuals with long Drogori lineages may also have horns. A longer lineage is easily seen by the greater size of the horns, and the individual has stronger connections to dragons. They can be found anywhere in the world, but recently have been hunted and pressed into service for either Tenjia or Varada for the ongoing dragon wars.

The Alcani: A group of elves who bonded with and rode unicorns. Once found all over the world, the Alcani (and unicorns) went extinct 100 years ago. At the end of DOOMSDAY, there are only two Alcani in the world.

The Feyeri: A group of elves who bonded with faeries. They can only be found in the mountains of Varada. At the end of DOOMSDAY, there is only one Feyeri in the world.

Ambermagi: A group of elves dedicated to scientific pursuits, generally centered on the electric-like power that can be stored and extracted from amber. Known for tinkering in all areas, including vehicles, weapons, tools, and more. Mostly found in Aram, but also known to wander.

Witches: Mysterious individuals, usually Drogori, who can manipulate arcane forces in many ways, including bending time, cursing victims, seeing the future, and controlling gravity.

Shamans: Unique and revered individuals who can see and speak to ghosts. Mostly found in remote northern communities. Known to help lost spirits pass over to the next world, and to battle evil spirits who refuse to leave.

Sword Saints: Unique to Shihoku, these skilled warriors can move and fight with superhuman power.

Dragons: Your standard fantasy monsters, available in all sizes and colors, with various numbers of eyes and wings and tails, with a variety of breath attacks. To most people, they are natural dangers. To certain governments, they are weapons of war. To the Drogori, they are sacred companions.

Unicorns: Fearsome black steeds with golden horns and manes, and the magic power to shield the land from dragons. At the end of DOOMSDAY, they are resurrected and returned to the world.

Faeries: Your standard little person-shaped flying creature. They drop trails of green glitter as they fly about, causing lush plants to randomly grow in their wake. Capable of more complicated healing and resurrection magic under the command of a Feyeri.

Mermaids: Also known as ningyo, these half-elf, half-fish creatures are as intelligent as they are cruel and dangerous. Known to hunt and devour elves at sea, and sometimes to transform their victims into ningyo as well.

Spirit Creatures: Ancient beings of unknown origin, they include Coyote, Raven, Inari the Kitsune, Horus the Falcon, and others. Fond of elves. Known to meddle in elven affairs, and to transform individuals into powerful warriors and sages.

If you have questions, don’t hesitate to contact Joseph Lewis at [email protected].

Via: Elf Saga.

Taking Submissions: SNAFU – Resurrection

Deadline: April 30th, 2018
Payment: 4cents per word AUD and contributor’s copy



Please follow these guidelines when submitting to us:
1. Please put your full contact details and word count on the first page of the manuscript.
2. Standard submission format, with minimal document formatting.
3. Courier or Times New Roman set at 12pt. Italics as they will appear. No underlining.
4. Double spaced.
5. Please don’t use TAB or space bar to indent lines. Use ‘styles’ only. If unsure or using a program that has no styles, DO NOT indent at all. That’s still cool.
6. NO SPACE between paragraphs unless a line-break is required. ONE SPACE after full stops.
7. Please put full contact details on the first page of the manuscript (yes, I said this twice… it’s important).
8. Send your submission to Geoff Brown at [email protected]cohesionpress.com as an attachment (.doc/.rtf only)
9. In the subject line of your email, please put Resurrection: [STORY TITLE] (Replace [STORY TITLE] with your actual story title. Yes, unfortunately I do need to state this)


Please include a brief ‘hello, this is who I am’ in your email body as a cover letter.
Blank emails with attachments will be deleted.

For a guide to standard submission format, see: http://www.shunn.net/format/story.html

The only variations to Shunn’s format are that italics MUST appear as they will be used – no underlining – and again, only one space after a full stop.
Anyone that fails to follow these guidelines will likely see their story shredded by mutant zombie-like creatures.

Via: Cohesion Press.

Taking Submissions: She’s Lost Control

Deadline: March 31st, 2018
Payment: $0.005 (that’s half a cent) per word at publication as well as residual NET royalties based on a percentage of overall content (meaning if your story is 5% of the book, you get 5% of the allotted royalty) and a contributor’s copy. $5 per poem
Note: Female Authors Only

Our current call is for original short fiction (up to 10,000 words) written by those who identify as a woman.  Poetry as well.

We are NOT accepting novels at this point.

We’re not stickler for submission guidelines as long as you use common sense.

A few things will get you rejected without being read:

– using the space bar to indent paragraphs
– placing a hard return at the end of each line of text

– sending your manuscript in a format other than docx or doc.

Our style manual of preference is the Chicago Manual of Style (if that helps you).
Sorry, no fan fiction.
Contact Information should include:
  • Real/Legal Name – for publishing contract
  • Email address
  • Street address – for delivery of contributor copy/royaltie


“I walked up on the edge of no escape and laughed, I’ve lost control.” – Joy Division, ‘She Lost Control’

Are we ever really in control?

This is what our first all-female anthology, SHE’S LOST CONTROL, will try to answer. We want your thrills, your kills, the dark thoughts going through your head at the brink. Will you step back from the edge? Will you jump?

If you identify as a woman, submit your short stories (up to 10,000 words) or poems about losing control. If you DON’T identify as a woman, GTFO. New and emerging authors are encouraged to submit.

Accepted authors of short fiction will receive $0.005 (that’s half a cent) per word at publication as well as residual NET royalties based on a percentage of overall content (meaning if your story is 5% of the book, you get 5% of the allotted royalty), after expenses are met, as well as an eBook AND trade paperback contributor’s copy for their stories.  We request first international electronic, audio, and print rights, which revert back to the author immediately upon release of the anthology.  The residual royalty period expires 3 years from publication. Residual royalties are paid yearly or upon your story’s accumulation of $25, whichever comes first. Poets will be paid $5 per poem.

This anthology will be published mid-2018 and will be edited by PMP’s Elizabeth Jenike. There will likely be a crowdfunding page as well, with a small goal to accelerate covering expenses.

A portion of the proceeds of this anthology will the donated to local and national charities that provide mental health services to women without the financial resources required to get help. 

Post Mortem Press is a Midwest-based independent publisher of dark fiction. We’ve published the dark stylings of authors like Jessica McHugh, Emma Ennis, Billie Sue Mossiman, Lucy A. Snyder, Cynthia Pelayo, and DeLani L. Bartlette. The singular goal of Post Mortem Press is to answer opportunity’s call by providing an outlet for both new and established writers of speculative fiction.

Submission deadline: March 31, 2018

Source: Post Mortem Press.

Taking Submissions: Sockhops and Séances

Deadline: March 15th, 2018
Payment: Stories under 1,500 words are 4% of gross profit, Above that is 5%

Anthology curated by Nicole Petit

It seems like everything’s finally settled down, fifty years into the twentieth century. War is over. The economy’s booming. People are on a long exodus from the city. It’s all settling.

But the occult lurks everywhere…

In sleepovers, as teenagers intone, “Light as a feather, stiff as a board.” Or stare into the mirror, calling upon Mary. They scream, convinced something looks back from inside the glass.

New music dominates the airwaves, discordant and wild. They say it’s the devil’s music.

Strange lights dominate the sky. Are they Russians? Little Green Men? Or something altogether stranger?

Perhaps things are not as settled as they feel…

What We Want

THE BASICS: Supernatural stories set in the 1950s. Not horror stories, necessarily, but stories that use the 1950s and its spook culture (and spook-busting culture) in an engaging way. Bring us supernatural adventures, supernatural mysteries, supernatural fantasy, or supernatural pulp.

First and foremost, aim to capture the spirit of the era. That’s something we felt Speakeasies and Spiritualists succeeded with, in regards to the 1920s.

THE SOCKHOPS: Historical accuracy is required. This extends beyond technology to attitudes, beliefs, and so on. See below for a full discussion of historical accuracy.

We are open to stories starring (or featuring) historical figures.

THE SÈANCES: Creative, fresh supernatural elements are preferred. Think more The Twilight Zone or The Outer Limits, and less Godzilla or The Beast from 20,000 Fathoms.

While we’re not closed to submissions featuring traditional occult threats such as vampires, werewolves, etc., stories featuring these monsters will be a hard sell. Only the most outstanding stories will catch our eye.

If you chose to use a monster—or someone pretending to be a monster—we’d prefer something wild. Think of The Blob, or the pod people, albeit occult in nature. The threat must be occult—or preternatural—in nature. This extends to stories taking advantage of the UFO craze.

You want genres other than horror? Yes. While we will happily accept horror, and our collection would be remiss without horror, we’re also looking for a wide-range of genres. Mystery, fantasy, pulp, adventure. Science fiction and Romance are harder sells, but we’ve been surprised by submissions in styles we’d never have thought to expect. When it doubt, submit.

We’re looking for supernatural fantasy stories, supernatural mystery stories, supernatural pulp stories, supernatural adventure stories, supernatural horror stories and any other kind of story so long as they make use of the 1950s milieu.

Should my ghosts be real, or fake? I have no preference. Focus on telling a good story, whether your spooks are ectoplasm or petroleum jelly.

I am seeking a mix, however. You’re more likely to be accepted with a fake ghost, simply because of how few fake-ghost stories I receive.

May I set stories anywhere in the world? Yes, we welcome stories set outside of the United States.

May I use the Cthulhu Mythos? Yes, but I strongly encourage, and prefer, fresh takes. Show us something new. The more it feels like a copy/paste of Lovecraft, the less interested I’ll be. Jon Black’s stories  are an excellent examples of how to do this.

Do you take reprints? Yes. Just let us know in the submission (this will not count against you).



  • “The Monsters are Due on Maple Street” (The Twilight Zone)
  • The Twilight Zone and The Outer Limits in general
  • Ghost of Dragstrip Hollow (Meets the Hot Rod Gang) (1959)
  • The Haunting of Hill House (by Shirley Jackson)
  • Night of the Demon (1957)
  • The Bowery Boys: Ghost Chasers (1951)
  • Conjure Wife (by Fritz Leiber)

We also strongly recommend picking up a copy of Speakeasies and Spiritualists. This collection is a spiritual sequel. Reading it is the best way to get into the editor’s mind. Available, here, in ebook and as a paperback on Amazon.

What We Don’t Want

Historical Inaccuracy

That’s the big one. Nothing will make us pass on a story faster than historical inaccuracy. We’re willing to work with authors on such things as culture, clothing, food, and general language. The background history of a story is easiest to fix, and we love talking about it.

But inaccurate attitudes is a sort of historical inaccuracy that will make us immediately pass on a story. This leaves stories unfixable.

Bigotry is not the default of history. While you are welcome to explore such things, keep in mind, this should be treated meaningfully rather than as extraneous, exploitative, or a given. Presenting all—or the majority of—your characters as racist, sexist, or the like is one of the fastest ways to the reject pile. We’re far more interested in nuanced portrayals of people than stock types.

People in the 1950s held a huge variety of opinionsReflecting this, instead of repeating the same stock figures, massively increases your chance of acceptance.

Historical Events to Use Cautiously

The “Red Scare” as a theme. It’s massively over-represented in stories about the 1950s. The majority of stories about it commit cardinal sins: a lack of historical knowledge; a lack of depth; simply repeating what previous stories did.

We will judge stories about the “Red Scare” harshly. You need to be at least as good as “The Monsters are Due on Maple Street” (our gold standard) to merit consideration.

If you choose to use this theme, pitching is highly recommended.

HUAC and the historical “Red Scare.” It’s over-represented in stories about the 1950s, and rarely treated well. If you have a great idea involving this, treating it with depth and historical accuracy, feel free to pitch. Keep in mind it will be a hard sell. We prefer to see the themes of the “Red Scare” used as a general theme; see above for the relevant instructions.

Elvis. We’re going to receive more stories about him than we can print. If you choose to write a story featuring him, make sure it’s stunning. Straying away from the tabloids-are-true approach—or Bubba Hotep’s “Elvis fights a monster”—will help your story stand out.

Unacceptable Approaches

The following will be immediately rejected:

  • Dark 1950s sitcom parodies. Revealing Ward Cleaver, or a stock 50s sitcom dad, was abusive isn’t clever—or interesting. This is unacceptable either as a story in its own right, or as an aspect within a story.
  • World War 3/Nuclear Armageddon. While the threat of nuclear war was present, stories should remain in the real 1950s.

Payment: 5% of the gross profit will be paid for each accepted story. These payments will be issued to you at quarterly intervals. Stories under 1,500 words will only receive 4% of the gross profit.
Rights: First World Digital and Print.
Deadline: March 15th, 2018
Word Count: 4,000-20,000
How to Submit your Story:

  • All stories should be sent, as an attachment, to [email protected]
  • The file must be formatted in .doc or .docx.
  • The interior of the document must be in double spaced Times New Roman (12 point font).
  • Indents must be placed through your system’s Paragraph function; do not set indents by pressing tab or space. If you already have tabbed or spaced indents, please remove them first. Please use full em dashes (—).
  • At the top of your document, please include William Shunn’s submission header.
  • Tell us a bit about yourself in the body of your email. Don’t stress this, it won’t make or break your submission.
  • Place the collection you’re submitting to, your name, and your story title in the subject line of your email. For example, “Their Coats All Red / Rudyard Kipling / The Mark of the Beast”

Nicole Petit writes because no other job lets her sleep until noon. Fantasy is her forte, a sliver of genre right between urban fantasy and fairy tales. She writes the Magic Realm Manuscripts series and curated the collections Just So StoriesAfter Avalon (#4 Best Anthology—The Preditors and Editors’ Readers’ Poll 2016), and From the Dragon Lord’s Library (Best Story and Best Cover, respectively—the Pulp Ark New Pulp Awards 2016). The Preditor and Editor Readers’ Poll 2016 named her #3 Best Editor overall.

Download the Sockhops and Séances Guidelines PDF Here

Via: 18th Wall.

Taking Submissions: If This Goes On

Deadline: March 1st, 2018.
Payment: $0.08 per word and royalties


This project is born of rage and sorrow and hope. Rage at the way America has been stolen and how those thieves have been eating away at its infrastructure. Sorrow at the lives being destroyed in the sorrow as well as for the earth as its protections are stripped away by a kleptocratic and corrupt regime. Sorrow for the way words themselves have been distorted and twisted away from truth.

And hope. Because humans continue to progress and evolve, even though that climb is a rocky one and we slide back sometimes. We seem to have done so recently. And so this anthology, an attempt to rally, to inspire, and to awaken. Some stories will despair, but others will have the light we seek, lamps to light the path and show the pitfalls as we continue upwards.

This anthology is part of my resistance. I hope it will be part of yours as well.

– Cat Rambo

20 September 2017


The idea for IF THIS GOES ON came as a reaction to the isolationism, divisiveness, anti-science rhetoric, and fear-mongering that we saw all-too-frequently from our national leaders after the 2016 election. I was finally called to action by the hateful rally in Charlottesville, VA this summer.

This project is very personal to me. A mezuzah is nailed to the doorframe of my house, here in Virginia, and I proudly top my Christmas tree with a Star of David every year. When I watched Vice’s powerful documentary on the white supremacist rally in Charlottesville, as I watched a mob in broad daylight chanting anti-Semitic messages in my relative back yard, I could no longer ignore the fear I felt for the future of my country and the safety of my family.

This anthology is my contribution to the effort to preserve the America I know, love, and believe in. An America where all children can grow up without fear and where love is more powerful than hate. To paraphrase (poorly) President Obama, I believe in an America where we all recognize that there is more that binds us together than sets us apart. I know this America doesn’t exist beyond an ideal, but I see this anthology as one small brick in the long road to that ideal.

– Colin Coyle
October 27, 2017


If This Goes On is dedicated to inclusiveness and is open to all writers. If you have a story that needs to be told, we want to read it. Please do not self-reject.


  • Genre writers
  • Literary writers
  • Writers from under-represented communities and groups
  • Established writers, new writers, pro and amateur.
  • All are welcome to contribute to If This Goes On.

We are looking for unique stories that offer insights into the shared future of our planet. Tell us how our climate will change if we don’t better protect our planet. Show us how the racial divide in this country is only growing wider. Warn us of a coming era of neo-colonialism if we don’t develop conscientious trade practices. Scare us into taking digital security more seriously as we hand over the keys to our digital lives to governments and non-state powers.

Open our eyes to our future.

  • Stories must be 5,000 words or less (Flash fiction is accepted)
  • Must be set at least one generation in the future (You are welcome to write an epic fantasy in the Friedman tradition, so long as it is in the far future!)
  • Must include the impact of current political policy (social, scientific, legal, criminal, etc.) as a meaningful aspect of the story.
  • Stories are strongly encouraged to avoid focusing on current political personalities and, instead, to focus on the policy impacts and long-term changes to our world.
  • Stories must be original
  • Publisher requires worldwide first electronic and first print English-language rights
  • Pay is $0.08 per word (half on delivery, half on publication) and a royalty share for contributors
  • Submissions will close on March 1, 2018.

Submissions and queries should be emailed to [email protected] and addressed to Cat Rambo. Attach your manuscript as Word (.doc or .docx), PDF, or RTF files only. Your submission should include your name and relevant contact information in the attached file as well as the body of the email. Attach only your submission document. Submissions containing any other files will not be opened.

In your email, we ask that you identify the particular policy, trend, or shift which your story involves. You are encouraged, but not required, to tell us if there is any personal connection between yourself and the anthology topic.

Please feel free to email for an update if you have not heard a submission response within 90 days.

Via: Parvus Press.

Taking Submissions: Shhhh… Murder!

Deadline: February 28th, 2018
Payment: Contributors will share equally fifty percent of the royalties received.

Scheduled for release in late spring of next year and timed for summer reading, this anthology will feature cozy to cozy-noir stories featuring libraries and librarians. Extra points will be shamelessly awarded to writers with personal ties to libraries.

The submission period for this anthology runs from November 1st to February 28th, upon the last stroke of midnight, Pacific Standard Time.

We are looking for stories from 2500 to 5000 words, but will consider stories outside that range, at our discretion. Contributors will share equally fifty percent of the royalties received. We expect between fifteen and twenty stories to be accepted and are aiming at a volume length of around eighty-five thousand words, and around two-hundred and thirty pages—all dependent, obviously, upon the length of the material chosen.

We will accept work previously published, provided it was not published after May of 2017, and that you hold the rights. Simultaneous submissions are fine, with the usual proviso that we should be notified should the work be accepted elsewhere, so that we may withdraw it from consideration.

Submissions and questions may be sent to [email protected].

Here are some manuscript formatting tips.

Via: Dark House Books.

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