Category: Artwork

Taking Submissions: Cosmic Roots And Eldritch Shores August 2024 (Early Listing)

Submission Window: August 1st-2nd, 2024
Payment: 8 cents per word for original, 2 cents for reprints, For artwork: $10 for the non-exclusive right to use each image, for as long as the site is online.  If we publish a print collection we will pay a pro-rata share for each image used.
Theme: Well written original work in science fiction, fantasy, myth, legend, fairy tales, and eldritch, in written, podcast, video, and/or graphic story form, and from around the world.
Note: Reprints welcome

 

 

Submissions Schedule

The first and second day of every month, 12 am of the 1st to 12 am of the 3rd, E.S.T.

For reading impaired individuals, our submissions manager and ‘forget password’ have a captcha compatible with screen readers.

We pay 8¢ per word for new fiction, 2¢ per word for fiction reprints, 2 – 8¢ per word for new fact-based work, 1- 4¢ per word for reprinted fact articles.
For new poetry, we pay $1 per line, and for reprints we pay 50¢ a line  We’re looking for poems up to 40 lines. We’ll consider longer poems but that would be a hard sell, and words over 40 lines would be paid at 8¢ per word.

We sponsor The Kepler Award to recognize and encourage writers of excellent science fiction and fantasy stories that creatively extrapolate on known science in constructive and exciting ways. You can learn aboutThe Kepler Award here.

You can read a copy of our standard contract here.   It can be varied as needed to include the rights of translators, voice actors, etc.

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Taking Submissions: Die Laughing Literary Magazine #1

Submission Window: July 15th – 31st, 2024
Payment: $10 for flash – 2 per issue, $25 for shorts – 4 per issue, $30 for cover art
Theme: Stories that are both funny and scary

What we want:

  • That sweet spot of horror comedy that is genuinely funny but also genuinely scary. Can be as goofy, gory, or smutty as you like!
  • Work that punches up, not down. (“If the person on the gallows makes a grim joke, that’s gallows humor. If someone in the crowd makes a joke, that’s part of the execution.” – Alexandra Erin, Twitter.)
  • Do not self reject! (Unless your story has one of the below unfunny things, in which case feel free to self reject.)
  • For cover art submissions, please see toward the bottom of the page.

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Taking Submissions: Orion’s Belt 2024 Window

Deadline: September 1st, 2024
Payment: 8 cents per word for fiction and $25 for artwork
Theme: Literary Science Fiction and Fantasy

The Basics

Stories should be submitted to [email protected]. All stories must be under 1200 words (not including the title and byline). All stories over 1200 words will sadly be rejected automatically. All stories must contain significant speculative elements. This does not mean all sci-fi stories must have lasers and rockets. It just means a non-speculative story doesn’t become speculative if you include a single line clarifying the story takes place on Mars.

When to Submit

Because of the time needed to evaluate submissions and prepare stories for publication, Orion’s Belt has a limited submission window. We apologize for the inconvenience this may cause to you. Stories submitted outside the submission window will not be deleted, but they will not be read until the submission window re-opens.

Our current submission window opened March 1st.

This submission window will be open until September 1st.

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Taking Submissions: Book Worms Horror Zine Issue #6

Deadline: September 1st, 2024
Payment: 8 cents a word for fiction and essays (1500 words or less). $25 for short poems (ten lines or less), $50 for longer poem. Also, a contributors copy
Theme: Witchy stories for the Halloween special

All of Them Witches

As Book Worms Horror Zine enters its second year, we’re thrilled to announce that this year’s Halloween issue will be all about Witches. This time around, we’re looking for fiction, poetry, and essays of the witchy kind.

Frequently Asked Question: What kind of stories are you looking for?

We generally enjoy “fun”, “80s style” horror reminiscent of the zine’s old-school vibe, but we’ve also been blown away by fresh voices that take the genre in a new direction. That being said, the best chance for your story being accepted by Book Worms is to follow the submission guidelines. Make sure your story is of the horror genre, mail in your submission versus email, meet the deadline, and don’t exceed the word count limit. And if your story doesn’t make it, please keep trying. We’ve had to turn down many excellent stories due to space constraints alone. A good way to get an idea about what we’re looking for is to read our current issue or one of our back issues that are still available.

A Few Tips:

  • Mail early. Unfortunately, we’ve had a few submissions lost in the mail and that didn’t arrive until weeks after the deadline.
  • Consider writing shorter stories. Sometimes we have just enough room to a 500-800 word flash fiction piece.

It might also be helpful to explain what we don’t want.

  • Paranormal romance (Love the genre. It’s not right for Book Worms.)
  • Anything with a political theme.
  • Beyond the pale violence or pornographic material. Keep it fun, kids.

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Taking Submissions: NonBinary Review #38

Deadline: November 1st, 2024
Payment: 1 cent per word for fiction, $10 per poem, $25 for artwork, $50 for cover art
Theme: Rituals
Note: Reprints Welcome

NonBinary Review is currently open for submissions on the theme of RITUALS.

Often, when we think of rituals, we think of robed, hooded figures standing around a large symbol of power etched into the floor, trying to summon a deity who will grant them their every desire. At least, that’s what Hollywood would have us believe. But the truth is that much of our lives is dictated by rituals. The Brushing of the Teeth, The Making of the Coffee, The Feeding of the Pets, The After-Work Drinks, The Watching of the Baking Show – we all have aspects of our lives where we insist on things being done just so, turning something otherwise mundane into a ritual. Rituals can be comforting, or they can be confining. They can help us make sense of our habits, and they can look strange to outside observers.

We want the best speculative takes on ritual – weird rituals, unexpected rituals, little-known rituals. We want to hear not just how rituals are enacted, but where they come from, how they get started, and what unintended consequences happen as a result.

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Taking Submissions: Solar Punk Magazine July 2024 Window

Submission Window: July 1st – 14th, 2024
Payment: Fiction: 1500-7500 words ($.08 per word, $100 minimum), Poetry: One poem of up to three pages ($40 per poem), Nonfiction: 1000-2000 words ($75 per essay or article), Cover Art: $100 for reprints, $200 for original unpublished, Interior Art: $50 for reprints, $100 for original unpublished
Theme: Radically hopeful and optimistic science fiction and fantasy

(At the moment, our nonfiction department is current and always open for submissions. If the fiction portal is closed and you submit fiction through the open nonfiction portal, your submission will be rejected.)

All submissions to Solarpunk Magazine are done via Moksha. Any submissions received via email will be deleted without a response. Please don’t email us to describe your story and ask if it’s something we’d be interested in before submitting. We appreciate the consideration, but its easier if you just submit the story through Moksha.

In 2024, we are particularly looking for stories between 1,500 and 3,000 words. While our word limit remains 7,500, stories that fall between 1,500 and 3,000 will have a better chance of being selected for at least the first few submission periods in 2024.

Please read the full submission guidelines on down below or on our Moksha page before submitting your work. All submission periods end at 11:59 pm PST on the 14th of their given month.

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Taking Submissions: Penumbric Speculative Fiction Magazine 2024 First Window

Submission Window: June 15th – September 15th, 2024
Payment: $10
Theme: Stories that constitutes the ever-moving edge of its kind, as a place between light and dark, consciousness and un, today and tomorrow; work exhibiting the strange, the bizarre, that which is not of the world we know, but more of a twilight realm or even altogether alien place.

I would love to see submissions representing not only multiple cultures but subcultures, exploring issues of race, ethnicity, gender, orientation, and many things I haven’t thought of. Does this mean you have to represent everybody and everything in 1000 words? Of course not. But be aware that we are creating a magazine that overall reaches and represents the true diversity of the world we live in.

In terms of genre, I am looking for work that constitutes the ever-moving edge of its kind, as a place between light and dark, consciousness and un, today and tomorrow; work exhibiting the strange, the bizarre, that which is not of the world we know, but more of a twilight realm or even altogether alien place. Not necessarily science fiction, not necessarily fantasy, not necessarily horror, and not necessarily not these things. In short, ideally edgy. Maybe even idealistically edgy. I am NOT looking for porn.

Penumbric generally accepts submissions in the following categories: fiction, poetry, illustration, graphic narrative, animation, music, or combinations of these (e.g., a spoken-word version of a poem). If you have something that fits some other category that can be displayed to advantage on the web, try me; I’ll take a look.
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Taking Submissions: khōréō Issue 5.1 (Early Listing)

Submission Window: July 15th – August 15th, 2024
Payment: 10 cents per word and $500 for custom cover art and $100 for cover art drawn from an artist’s existing portfolio.
Theme: Fantasy, sci-fi, horror, and any genre in between or around it, as long as there’s a speculative element.
Note: You must identify as an immigrant or member of a diaspora in the broadest definitions of the terms. This includes, but is not limited to, first- and second-generation immigrants, refugees, asylum seekers, undocumented migrants, persons who identify with one or more diaspora communities, persons who have been displaced or whose heritage has been erased due to colonialism/imperialism, and anyone whose heritage and history includes ‘here and elsewhere’.

khōréō is a quarterly publication of stories, essays, and art: fantasy, sci-fi, horror, and any genre in between or around it, as long as there’s a speculative element. We’re especially interested in writing and art that explore some aspect of migration, whether explicitly (themes of immigration, colonialism, etc.), metaphorically, or with a sly nod and a wink. Most importantly, we’re a new magazine and we’re still finding our identity: therefore, please don’t self-reject because you’re not sure if your work is a good fit. We won’t know until we see it, so please give us a chance to look!

See submission requirements & how to submit at the following pages:

Who can submit?

khōréō is dedicated to diversity and amplifying the voices of immigrant and diaspora authors and artists. We welcome, but do not require, a brief description of the author’s/artist’s identity in their cover letter.

We invite you to submit if you identify as an immigrant or member of a diaspora in the broadest definitions of the terms. This includes, but is not limited to, first- and second-generation immigrants, refugees, asylum seekers, undocumented migrants, persons who identify with one or more diaspora communities, persons who have been displaced or whose heritage has been erased due to colonialism/imperialism, and anyone whose heritage and history includes ‘here and elsewhere’. We especially encourage BIPOC creators who identify as the above to submit their work.

When reading submissions, we take in good faith that you identify as an immigrant or member of a diaspora as described above. If you still aren’t sure if you should submit, please email [email protected].

We kindly request individuals who do not identify as such to support the magazine by reading our stories, subscribing, and helping spread the word instead.

Submission Periods

We have the following reading periods for fiction in 2024:

  • January 15-February 15 (Issue 4.3)
  • April 15-May 15 (Issue 4.4)
  • July 15-August 15 (Issue 5.1)
  • October 15-November 15 (Issue 5.2)

Please see the fiction submissions page for additional details.

In some cases, we may cancel a reading period as we have filled all available slots for the next issue. We will note these changes on our website and announce them on social media. Please follow us in Twitter, Instagram, or BlueSky to hear about these updates in real time.

Please note that art submissions are open year-round and audio submissions are open on an ad hoc basis.

khōréō is a quarterly publication of stories, essays, and art: fantasy, sci-fi, horror, and any genre in between or around it, as long as there’s a speculative element. We’re especially interested in writing and art that explores the impact of human or cultural migration, whether voluntary or forced. Examples include themes of immigration, diaspora, and anti-colonialism, as well as more metaphorical interpretations of the term. Most importantly, we’re a new magazine and we’re still finding our identity: therefore, please don’t self-reject because you’re not sure if your work is a good fit. We won’t know until we see it, so please give us a chance to look!

khōréō is dedicated to diversity and amplifying the voices of immigrant and diaspora authors and artists. We welcome, but do not require, a brief description of the author’s/artist’s identity in their cover letter.

We invite you to submit if you identify as an immigrant or member of a diaspora in the broadest definitions of the terms. This includes, but is not limited to, first- and second-generation immigrants, refugees, asylum seekers, undocumented migrants, persons who identify with one or more diaspora communities, persons who have been displaced or whose heritage has been erased due to colonialism/imperialism, transnational/transracial adoptees, and anyone whose heritage and history includes ‘here and elsewhere’. We especially encourage BIPOC creators who identify as the above to submit their work.

When reading submissions, we take in good faith that you identify as an immigrant or member of a diaspora as described above. If you still aren’t sure if you should submit, please email [email protected].

We kindly request individuals who do not identify as such to support the magazine by reading our stories, subscribing, and helping spread the word instead.

What we want

We are looking for short fiction under 5,000 words. Because we are a new journal, we have a stricter budget and therefore prefer stories under 3,500 words. Anything over 5,000 words will be rejected without being read.

Stories must contain a speculative element in order to be considered; if there isn’t some element of fantasy, sci-fi, horror, etc. in the story, it’s not for us. The speculative element should be integrated into the piece—a random mention of a ghost on page 12 of 16 isn’t going to be the right fit.

Please submit stories through our Moksha system. Please submit based on length — stories ≤1,500 words should go into our flash queue, while stories 1,501-5,000 words should go into the short story queue.

UPDATE 10/2022: We now allow authors to submit one story each to the short story and flash queue. We do not allow authors to submit more than one story every submission period to a given queue.

Please format your story using the Shunn modern manuscript format (details at this link: https://www.shunn.net/format/story/). Authors are not expected to provide their mailing address until acceptance.

Cover Letters

Cover letters aren’t mandatory, but there are a few things that are really helpful for us to see from you.

  • Submission status: If the piece is a simultaneous submission, please let us know in your cover letter and withdraw the piece immediately if it is accepted elsewhere. Being a simultaneous submission won’t impact whether or not we accept the piece.
  • Content warnings: Please include content warnings in your cover letter and in the text of your piece. Content warnings will not impact whether or not we accept your piece; we’ve published some really dark stories. However, they do let us assign stories to our First Readers more thoughtfully. More on content warnings in the next section.
  • Genre: Please include the general genre of the piece in your cover letter (fantasy, sci-fi, horror, etc.); this makes it easier for us to assign it to our First Readers according to their preferences. Submissions that omit this won’t be penalized — it’s just a little more convenient for us. 🙂
  • Feedback preference: We can’t provide feedback on every piece we receive, but we try where we can. If you do not want feedback, please let us know in the cover letter! We’ll respect your wishes.
  • Author bio: Tell us a bit about yourself! This can include, but is not limited to, your identity; past sales; inspiration for the piece or particular qualifications for writing it (e.g., if you are an internationally renowned chess player and your story is about chess, tell us!).

Content Warnings

If your story requires a content warning, please include a brief description below the title of your piece as well as in your cover letter. In addition, please check the box indicating that your story has content warnings on the submission form. Including content warnings will not negatively impact your chances of getting accepted—in fact, noting them where they are warranted actually helps your chances, since that means we can get the story to the right First Reader!

If you’re not sure if your story requires content warnings, it’s better to err on the side of caution. We’ve included a list below for some ideas of what could constitute a content warning, so just flip through it and see if your story contains any of the terms.

If you are fundamentally against the concept of content warnings and refuse to include them on principle, then we are not the right venue for you and we wish you the best of luck submitting your work elsewhere.

  • Sexual Assault
  • Abuse
  • Child abuse/pedophilia/incest
  • Animal cruelty or animal death
  • Self-harm and suicide
  • Eating disorders, body hatred, and fatphobia
  • Violence (specifying graphic, against children, domestic violence, etc. is helpful)
  • Pornographic content
  • Kidnapping and abduction
  • Death or dying (specifying death of a parent, child, etc. can be helpful)
  • Pregnancy/childbirth
  • Miscarriages/abortion
  • Blood
  • Illness (e.g., cancer, seizures)
  • Mental illness and ableism
  • Racism and racial slurs
  • Sexism and misogyny
  • Classism
  • Hateful language directed at religious groups (e.g., Islamophobia, antisemitism)
  • Transphobia and transmisogyny
  • Homophobia and heterosexism

Source: https://sites.lsa.umich.edu/inclusive-teaching/inclusive-classrooms/an-introduction-to-content-warnings-and-trigger-warnings/

What we don’t want

Please do not send us stories with gratuitous gore or violence; fridging (where a character dies or undergoes pain in service of the protagonist’s story or to serve as character development); overwhelming racist, sexist, ableist, homophobic, xenophobic, etc. elements that are not subverted or challenged; clichés; “it was all a dream” endings; stories where a person from a non-marginalized group experiences life as someone from a marginalized background.

We are currently not accepting novelettes or novellas, but hope to expand in the future. We may also consider serialized stories one day.

We do not accept multiple submissions, unsolicited resubmissions, or reprints.

Please do not withdraw and resubmit the same story in one submission window; stories that are caught doing this will be rejected. Stories are assigned to first readers at least once per day and usually read quite quickly.

Stories over 5,000 words will be rejected without being read. Please don’t try to “trick” us.

Submission Process

Each story is assigned to a first reader, who reads the piece in its entirety before scoring it and providing an initial recommendation (reject or pass up to editors). This step is usually complete within a couple of days.

Regardless of score, an editor reviews each story before finalizing the decision. While most stories have their first read complete within a couple of days, this second step tends to be our bottleneck, since there’s just a small team reading the Fiction stories, and we usually get ~400/window.

Therefore, having a high queue number does not mean your story hasn’t been read already. For this reason, please do not withdraw and resubmit the same story in one submission window; stories that are found doing this will be rejected.

If you made a truly horrific mistake (like, you submitted the wrong file), reach out to [email protected] when you make the discovery and we’ll figure out if there’s a way to make things right.

A typo does not count as a horrific mistake; we haven’t rejected a single story because of a typo. Realizing you could have rewritten a few sentences or added/killed a paragraph does not count as a horrific mistake either, and stories that are accepted go through a revision process; however, please make sure your story is ready and final before submitting it.

What we offer

Payment at SFWA pro rates ($0.08/word $0.10/word).

What we ask for

At a high level, we ask for:

  • Non-exclusive, non-assignable, non-transferrable first-world English-language rights to publish in digital, ebook, and print
  • Right to republish in an anthology of stories that have previously appeared in the magazine within 24 months of initial publication in our magazine
  • Nonexclusive, non-assignable, non-transferable license to archive the story on our website for at least 36 months
  • Nonexclusive right to record audio and share it on our website for at least 36 months

Any rights not granted explicitly to us by the contract are retained by the author.

Via: khōréō.