Category: Contributor’s Copy

Contributor’s Copy Only

Taking Submissions: Road Kill: Texas Horror by Texas Writers, Vol. 9

Deadline: May 15th, 2024
Payment: 1 cent per word and 5 contributors copies
Theme: Horror stories based in Texas by Texas-based authors

DEADLINE: MAY 15, 2024
Starkweather Imprints is pleased to announce plans for the 2024 edition of Road Kill: Texas Horror by Texas Writers, Vol. 9.
Road Kill co-creator Bret McCormick will edit Vol. 9 of the series, which has featured the works of Joe R. Lansdale, Katherine Anne Porter, Stephen Graham Jones, Robert E. Howard, O. Henry, Russell C. Conner, Madison Estes, Patrick C. Harrison, E. R. Bills and others. McCormick is looking for original horror stories 1,500-10,000 words in length.
The stories must be written and submitted by Texas authors and must be set (based) here – hence the title. One cent per word and contributing writers will receive five free copies. Writer stipends will look something like this: 10,000 words – $100, 7,500 words – $75, 5,000 words – $50, 2,500 words – $25, 1,500 words – $15.
All payments will be made after official acceptance, and when acceptance is communicated, each author will need to send a short bio.
Starkweather Imprints will be requesting one-year non-exclusive rights. This means we will use your story in this anthology and we can print excerpts of it online and otherwise (for promotional purposes, etc), but one year down the road you can do with it what you like.
The Submission Period begins on February 5, 2024. The deadline to turn in stories is May 15, 2024, and our intent is to have the book printed and available by October 1, 2024, in plenty of time for Halloween. Please send submissions to: [email protected]

Taking Submissions: The Whumpboratory

Deadline: May 31, 2024
Payment: Contributor’s Copy
Theme: Whumpy stories that involve a laboratory

Whump, closely related to hurt/comfort, is a genre of fiction that involves hurting fictional characters. It often also involves the comforting of those characters, but not necessarily. It originated in fan fiction, but has now branched out into original fiction. If you are unfamiliar with the genre, make sure to familiarize yourself with it before submitting. Check out #whump on tumblr, or pick up a copy of one of our previous anthologies!

Calling all whump writers! The Whumpy Printing Press is looking for stories for its third anthology, to be published in paperback and ebook formats in 2024.

Theme: Lab whump. For this anthology, we’re looking for whumpy stories that involve a laboratory. Maybe your whumpee is a lab rat. Maybe they’re on the run from the ethically questionable organization that has been holding them prisoner. Maybe the whumpee has finally flipped the script on their whumper. As long as a lab is incorporated into the story in some way, it counts!

We take a broad view of whump- it can be physical or emotional. Your stories can be hurt no comfort or comfort no hurt, just as long as they touch on whump in some way.

Word Count: Up to 17,500 words

For this anthology, we are looking for stories in the following categories:

Micro-fiction: 250 words or less

Flash fiction: 251-1,000 words

Short Story: 1,001-7,499 words

Novelette: 7,500-17,500 words

Compensation: ebook contributor’s copy, one free paperback, and discounts on additional paperbacks

50% of proceeds from the sale of this book will be donated to charity, with the remainder going to support future WPP projects.

Submissions Open: October 28, 2023 Submit Here!

Submissions Close: May 31, 2024 (hard deadline)

Expected Publication Date: October 2024

The Nitty-Gritty

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Taking Submissions: SpeKulative Stories Anthology Series

Deadline: November 30th, 2024
Payment: 10 cents per word for fiction and $2/line for poetry. Also, a contributor’s copy
Theme: Speculative short stories and poems that either include trains or aliens as their focal point

The purpose of the SpeKulative Stories Anthology Series is to showcase provocative and powerful tales related to a single theme. Following the publication of our first theme anthology, Automobilia, in 2024, we are now seeking short stories and poems for the next two anthologies in the series. The titles are Train Tales and Aliens Among Us. Publication is set for early 2025.

As each title suggests, a train or an alien (space aliens that is) should be such an integral part of your story or poem that if removed the story or poem collapses.

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Taking Submissions: Book Worms Horror Zine Issue #5

Deadline: April 30th, 2024
Payment: 8 cents per word and a contributors copy
Theme: “fun”, “80s style” horror that involve Rock n Roll
Note: Only accepts Mail-In Submissions so don’t wait until the last moment!

Seeking short fiction for our Rock n Roll Issue! From hair-raising riffs to head-banging oblivion, horror and rock n roll are a match made in Hell! Book Worms Horror zine is a limited-edition print only publication sold on Etsy and selective bookstores.

Frequently Asked Question: What kind of stories are you looking for?

We generally enjoy “fun”, “80s style” horror reminiscent of the zine’s old-school vibe, but we’ve also been blown away by fresh voices that take the genre in a new direction. That being said, the best chance for your story being accepted by Book Worms is to follow the submission guidelines. Make sure your story is of the horror genre (you’d be surprised how many we receive that aren’t), mail in your submission versus email, meet the deadline, and don’t exceed the word count limit. And if your story doesn’t make it, please keep trying. We’ve had to turn down many excellent stories due to space constraints alone.

It might be helpful to explain what we don’t want.
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Taking Submissions: Weird Horror Magazine March 2024 Window (Early Listing)

Submission Window: March 2nd – March 15th, 2024
Payment: 2¢ (2-cents) per word , with a $25 minimum and $100 maximum and 2 contributor’s copies
Theme: Horror and weird fiction from 500 to 5,000 words, firm.

OPENS: March 2, 2024

CLOSES: March 15, 2024

We are seeking horror and weird fiction from 500 to 5,000 words, firm. Query first if your story is over 5,000 words. We are a home for the strange, the macabre, the eerie, the esoteric, the fabulist, and the gothic. The darkly numinous. The odd. We are not interested in extreme horror. Do not send science fiction or fantasy.

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Taking Submissions: Midwest Futures: Poems from Tomorrow’s Heartland

Deadline: July 1st, 2024
Payment: Contributor’s Copy
Theme: Speculative poems and micro-prose (300 words max.) engaging with themes of environmentalism, climate change, technology, and more through a lens of Midwestern experience.

Middle West Press LLC, an independent micro-publisher based in Central Iowa, has issued a call for human-generated poems and micro-prose (300 words max.) engaging with themes of environmentalism, climate change, technology, and more through a lens of Midwestern experience.
The working title of this project is Midwest Futures: Poems from Tomorrow’s Heartland.
Deadline for submissions is Jul. 1, 2024. Publication is projected for Spring/Summer 2025.
Submit via Submittable here at this link.
This is explicitly a speculative poetry (and related micro-flash-prose) market. We are interested not only in the gritty and grounded, but also near-future science-fiction-infused visions of the possible. For inspirations and vibes, see also movements such “Solarpunk,” “Eco-modernism” and “Climate Fiction” (“Cli-Fi”), as well as these potential exemplars of eco-poetry and other writing:

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Taking Submissions: Doors of Darkness II: Trick or Treat

Deadline: April 1st, 2024
Payment: $10 and a contributors copy
Theme: The kiddos are ready for their night of mischief and mayhem as the evening of Trick ‘r Treating gets started. Write a horror story that takes place on Halloween night and centers around a child/children visiting the neighborhood’s houses. The horror element can be from either angle: either there is something spooky going on in the house or with the child/children. Location details below

Deadline: April 1st, 2024 at 11:59pm CST

Length: 2,000-6,000 words

 

Format: Must be submitted as a Google Doc file which must have [email protected] as an owner with editing turned on. You will provide the shareable link in the form upon submission. Use only one tab and do not use spaces to start a new paragraph. Do not write “The End” at the end of the story. In the header, please include the following: 1) your name, 2) the title of the story, and 3) the word count of the story. Submissions that do not follow these guidelines will not be read. The title of your story cannot include “Doors of Darkness” in it or the house number.

 

Eligibility: If you were published in the first volume of Doors of Darkness, please note that this is not a continuation of what happened on Fern Street. There should be absolutely no connections to characters from that volume.

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Taking Submissions: Super Canucks: An anthology of small-town Canadian superheroes

Deadline: April 21st, 2024
Payment: $200 CAD and a contributors copy
Theme: Canadian characters living their ‘super’ lives while still retaining their national/regional identity/connection.

We’re looking for stories that push the usual superhero tropes while shining a spotlight on unique corners of Canada. We want stories set in and around the nation’s more often overlooked locales—isolated small towns, remote reservations, bedroom communities, and other underrepresented areas of Canada. Give us rural superheroes, backwater supervillains, and tales of characters/communities at a crossroads.How does place impact your character? Are they unable to reconcile their superpowers with their residence or is it the people who pose the problem? Does your hero struggle to maintain a secret identity where everyone knows everyone or do they find that familiarity weirdly comforting given the challenges of being superpowered?

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