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Epeolatry Book Review: Tiny Tales of Terror: Volume 1 and 2

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Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: Tiny Tales of Terror: Volume 1: Spots and Other Stories and Tiny Tales of Terror Volume 2: Anchor and Other Stories
Editor: Dave Musson
Genre: Horror
Release Date: 5th May, 2023

Synopsis:

Tiny Tales of Terror: Volume 1: Spots and Other Stories and Tiny Tales of Terror

The kids are alright…aren’t they?

Something weird is happening in the Happy Woodland Nursery – the delightful middle class preschool setting for the delightful middle-class children in the delightful middle-class town of Kingsworth. Spots have appeared on all of the young folk in the Badger Sett room and the staff can’t work out what’s caused them.

For the most part, the little boys and girls seem fine. But then, naptime rolls around and things change.

Delve into this twisted tale from author Dave Musson, then stick around ten more afterwards – there’s creepy dolls, unwelcome visitors, evil spirits and a few bad dreams too.

Tiny Tales of Terror, Volume 2: Anchor & Other Stories

Nurse? Nurse??

The last place the man in the otherwise empty ward wanted to be on a stifling summer’s day was in hospital, but he’d passed out at work and didn’t really have a choice. Still, at least he was feeling better now. Well, kind of…

No-one seemed to be responding when he pushed the call button – probably no-one could hear the button over the white noise that screeched every time he tried. And just what was going on with the colours in the room beyond the curtain pulled around his bed? They weren’t normal.

Good job he had his anchor to tie him to the real world…whatever that is.

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Contest: The Drabble Harvest Contest

Deadline: June 30th, 2023
Prizes: $5 for first place, $2 for second place, all others accepted are $1 per drabble
Theme: A drabble with the idea of: Space Station Duty-Free

A “drabble” is defined as a short story containing exactly precisely no more and no fewer than 100 words. It has a title, which can be from 1 to 15 words– but no more than 15. That’s a drabble.

You have to count each word. Hyphenated words, such as tete-a-tete, count as one word. Don’t use your word count tool to count the words, because that tool will count an ellipsis ( . . . ) as three words, which really should not be counted at all. It will also count dashes ( – ) as words, which is wrong. So count each word by sight, not by tool.


Our drabble contests have themes. For each contest, we will simply throw the theme out there. Whatever the theme inspires you to write, that’s what you write.


The theme of this contest is:

Space Station Duty-Free

This should be self-explanatory. What would people/aliens try to smuggle in? Or out?

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How to Write Submission Guidelines for Your Anthology

How to Write Submission Guidelines for Your Anthology

by Deborah Sheldon

Let’s get my bona fides out of the way first. I’ve curated three horror anthologies. Midnight Echo 14 (AHWA 2019) won the Australian Shadows ‘Best Edited Work’ Award, and one of its stories was nominated for the Australian Shadows ‘Best Long Fiction’ Award. The anthology I conceived and edited, Spawn: Weird Horror Tales About Pregnancy, Birth and Babies (IFWG 2021), was critically acclaimed, multi-award-winning, and multi-award-nominated. My latest anthology – that I also conceived and edited – is Killer Creatures Down Under: Horror Stories with Bite (IFWG, 2023), released this month.

Here are my suggestions on how to write a submission callout that will (a) get you the kind of stories you want in order to (b) create a knockout anthology. These tips apply whether your anthology is open call – meaning unsolicited submissions – or by invitation only.

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Paying Markets For Speculative Fiction Authors | Top Open Calls May 15-19, 2023

Greetings, exceptional weavers of wonder! 🎉 Welcome aboard our spaceship as we continue our thrilling expedition into the deep realms of speculative fiction with the freshest installment of our weekly video journey! We’re your reliable crew, pledged to spotlight the most enticing star systems—or shall we say, markets—for you, the intrepid fiction writers. Week by week, we’re dispatching dazzling opportunities to ignite your creativity and turn your writing passion into profit! 📚✨

This week’s transmission is brimming with invaluable intel as we disclose 🚀 New, high-paying markets scattered across the vast spectrum of speculative fiction genres!

Our cosmic navigation chart is your path to these radiant opportunities. You’ll find the specific information for these captivating invitations conveniently located via the links below the video.

Let’s take a moment to remember a fascinating May fact: did you know that May is named after Maia, the Greek goddess of fertility? Just as Maia nurtures life, so too can you cultivate and grow your storytelling ideas this month.

Your narratives are the bright constellations in our cosmos. They fuel your creative voyage. So, let’s key in our coordinates and boldly venture forward into the writing cosmos, one tale at a time! 🚀

And remember this encouraging quote from renowned author Neil Gaiman, “The one thing that you have that nobody else has is you. Your voice, your mind, your story, your vision.” So, harness the unique power of your imagination and keep creating. The universe is yours to shape!

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‘The Dent in the Universe’ Blog Tour: The Writing Process Of E.W. Doc Parris

Listen here. I’ve been asked to write a little about my writing process, and, this being the internet and your attention being tugged at by the siren call of your busy lives, I reckon I don’t have much more than 750 words to do my duty. So here’s what I’ll do; I’ll try to define the sort of speculative fiction audience I’m hunting for, then I’ll tell you what I think they’re thirsty for, and then I’ll try to wrap it up with my tricks for slating that thirst. How does that sound? Good. Let’s dive in.

Speculative fiction is just a name, a relatively recent buzzword, for stories that seem to lean more heavily on the writer’s imagination in the writing— and the readers in the reading. A story about a Wall Street hedge fund manager absconding with the hard-earned retirement funds of poor old ladies, for example? Well, that takes no imagination at all. Things like that happen every day of the week. Writers who write about those stories are usually called journalists if the names haven’t been changed or literary fiction authors if they have.

There are a few branches on the Speculative Fiction family tree. They are more alike than you and your Thanksgiving dinner guests. They all start with the same unspoken question in the storyteller’s mind: What if? How elaborate the rest of that question defines whether a story is science fiction or fantasy. But to me, the ground truth of speculative fiction is in that core question. What if women were forced by the state to bear children against their will? What if cities became alive at some point in their development? What if you could send IP traffic back in time?

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Trembling With Fear 5-21-23

Hello, children of the dark. How are the lighter days treating you? Every year, I get confused by how light it is in London Town right about now. It’s usually so dark and murky by the time I’m finishing up work for the day, but now it’s as bright as anything. I find myself accidentally working longer and longer hours, tricked by the sun. I’m sure it’s a capitalist plot to turn us all into worker drones.

This wouldn’t be so bad if I was at least earning the big bucks. Alas, as a freelancer in this market, those days are well and truly over. I am, however, using my time to build up something pretty exciting, if I do say so myself. Something new for the indie genre writing community. And something else for those who write in the occult realms, too. Big things afoot.

But anyway, you’re not here for my incoherent, broken-bone-influenced rambling. Let’s get onto this week’s trembling offerings, quick smart!

In our short story, C.M. Sumrall invites us to dinner for reminiscing – and revenge. This is followed by three delicious quick bites:

  • Justin Hamelin deals with a haunted house,
  • Ceferino Ruiz deals with grief, and 
  • Mike Rader deals with a college prank.

And a few reminders before I let you go: 

  • We love a drabble. Please send them to us! 
  • We also love three drabbles, connected by some form of thread. We call these Unholy Trinities, and our specials editor Shalini Bethala would love to see some more in the inbox.
  • Ditto serials. Have you got a longer story that could logically be serialised into four parts? Check out our submissions page for details, then send ‘em in to Shalini.
  • Finally, we still have submissions open for Shadowed Realms, the new Horror Tree anthology covering the non-pro markets. Details over here.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hello, dear readers!

As we sail through the whirlpool of time, my current class is proving to be quite the adventure – an exhilarating ride of learning that’s keeping me on my toes! Also, it is really taking up ALL of my time as it is a lot more work than the other courses that I’ve taken so far. Meanwhile, behind the scenes, we’re orchestrating our server’s grand migration to its new digital residence. Rest assured, we’re on track to have a move date finally decided upon by this time next week!

On another equally exciting front, our yearly anthology, a veritable treasure trove of gripping narratives, is steadily nearing completion. Soon, it’ll be ready to leap off the press and into your eager hands. I think. I hope. 

Now, here’s a gentle nudge for all you brilliant authors out there! Don’t forget to submit your best work to our ‘Shadowed Realms: The 2022 Indie Dark Fiction Anthology’. The deadline is creeping up as we approach the end of the month. For newcomers, this anthology aims to showcase the crème de la crème of dark fiction, ranging from 1,000 to 9,000 words, published in semi-pro and token-paying markets in 2022. Yes. This is a REPRINT anthology and is a wonderful opportunity to earn 1 cent per word for your reprinted work. We can’t wait to delve into your dark, compelling tales!

If you’d like to extend your support to the site, we’d be thrilled to welcome your contributions through Ko-Fi or Patreon. Your generosity keeps us fueled and fired up to bring you the very best.

I hope that you all had an enjoyable weekend, and an enjoyable read of dark fiction savor during your downtime!

Stuart Conover

Editor, Horror Tree

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Serial Saturday: Willingworth Farm, Letter Three by Mark Colbourne

  1. Serial Saturday: Willingworth Farm, Letter One by Mark Colbourne
  2. Serial Saturday: Willingworth Farm, Letter Two by Mark Colbourne
  3. Serial Saturday: Willingworth Farm, Letter Three by Mark Colbourne
  4. Serial Saturday: Willingworth Farm, Letter Four by Mark Colbourne
  5. Serial Saturday: Willingworth Farm, Letter Five by Mark Colbourne
  6. Serial Saturday: Willingworth Farm, Letter Six by Mark Colbourne
  7. Serial Saturday: Willingworth Farm, Letter Seven by Mark Colbourne
  8. Serial Saturday: Willingworth Farm, Letter Eight by Mark Colbourne

 

Willingworth Farm: Letter Three

 

May 15th

 

From the rear window of the kitchen at Willingworth Farm, one is rendered practically breathless by the view which presents itself. Miles, I would estimate, of rolling, pristine countryside. The land stretching to the horizon with the characteristic planarian spread of Norfolk. Fields chequered in an earthy palate of greens, browns and yellows; the harsh boundaries of criss-crossing hedgerows surrounding the single grey slither of road that ploughs from my drive all the way back to the B362. I remember when my wife and I would sit in that spot, gazing out upon the world as the seasons changed and accordingly charged its display. Happy memories, and it was therefore with a great swell of warmth that I entered the room this morning to find the latest recipients of my bed and board, Kim and Steve, sipping freshly brewed coffee in a pose identical to the one which Barbara and I would once upon a time have held.

Steve is in finance. Up to his neck, apparently. He revealed this to me within seconds of walking through the door. Working in The City, he confided, was not for the faint of heart. By all accounts it was a visceral conflation of teeth and claws, of dogs eating dogs, of backs being washed or scratched or stabbed on a seemingly indiscriminate basis. Kim – obviously no stranger to this monologue – failed to mask a dismissive chuckle which, I noted with my own wry smile, stole the wind somewhat from Steve’s billowing sails. Kim, however, had quite the contrary vocation to her partner’s. I was greatly impressed by her account of volunteering for various charities: the soup kitchens, the refuge centres, the fundraising and campaign management. What a dedicated, compassionate and resourceful woman! It was apparent there and then that the long weekend ahead would offer the chance for some stimulating conversation.

They claimed they had come to Willingworth Farm to “wind down”. I wasn’t at all convinced that this would prove itself a serviceable ambition. The very second that Steve had prised the wireless network key from my lips, he practically barricaded himself in their bedroom with a spread of laptops, tablet computers and phones. Kim seemed to accept this behaviour with the nature of one well accustomed to it and spent the majority of the weekend walking the local area by herself. I offered – on more than one occasion – to provide her with company, although each time she demurely declined. As I watched her from my bedroom window, it occurred to me that I had inadvertently taken a ringside seat to a marriage falling apart. A dilemma arose: should I try to offer advice from the benefit of my own experience? I had, after all, been in a very similar position. I could have comforted or counselled; I could have offered a shoulder upon which to cry. But where should the host draw the line? The privacy of a guest is paramount, and there are moments when all one can do is look on from a distance.

That evening, I heard them arguing in their room. Not that I was listening, but Willingworth Farm is an old building with thin walls and echoing corridors. Occasionally, there are things which just cannot be ignored, no matter how hard the individual in question believes that they should try. The row was constructed from all the usual wrangles – that he worked too much, that she had no grasp of the real world, that he was absent from the relationship, that she was unrealistic and demanding… And so on and, indeed, so forth. The collapse of their relationship was in no way unique, but this didn’t diminish their pain nor lessen their suffering. I retired to my bedroom, bare feet stepping softly back along the hallway in darkness, to contemplate this quandary alone.

The next morning at breakfast, Steve and Kim were pleasant enough, but this comportment felt like a curtain behind which I had already peaked. I cooked and gave them the low down on Belminster, suggesting that perhaps they should pay a visit to the town. Steve, however, was adamant that he’d need to put in a few hours at the computer. As I cleared away the plates, he returned – true to form – to the bedroom, while Kim donned her fleece and took to the fields. For a while, I followed her progress. First from the kitchen, then round into the living room, and then from the bathroom window – which I had to race upstairs and open – for one last angled view afforded only as I perched with tiptoes on the toilet seat. They’d be with me for one more day, but it felt as if they hadn’t been here at all. Not really. It was to my great regret that, for this particular pair, Willingworth Farm had failed to cast its spell.

Kim didn’t return until late afternoon while Steve’s appearances were short and sporadic. He would emerge from his room to indulge in the coffee and sandwiches of which I maintained a ready supply, only to disappear again the moment the plate or mug was clasped in his hurried hand. It was the strangest situation. That evening, I prepared supper for the three of us, but the conversation around the table was sluggish at best. Not even my celebrated tale of when Mr Gister, the owner of the farm four miles away, got his foot caught in a drain managed to raise spirits. Eventually, they went – quite reluctantly, I suppose – to bed. I remained in the kitchen and pondered their situation, considering what mercy I could possibly bring. As guests they were not the slightest trouble, and yet they were obviously so very troubled themselves. It made me realise that it would be impossible to completely understand precisely who I was welcoming through my door. I would never fully appreciate the secrets folded inside their luggage. I would never be privy to the complications they would carry to their bedroom, the complexities they would unpack into my wardrobes and drawers, the character they would sweat into my sheets.

Epeolatry Book Review: The Vile Thing We Created by Robert P. Ottone

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: The Vile Things We Created
Editor: Robert P. Ottone
Genre: Suburban Folk Horror
Publisher: Hydra
Release Date: 18th April, 2023

Synopsis: Lola and Ian had what they thought was the perfect relationship. Vacations. Fine dining. A healthy sex life.

 

But when their childless lifestyle begins impacting their social lives, they decide to take the natural next step.

 

But what happens when that next step cracks the perfect foundation Lola and Ian have built?

 

What happens when that next step is anything but natural?


Robert P. Ottone’s The Vile Thing We Created is a terrifying vision of parenthood in the tradition of Ira Levin and Thomas Tryon.

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