Taking Submissions: From A Cat’s Point Of View

Deadline: March 1st, 2018
Payment: $25.00

  1. You must be eighteen or older.
  2. Stories must be the previously unpublished, original work of the submitting author.
  3. Your story must be written in English, double-spaced in 12pt. Times New Roman font, and submitted by email as a .doc or .docx file attachment, or copied directly into the body of the email to [email protected]
  4. Your story must be complete, edited, and publication-ready, between 3,000 and 10,000 words.
  5. Your story must be written (fully or partially) from a cat’s point of view. The cat (or cats) does not need to be a principal character, but its character should impact the plot in some manner.
  6. All genres and time periods will be considered excluding erotica, but including mainstream literature, romance, science fiction, fantasy, mystery, steampunk (or any “punk” sub-genre), humor, paranormal, or horror. Achieving a variety of genre will be a component in selection.
  7. Most adult language is acceptable, but indiscriminate or extreme usage may affect selection.
  8. Multiple stories by the same author will be considered but each story must be submitted separately and will be treated contractually as a separate submission.
  9. Simultaneous submissions are okay; but, please notify us immediately if your story has been picked up by another publisher. (This is a generous provision, and failure to advise us that your story is no longer available can jeopardize your future standing as a contributing author.)
  10. You will be notified of your submission status within thirty days of receipt. If your story is selected, emailed notification will include an attached Publishing Agreement for your review and signature.

The following summarizes the major terms in the agreement, but the summary is not part of the agreement nor intended to replace the necessity to read the agreement in its entirety prior to signing.

Publication: The story will be included in an anthology book (to be named) and published in ebook format (and print formats at the discretion of the Publisher) to Amazon (Kindle), and may be published to other online retailers, such as Barnes & Noble (Nook), Apple iBook, and Kobo, at the discretion of the Publisher.

Payment: All payments will be made to contributing author by check or Paypal (preferred method) within thirty days of the ebook publication date (or sooner at Publisher’s discretion). Payment shall be in the amount of $25.00 for each submission selected by Publisher.

IMPORTANT: For published pieces, Post-To-Print takes Electronic Publishing Rights and First Print. Note that most publications will not publish pieces that have been published in print, eBook, or on the web. Once your work is published by us it can only be marketed as a reprint, which severely limits the number of markets that will accept it, and drastically reduces the pay rate it can receive. It is up to you, the author, to decide if publishing your work in print and/or eBook formats and/or on the web, giving up your First Publishing Right for a token payment, is advisable.

Other consideration: If the anthology is offered for sale in paperback format (excluding reprints and box-sets), each contributing author will receive one paperback copy at no charge.

Contributing Author Warranties: The contributing author must warrant that s/he owns the copyright for each individual story submitted, and that the submission(s) is the original work and creation of the contributing author and only the contributing author.

Copyright: The Anthology will be copyrighted separate from each individual story, and individual copyright notices for each story will be printed on the appropriate front page of the publication(s) (or other location depending on the publication format).

Author Credit: In addition to the customary copyright notice, each contributing author’s story title, and byline will be listed within the pages of the anthology book in the order of the story’s appearance, and on other pages as appropriate and customary. The presentation order of individual stories will be determined at the discretion of the Publisher.

Author page(s), not to exceed five hundred words, will be allocated at the end of the anthology for each contributing author’s biographical information, referral to his/her website, blog or similar online site and social media accounts, and the promotion of other published works by the contributing author, if any. No advertising or promotion unrelated to the author’s internet presence or published, or soon to be published, works will be allowed.

IMPORTANT: This anthology may contain a story (or stories) written by Post-To-Print’s staff; however, staff submissions will never constitute a majority of stories selected and will be considered as a means to fill the publication if the desired number of stories is nearly met at submission deadline. Our approximate goal for publication is 80,000 words.

Cost of Publication: The Publisher will absorb all costs of production and publication, if any, i.e., costs associated with editing, cover art, and formatting. The Publisher has final say in selecting and approving cover art and cover design.

Personal Information: Each contributing author is required to provide the following personal information to the Publisher upon signing the Publishing Agreement:

    • Full legal name and all pen names
    • Physical address, including zip code
    • Cell and/or home telephone number(s) (and the best times to reach you)
    • A list of all URLs/addresses to your personal website(s) and/or blog(s), and social media accounts, including Amazon author pages, Facebook, Flicker, Goodreads, Google+, Instagram, LinkedIn, Meetup, Pinterest, and Twitter—whatever applies.

Please feel free to email me directly if you have questions that aren’t answered above. I’m looking forward to receiving your submission.

Robin Praytor, Managing Editor
Post-To-Print Publishers, LLC
[email protected]

Via: Post To Printer.

Taking Submissions: Shhhh… Murder!

Deadline: February 28th, 2018
Payment: Contributors will share equally fifty percent of the royalties received.

Scheduled for release in late spring of next year and timed for summer reading, this anthology will feature cozy to cozy-noir stories featuring libraries and librarians. Extra points will be shamelessly awarded to writers with personal ties to libraries.

The submission period for this anthology runs from November 1st to February 28th, upon the last stroke of midnight, Pacific Standard Time.

We are looking for stories from 2500 to 5000 words, but will consider stories outside that range, at our discretion. Contributors will share equally fifty percent of the royalties received. We expect between fifteen and twenty stories to be accepted and are aiming at a volume length of around eighty-five thousand words, and around two-hundred and thirty pages—all dependent, obviously, upon the length of the material chosen.

We will accept work previously published, provided it was not published after May of 2017, and that you hold the rights. Simultaneous submissions are fine, with the usual proviso that we should be notified should the work be accepted elsewhere, so that we may withdraw it from consideration.

Submissions and questions may be sent to [email protected].

Here are some manuscript formatting tips.

Via: Dark House Books.

Taking Submissions: Piece by Piece: An Anti Valentine’s Day anthology

Deadline: February 1st, 2018
Payment: Split royalty payment 10% retained by company for publishing costs.

Do you remember that guy or girl you did everything for? The one you walked on water for, bent over backward for and sacrificed your own happiness to please them… The one who ended up leaving you distraught, numb, and dying on the floor? Revenge of love is the best remedy to soothe your burning soul! Piece by Piece is an Anti-Valentine’s Day Horror Anthology for short stories. Massacres, heartbreak hotel, obsessive love; the one thing they all have in common: The color red that smears the walls and allays the maniacal laughs of the once dying and broken soul.

3k-10k word count
Times New Roman 12 pt font
Deadline: February 1st
Crisp, clean, polished work

Must be Valentine themed

Please send submissions to [email protected]azothkhempublishing.com

Split royalty payment 10% retained by company for publishing costs.

*side note* This anthology was canceled last year due to medical problems of the editor. If you submitted last year, feel free to submit again this year.

Taking Submissions: Cenorot

Deadline: March 15th, 2018
Payment: .006 per word

Scheduled Release Date: November 2018

Word Count: 2500-6000k max
Theme-futuristic undead

The year is 2025. The planet has been riddled with radiation and in an effort to sustain life the world’s leading scientists have come up with a new procedure to keep humans and animals alive. The success rate was high … until the new creatures began to show signs of rot. Genetically and physically enhanced, these monsters begin to turn on each other and their makers.

Genre: horror, science fiction

Submissions of high quality should be original, unpublished works.

Submission guidelines can be found here: http://www.writersdigest.com/…/what-are-the-guidelines-for-…

Email: [email protected]

Deadline: midnight (cst) March 15, 2018

Pay: .006 per word

Acceptance letters will be sent by May 15, 2018 please do not inquire prior to that date regarding submission status.

Poetry may be submitted 200-1000 word max.

Trembling With Fear 11/19/2017

‘Trembling With Fear’ Is Horror Tree’s weekly inclusion of shorts and drabbles submitted for your entertainment by our readers! As long as the submissions are coming in, we’ll be posting every Sunday for your enjoyment.

Stuart Conover

Editor, Horror Tree

The Scutterings

I know they are out hunting again. I hear their scampering’s and scuttering’s as they sneak ever nearer, waiting in the dark. Stalking. Watching.

It’s at this time of year that they hatch. They travel with the blowing leaves, a twitch in the corner of your eye, a blur across your vision, masking the sound of their clawed feet under the rustle of the leaf.

It sounds insane to those who do not know: who have not been blessed or perhaps cursed, with the sight. The ugly realisation that we are not alone in our cruel intelligence.

They bide their time as summer dies and look for an opportunity.

Let me ask you a question. How many of society’s outsiders vanish?

The homeless, the tramp, the vagrant. All of those we try to avoid thinking about. Those living in the dark, lonely places away from our sight.

Some are fated to become the feast of the Autumn born.

We hardly notice their sudden disappearance? Who cares that the unsightly in our society just… vanish. We don’t bother to ask where they go.

Only when our own beloved pets go missing and homemade posters adorn lampposts in the neighbourhood, do we ever begin to wonder.

Food. The creatures of the falling foliage regard us and our furry pets, as food. Clever food. Intelligent food. Dangerous food even.


That’s why they hunt in packs, letting the windblown leaf, cover their stealthy advance till they are near. Till they can pounce. Until they can kill and feed.

You must… must… have seen something. The faded shape suddenly speeding across the road in front of your car. A sudden scrape sound around your feet. Remember the shock of fear before you rationalise that it’s just the breeze and a few dead leaves idly tumbling across the ground.

You are so easily tricked by the dark creatures, in their seasonal migration from the tree tops in Autumn. They journey to breed in the winter months of long darkness as they have for millennia, this ancient nemesis of humanity.

You will never see them directly. You will fail to describe their small jaws, sharp needle teeth, mouldy green eyes. You will not be able to relate their colour or number of limbs. Nor could you know of their instinct to secrete themselves in the soggy piles of detritus, waiting for a gust of wind. The same piles of leaves you allow your children to kick with such happy abandon, under the predatory gaze of the pre-winter killers.

Be warned and learn from one who knows. Listen for the breathing of the wind, the touch of decaying greenery, and try not to walk alone as the nights draw in.

Martin Fuller

Martin P. Fuller is just the west of 60 and trying to enjoy a semi-retirement from being a law enforcement officer for over thirty-four years. He works part time delivering cars for a rental company and endeavors to join as many writing classes as time and finances allow. He lives in a small terrace cottage in Menston, Yorkshire England.

It was because of these writing classes that he started gain the courage to submit his work for publishing. He prefers darker stories especially if he can affix a twist in story although he has dabbled in some comedy and poetry pieces.

So far, he has had work printed in self-produced anthologies from writing groups but hopes for a story to appear in October in an anthology published by comma press. He is hopeful that people will like the twists and turns of his dark mind. Either that or recommend serious therapists!

Crimes of Passion

Antoni sat in his car and gaped at the statement for the joint credit card. Her affair was itemised.

The bedroom light was on as he pulled up. His key wouldn’t work in the front door. He hammered on it. No reply.

The key wouldn’t open the back door, either.

There was a half house brick in his hand, edges rough, corner jutting.

The back door jerked open. His cuckold leapt out, shirtless, brazen and cursing. Antoni quietened him with the brick, and went after the woman.

He’d need to find a new woman. One of them would be faithful.

Michael Parker

Michael James Parker is a struggling amateur author striving to become a struggling professional one. He writes horror and sci-fi, mainly, but will try his hand at anything. His work has appeared in anthologies by Dark Chapter Press, and Iron Press.


When I woke up yesterday I realized I could see how people around me were going to die. I said hi to my neighbor and saw a flash of him strapped to a gurney in a white robe, an IV inserted in each arm. Confused, I ran back inside. I remained inside all day, I didn’t even look at people on the street passing by.

This morning I looked into the mirror and saw a flash. It was my neighbor, holding a piece of rope as it descended around my neck. Then there was a bang in the next room.

Tara Devlin

Tara A. Devlin spent the first two thirds of her life living in Australia, the next third living in Japan, and now finally resides in Europe. When she’s not procrastinating on the internet or looking after her two cats she enjoys horror and pew pew movies. You can find her collection of horror and fantasy writings at taraadevlin.com and on her Amazon Page.

No Ordinary Game

The film hadn’t scared them so much as intrigued them.

“Let’s make a Ouija board – there must be a DIY on YouTube,” Joy suggested.

“Wouldn’t work,” Bill dismissed.

“Let’s ask Mr. Vincent in the toyshop – he’ll order one – knows nothing about toys!” The kids slapped a high five.


Mr. Vincent frowned, “Ouija board? Why of course.” He shuffled behind the curtain hiding the back of the shop.

“I told you he knows nothing about toys,” Bill whispered.

In the darkness Mr. Vincent lit a black candle then blew out the match.

“So true, so true. But about the occult…”

Naomi Rawle

N.O.A. Rawle graduated MMU with a degree in writing and philosophy. She lives with her family in the middle of mythical Thessaly, teaching English by day and scribbling creepy weird tales by candle light into the wee hours of the morning. You can get to know her better at www.noarawle.blogspot.com.