Author: Stuart Conover

Trembling With Fear 05/20/2018

Writer? How much do you earn? So little? Nothing? Ah, just a hobby then. Writing dismissed, placed on a par with knitting or baking a cake or lifting weights … but you can’t keep someone warm with words, can’t quiet hunger or build strength. Writing’s not important. We hear it all the time, the putdowns of the naysayers. Yet we know they are wrong. The stories of religious works have directed mankind for centuries, for good or bad. Fables have described morality. Speeches have roused and steered armies, both the physical and the ideological. Fiction has allowed us to explore themes and enter other worlds in a safe environment.

Our words on modern platforms also allow us to share our thoughts and lives with those on the other side of the world, forming new friendships, sometimes to share not just in the good but also the challenges of life. Lat week, Arthur Unk, one of our well-known contributors, whilst grieving an approaching loss, paid a beautiful tribute to his own ‘real-life Superman’ (https://arthurunk.wordpress.com/2018/05/12/a-life-well-lived/). Not important? Here Arthur uses words to show what it is to be human, they warm the heart, feed the soul, give strength. It is an example of how writing binds us closer together as readers recognise shared experiences, feel less alone. Whether via fact or fiction, without words, without language, we are nothing and as writers we bear that torch. Remind yourselves of that when the old self-doubt creeps in. Writers drive civilisations and horror has its place, holding up a mirror to what was, what could be … and sometimes what already is.  We write the warnings and release the monsters from their chains, shine a light on the dark and hope somebody notices. We are the Book of Revelation. Monsters do not always remain on the page …

Stephanie Ellis

Editor, Trembling With Fear

‘Trembling With Fear’ Is Horror Tree’s weekly inclusion of shorts and drabbles submitted for your entertainment by our readers! As long as the submissions are coming in, we’ll be posting every Sunday for your enjoyment.

Stuart Conover

Editor, Horror Tree

Bed And Breakfast

The sycamore tree in the back yard was the main reason Marilee and Garth loved the house. The hollow trunk in the sycamore tree was twenty feet across.

“It’s a true colonial built in 1785 and has the original Franklin stove. The windows and insulation were updated about twenty years ago,” said the realtor.

Marilee said, “Tell us about the tree. Why’s the opening in the trunk filled with bricks? Is it haunted, we want a place that’s haunted?”

“There are pictures taken after the civil war when the tree was barely fifteen feet across. The hollow trunk was open back then. The opening was bricked over during the great depression. My grandmother said hobos liked to sleep inside the tree.”

“Like a one-tree hobo jungle?”

“More like a tramp’s graveyard. They found a new body inside almost every week. Some wanderer would squirrel himself inside at sunset and turn up dead in the morning. The final bough broke when the owner’s daughter disappeared. The police left no twig unpruned, but they never found the girl. Her parents insisted the tree had killed her, but the police believed she’d run away with some young sprout from the city. The police chief said, “Don’t be a couple of saps. Surely, you don’t think the pollen ate her.”

“The owners walled the tree closed. The house and tree stayed in the family for years. It’s been empty since the Second World War. Everyone in town thinks it’s haunted.”

Garth tapped on the brick and said, “I saw a sycamore this big in Pennsylvania. These trees live five or six hundred years and they hollow out after they turn three hundred. The inside of this one has to be huge and it will make the best bed and breakfast in the world. I like this place and it’s high time we put down roots somewhere. Let’s buy it.”

The realtor smirked. “At the price, this deal is low-hanging fruit.”

Marilee nestled up to the tree and said, ‘I never thought of myself as a tree-hugger, but I agree. This tree likes me.”

Garth and Marilee remodeled the dormant sycamore that winter. They removed the bricks and used them to build a patio and fire pit. They ran power, installed windows, modern plumbing, and a round door. Frodo would have been proud. They loved the trunk’s interior rustic feel and they left the soft rough wood untouched. The odor of the cleaning fluid lingered inside the tree, and they named their treehouse, “Pith and Vinegar”.

Garth accosted the electrician when he fell asleep inside the tree. The electrician said, with a quivering timber in his voice, “No charge, I quit. The tree makes me dizzy. It saps my energy.”

The framing crew said working inside the tree made them groggy and walked off the job. Garth didn’t mind, they were too slow, and they just lumbered around or spent half the day sawing logs. The foreman said, “I’m stumped as to the reason, but my men and I are afraid of the tree. You and your wife are nuts if you don’t chop it down.”

Garth finished the hard work and Marilee painted the framed opening and decorated the inside with furniture, carpets, and tapestries. They installed a television and reading lamps.

“Garth, I’m tired. I guess I’m getting old, I’m exhausted after I work in the treehouse.”

“Me, too. I’m glad we’re finished. You did an amazing job, it’s a real fairy house. After dinner, let’s chill a couple bottles of wine and spend the night in the tree.”

“Let’s build a fire and snuggle on the patio before we go to bed,” asked Marilee with a sparkle in her eyes?”

“Tremendous idea.”

After dinner, they walked arm in arm to the hollow tree and sat together on the couch. They fell asleep in minutes.

Two days later the realtor found them, and their desiccated bodies were covered with tendrils sprouted from the interior walls. The couple were encased in a web of fine rootlets. The tendrils twitched toward the realtor. They crawled mindlessly across the wooden floor and probed blindly through the air. The roots entwined around her and touched her face.

She welcomed their sylvan caress. She smiled at the dead couple and said, “Looks like you’ve gotten yourselves into a vine mess. Nothing for me to pine about.”

She let down her hair and her auburn tresses were filled with foliage. Her hair had a greenish tinge in the morning sunlight. The backs of her hands were covered with scales that matched the tree’s bark. The tree welcomed the return of its dryad. She’d been barricaded outside since the Great Depression. Dryads won’t touch brick or masonry. They only work with living things.

“I’m back, darling,” she said. “And I swear with God as my witness, we won’t ever be hungry again.”

The dryad filed paperwork and deeded the property to herself. She opened a quaint bed and breakfast, just like Garth and Marilee had planned. She did a blooming business, but refused to open a second branch. Most guests were charmed by the hobbit-like treehouse, stayed a few days, and wrote glowing reviews.

Some guests checked in, but never checked out. Breakfast was always served, but the tree decided what or who was on the menu. Things never worked out well for visitors who barked at the owner. Even the prettiest rose needs a little protein now and then.

 

Robert Allen Lupton

 

Robert Allen Lupton is retired and lives in New Mexico where he is a commercial hot air balloon pilot. Robert runs and writes every day, but not necessarily in that order. He has been published in several anthologies and his short stories are online at www.horrortree.com and  www.crimsonstreets.com. His novel, Foxborn, was published in April, His collection of running themed horror, science fiction, and adventures stories, Running Into Trouble, was published in October, Dragonborn, the Foxborn sequel will be released in April, 2018

Links:

www.amazon.com/author/luptonra

www.goodreads.com/author/show/15292457.Robert_Allen_Lupton

https://www.hometownreads.com/books/foxborn

The Astral Queen

The Astral Queen landed on the planet’s surface.

The pilot descended. Wind whipped her face and her green skin was blasted by sand.

She surveyed the land. Black clouds blotted out sky and sun. Mangled metal towers sprouted from dunes of ash and sand.

She turned and reboarded her ship. Inside she paused before a glass chamber. She pressed a hand on the glass and peered in at her ancestors frozen in cryogenic tubes. Not today, she thought.

When she reached the bridge she crossed the planet off her list and adjusted the database so it reflected Earth as “Inhospitable.”

Eric S Fomley

Eric S. Fomley writes science fiction, fantasy, and horror short fiction. He has several publications which can be found on his website ericfomley.com. He can also be found on Twitter @PrinceGrimdark.

Know Hell

Childhood shapes us all. He was no exception.
A Yuletide Day. Twenty years ago. Cowering in fear as his psychotic father bludgeoned his mother. His old man’s incarceration and hours of therapy failed to heal. The festive season remained a nightmare, unmarked and uncelebrated.
A thud from below awoke him. Gingerly he tip-toed downstairs, butterflies in his belly. Opening the door, his senses were flooded. The heady aroma of pine; the technicolour glare of strobing bulbs, reflected off tatty tinsel. The shabby Saint Nick, red suit stained a deeper scarlet, grinning through a filthy beard.
“Ho Ho Ho! Merry Christmas!”

Steven Holding

Steven Holding lives with his family in Northamptonshire in the United Kingdom. His work has been short listed in several contests and his story “UNTIL THE END OF THE WORLD” was selected as the winning entry in the WRITING MAGAZINE 2016 annual short story competition. One of his monologues was chosen to be performed at Northampton’s Royal Theatre, while his adaptation of “Alice in Wonderland” was produced at Northampton’s Derngate Theatre in 2017.

 

You can visit his website at www.stevenholding.co.uk

Road Shadow

I drive down darkened side-streets.

He follows.

I turn left.

He turns.

I pull right. Speed onto the interstate. Swerve between lanes.

He skids, jerks, mimics every move. Rides my bumper.

I skid to the shoulder.

Our tires squeal to a halt.

I exit. Bang his window. “Why are you following?”

His waxen face shines. My own maniac smile spreads beneath eyes, raw as butcher’s meat. He’s me. And he’ll always follow.

Ghostly bourbon fumes swim in streetlamp vertigo.

I stumble to my car.

Fumble for keys.

Peel away.

Headlights blur the mirrors.

Someone’s following.

And I’ve already forgotten who.

Kevin M. Folliard

Kevin M. Folliard is a Chicagoland writer whose published fiction includes scary stories collections Christmas Terror Tales and Valentine Terror Tales, and adventure novels such as Matt Palmer and the Komodo Uprising. His work has also been collected by Double Feature Magazine, Flame Tree Publishing, Parsec Ink, and more.

 

LINKS:

 

Author Website: http://www.kevinfolliard.com/

Amazon Page: https://www.amazon.com/Kevin-Folliard/e/B0097S7T0A/ref=ntt_dp_epwbk_0

Christmas Terror Tales on Facebook: https://www.facebook.com/ChristmasTerrorTales/

Instagram: https://www.instagram.com/kmfollia/

 

Guest Post: By No Means an Expert

I sit, in my desolate room, no lights, no music / Just havoc / I’ve killed everyone / I’m away forever, but I’m feeling better…” – Sugar by System of a Down

A strong line from a song always puts me in a great writing mood. All writing, good or bad, has a beginning. It may start with a concept/idea: Santa Claus must defend the world from vampires on Christmas Eve; or a feeling: sad; scared; lonely; brave. Once a story begins, it usually takes on a life of its own.

The tale weaves itself into a tapestry of rich character development, witty dialogue, and the occasional plot twist (Rudolph was the head vampire all along? Say it ain’t so!). Hearts and souls pour into this magnum opus. The life created from this Franken-story leaps off the page. Eventually, the author sits alone with this masterpiece. Uncertainty settles into a creative mind as the struggle begins to find out how to get the words out to the world. What do 99% of all new writers do? To the interwebs, Batman (and by “To the interwebs” I mean run Google search for editors/publishers).

This holy grail of stories is sent off to at least two dozen randomly chosen editors; and that BuzzFeed article you read about how to write the perfect introduction letter is sure to give this manuscript an edge. Assuredly, one or all of the editors will fall in love with the pages and boom paycheck city! Two dozen rejections later a writer’s hopes and dreams are dashed on the rocks, buried beneath the waves, and carried far out to sea (back to 3rd shift at the bottle cap counting factory).

One question remains, why did I even start writing in the first place?

In the short time that I have been pursuing a writing career, I’ve noticed the story above hangs like a boat anchor attempting to drag down every author/writer. It’s the big, evil bogeyman feared by everyone. Your heart and soul are on display for all to see only to be rejected, “…we are not accepting stories of this type at this time…” or “…Thank you for your submission. We are going to pass on your story at this time…” It’s almost a horror story within itself.

Questions arise: How is success defined? More importantly, how can writers lay a positive foundation that will help them grow as an author and network with the people who can provide the best help?

A few months ago, I had the pleasure of sitting down with Stuart Conover (if you’ve read anything on the horrortree website you might know who he is) and sharing an overpriced Starbucks beverage (Venti Chai Latte is my favorite). We talked about many things: horror movies, books, writing, his website, my website, future writing plans, why a stranger known only from social media can meet with him so easily. I told him about my plans to lay a solid career foundation built on quality writing and making networking connections with other readers, writers, and authors.

The one topic we discussed that struck a chord was about social media and its relationship to the writing world. There is no better way I have found to push ideas and stories than to turn to one of the many available platforms. The communities are robust and can be intimidating for a beginning writer. I was lost in the ocean for a few months before I found a comfortable groove.

Arguably, the most popular social platforms available for writers I’ve experienced include Facebook, Twitter, Instagram, Wattpad, Google+, and SnapChat. The primary one I utilize is Twitter. It speaks to my humble beginnings in flash fiction. It forces me to choose words that carry the most considerable impact, the best descriptions, and utilize the proper tags. Over time, I have assembled a group of writers, authors, publishers, copy editors, and enthusiasts that show support when I need it and they are not afraid to call me out on any writing missteps.

My usual writing routine includes daily story posts in my social account (@ArthurUnkTweets) and vain, ego-driven attempts to write original content on my blog (https://arthurunk.com) once a week. I enjoy putting in work daily and making connections with other writers/authors across all genres. We share stories, successes, fears, failures, and information about the overall process of writing.

I did not realize it at the time, but I’ve become heavily involved with various writing communities. I could expound on each social platform at length discussing the pros and cons of each and churn out a 10,000-word article, but today I’m going to focus on just one, Twitter (and attempt to keep it under 2,000 words).

Twitter best falls into a category known as flash or micro-writing. There are no rules for what you put out into the world but be prepared to receive unsolicited feedback and the occasional troll. Twitter is a free platform for anyone to use and I often see publishers and independent authors push books, stories, and ideas out to the public. The writing process on Twitter is different because you only have 280 characters in which to write a story. It is half an elevator pitch at best; a blurb of a blurb.

The popularity of what I write on Twitter is relative to the quality of content; the hashtag used, the amount of material produced, how often content is created, and interactivity with the community at large. In other words, I write a lot of words, I tag it according to the subject, prompt word, or genre I’m writing in, I’m commenting on others’ writing, and responding to comments on my written work. It can seem overwhelming, especially if you try to follow this regimen of spending anywhere from an hour to two hours every day writing and responding.

“Hey Arthur, I heard you mention hashtags. What the heck are hashtags and how exactly can they help me?” I’m glad you asked random person I just made up (being a fiction writer gives me the latitude to create whomever I want, whenever I need to).

Hashtags are the lifeblood of Twitter. Essentially, it’s a keyword or phrase written preceded by the number symbol (#) or hashtag as the kids these days call it (#Excited #Family #Writing #Robots #Science #Hashtag). Things get even more fun when you include multiple words and phrases (#SorryNotSorry #EatAtJoes #DadLife #AsManyWordsInARowAsYouCanThinkOf). Each hashtagged word turns into a search link (and words like “hashtagged” get added to my personal dictionary because Word doesn’t recognize it as a real word). Clicking on the link lets you see who else is writing about the same subject. The # helps your work appear in other newsfeeds. Remember on Twitter there are only 280 characters to express a story or idea. Tag what is relevant to the written subject or theme. One or two works fine; beyond that, you risk compromising your message.

Hashtags are one of the most important things to get your writing noticed on Twitter. Unless you have a million followers, then anything written can get lost in the Twitterverse without the proper tag. I regularly search out specific hashtags to support the writing communities I follow: #vss365 (very short story 365 days a year); #SockItTueMe (stories based on new prompt words every Tuesday); #SciFiFri (weekly science fiction stories every Friday); #SlapdashSat (no themes, no prompts, just stories); #SeduceMeSunday (romance or erotica theme with a weekly prompt); and many, many more. My level of interaction with the writers and authors who participate is critical in building and keeping relationships within those communities and the writing community at large.

If you are an independent writer and not on a social site, you are missing out on a golden chance to connect with the people who read your work and build a solid fanbase. There is something special about being able to communicate with someone who is creative. You can gain insight or express gratitude. It is comforting to know that there is a human connection to the words written or the hand that holds the brush. A few people who like my style of writing contacted me via Direct Messaging and ultimately hired me for a few writing projects.

If there were no such thing as social media, I would still want to be a writer. I write for an audience of one unless someone has commissioned me to write for them. I also regularly participate in a few other flash communities on the web: AdHoc Fiction, Microcosms, HorrorTree, Spillwords. I don’t place all my eggs in just one writing basket.

In my humble opinion (IMHO as the millennials call it), there are no hard and fast rules on how to leverage a social media account to your advantage. The following are suggestions that I apply to stay true to myself and generate the type of success that I am looking for:

– People respect professionalism, always present yourself in a professional manner

– Never insult your fanbase

– Keep your profile public

– Always use hashtags on Twitter, but don’t overuse them

– A well-placed picture or .gif can help get your work noticed just like a good book cover

– Participate regularly

– Respond to comments (even if it’s just, “thank you for your support”)

– Do not ever try to be fake or fool the community

– Remember you are using the platform to write, not debate, don’t get drawn into unwanted arguments

– Be prepared to receive negative feedback

– Use the block button liberally

– Watch out for bots and scammers

– Try to use proper grammar and syntax, but realize that you will still make mistakes

– Proofread your work, then reread it, then read it one more time before hitting send

– Don’t work so hard to be unique, be genuine and the right people will notice

Most of what I’ve written here may seem like common sense to most, but I have been guilty of violating several of the above-imposed rules at one point or another. I have a plan for my continued success, and I strongly encourage anyone reading this to make a plan that fits your style. Writing can be a terrible storm that leaves several bodies in its wake. There are a chosen few that have learned how to weather the storm and ride the waves to great success.

If I knew for a fact that nothing I ever wrote would ever be published, I would still write. Writing is my escape from reality and my main therapy tool to stay sane. I am grateful for every opportunity, but I understand that behind every success there is a foundation of many life experiences, hard work, and discipline. Above all, I remember that I am by no means an expert…yet.

Arthur Unk

Arthur Unk

Arthur Unk lives and works in the United States, but dreams of a tropical, zombie-free island. He hones his drabble skills via the Horror Tree Trembling With Fear (Dead Wrong, Flesh of My Flesh, The Tale of Fear Itself, and others yet to come) and writes micro/flash fiction daily. His influences include H.P. Lovecraft, Stephen King, and life experience. You can follow his work from all around the web via his blog at http://arthurunk.com or read his many, many micro-stories on Twitter @ArthurUnkTweets.

Trembling With Fear 05/13/2018

A recent email with a contributor involved a discussion about how we actually made our decisions here at TWF and I thought it would be a good idea to share it with everyone. This way you know exactly what goes on.

So, who reads the subs first? That would be me. I read the story and log my decision on our tracker (I do like trackers 😊). Stuart then takes a second read with that in mind. We pretty much match over what we do/don’t like. Where one of us might be on the fence about something we usually give the other the choice of rejection or acceptance. I also note where I think edits are needed in terms of story development or clarification as does Stuart if he thinks something more needs to be considered. Once I’ve seen his comments, I then move forward with sending out acceptances, rejections, or requests for rework. This is very much a two-way process and I feel a good way of working as reading can be so subjective and this gives a story a proper chance by offering a healthy debate.

Now I know there’s plenty to read here at TWF but if you would like to see a few more quality drabbles, I would recommend popping over to one of our regular contributors, Kevin Holton’s sitehttps://kevinholton.com/blog/. They are really very good. I would also like to say that his story, Big Bang Bobby published back in April must rank as an absolute favourite of mine.

And a little update on story rejections. Had one this week (not Bingewatching Cure, still waiting), it was short-listed, nothing wrong with it, original little tale, enjoyed – just didn’t fit the balance of other stories in the anthology. They also said it was good enough to find another home. So there you go, remember it might not be your writing, just circumstances … now to find somewhere else to send it!

Stephanie Ellis

Editor, Trembling With Fear

Steff’s process above is about one hundred thousand times more organized then what I had previously had in place. I just wanted to make sure that everyone was completely aware of that.

‘Trembling With Fear’ Is Horror Tree’s weekly inclusion of shorts and drabbles submitted for your entertainment by our readers! As long as the submissions are coming in, we’ll be posting every Sunday for your enjoyment.

Stuart Conover

Editor, Horror Tree

The Crimson Mirror

Jim Burcher contemplated his purchase as it lay on his studio workbench at the rear of his shop. He was unstinting in his self-deprecating curses at being an impetuous and careless fool.

Jim had been late to the auction, missing half the items he wanted, and being outbid on the rest. He’d almost resigned himself to a wasted trip, when he’d seen the last item to for sale was a mirror unlisted in the catalogue. A last-minute entry to the sale, probably to clear it out of storage.

On impulse and determined to come away with something, he’d bid a tenner and got it. His triumph however, was short-lived. It had looked fine from the back of the saleroom, but on closer inspection he realised his mistake. The frame was molded plaster, chipped and fractured in places, causing its coat of cheap gold paint to flake off. But it was the mirror glass itself that was the real disappointment. Not only was it ‘foxed’, his reflected image engulfed in a grey mist, but its surface was a web of crazed cracks. How it adhered to the silvered backboard he couldn’t guess.

A piece of crap. Another star item of object d’art for ‘Jim Burcher Collectables Emporium’. Jim liked to think his business was an antique-come-retro boutique. Others crueler in mind and spirit referred to it as a junk shop-come-scrapyard.

He decided, despite his bad luck to keep it and brought it back to work on that evening. Jim grabbed a late supper and a mug of tea and returned to his studio just before eleven hoping he might try and salvage something before retiring to bed.

He held up the mirror, tilting it around under the light and studied the damage to its glass surface.

It suddenly seemed to twitch violently, pulling away from his grip. He made a series of desperate frantic grabs trying to catch it before it crashed to the floor. In his fumbling attempts to grasp the frame, his hand rubbed across the cracked glass and pain bit through his fingers and palm as the jagged edges cut into his flesh.

Cursing and bleeding profusely, he dropped it, ignoring the crunch as it hit his wooden bench, and he ran for the bathroom.

After half an hour of washing, disinfecting and dressing his wounded left hand, he returned to his studio, determined to bin his dodgy buy and call it quits whilst he still had any limbs left.

What he saw on that bench defied reason, almost freezing his brain. A transformation had occurred in his reflective nemesis which appalled and fascinated him in equal measure.

The surface of the mirror reminded him of a diagram of some creature’s circulatory system. His blood, rather than forming droplets and smears on the broken surface, had seeped into its glazed fissures and had spread along their zigzag courses. The mirror was delineated into tiny glass sections edged with crimson.

The phenomenon amazed and disgusted him. He knew of the capillary action of fluids from old college biology lessons but to see it demonstrated, and with his own vital bodily fluids, was unsettling. There was a surprising weird beauty in the patterns defined in the ruined glass and the resemblance to veins and arteries was remarkable. It also dawned on him that the ‘foxing’ effect had vanished and if the tracery of fine scarlet lines was ignored, his reflected image was crystal clear. Even more intriguing was something was etched onto the inner surface of the glass. It was hard to define amongst the reddened cracks, but it looked like two words.

The mirror’s fall onto the bench had caused its plaster border to crumble away on one corner. Jim brushed away the gold paint and plaster debris and discovered a solid inner frame made of a dark wood.

An hour’s work with a variety of his tools revealed the frame in its entirety. He surmised it was red stained oak and of great age. Older than baroque or rococo periods. Perhaps late medieval. Whatever period, the quality of the carving was superb, if somewhat macabre.

The frame was bordered by two columns topped with Corinthian capitals and its other surfaces crowded with twenty carved heads of men and women, each being about an inch and a half in diameter and rendered in incredible detail. They appeared to have been drawn out of the fibres of the raw timber rather than chipped away by a woodcarver’s chisel and they were deeply disturbing. The torment depicted on the carvings chilled his heart, their features contorted in an agony of pain and absolute terror. Jim shivered, falling prey to some unspeakable feeling that haunted his reason, magnified by the shadows and loneliness of his gloomy studio.

Despite the grotesque element to this unusual antique, it was obvious there was money to be made. It was rare and ancient. It was a shame about the glass which would have to be replaced, but the frame alone would bring a fine price.

Midnight announced itself by the gentle chiming of the shop’s battered grandfather clock. Jim hadn’t realised how late it was and felt exhausted. He resolved to return to the mirror in the morning.

He turned to leave, switching off the lights and reaching out to close the door.

Some strange urge made him turn back into the room. There was a fluorescent glow emanating from the mirror, which he’d propped up on his workbench. Mesmerized with an unnatural compulsion, he walked towards it, drawn on by its bright light which pulled his gaze into the depths of the mirror. The radiance was stained with an ochre tint which coalesced around the words he’d seen earlier in the mirror’s glass. The letters became bolder, larger, emerging from the dark reflections of himself and the studio, crawling into words.

Sanguinis speculum

He knew enough to recognise Latin, but no translation came to mind. The glow increased, deepening in intensity, illuminating the darkened room in a throbbing scarlet light which oozed from the bloodied cracks in the mirror’s surface.

Jim found his limbs paralysed and beads of perspiration traced lines down his flushed face. Even the involuntary blinking of his eyes was stayed.

His vision was totally focused into the beating heart of the mirror in which only his image was reflected. Jim’s mind screamed with a stark true dread which took on a physical force, pulling, distorting and twisting his face into one of abject fear and utter horror. The mirror’s ruby-red fractures bulged and stretched, dissolving their own edges and flowing into the glass, becoming a solid unbroken surface of blood.

A whispering voice sounded in his mind, shouting its corrupt incantation. A voice of many tongues: all ancient and malicious. Hell’s own words of corrupted crimson magic.

A lesson in evil was being taught to Jim, the unwilling and unfortunate sacrificial pupil.

‘Sanguinis speculum.’ Mirror of blood.

With that final understanding he wept and tried to scream his fear and prayer, but no sound came from his mouth. The glass surface was now a pulsing pool of liquid crimson, its aura staining his flesh, blinding his eyes and reason. It dissolved him, consuming his body and spirit, absorbing his outer and inner self.

Only in his reflection did he exist at all, and only whilst his soul was digested. The remains of Jim Burcher became transformed and deposited in the shape of a screaming head, rendered in a wooden sculpture on the frame, now the colour of congealed blood. The light faded, and the room returned to silent darkness.

Jim Burcher’s disappearance was, over time, noticed by concerned neighbours and reported to the authorities. The police searched his shop with its attached flat and studio, but to no avail. The file remains open, the case unsolved, Mr. Burcher forever missing.

After a few years of legal processes, the property became subject of probate and the shop and its contents put up for sale by public auction.

At the auction rooms, the auctioneer smiled at the return of the sacred mirror. He reverently picked it up and greedily licked the stained surface, closing his eyes in ecstasy at its taste. His sharp tongue delighted in the texture it discovered in the grainy folds of the new head that had erupted from the wood.

He carried the mirror to his workroom where he positioned the mould around its dark carved border, then poured in the plaster of Paris, burying the frame under a dead white solidity. When it dried he would apply gold paint and it would be ready for sale again.

All he would need was a new bidder.

 

Martin Fuller

Martin P. Fuller is just the west of 60 and trying to enjoy a semi-retirement from being a law enforcement officer for over thirty-four years. He works part time delivering cars for a rental company and endeavors to join as many writing classes as time and finances allow. He lives in a small terrace cottage in Menston, Yorkshire England.

It was because of these writing classes that he started gain the courage to submit his work for publishing. He prefers darker stories especially if he can affix a twist in story although he has dabbled in some comedy and poetry pieces.

So far, he has had work printed in self-produced anthologies from writing groups but hopes for a story to appear in October in an anthology published by comma press. He is hopeful that people will like the twists and turns of his dark mind. Either that or recommend serious therapists!

A Feast for Maggots

My body is a feast for maggots. I watch them gorging on my flesh and rage at my impotence. I want to pick them out one by one and stomp on them. Instead I float above my broken, decaying body like a human-shaped balloon. I never believed in ghosts. I thought people who claimed to have seen them were just easily frightened and easy to fool. There was no afterlife. No choir of angels. But here I am. Maybe I should stop getting so angry. I could turn into a crazy poltergeist. I laugh, staring up at the night sky.

Diana Grove

Diana Grove loves to write weird short stories, and has an honours degree in anthropology and a graduate certificate in writing. She lives with a crazy lady cat in Perth, Australia. Her short stories ‘Robot Lover’ and ‘Anubis’ appear in the anthology Freak Pure Slush Vol. 13 and the zine Trembling With Fear respectively.

Stonestruck

Soaked in dusk, the boys stands, as if stone struck gazing at the sleeping angel on the family tomb. He is tired of playing hide and seek. He nestles under the angel’s wing. Snow falls, soft as goose feathers, quilting the boy.
“Jacob? Where are you, boy?”
Samuel’s lantern shows the ivy grown around his son’s wrists and ankles and the moss furring his cheek.
Nature is eating him.
Samuel lifts his son. An avalanche of bugs pour from his hair. Sweating his father heaves; only the boy’s torso rises. Beneath the angel’s wing the boy’s feet are stone clad.

Alyson Faye

Alyson lives in West Yorkshire with her family and 3 rescue cats. She teaches creative writing classes, writes noir Flash Fiction and ghost stories. She is one of the writers in ‘Women in Horror Annual 2’, in Raging Aardvark’s ‘Twisted Tales’, her stories can be downloaded at www.alfiedog.com as well as being available on various sites like zeroflash/Tubeflash/101 words/three drops from a cauldron. Her flash fiction debut collection, ‘Badlands’ is out now from indie publisher Chapeltown Books – here’s the interview http://www.chapeltownpublishing.uk/2018/01/badlands-by-alyson-faye.html and is available to buy from amazon.

You can find out more on her blog- www.alysonfayewordpress.wordpress.com

or at her amazon author page http://www.amazon.co.uk/-/e/B01NBYSLRT

The Fifth Swing

A little voice, wet with trauma and rot: “Get on.”
I wheel around. No one.
I turn back to what made me stop my dawn jog: five unoccupied swings in the schoolyard—four of them in mad, asynchronous flight. The one on the end is dead still.
“I said, get on!”
This time it’s there. About three feet tall, tiny wisps of hair. Fleshy fluid runs from its mouth and eye sockets, and down its striped shirt.
“It’s for you.”
Somehow I can’t run.
I go. I sit. I start swinging.
Back and forth, higher, higher, then everything starts to—

F.M. Scott

F.M. Scott is from Tulsa, Oklahoma, where he lives and writes.  He was a finalist in the inaugural Flash Fiction Contest hosted by The Tulsa Voice and  Nimrod International Journal.  You can follow him at www.writprodsm.wixsite.com/fmscott

Ongoing Submissions: Ellery Queen’s Mystery Magazine

Payment: 5 to 8¢ a word
Theme: Every kind of mystery short story

EQMM uses an online submission system that was designed to streamline our process and improve communication with authors. We ask that all submissions be made electronically, using this system, rather than on paper. Our online submissions form for fiction asks for your name, e-mail address, cover letter, story title, and story. Your cover letter should state the length of your story, your publishing history (briefly!), and any other relevant information. If you have not been previously published, let us know that your story should be considered for our Department of First Stories. We ask for the same information for poetry. Please fill out a separate form for each poem submitted for consideration. All stories and poems should be in standard manuscript format and submitted in .DOC format. At this time, our system does not support .DOCX, .RTF, or .TXT files. For information about standard formatting, see William Shunn’s guide to Proper Manuscript Format.

(more…)

CLOSED: Stupefying Stories

Stupefying Stories is now closed to unsolicitated submissions

Payment: $15 flat up to 1000 words, 1.5 cents per word over that.

Who We Are

Edited by award-winning science fiction writer Bruce BethkeSTUPEFYING STORIES is a bold attempt to grow a new general-interest science fiction and fantasy magazine from the ground up. Right now we are a small-press, semi-pro, payment-on-publication market, publishing on a somewhat erratic schedule, but our goal is to grow to become a regular monthly magazine that pays professional rates on acceptance—

And here’s the radical part. We want to do this not by begging people to contribute to our Kickstarter or GoFundMe campaign or put money in our Patreon tip jar, but by selling lots of books and magazines.

Sounds pretty crazy, doesn’t it?

What We Publish

Genres: Science fiction, fantasy, and horror, in roughly that order of preference.

Venues: STUPEFYING STORIES magazine and the Saturday SHOWCASE feature on our website.

Length: Generally, from flash fiction up to 10,000 words. We will consider longer novelettes and novellas, but space for longer works is limited, so please query first before sending anything longer than 10,000 words.

Original Novels: We publish original novels through our parent company, Rampant Loon Media, but do not read unsolicited novel manuscripts. Please query first. See further information below.

Reprints: We do not publish reprints.

TIP: The best way to see what we like to publish, of course, is to buy and read a few issues of our magazine. If you have a Kindle or Kindle Reader app and a subscription to Kindle Unlimited, it’s free. If you don’t have a Kindle, the next best way is to click on the SHOWCASE link in the left column and read a good sampling of the stories you’ll find there. What we’ve published in the past is not necessarily a foolproof guide to what we’d like to publish in the future, but it’s a good place to start.

What We Buy and What We Pay

Rights: Worldwide English-language first serial rights, for publication in both print and electronic formats.

Base word rate: 1.5 cents (USD) per word.

Flash fiction: For stories up to 1,000 words in length, we pay a flat rate of $15.00.

Cover bonus: For stories selected to be magazine cover stories, we pay a bonus of $50.00 USD.

When we pay: On publication.

How to Submit a Short Story

We accept electronic submissions only. Submit your story as an attachment to an email message sent to [email protected].

CRUCIAL CONSIDERATIONS!

• One story at a time, please.

• No simultaneous submissions.

• Seriously, we do not publish reprints. Don’t send them to us.

• By sending us a submission, you agree to let us put your email address on our mailing list. While we promise never to sell our mailing list to anyone else, if you do not want to be on our mailing list, don’t send a submission to us.

• Send submissions and queries to [email protected] only. Over the years we have had a plethora of other email addresses, but these are all outdated now. If you’ve found another email address for us somewhere, don’t use it, as it most likely goes straight to /dev/null.

• We prefer submissions in .rtf, .docx, and .doc format, in roughly that order. We can handle .odt files if necessary, but they have proven troublesome, so we’ll be happier if you re-save your story in .rtf format. We cannot handle other formats such as Apple Pages files, so don’t send them.

• Do not send submissions as links to cloud or file-sharing sites. Submissions sent as links to file-sharing sites are deleted unread.

• The name of our publication is STUPEFYING STORIES. Stupefy with an “e” means to stun, astonish, or astound. Stupify with an “i” means to make stupid. Address your submission to STUPIFYING STORIES and it will be dead on arrival.

• Kindly remember that everyone here is a volunteer, working purely for love of the SF/F genre and the short story format. While we’d really like to pay our staff, right now we’re plowing everything we make back into paying our authors and artists more. If you want us to become a better-paying market, and along the way help the wonderful people who make this magazine possible, tell your friends about us. HELP US GROW!

After You Submit a Short Story 

Within a week of your submission, you should receive an email message telling you either a.) we can’t use your story at this time, or b.) that it’s being held for further consideration, in which case you’ll receive a submission tracking number and further information. However, this one-week response time is a goal, not a guarantee. If you have not heard from us within 30 days, please query, as this mostly likely means either we did not receive your submission, it’s stuck somewhere in the evaluation process, or you did not receive our reply.

How to Submit a Novel

We do not consider unsolicited novel manuscripts. If you want to submit your novel to us, please send a query first to [email protected]. If we like your proposal, we’ll ask to see a partial and outline; if we like the partial and think your book looks like something that might fit well into our lineup and budget, we’ll ask to see the completed manuscript.

At this time we are not interested in reprinting previously published novels. However, over the years we have amassed considerable expertise in converting existing books to ebook and print-on-demand content, and if you would like our help in converting your rights-reverted novel into a ready-to-self-publish property, we’re willing to talk.

One More Time: Our Email Address Is…

[email protected]

If you’ve found another email address for us somewhere, don’t use it, as it most likely is no longer in use.

Via: Stupefying Stories.

Trembling With Fear 05/06/2018

This week I’m returning to the subject of rejections, an everyday fact of life for anyone who is a writer. I always reject stories with a heavy heart and feel worse when it is someone who has been rejected once and then been declined again on their next submission. I know what it feels like to be in both those positions. How do I cope? A trick I have learned in recent times is to start putting it in perspective, ie look at the number of submissions that call has received and also look at their acceptance rate. I have found that once you know there is a low acceptance rate you don’t feel so bad when you get rejected. A personal example is my continual effort to get into Apex (currently undergoing another attempt!). I have subbed 5, all rejected but 2 got through to the 2nd reading round. Their acceptance rate is 1 in 400 according to this article Acceptance-rates-what-are-the-chances/ where Aeryn Rudel also lists other publications, eg Black Static and Pseudopod, to give you a flavour of the difficulties we face. I am also waiting on another submission call from way back last year when The Binge-Watching Cure announced a horror edition call. I’m still in the running but now know there were 1600 entries for 20 slots! So, when you’re depressed that a perfectly good story has been rejected, remember sometimes it’s just the numbers that are against you and it’s not necessarily a reflection on the quality of your work.

Great to see new projects out there from Trembling With Fear writers, the latest coming from Eric S. Fomley, currently producing his own Drabbledark anthology featuring horror, sci-fi and fantasy stories. From what I’ve seen on twitter, I think there will be a few familiar TWF names amongst the contributors. To find out more about Eric, check out his website https://ericfomley.com. I’m looking forward to reading the finished product.

On another note, Emerian Rich of HorrorAddicts.net is currently seeking management-level help at her site. Horror Addicts have published submission calls at Horror Tree and promote horror not just in books but in movies and lifestyle. They also ran The Next Great Horror Writer Contest last year. If you are interested in helping this truly supportive site, email: [email protected].

Stephanie Ellis

Editor, Trembling With Fear

Well, our first run of a serial seemed to be a success so we’d like to publish more! If you’ve got something that you think would fit, please reach out to us!

‘Trembling With Fear’ Is Horror Tree’s weekly inclusion of shorts and drabbles submitted for your entertainment by our readers! As long as the submissions are coming in, we’ll be posting every Sunday for your enjoyment.

Stuart Conover

Editor, Horror Tree

Mouse Trapped

Oh, I love a rainy night, I love a rainy night…” I warbled alone in the cocoon of steel and vinyl that is my Crown Vic. She’s my prize possession—a tank that would probably survive a Zombie Apocalypse better than I would. By a long shot.

In my car, on a night when the rain falls in crystalline sheets barely glazed by the headlights, it doesn’t matter that I have a voice like broken glass. No one has to listen but me, and, to me, I sound like a rock star.

Not that I look like one…everyone calls me “Mouse,” even my parents did—and I do rather look the part. I’m mostly forgettable. Which is fine with me. I like my own company best, and I know there is more to me than meets the eye.

With no particular place to go on this particular night, I was just cruising. It might be irresponsibly wasteful of me to squander gasoline in my huge metal monster, but who cares if I squander my own money? I pulled up to a stoplight just as Eddie finished crooning, the big car idling like a purring cat.

I was minding my own business when something bumped me from behind. The light turned green and I took off. It was just a love tap, and I really didn’t want to get embroiled in all the red tape that came from a traffic accident. No way such a tiny bump hurt my car, and I really wasn’t worried about the other guy. After all, it was their fault.

I wasn’t going to let the other driver spoil my good mood.

Taking a left on one of the farm roads dotting the landscape, I headed vaguely homeward, but not directly. I wasn’t finished cruising.

Meatloaf began wailing teen angst and unrequited lust, and I belted it out at the top of my lungs. Glancing in the rear-view mirror, I saw headlights behind me. No big deal, there were a lot of farms out this way still…

I felt a slight frisson run up my spine. It was a bit remote out here, and I hadn’t been expecting any trouble, so I hadn’t taken my usual precautions.

I laughed aloud at my foolishness.

No one was following me. I was perfectly safe. Everyone in Steelville knew the Crown Vic, and knew me by sight if not name. I knew all of them. At the worst, the car behind me was one of the Peterson boys or Liam Thompson getting up to a bit of mischief. Nothing to worry about.

I put the car behind me out of my mind and went back to planning the gardening I needed to do tomorrow. The rain could be either a blessing or a curse, depending on when it let up. I had planned to start this evening, but the rain had put a literal damper on that.

The big flat spot behind the barn would be just perfect. There are few rocks left, because Papa cleared that space for hay way back when our farm was a working concern. There might be some residual clumps of roots or something, but it shouldn’t be too bad to dig up.

A bright light caught my attention, and I looked up at the mirror in time to see headlights fill it. A loud bang sounded, and my car skidded forward about three feet. “Damn!”

My hands gripped the wheel so tightly my knuckles went white in the glare through the rear window. My heart raced faster than Secretariat.

I still had confidence that the Vic was undamaged, but that hadn’t been a car sliding on the wet road at a stoplight. He’d attacked intentionally.

I floored it. Despite her size, my car has a lot of horsepower under the hood. I pulled away from the vehicle behind me, thanking the powers-that-be the rain was slackening.

The roads beneath my wheels were packed caliche and gravel, not smooth asphalt. They sucked at the wheels in places, and slid out from under them in others. I focused on the road unwinding before me, muscles locked with tension.

Despite the endorphins of pursuit being thrown into the mix, or maybe because of them, I felt a sense of exhilaration. Did someone really think they could intimidate me? Think a couple of taps on my bumper would throw me into a tizzy and make me do something stupid?

They’d picked the wrong Mouse for that.

I’d been driving these roads since I was twelve, I had a full tank of gas, adrenaline coursing through my veins, and—according to my Mama—a bit of a death wish.

The wheels spun and grabbed as I rounded the tight corners between my neighbors’ fences. The vehicle behind me—it had to be a truck or something with the headlights riding that high—took them almost as quickly, though I flatter myself I was a bit faster, a bit more in control.

My mind raced, trying to decide what to do. The farm was in the other direction now. Turning for home and the safety of Papa’s shotgun was very tempting, but that might end the fun.

I took a hard right, heading back toward the river. If he followed me—I knew instinctively it was a he—it would prove my assumptions correct. He skidded around the curve with a rattle of pebbles and a spray of dirty water in his headlights.

Okay then. Definitely following me. Most likely with less-than-honorable intentions. My heart raced even faster—I hadn’t known that was possible.

A giddy little giggle escaped. I hadn’t had this big a rush in a very long time. Probably not since the reading of my parents’ wills, when I found out that the Mouse Hole—as I liked to think of the farm—was mine free and clear with a nice tidy nest egg besides. Who knew they were so thrifty?

It was enough that I could quit my job pretending to teach children English. How can you teach something to anyone who would rather throw eggs at your chalkboard than turn in an assignment, and whose parents are totally okay with that? Now, I am a lady of leisure…except when I’m being chased by big pickup trucks with probable mayhem on their mind…

How long did I want to play this game of cat and Mouse? Eventually, he was going to catch up to me. The truck was at least as powerful as the Crown Vic, and the second collision had shown an intent to cripple the car. A lesser made vehicle would have stopped in its tracks. Once again, I sent up a swift thank you for good ol’ American steel.

I careened around the next turn, fishtailing a little on the wet caliche. Time to bolt for home. If he got bored before I got there, no loss. If not…the shotgun was loaded and just inside the front door.

I sped up the straightaway that led home. There‘re no other farms out in my neck of the boondocks. The river curls around my property protectively, but it makes farmland limited. The last family within shouting distance left several years ago…but I liked the solitude. Usually.

The truck behind me was keeping pace. I was a bit surprised. These roads weren’t the easiest to navigate.

I really should get a Concealed Carry permit. Then I could carry a pistol in my glove box. Legally.

I have often considered carrying one without a permit, but there’s really no need to tempt fate. As soon as I do, I’m bound to get pulled over for a broken taillight or something and wind up in jail for an illicit firearm. That would never do.

I took the turn onto my property, hitting the cattle-guard with teeth-rattling speed. I threw it into park as soon as I hit the front yard, and saw the truck’s headlights wash over the Vic as he followed.

My key was in my hand, and the door open before he crashed into the back of the car again. This one popped the trunk lid. I grabbed the shotgun and turned back to find a stranger staring dumbfounded into the trunk well of my car.

I sighed. “You had to go and follow me, didn’t you?”

He pulled his gaze away from the plastic-wrapped body currently residing in my trunk. If it hadn’t rained, I’d have buried it already…

The shotgun let off a satisfactory belch of fire and sound. “That’s for Vic, you jerk.”

He dropped like a stone, and I stepped forward, nudging the body with the toe of my shoe. I’ve always been a good shot.

“Thanks…now I’ll have to do twice the gardening.”

 

Rie Sheridan Rose

Rie Sheridan Rose multitasks. Her short stories appear in numerous anthologies, including Nightmare Stalkers and Dream Walkers Vols. 1 and 2,  and Killing It Softly Vol. 1 and 2. She has authored ten novels, six poetry chapbooks, and lyrics for dozens of songs.

 

Links: website — www.RieWriter.com

Amazon — https://www.amazon.com/Rie-Sheridan-Rose/e/B002QW9NB2/ref=sr_ntt_srch_lnk_1?qid=1517534960&sr=8-1

Stomp

She hits the dance floor, just before the DJ hits play. Bodies bump and grind almost hard enough to shake rust from the rafters. It’s been too long since she could lose herself in someone else’s rhythm, letting a bass line blast the stress from her soul.

It all starts with a heel snapping off. Her ankle rolls, hard enough to tear a tendon. No one notices. She hits the ground, and gets caught beneath stomping feet. They play a familiar tone on her skeleton, the snap, crackle, pop of bone breaking to the beat. Her eyes shut. Song’s over.

Kevin Holton

Kevin Holton is a cyborg and fitness junkie from coastal New Jersey. He’s the author of At the Hands of Madness (Severed Press), as well as the forthcoming novels The Nightmare King (Siren’s Call Publications) and These Walls Don’t Talk, They Scream (HellBound Books). He also co-wrote the short film Human Report 85616, and his short work has appeared with Sci-Phi Journal, The Literary Hatchet, Radiant Crown Press, Pleiades, Rain Taxi, Mighty Quill Books, and Thunderdome Press, among others. He can also be found acting, blogging with The Bold Mom, or talking about Batman.

You can find more of his work on his website, Patreon, Amazon, or just follow him on Twitter .

The Feeding

Roland drank deeply from his latest victim. His thirst grew with every drop. Something was wrong. Normally he would stop, leaving enough to keep his victim alive and weakened. This time he fed savagely.
He dropped the empty body to the ground wanting more. The convulsions hit first and took him to his knees. Too weak to stand, he lay on the ground. Two shadows materialized over him.
“See. What’d I tell ya? They can’t get enough.”
“But, the homeless guy is dead.”
“Can’t make an omelet without breaking some eggs.”
A sharpened stake entered Roland’s chest. Eternal torpor awaits.

Arthur Unk

Arthur Unk lives and works in the United States, but dreams of a tropical, zombie-free island. He hones his drabble skills via the Horror Tree Trembling With Fear (Dead Wrong, Flesh of My Flesh, The Tale of Fear Itself, and others yet to come) and writes micro/flash fiction daily. His influences include H.P. Lovecraft, Stephen King, and life experience. You can follow his work from all around the web via his blog at http://arthurunk.com or read his many, many micro-stories on Twitter @ArthurUnkTweets

Forbidden Fruits

She scraped away the final layer of soil, revealing the treasure. There was an intake of breath from behind her.
“I never thought you’d find them.”
“I told you to have faith.”
“Maybe we should leave them, it’s illegal to own them.”
“Worth a fortune though.”
She stared at the items, rusty, stained and dirty. A crucifix and a wooden stake. Artifacts of an evil time. Thankfully, the right side had won, although it’d been a close thing. Memories of death and dismemberment flashed into her mind. Instinctively, her lips drew back, exposing elongated fangs, the mark of her kind.

R.J. Meldrum

R. J. Meldrum is an author and academic. Born in Scotland, he moved to Ontario, Canada in 2010 with his wife Sally. His interest in the supernatural is a lifetime obsession and when he isn’t writing ghost stories, he’s busy scouring the shelves of antique book-sellers to increase his collection of rare and vintage supernatural books. During the winter months, he trains and races his own team of sled dogs.
He has had stories published by Sirens Call Publications, Horrified Press, Trembling with Fear, Darkhouse Books, Digital Fiction and James Ward Kirk Fiction.
You can find out more about RJ at his homepage.

CLOSED MARKET: Hysterical – Poetry

This website no longer loads.

Payment: $50 per accepted prose piece or group of poems.

Hysterical publishes previously unpublished works of prose, poetry, and hybrid/cross-genre writing. Work is considered previously published if it has appeared in any publication or website, including personal sites and blogs, though exceptions may be considered. Please note in your cover letter if your work has appeared on a personal site/blog.

In general, we are seeking writing that navigates and subverts societal expectations across and between genres. Basically, we want to be surprised.

Hysterical is open to submissions only from writers who are women, femmes or non-binary people.

Simultaneous submissions are accepted, as long as they are noted as such at the time of submission, and any work accepted elsewhere is withdrawn from consideration as soon as possible.

HUMOR

Any genre can be funny, of course, and Hysterical will have a humor section in each issue. So, if you think your piece is funny, please label it as humor, plus whatever genre it’s in. Humor will only be part of each issue, so if your piece is otherwise awesome and affecting, send it over too!

submit

POETRY

Please submit 3-5 poems, unless you’re submitting a single long piece. We accept both .doc and .PDF, but keep in mind that formatting doesn’t always translate well across Mac and PCs, so formatting-dependent pieces are advised to be submitted in PDF form.

NONFICTION

We’re seeking all manner of nonfiction–from criticism, reporting, narrative nonfiction, etc. Please submit pieces up to 5,000 words in length. We accept both .doc and PDF formats.

FICTION

Short stories, prose poems, flash fiction, novel excerpts, whatever. If it’s at least somewhat made up and it’s in prose, it’s fiction. We accept fiction in .doc and PDF form, up to 5,000 words in length.

HYBRID

If your piece is somewhere in between, that’s great. We’re lovers of experimentation and cross-genre pollination. Clarify the mixture in your cover letter if you want, or if you want us to just dive in, we’re game.

PAYMENT

We’re dedicated to paying for work, as we value writers and art. At the time of this writing, payment is $50 per accepted prose piece or group of poems.

RIGHTS

Hysterical will acquire First Electronic Rights (worldwide English) and non-exclusive print anthology rights. This means that your piece will debut with us and cannot have appeared elsewhere, private websites and social media included and may be published in an annual anthology. All rights will revert to the author 90 days after publication.

Via: Hysterical.

Horror Tree Update: “May” The Writing Be With You, Always

Wow. April flew by. I honestly ended up writing this last minute as I’ve been so busy with life that I didn’t realize it was time for another brief update! One of those things has been planning Mother’s day for my lovely wife, as we have a few mothers out there who frequent the site – Happy Mother’s Day (in advance!)

So, let’s get on with the update, shall we?

Seriously once again a huge thanks to everyone who donates to our Patreon. No changes in the last month but while that hasn’t added it also means it hasn’t subtracted and we continue being able to just maintain on paying the bills. THANK YOU FOR NOT LEAVING US!

Last month we added a few donation levels so please be sure to check out the Patreon page for more details!

These new levels will help us pay all of our contributors sooner if we can make those goals!

Trembling With Fear – I do have a brief anthology update for you. The TOC is for all intents and purposes done, as is the majority of the rest of the book. Once we have a few things finalized to give us a page count we can finish up the cover and finally, FINALLY, be able to share Trembling With Fear: Year 1 (working title, probably not the final title) with the world!

That being said, we’re always open for more shorts, drabbles, and now serials as well. Please shoot them over if you have interest in contributing!

If you’ve been loving any of these shorts please be sure to comment on the post that contains them so that the authors can hear what you think!

What Is New At The Horror Tree?!

What Is About To Grow At The Horror Tree?

One of our long-term readers has gifted a quick interactive game which is brief but amusing. We’ll be inserting it into the site and, possibly, adding more in the future. More on that soon! Not much else immediately new is ready to be announced for the upcoming month.

A Brief Update!

Doubling down on social upates. Once again the numbers have moved, let us see if the Tree is growing or withering on the vine!

  • Horror Tree’s Twitter – Moved from 6612 to 6634 followers. Not a huge jump but at least the numbers are going up! Thanks!
  • Horror Tree’s Facebook – Minor bump in readers here. We had 1694 and went up to 1706! With how rare it is for pages to show up to viewers anymore this is always a pleasant surprise.
  • Horror Tree’s Instagram – We hadn’t started using the Instagram account last month though the account was live with 6 followers. Having FINALLY started to use it we’re now up to 188. We’ll take it!
  • Horror Tree’s Pinterest – Just like Instagram our Pinterest was inactive with 6 followers. Views are actually pretty high here having over 1,000 on pins but the follow count only jumped to 8. So, there’s that.

On the non-social front, we always strive to be open with changes to the site. Previously, at the end of individual posts, there was internal linking done through Google. We recently changed it to show external sites which would also show Horror Tree article posts as well. We’ll see how that plays out to potential readers.

I hope we’re still the resource that you love for writing. If you’re looking to help the site or contribute to us please check out this page or donate to our Patreon! If you have any questions, concerns, thoughts, or want to reach out make sure to hit our contact page or reach out on Twitter!