Category: Ongoing Submissions

Ongoing Submissions: Mysterium Tremendum

Payment: $50
Theme: Where religion and horror collide, do read below to see exactly what they mean!

We originally conceived of Mysterium Tremendum as an anthology scheduled for release sometime in 2021. Due to frequent interest expressed in this project by writers and readers alike, we’ve decided to try something a little different. We’re excited to present Mysterium Tremendum, a quarterly chapbook featuring fiction, nonfiction, and poetry exploring the intersection between weird fiction/horror and the holy.

The title of the series comes from Rudolf Otto’s The Idea of the Holy, in which the German Lutheran theologian describes the “numinous” at the heart of religion as an experience preceding any systematic dogma or ethical component–a “feeling,” in short, much closer to the sublimity of horror than any sensation popularly (read “dully”) conceived as “religious” (love, happiness, well-being). An astounding array of writers have since, whether consciously or not, furthered Otto’s observations. Some of them explicitly tie horror fiction to the holy. Scholarly works directly examining this connection include Victoria Nelson’s The Secret Life of Puppets, Douglas Cowan’s Sacred Terror: Religion and Horror on the Silver Screen, and Kirk J. Schneider’s Horror and the Holy. Georges Bataille is also relevant here, along with the Communion books of Whitley Streiber, and contemporary philosophers like Rene Girard, Jeffrey Kripal, and Erik Davis.
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Ongoing Submissions: Constraint 280

Payment: $2.80
Theme: Narrative fiction in 280 characters or less

Constraint 280 is a venue for narrative speculative work up to 280 characters long. This usually means microfiction and poetry, but things like Twitter bots that generate tweets are also welcome. Experimental and interactive forms are very much welcome. Code may exceed 280 characters if the printed output is 280 characters or under.

Terms

  • Multiple submissions OK
  • Simultaneous submissions OK
  • Reprints OK
  • Translations OK with documented permission of original author
  • Untranslated submissions in Spanish and Chinese OK. If accepted, S. Qiouyi Lu will provide an English translation for your piece.
    • Se puede enviarnos obras en español. Si publicamos su obra, S. Qiouyi Lu la traducirá al inglés.
    • 我們歡迎繁體和簡體中文的作品。如果我們出版您的作品,陸秋逸會替您翻譯成英文版。
    • 我们欢迎繁体和简体中文的作品。如果我们出版您的作品,陆秋逸会替您翻译成英文版。

How to Submit

Please send your work to [email protected] with the subject line “[Octavos] TITLE OF WORK by AUTHOR NAME” or “[Constraint 280] AUTHOR NAME” as appropriate. Please paste your work into the body of your email—no attachments! If you need to withdraw your piece for whatever reason, just reply to your original email and let us know.

We aim to reply to all submissions within 14 days. Please query if you haven’t heard back from us in 35 days.

Payment

Payment for work accepted for Constraint 280 is a flat 2.80 USD/piece.

Sample Contract

If your piece is accepted, you will receive a contract like the sample one below outlining the rights you will be licensing to microverses. Basically, you will be granting us the non-exclusive right to display your work on our site. We’re happy to answer any questions and make changes to the contract as well.

This Agreement made between microverses, and its successors and assigns, hereinafter referred to as the Publisher, and [author name], hereinafter referred to as the Author.

The parties agree as follows:

(1) The Work. This Agreement pertains solely to the Author’s textual work titled “[Story Title].”

(2) Limitations On Scope Of Grant.  

(i) This Agreement is not a transfer of the copyright to the Work.

(ii) All rights not expressly granted by the Author reside exclusively with the Author.  Any rights that may be developed in the future shall reside with the Author.

(3) Electronic Rights. The Author grants non-exclusive electronic rights to the Publisher to include the Work in the Magazine, for publication in the English language [and Spanish or Chinese if applicable] on or before [the date by which first publication must occur.]

For the avoidance of doubt, the rights granted to the Publisher under this paragraph are rights only to the publication or dissemination of an electronic replica of the Work as it is incorporated in the Magazine website, and not to any other publication, dissemination or use of the Work.

The Author may terminate the grant of non-exclusive electronic rights and ask the Publisher to remove the Work from the magazine’s website, archives, electronic back issues, bundles, or any other electronic format, and the Publisher agrees that it will comply within 30 days of such request. 

(4) (a) For the rights granted to the Publisher in this Agreement, the Publisher shall pay the Author the sum of [payment amount], no later than 60 days after receipt by the Publisher of this agreement executed by the Author.  If payment is not received as required by this paragraph, all rights granted hereunder shall immediately revert to the Author.

(b) Payment shall be made by PayPal or by another means agreed to by the Author.

Any fees, charges, or commissions required because of use of electronic means of payment shall be paid by the Publisher.

(5) If the Publisher fails to publish the Work by [the date by which first publication must be made], all rights granted hereunder shall immediately revert to the Author. In such event, the Author shall retain any payments made under this Agreement prior to such reversion.

(6) Arising under and terminating with the grant of rights to the Work in this Agreement, the Author grants Publisher the right to use the Author’s name and biographical material for all advertising, promotion and other use of the Work. Upon request, the Author shall provide the Publisher with appropriate biographical material for such use. The Publisher shall use only the Author’s name and biographical material provided and approved by the Author.

(7) The Author warrants that, as of the date of executing this agreement, the Author is the sole author of the Work; that the Author is the owner of all the rights granted to the Publisher hereunder and has full power to enter into this agreement and to make the grants herein contained; that the Work is original and any prior publication of the Work in whole or in part has been fully disclosed to the Publisher; and that to the best of the Author’s knowledge the Work does not infringe upon any copyright or upon any other proprietary or personal right of any person, firm, or corporation.

(8) The Publisher will make no alterations to the Work’s text or title without the Author’s written approval in email or hardcopy. The Author will be provided with the Publisher’s proposed version of the work prior to publication and given sufficient time to review text. The Publisher reserves the right to make minor copyediting changes to conform the style of the text to its customary form and usage.

(9) The Publisher agrees to list a proper copyright notice for the Work in the name of the Author at the end of the Web-published story.

(10) The Author will be credited at the beginning of the story as [author’s byline].

(11) The Publisher shall not make the Work available to any distributor, catalogue, service, or computer program which alters the text of the work or the display of the work, beyond typographic or formatting changes that do not affect the meaning of the work, or facilitate such changes—including but not limited to removing or changing profanity—without written permission of the Author.

(12) Regardless of its place of execution, this agreement shall be interpreted under the laws of the State of California.

(13) Successors and Assigns. Publisher may not assign or in any way transfer this contract or the rights granted by it to another person or entity without the written permission of Author.

(14) Amendment. This Agreement constitutes the entire Agreement between the parties, and supersedes all prior writings or oral agreements. This Agreement may be amended, only by a written agreement clearly setting forth the amendments and signed by both parties.

(15) Void Provision. If any term or condition of this Agreement is found by a court of competent jurisdiction to be illegal, unlawful or otherwise unenforceable, the parties agree that such term or condition shall be reformed as nearly as may be possible to carry forth the intentions of the parties and that such illegality, unlawfulness, or unenforceability shall not act to void any other term or condition of this Agreement nor to void the Agreement as a whole.

(16) The parties acknowledge that each party has read and understood this contract before execution.

In witness whereof the parties have executed this contract in duplication originals on this DD day of [full name of month], YYYY.

[Author’s signature] [Date]
[Publisher’s signature] [Date]

Via: Microverses.

Ongoing Submissions: Octavos

Payment: $1 per line of poetry
Theme: Speculative poetry 8 lines or under

microverses is open for submissions year-round.

Octavos is a venue for speculative poetry 8 lines or under. We define a line as containing at least one character. White space doesn’t add to the line count.

Terms

  • Multiple submissions OK
  • Simultaneous submissions OK
  • Reprints OK
  • Translations OK with documented permission of original author
  • Untranslated submissions in Spanish and Chinese OK. If accepted, S. Qiouyi Lu will provide an English translation for your piece.
    • Se puede enviarnos obras en español. Si publicamos su obra, S. Qiouyi Lu la traducirá al inglés.
    • 我們歡迎繁體和簡體中文的作品。如果我們出版您的作品,陸秋逸會替您翻譯成英文版。
    • 我们欢迎繁体和简体中文的作品。如果我们出版您的作品,陆秋逸会替您翻译成英文版。

How to Submit

Please send your work to [email protected] with the subject line “[Octavos] TITLE OF WORK by AUTHOR NAME” or “[Constraint 280] AUTHOR NAME” as appropriate. Please paste your work into the body of your email—no attachments! If you need to withdraw your piece for whatever reason, just reply to your original email and let us know.

We aim to reply to all submissions within 14 days. Please query if you haven’t heard back from us in 35 days.

Payment

Payment for work accepted for Octavos is 1 USD/line.

Sample Contract

If your piece is accepted, you will receive a contract like the sample one below outlining the rights you will be licensing to microverses. Basically, you will be granting us the non-exclusive right to display your work on our site. We’re happy to answer any questions and make changes to the contract as well.

This Agreement made between microverses, and its successors and assigns, hereinafter referred to as the Publisher, and [author name], hereinafter referred to as the Author.

The parties agree as follows:

(1) The Work. This Agreement pertains solely to the Author’s textual work titled “[Story Title].”

(2) Limitations On Scope Of Grant.  

(i) This Agreement is not a transfer of the copyright to the Work.

(ii) All rights not expressly granted by the Author reside exclusively with the Author.  Any rights that may be developed in the future shall reside with the Author.

(3) Electronic Rights. The Author grants non-exclusive electronic rights to the Publisher to include the Work in the Magazine, for publication in the English language [and Spanish or Chinese if applicable] on or before [the date by which first publication must occur.]

For the avoidance of doubt, the rights granted to the Publisher under this paragraph are rights only to the publication or dissemination of an electronic replica of the Work as it is incorporated in the Magazine website, and not to any other publication, dissemination or use of the Work.

The Author may terminate the grant of non-exclusive electronic rights and ask the Publisher to remove the Work from the magazine’s website, archives, electronic back issues, bundles, or any other electronic format, and the Publisher agrees that it will comply within 30 days of such request. 

(4) (a) For the rights granted to the Publisher in this Agreement, the Publisher shall pay the Author the sum of [payment amount], no later than 60 days after receipt by the Publisher of this agreement executed by the Author.  If payment is not received as required by this paragraph, all rights granted hereunder shall immediately revert to the Author.

(b) Payment shall be made by PayPal or by another means agreed to by the Author.

Any fees, charges, or commissions required because of use of electronic means of payment shall be paid by the Publisher.

(5) If the Publisher fails to publish the Work by [the date by which first publication must be made], all rights granted hereunder shall immediately revert to the Author. In such event, the Author shall retain any payments made under this Agreement prior to such reversion.

(6) Arising under and terminating with the grant of rights to the Work in this Agreement, the Author grants Publisher the right to use the Author’s name and biographical material for all advertising, promotion and other use of the Work. Upon request, the Author shall provide the Publisher with appropriate biographical material for such use. The Publisher shall use only the Author’s name and biographical material provided and approved by the Author.

(7) The Author warrants that, as of the date of executing this agreement, the Author is the sole author of the Work; that the Author is the owner of all the rights granted to the Publisher hereunder and has full power to enter into this agreement and to make the grants herein contained; that the Work is original and any prior publication of the Work in whole or in part has been fully disclosed to the Publisher; and that to the best of the Author’s knowledge the Work does not infringe upon any copyright or upon any other proprietary or personal right of any person, firm, or corporation.

(8) The Publisher will make no alterations to the Work’s text or title without the Author’s written approval in email or hardcopy. The Author will be provided with the Publisher’s proposed version of the work prior to publication and given sufficient time to review text. The Publisher reserves the right to make minor copyediting changes to conform the style of the text to its customary form and usage.

(9) The Publisher agrees to list a proper copyright notice for the Work in the name of the Author at the end of the Web-published story.

(10) The Author will be credited at the beginning of the story as [author’s byline].

(11) The Publisher shall not make the Work available to any distributor, catalogue, service, or computer program which alters the text of the work or the display of the work, beyond typographic or formatting changes that do not affect the meaning of the work, or facilitate such changes—including but not limited to removing or changing profanity—without written permission of the Author.

(12) Regardless of its place of execution, this agreement shall be interpreted under the laws of the State of California.

(13) Successors and Assigns. Publisher may not assign or in any way transfer this contract or the rights granted by it to another person or entity without the written permission of Author.

(14) Amendment. This Agreement constitutes the entire Agreement between the parties, and supersedes all prior writings or oral agreements. This Agreement may be amended, only by a written agreement clearly setting forth the amendments and signed by both parties.

(15) Void Provision. If any term or condition of this Agreement is found by a court of competent jurisdiction to be illegal, unlawful or otherwise unenforceable, the parties agree that such term or condition shall be reformed as nearly as may be possible to carry forth the intentions of the parties and that such illegality, unlawfulness, or unenforceability shall not act to void any other term or condition of this Agreement nor to void the Agreement as a whole.

(16) The parties acknowledge that each party has read and understood this contract before execution.

In witness whereof the parties have executed this contract in duplication originals on this DD day of [full name of month], YYYY.

[Author’s signature] [Date]
[Publisher’s signature] [Date]

Via: Microverses.

Ongoing Submissions: Rattle – General Poetry

Payment: $200 if accepted for a print issue, $100 if accepted for online publication.
Theme: Poetry of all shapes and sizes

Rattle publishes unsolicited poetry and translations of poetry.

Submissions are open year-round, always welcomed, and always free. Despite their growing prevalence in the literary community, we do not believe in submission fees and never will.

Rattle does not accept work that has been previously published, in print or online (we do NOT consider self-publishing to blogs, message boards, or social media as publication with respect to this rule).

Simultaneous submissions are encouraged. If the work is accepted elsewhere, just add a note through Submittable, or, if you submitted in hard copy, email to let us know. We don’t publish anything without your signature, anyway; if another journal beats us to the punch, congratulations!

Contributors in print receive $200/poem and a complimentary one-year subscription to the magazine. Online contributors receive $100/poem.

All free submissions are automatically considered for the annual Neil Postman Award for Metaphor, a $2,000 prize judged by the editors.

Quick Options:
Submittable / Postal

Poems

We like poems of any length. Send up to four poems at a time. We’re looking for poems that move us, that might make us laugh or cry, or teach us something new. We like both free verse and traditional forms—we try to publish a representative mix of what we receive. We read a lot of poems, and only those that are unique, insightful, and musical stand out—regardless of style. Since our issues include about 70 pages of poetry, one of the main things we’re looking for is diversity; we have enough room to be eclectic, and we plan on using it. So while most magazines suggest reading their back issues to get a sense of what they like to publish, we’d suggest reading to get a sense of what we’re having trouble finding—if you notice a style or subject matter that we don’t seem to be publishing, send us that!

Rattle publishes about 300 poems each year, and almost all of them come from unsolicited submissions. Your submissions keep us going, and we always appreciate them.

Required Information

Please include this information with each submission:

Name, Mailing Address, Phone Number, Email address

If submitting electronically, use the appropriate fields when you upload your file on Submittable, but avoid including your name or contact information anywhere within the file itself. If submitting by mail, only include your name and contact information in the cover letter, not above the poems. We ignore the poet’s name while reading submissions to be as fair as possible, and this makes it easier.

In addition, please send a short contributor note for the author. Your note should tell us who you are and why you love poetry. Our notes section is something that makes issues of Rattle unique, and many say it’s as fun to read as the poetry itself. Contributor notes should be in the first person, and follow the format of this sample:

Erik Campbell: “One afternoon in the summer of 1994 I was driving to work and I heard Garrison Keillor read Stephen Dunn’s poem ‘Tenderness’ on The Writer’s Almanac. After he finished the poem I pulled my car over and sat for some time. I had to. That is why I write poems. I want to make somebody else late for work.” (email address, web address, or Twitter handle goes here at the end if you’d like it included)

Notes in this form are only needed upon acceptance—it doesn’t have to be included with each submission, though we would enjoy it.

Please keep in mind that submitting to Rattle implies an interest in the magazine, and anyone who submits will be added to our mailing list to receive occasional updates on new issues, events, and calls for submissions. We never buy, sell, trade, or share your information with anyone. View our Privacy Policy for more information. You may opt out of our mailing list at any time, in writing or with an email to:

Payment

Payment for print publication (from us to you in exchange for your work) is $200 and a complimentary one-year subscription to the magazine, including the issue in which your work appears. Contributors also may pre-order additional copies of their issue at our cost to produce. Payment for online-only work is $100.

Rights & Rules

All rights revert to the authors upon publication. To get technical, we require First Rights, meaning we want to be the first publisher to present the poems to the public. This means that we won’t consider poems that have been published in books, magazines, or newspapers, in print or online. We will, however, consider poems that have only been self-published to blogs, message boards, or social media accounts.

Though authors do retain all rights to their work, we post everything we publish on the back-issues section of the website after print publication, and so require Non-Exclusive Electronic Rights.

Response Time

Response times vary greatly, depending on volume and where we are in the production schedule, and can take anywhere from one to six months, and sometimes longer. Please do not query; we reply to every submission. You can check the status of electronic submissions any time by logging in to your account at Submittable.com.

Revisions

Please note that it is not possible to revise a poem while it’s being considered. If we decide we’d like to publish any of them, you will have an opportunity to revise author galleys at that time. Please proof-read your work carefully before you submit—but only for the sake of your own sanity. Typos happen; we don’t frivolously discard poems because of them.

Option #1: Submittable (preferred)

Submittable is so convenient for everyone, and the vast majority of submissions have been coming this way, so we’d much prefer if you submit online using this system, which allows you to track the submission and ensures that your poems will never get lost in the mail. If you are able to submit electronically, please use Submittable’s online submission manager:

submit

 

Option #2: Postal

We much prefer to receive submissions online, but not everyone has internet access (for example, those writing from prison), so this remains an option. Please use Submittable if at all possible. If you need to send your poems by post, don’t hesitate, but please note that poems cannot be returned, and we no longer reply to postal submissions unless to offer publication. There is no need to include a return envelope. Simply include your mailing address and phone number, and we will reach you if anything is accepted for possible publication.

Send the submission directly to our office:

Rattle
12411 Ventura Blvd.
Studio City, CA 91604

Via: Rattle.

Ongoing Submissions: McCoy’s Monthly

Payment: $20
Theme: All forms of speculative fiction

Here at McCoy’s, we encourage authors of all backgrounds to submit their best fiction. We do not discourage any particular genre, technique, style, or method of fiction. Stories can be set in far-away universes, or they can be written in roman á clef style. The writing we want is unique to the author that sends it, and that means it can be experimental, traditional, or anything in between as long as it is original. We ask that all submissions are polished, proofread, and intentional.

There are no hard and fast word counts that we seek. If the writing is good, we’ll be happy to publish it, no matter how short or long the piece is. We do ask that for the ease of reading your submission, that you adhere to standard manuscript format, which can be found here.

We hope to respond to submissions within a month of receipt. If you haven’t heard back from us within four weeks, feel free to inquire about your submission status. If we choose to purchase your story, we will be purchasing exclusive rights for three months. That means that we have the right to publish the story first, and for the three months after publication, the story cannot be published elsewhere. After three months, the rights revert to you. We do not purchase ownership of your work, only the right to publish it first. That said, we do not accept previously published work. We compensate our writers $20 per piece.

Instead of paying for a submission manager, we use what little funding we have to pay our writers and maintain our website. We ask that submissions be sent to [email protected] Subject lines should read FICTION SUBMISSION. Please include the story in a PDF or Word document. Stories must be the original work of the author. No translations unless you are both the author and the translator. We accept simultaneous submissions. We read submissions year-round.

Via: McCoy’s Monthly.

Ongoing Submissions: Wyldblood – Flash Fiction

Payment: 1p (GBP) per word
Theme: Speculative fiction though some areas are hard sells (see below.)
Note: Other areas are open as well for short stories and whatnot but I’ve been told those will close and open depending on submission levels.

For all submissions:

  • email us at [email protected]
  • submit using standard manuscript format
  • send us Word or RTF files – no PDF please.
  • head your email SUBMISSION (category) – (story title) – (your name)
  • include your contact details in your submission.
  • add a SHORT cover note in the body of your email (longer for novels).
  • simultaneous submissions are fine (but tell us if you get placed elsewhere).
  • multiple submissions are a no-no. Don’t swamp us. Wait a decent interval between submissions.
  • we are not currently accepting reprints (except by invitation).
  • RIGHTS We are buying first worldwide serial and electronic rights with a 180 day exclusivity.
  • SHORT STORIES should be 1,000-6,000 words MAX
  • 1p (GBP) per word via paypal (approx 1.3c US)
  • initially for online publication in Wyldblood Magazine.
  • best stories may be reprinted in an anthology.
  • FLASH 300-1,000 words MAX
  • 1p (GBP) per word via paypal (approx 1.3c US)
  • initially for online publication only (Flash Fridays).
  • best stories may be reprinted in an anthology.
  • NOVELLAS AND NOVELS 40-120,000 words (flexible).
  • send us the full text and include a one page synopsis.
  • royalties only (competitive rates).
  • ebook and print.

What’s going to impress us (and what don’t we want to see)?

If you’re going to be submitting work to us, here are a few things you may want to bear in mind. We’ll be updating this list regularly, so check for our latest – we may suddenly have an urge for zombie romances (kidding – hell hasn’t frozen over yet).

  • we’ve seen many things many times so be original.
  • we’re picky buyers.
  • we can tell if you know your craft – don’t send us your first draft and make sure you’ve covered the basics. It doesn’t have to be perfect (if an author tells me they’ve never submitted a story with a typo or an obvious spelling mistake they’re lying) – but it does have to be professional.
  • zombies and vampires are a hard sell. Werewolves, though, are always welcome.
  • we’re not into gratuitous gore or erotica – don’t send us anything you wouldn’t want your kid sister to see.
  • my mother used to ask me why, since there are millions of beautiful words in the English language, did I have to use that one? Fucked if I know, but be moderate with your swearing.
  • lots of high fantasy names will send us heading for the reject button.
  • ditto lots of backstory about your fantasy universe that swamps the plot.
  • thoughtful, character based stories are our thing.
  • don’t shy away from politics or religion but anything racist or deliberately offensive will get you canned.
  • if you’re writing science fiction, we’ve got to buy in to your world building. Hand-wavey pseudo science rarely impresses.
  • no fan-fic – we’ve no desire to get sued.
  • Enthusiasm, perserverence and an obvious willingness to take feedback and respond positively go a long way with us.

Via: Wild Blood.

Ongoing Submissions: Legendary Tales

Payment: $.01 per word up to 7,500 words
Theme: strong character-driven speculative fiction stories

What Are We Looking For?

We are looking for new original short stories in the speculative fiction genres:

Science Fiction
Fantasy
Horror
Paranormal
Supernatural

In general, we are interested in strong character-driven stories. We do not want stories that have explicit sex or violence, rapists, or child abusers.

Original Short Fiction

Submissions must be between 1,000-7,500 words.

Stories must be in English.

Payment for original fiction is $.01 per word up to 7,500 words.

Submit your work in Shunn Standard Manuscript Format.

You can send through submissions through Moksha

Reprints

We do not accept unsolicited reprints.

Rights and Rules

No simultaneous submissions.

We try to respond to all submissions within 30 days.

Via: Legendary Tales.

Ongoing Submissions: The Martian Wave

Payment: Original Stories: $25.00, Reprint Stories: $15.00, Flash Fiction: 1 cent/word, Poems: $5.00
Theme: SF & Fantasy original stories with plot, tension, suspense, conflict, and character development.
Note: Reprints allowed

The Martian Wave began with James Baker of ProMart Publishing back around the turn of the millennium. After his passing in September 2002, it was under the editorial stewardship of J Alan Erwine, now of Nomadic Delirium Press. In November 2019, it was handed over to Hiraeth Books.

The Martian Wave is now published semi-annually, in March and in September, in print [and, eventually, as an eBook]. It presents original science fiction stories about the exploration and settlement of other worlds. It also presents one or two original fantasy stories along that same theme. Although it does consider darker sf/f, it does not present horror. It also presents a few original poems, again along the overall theme.

The Martian Wave wants original stories with plot, tension, suspense, conflict, and character development. Remember, if readers do not care what happens to your main character[s], they won’t read the story. The narrative should maintain a sense of wondering what’s going to happen next; of what’s lurking just around the corner. Showing is better than telling. Frex, instead of telling the reader that it’s cold, show your character shivering, stomping feet, or having ice form on beard or hair. The inner thoughts and emotions of your character[s] are just as important.

Stories submitted to The Martian Wave should be between 4K and 8K words long. Longer or shorter stories will be considered; however, anything less than 4K will be a difficult sell. Anything 1K or less will be considered flash fiction. We will consider reprint stories, provided they adhere to the guidelines; however, they are difficult sells.

Submit your stories as rtf or .doc attachments [NO .docx, please] to sdpshowcase at yahoo dot com [you must recombine this address for it to work. Sorry for the inconvenience. Blame spammers].

Please submit one story at a time, and wait for the response before submitting another. We hope to keep the response time down to two months. If you haven’t heard from us in three months, please query.

Poetry submitted to The Martian Wave should be from about ten to a hundred lines. Please submit no more than three poems at a time, and wait for the response before submitting more. Again, we hope to keep the response time down to two months. If you haven’t heard from us in three months, please query.

Submit your poems as rtf or .doc attachments [NO .docx, please] or IBOE to sdpshowcase at yahoo dot com [you must recombine this address for it to work. Sorry for the inconvenience. Blame spammers].

The Martian Wave also considers articles related to the exploration and settlement of other worlds. Articles include essays and reviews, as well as writing tips. Word count should be around 1K words, up to a loose 5K words. Please submit one article at a time, and wait for the response before submitting another. Yet again, we hope to keep the response time down to two months. If you haven’t heard from us in three months, please query.

Submit your articles as rtf or .doc attachments [NO .docx, please] to sdpshowcase at yahoo dot com [you must recombine this address for it to work. Sorry for the inconvenience. Boil spammers; inexpensive vegetable oil works best].

The Martian Wave is not considering cover art at this time.

Payment is made upon publication by check or Paypal as follows:

  • Original Stories: $25.00

  • Reprint Stories: $15.00

  • Flash Fiction: 1 cent/word

  • Poems: $5.00

  • Articles: $20.00

NOTE: If you live outside the United States, you will be paid via Paypal, or must make some other arrangement with the editor.

All submissions must include contact information. This means:

  • Name [yours, not necessarily your byline name]

  • Address [street, city, country, and zip code or equivalent]

  • e-mail address

  • Paypal address

If your address changes before the publication date, please let us know.

Queries should be sent to sdpshowcase at yahoo dot com [you must recombine this address for it to work. Sorry for the inconvenience. Grill spammers; the grillwork of a 1950 Buick or a 1953 Packard works best].

Via: Hiraeth Publishing.

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