Payment: 8-10 cents per word for short stories up to 7,500 words, and 8 cents for each word over 7,500.
Payment & Rights
Asimov’s Science Fiction magazine is an established market for science fiction stories. Asimov’s pays 8-10 cents per word for short stories up to 7,500 words, and 8 cents for each word over 7,500. We seldom buy stories shorter than 1,000 words or longer than 20,000 words, and we don’t serialize novels. We pay $1 a line for poetry, which should not exceed 40 lines. We buy First English Language serial rights plus certain non-exclusive rights explained in our contract. We do not publish reprints, and we do not accept “simultaneous submissions” (stories sent at the same time to a publication other than Asimov’s). Asimov’s will consider material submitted by any writer, previously published or not. We’ve bought some of our best stories from people who have never sold a story before.
In general, we’re looking for “character oriented” stories, those in which the characters, rather than the science, provide the main focus for the reader’s interest. Serious, thoughtful, yet accessible fiction will constitute the majority of our purchases, but there’s always room for the humorous as well. SF dominates the fiction published in the magazine, but we also publish borderline fantasy, slipstream, and surreal fiction. No sword & Sorcery, please. Neither are we interested in explicit sex or violence. A good overview would be to consider that all fiction is written to examine or illuminate some aspect of human existence, but that in science fiction the backdrop you work against is the size of the Universe.
Electronic Submission and Manuscript Format
Asimov’s now uses an Online Submissions System that has been designed to streamline our process and improve communication with authors. We do not accept email submissions. Please see Manual Submission Guidelines for information about paper submissions.
Our online submissions form for fiction asks for your name, email address, cover letter, story title, and story. Cover letter is optional. If you choose to include it, it should contain the length of your story and your publishing history. Story word count can, and should, also be indicated in the upper right corner of the first page of the manuscript. We ask for the same information for poetry. Please fill out a separate form for each poem submitted for consideration. All stories and poems should be in standard manuscript format and can be submitted in .RTF or .DOC format. For information about standard formatting, see William Shunn’s guide to Proper Manuscript Format. After you have submitted your work, a tracking number will be displayed and an automated email confirmation containing this information will be sent to you. If you have not received this email within twenty-four hours, please notify us by email. Your tracking number will allow you to monitor the status of your submission through our website, so please don’t lose it.
NOTE: Yahoo.com occasionally treats our email as spam, please keep an eye on your spam folder.
Our average response time runs about five weeks. If you have not heard from us in three months, you can query us about the submission at [email protected]. Thanks for your interest in Asimov’s and good luck!
Manual Submission and Manuscript Format
Manuscripts submitted to Asimov’s must be neatly typed, double-spaced on one side of the sheet only, on bond paper (no erasable paper, please). Any manuscript longer than 5 pages should be mailed to us flat. Dot matrix printouts are acceptable only if they are easily readable. Please do NOT send us submissions on disk. When using a word processor, please do not justify the right margin. If sending a printout, separate the sheets first. The manuscript should include the title, your name and address, and the number of words in your story. Enclose a cover letter if you like. All manuscripts must be accompanied by a self-addressed stamped envelope (if manuscript is over 5 pages, use a 9” x 12” envelope) carrying enough postage to return the manuscript If you wish to save on postage, you may submit a clear copy of your story along with a standard (#10) envelope, also self-addressed and stamped. Mark your manuscript “DISPOSABLE,” and you will receive our reply only. We do not suggest that you have us dispose of your original typescript. If you live overseas or in Canada, use International Reply Coupons for postage, along with a self-addressed envelope.
Via: Asimov’s Science Fiction.
Payment: $15 flat up to 1000 words, 1.5 cents per word over that.
Who We Are
Edited by award-winning science fiction writer Bruce Bethke, STUPEFYING STORIES is a bold attempt to grow a new general-interest science fiction and fantasy magazine from the ground up. Right now we are a small-press, semi-pro, payment-on-publication market, publishing on a somewhat erratic schedule, but our goal is to grow to become a regular monthly magazine that pays professional rates on acceptance—
And here’s the radical part. We want to do this not by begging people to contribute to our Kickstarter or GoFundMe campaign or put money in our Patreon tip jar, but by selling lots of books and magazines.
Sounds pretty crazy, doesn’t it?
What We Publish
Genres: Science fiction, fantasy, and horror, in roughly that order of preference.
Venues: STUPEFYING STORIES magazine and the Saturday SHOWCASE feature on our website.
Length: Generally, from flash fiction up to 10,000 words. We will consider longer novelettes and novellas, but space for longer works is limited, so please query first before sending anything longer than 10,000 words.
Original Novels: We publish original novels through our parent company, Rampant Loon Media, but do not read unsolicited novel manuscripts. Please query first. See further information below.
Reprints: We do not publish reprints.
TIP: The best way to see what we like to publish, of course, is to buy and read a few issues of our magazine. If you have a Kindle or Kindle Reader app and a subscription to Kindle Unlimited, it’s free. If you don’t have a Kindle, the next best way is to click on the SHOWCASE link in the left column and read a good sampling of the stories you’ll find there. What we’ve published in the past is not necessarily a foolproof guide to what we’d like to publish in the future, but it’s a good place to start.
What We Buy and What We Pay
Rights: Worldwide English-language first serial rights, for publication in both print and electronic formats.
Base word rate: 1.5 cents (USD) per word.
Flash fiction: For stories up to 1,000 words in length, we pay a flat rate of $15.00.
Cover bonus: For stories selected to be magazine cover stories, we pay a bonus of $50.00 USD.
When we pay: On publication.
How to Submit a Short Story
We accept electronic submissions only. Submit your story as an attachment to an email message sent to [email protected].
• One story at a time, please.
• No simultaneous submissions.
• Seriously, we do not publish reprints. Don’t send them to us.
• By sending us a submission, you agree to let us put your email address on our mailing list. While we promise never to sell our mailing list to anyone else, if you do not want to be on our mailing list, don’t send a submission to us.
• Send submissions and queries to [email protected] only. Over the years we have had a plethora of other email addresses, but these are all outdated now. If you’ve found another email address for us somewhere, don’t use it, as it most likely goes straight to /dev/null.
• We prefer submissions in .rtf, .docx, and .doc format, in roughly that order. We can handle .odt files if necessary, but they have proven troublesome, so we’ll be happier if you re-save your story in .rtf format. We cannot handle other formats such as Apple Pages files, so don’t send them.
• Do not send submissions as links to cloud or file-sharing sites. Submissions sent as links to file-sharing sites are deleted unread.
• The name of our publication is STUPEFYING STORIES. Stupefy with an “e” means to stun, astonish, or astound. Stupify with an “i” means to make stupid. Address your submission to STUPIFYING STORIES and it will be dead on arrival.
• Kindly remember that everyone here is a volunteer, working purely for love of the SF/F genre and the short story format. While we’d really like to pay our staff, right now we’re plowing everything we make back into paying our authors and artists more. If you want us to become a better-paying market, and along the way help the wonderful people who make this magazine possible, tell your friends about us. HELP US GROW!
After You Submit a Short Story
Within a week of your submission, you should receive an email message telling you either a.) we can’t use your story at this time, or b.) that it’s being held for further consideration, in which case you’ll receive a submission tracking number and further information. However, this one-week response time is a goal, not a guarantee. If you have not heard from us within 30 days, please query, as this mostly likely means either we did not receive your submission, it’s stuck somewhere in the evaluation process, or you did not receive our reply.
How to Submit a Novel
We do not consider unsolicited novel manuscripts. If you want to submit your novel to us, please send a query first to [email protected]. If we like your proposal, we’ll ask to see a partial and outline; if we like the partial and think your book looks like something that might fit well into our lineup and budget, we’ll ask to see the completed manuscript.
At this time we are not interested in reprinting previously published novels. However, over the years we have amassed considerable expertise in converting existing books to ebook and print-on-demand content, and if you would like our help in converting your rights-reverted novel into a ready-to-self-publish property, we’re willing to talk.
One More Time: Our Email Address Is…
If you’ve found another email address for us somewhere, don’t use it, as it most likely is no longer in use.
Via: Stupefying Stories.
Payment: $50 per accepted prose piece or group of poems.
Hysterical publishes previously unpublished works of prose, poetry, and hybrid/cross-genre writing. Work is considered previously published if it has appeared in any publication or website, including personal sites and blogs, though exceptions may be considered. Please note in your cover letter if your work has appeared on a personal site/blog.
In general, we are seeking writing that navigates and subverts societal expectations across and between genres. Basically, we want to be surprised.
Hysterical is open to submissions only from writers who are women, femmes or non-binary people.
Simultaneous submissions are accepted, as long as they are noted as such at the time of submission, and any work accepted elsewhere is withdrawn from consideration as soon as possible.
Any genre can be funny, of course, and Hysterical will have a humor section in each issue. So, if you think your piece is funny, please label it as humor, plus whatever genre it’s in. Humor will only be part of each issue, so if your piece is otherwise awesome and affecting, send it over too!
Please submit 3-5 poems, unless you’re submitting a single long piece. We accept both .doc and .PDF, but keep in mind that formatting doesn’t always translate well across Mac and PCs, so formatting-dependent pieces are advised to be submitted in PDF form.
We’re seeking all manner of nonfiction–from criticism, reporting, narrative nonfiction, etc. Please submit pieces up to 5,000 words in length. We accept both .doc and PDF formats.
Short stories, prose poems, flash fiction, novel excerpts, whatever. If it’s at least somewhat made up and it’s in prose, it’s fiction. We accept fiction in .doc and PDF form, up to 5,000 words in length.
If your piece is somewhere in between, that’s great. We’re lovers of experimentation and cross-genre pollination. Clarify the mixture in your cover letter if you want, or if you want us to just dive in, we’re game.
We’re dedicated to paying for work, as we value writers and art. At the time of this writing, payment is $50 per accepted prose piece or group of poems.
Hysterical will acquire First Electronic Rights (worldwide English) and non-exclusive print anthology rights. This means that your piece will debut with us and cannot have appeared elsewhere, private websites and social media included and may be published in an annual anthology. All rights will revert to the author 90 days after publication.
Payment: Six cents per word
So. We’re all geeks here, so we probably don’t have to tell you that Amazing Stories was started in 1926 by Hugo Gernsback, giving it the distinction of being the first science fiction magazine. You already know that Amazing Stories published many of the early greats in the field, including Jules Verne, H. G. Wells, E. E. “Doc” Smith, Ursula Le Guin, Isaac Asimov, John Campbell Jack Williamson and Claire Winger Harris.
But what has Amazing Stories done lately?
The field of science fiction (or scientifiction as Gernsback liked to call it) has changed substantially in the ninety years since Amazing Stories was first published. For one thing, science has progressed substantially, giving us men on the moon, a map of the human genome, virtual reality, the Internet of things, and real robots and artificial intelligence; never before have science fiction writers had so many toys to play with, and new ones seem to be appearing every day. For another thing, science fiction readers are more sophisticated than they were an almost century ago; they’ve been there and done that with the formulae of the genre, and they’re looking for what’s next.
Amazing Stories plans to be what’s next.
What We’re Looking For
Amazing Stories is looking for short stories that are fresh and new. We want to be surprised. We want to be delighted. We want your stories to be amazing. It’s not enough to be technically proficient and have a sort of, somewhat semi-original idea; we want to be dazzled by your original style and substance.
Remember when science fiction was optimistic, when the future was something to be embraced as a bold adventure instead of a place of dystopias, seemingly endless wars and mutant monstrosities to be feared? Amazing Stories will not shy away from stories that explore the negative impacts of technologies on individuals and society, but we have a strong preference for stories that take a bright view of human ingenuity and the possible futures we can make with it. Have you ever read a short story or novel and thought to yourself, “I want to take part in making that future a reality?” That is what we would like to see.
We intend to have a balance of relatively known and relatively new writers. Don’t be reluctant to submit stories just because you aren’t a famous writer – if you have an original idea and style, submitting to Amazing Stories could be your first step to becoming one.
We are happy to consider stories with a strong point of view, especially in light of the fact that one of the strengths of science fiction is its exploration of how science and technology can change interpersonal relationships and politics. However, we do not want stories that are basically political screeds or other kinds of preaching. Point of view needs to arise naturally out of the workings of the plot and the interactions of the characters.
We will not reject stories solely because of “adult” content. Keep in mind, however, that such content is not in keeping with our optimistic approach, which will make stories with graphic content (of a sexual or violent nature) a hard sell.
Amazing Stories encourages visible minorities, QUILTBAG writers and members of other minority or marginalized groups to submit to the magazine. The future will be diverse; we would like to see that reflected in the stories we tell and the writers who tell them.
We speak humor here. Well written humorous stories are always welcome.
LENGTH: 1,000 to 10,000 words
PAYMENT: Six cents per word. Payment is upon final acceptance.
RIGHTS: Amazing Stories buys first world publication rights. In addition, we are buying non-exclusive electronic archival rights, in perpetuity, and the right for non-exclusive publication in the quarterly issue (ebook and print on demand, as well as a print “collector’s edition”). We also ask for non-exclusive rights to republish the story in an anthology for a separate fee.
REPRINTS: Although Amazing Stories publishes reprints, they will be limited in number and solicited by the publisher, so please do not submit them (although suggestions are appreciated). The reprint rate is $100 regardless of story length.
SUBMISSIONS: We do not accept emailed or print submissions. Stories must be submitted using our online submission system, which will be open starting on a date which we will announce. This will require setting up an account. Under LogIn on the top right corner of this page, you will be asked to create a username and supply your email address. When you have submitted this information, you will receive an email asking you to activate your account. Click on the link in the email and you will now have an Amazing Stories submissions account.
When you next log onto the submissions page, you will see more options, including “Submit a Story” and “Stories.” When you click on “Submit a Story,” you will be asked for information about the story and to upload a digital copy. If you want to see a list of stories you have submitted and what their current status is, click on the “Stories” button.
Amazing Stories uses a randomized submission system, so please make sure that your name does not appear anywhere on the manuscript; if any identifying information appears anywhere in your submission, it will be rejected unread. We could repeat this instruction five times to show you just how serious we are about it, but we’d hate to waste the bandwidth, so let’s assume that you are paying attention and will follow it.
SIMULTANEOUS SUBMISSION: No. Just…no.
MULTIPLE SUBMISSION: Also no.
MANUSCRIPT FORMAT: Do we have to tell you to use standard manuscript format? Really? Double spaced? Bold and italics in bold and italics? If you’re in doubt, you can find the standard guidelines here: www.sfwa.org/2008/11/manuscript-preparation/. But Remember: DO NOT include your name on the ms.
Via: Amazing Stories.
Payment: 8-10 cents per word for short fiction (up to approximately 20,000 words), 6 cents per word for serials (40,000-80,000 words), 9 cents per word for fact articles, and $1 per line for poetry.
Payment & Rights
Analog’s Science Fiction and Fact magazine is an established market for science fiction stories. Analog pays 8-10 cents per word for short fiction (up to approximately 20,000 words), 6 cents per word for serials (40,000-80,000 words), 9 cents per word for fact articles, and $1 per line for poetry. We buy First English Language serial rights plus certain non-exclusive rights explained in our contract.
Analog will consider material submitted by any writer solely on the basis of merit. We are eager to find and develop new, capable writers.
We have no hard-and-fast editorial guidelines, because science fiction is such a broad field that I don’t want to inhibit a new writer’s thinking by imposing Thou Shalt Nots. Besides, a great story can make an editor swallow his preconceived taboos.
We publish science fiction stories in which some aspect of future science or technology is so integral to the plot that, if that aspect were removed, the story would collapse. Try to picture Mary Shelley’s Frankenstein without the science and you’ll see what I mean. No story!
The science can be physical, sociological, psychological. The technology can be anything from electronic engineering to biogenetic engineering. But the stories must be strong and realistic, with believable people (who needn’t be human) doing believable things–no matter how fantastic the background might be.
Fact articles should be about 4,000 words in length and should deal with subjects of not only current but also future interest, i.e., topics at the present frontiers of research whose likely future developments have implications of wide interest. Necessary images should be provided by the author in camera-ready form.
Our readers are very intelligent and technically knowledgeable but represent a very wide diversity of backgrounds. Thus specialized jargon and mathematical detail should be kept to a necessary minimum. Our audience largely reads us for entertainment, and a suitable style for our articles is considerably more informal than many professional journals.
Electronic Submission and Manuscript Format
Analog uses an online submissions system—we do not accept email submissions. Please see Manuscript Guidelines for information about paper submissions.
Our online submissions form for fiction asks for your name, email address, cover letter, story title, and story. Your cover letter should contain the length of your story, your publishing history, and any other relevant information (e.g., if you send us a story about a medical disaster and you happen to be an emergency room nurse, mention that). We ask for the same information for poetry. Please include up to six poems in one submission for poetry, and wait until you have heard back on those before sending us more.
All stories and poems should be in standard manuscript format and can be submitted in .DOC format. For information about standard formatting, see William Shunn’s guide to Proper Manuscript Format. After you have submitted your work, a tracking number will be displayed and an automated email confirmation containing this information will be sent to you. If you have not received this email within twenty-four hours, please notify us by email. Your tracking number will allow you to monitor the status of your submission through our website, so please don’t lose it. NOTE: Email providers occasionally treat our email as spam.
Manual Submission and Manuscript Format
We strongly prefer that submissions be made through our electronic submission system at analog.magazinesubmissions.com.
If you must submit hardcopy, manuscripts must be computer-printed, double-spaced, on white paper, one side of the sheet only. Please avoid unusual or very small typefaces. Indent paragraphs but do not leave extra space between them. Please do not put manuscripts in binders or folders. We do not accept e-mail or fax submissions.
Author’s name and address should be on the first page of the manuscript. No material submitted can be returned or acknowledged unless accompanied by a stamped and addressed envelope (not a postcard). No simultaneous submissions, please.
For serials, include a detailed synopsis and any prior publishing commitments with your submission. A complete manuscript is strongly preferred for all shorter lengths.
Payment is on acceptance.
Our average response time runs about two to three months. If you have not heard from us in four months, you can query us about the submission at [email protected]. Thanks for your interest in Analog and good luck!
Our Editorial Address
Trevor Quachri, Editor
44 Wall Street, Suite 904
New York, NY 10005-2401
E-mail: [email protected]
What We’re Looking For
We are interested in professional-level, mostly realistic work. Photographs are not normally used, but artists illustrating for us have worked with photos, using surreal effects.
The illustration must be able to visually interpret the story in such a way that it accurately represents the story, hooks the reader, and doesn’t give away the ending. Our stories contain a wide range of subject matter that that you must have the ability to draw. We like to see the capacity to illustrate an entire scene: one that not only has a character or characters, but also has a detailed background. You must know anatomy, perspective, balance, and figure proportions. We are not a comic book company, so please don’t send samples of comics pages.
What to Send
Send four to six samples of your best work. Do not send us your originals. Send only copies. They can be photocopies, stats, slides, transparencies, or tearsheets.
For either black and white interiors or color covers, you can use any medium. Many of our artists use pencil, pen & ink, airbrush, watercolor, scratchboard, etc. Electronic files are acceptable as long as it is in Mac format, eps or tiff, but please send a disk – DO NOT E-MAIL THE FILES!
Please include a self-addressed stamped, business-sized envelope for a response, or a large one if you want your samples returned to you.
$1,200.00 for color cover art.
$125.00 for black and white interiors.
c/o Victoria Green
Analog Science Fiction and Fact,
44 Wall Street, Suite 904
New York, NY 10005-2401
For sample copies, send a SASE and a check or money order in the amount of $5.00 for each copy to the editorial department at the same address