Hello, children of the dark. As I’m putting together this week’s issue for you, I’m also listening in to a talk on how we can use AI for creative collaboration. The speaker is passionate and knowledgeable and tends towards the speculative side of writing. I’m finding myself getting swept up in the possibilities.
But then.
Yes, but then.
I’m just not sure. AI, and particularly Chat-GPT, has turned the fiction world on its head. Lots of publications—ours included—have updated submission guidelines to say we are only looking for human-generated stories. And I agree with that. But I also know that this thing is here to stay, and we need to find a way to adapt. To grow. To evolve.
At the moment, we’re scared because there’s a lack of transparency. There’s also the ethical question of where, how, and on what these AI models have been trained on. These are Very Large Questions that we won’t easily solve or answer. And then there’s this, which I put to this speaker via the chat: it does make me wonder what new ideas or new spins on things will be left if we’re just consuming stories based on stories based on stories based on… Or maybe we’re already doing that anyway? Is there anything new left?
The human element is essential. I’d like to believe that will never go away. But then, there are enough people out there getting so excited about possibilities that they are maybe not thinking straight, or thinking ethically, or logically, or with a future-proofed-for-humanity mind. Who knows what they’ll throw at us.
And all of this just makes me want to turn to writing sci-fi to figure out what I think!
How about you? Have you got a speculative tech-based story that is burning a hole in your pocket? Duncan Cave did, and this week he brings us a very different conversation with the Administrator—one with world-changing consequences—for our short story. This is followed by three delicious quick bites:
- Nancy Pica Renken has a very dangerous shower,
- Emma Burnett struggles for an idea, and
- Catherine Berry finds out what happens when you mess with nature.
Over to you, Stuart.