Video Refresh: Karen Runge Interview

This is a quick video refresh of our previous interview ‘The Horror Tree Presents… An Interview With Karen Runge’. The author has quite an interesting history but also has some great practical advice that could be used by authors new and old! If you’re interested in learning more, be sure to check out our full interview with Karen Runge by Liz Butcher, if you’d like to learn more, please be sure to click on the direct link to the article below!

After watching the video, please like, share, and subscribe to our channel!

This is a new format that we’re playing around with for articles, interviews, and potentially Trembling With Fear. Please let us know if this is something that you’d like to see more of!

You can read the full interview here: https://horrortree.com/the-horror-tree-presents-an-interview-with-karen-runge/.

Closed Market: Iridium Magazine

Note: Our apologies, this was scheduled to post prior to the news that Iridium Magazine has shut its doors.

Deadline: December 15th, 2018
Payment: Original English short stories of up to 5,000 words (hard limit, shorter preferred) at $0.03/word. Reprints of stories up to 15,000 words (5,000 words or under preferred) at $0.01/word
Note: Reprints Accepted

  • Original English short stories of up to 5,000 words (hard limit, shorter preferred) at $0.03/word
  • Reprints of stories up to 15,000 words (5,000 words or under preferred) at $0.01/word
  • Art pieces at $50/piece (reprints accepted)
  • Essays at $50/piece (reprints not accepted)

*We define reprints as any work that has been seen by the public before, whether in another journal or online on personal sites/blogs/etc. Please inform us if your work has been printed before so we can credit.

Rights

The author grants Iridium Magazine for first world electronic rights (text and audio) and first print rights with 4 months exclusivity from date of publication and archiving.

Format

Manuscripts and essays should be in standard manuscript format as a .doc, .docx, or .rtf WITHOUT identifying information. DO NOT put your name anywhere on the manuscript—any manuscripts with identifying information (incl. email or address) will be auto-rejected. The document should be labeled “Title (Genre)”.

Trigger Warnings

Please warn for any potentially triggering content in the body of your email. This includes mentions of or on-screen sexual assault, suicide/suicidal ideation, child sexual abuse, child abuse, abuse, etc. Don’t try to surprise or shock us–that will only result in a rejection.

How to Submit

Send submissions to [email protected] with the subject line “SUBMISSION: AUTHOR NAME – TITLE” and a 100-word, third-person bio and at least one (1) link. Unless solicited, any submissions sent directly to the editors or other email addresses will be ignored.

Simultaneous Submissions: Yes. Inform us in your cover letter that it is a simultaneous submission and email us if your submission has been accepted elsewhere so we can remove it from our queue.

Multiple Submissions: No. Do not submit more than one piece at a time.

Genres

  • Genre fiction including genre fusions especially with a speculative bent and non-Western settings (including non-Western genres)
    • Westerns
    • Crime
    • Fantasy
      • Wuxia, High, Low, Quest, Urban, Paranormal, etc.
    • Sci Fi
      • Silkpunk, Cyberpunk, Clockpunk, Steampunk, Solarpunk, Dieselpunk etc.
    • Romance
    • Horror
  • Speculative fiction
    • Utopia/Dystopia
    • Alt History
    • Apocalyptic/Post-apocalyptic/Pastoral-apocalyptic
    • Superhero

Selection of Works

We do not accept any works that do not have QUILTBAG+ content. Work will be judged based on skill and quality of the story rather than author identity. #ownvoices is great, but not a requirement. However, lived experience is key to writing good fiction. We encourage a cosmopolitan point of view.

Our reading periods are as follows:

  • October 1 to December 15th
  • April 1st to June 15th

Our Reading Recommendations

(NOTE: Not all these stories fit our guidelines, but they are in the realm of our desired fiction in terms of tone or content.)

Via: Iridium Magazine.

Taking Submissions: Enchanted Gardens Anthology

Deadline: November 1st, 2018
Payment: Contributor’s Copy

Enchanted Gardens Anthology
Editor in Charge: Fanni Suto
Submission Period: September 1 – November 1
[Title to be announced]
Questions and Emails: [email protected]
Word Count:    500-10,500 (If over this, please ask before submitting).
Theme:    Gardens are known to be both beautiful and peaceful. Here, we are wanting a twist, enchanted gardens. The garden must be prominently featured and be enchanted/magical/cursed in some way. Are the flowers made of crystals and jewels? Does whoever enters never want to leave? Do the flowers bloom right before your eyes? We want to know what you think!

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Taking Submissions: The Splatter Club: Fresh Meat 2018

Deadline: December 31st, 2018
Payment: $5 plus 1 contributor copy

FRESH MEAT: Your first time is always memorable. Why not pop your cherry with the Splatter Club!

Beyond the requirement that you are an *unpublished author, there are no limits on what you may submit to Fresh Meat. Obviously, we want to publish the kind of stories that Splatter Club members enjoy reading and something that will proudly highlight our unique genre of literature to the world.

  • Email: [email protected]
  • Length: 500 words up to 7K
  • Deadline: December 31, 2018
  • Multiple Submissions: Up to 2 stories (attached to same email)
  • Simultaneous Submissions: No
  • Payment: $5 plus 1 contributor copy
  • *Unpublished: Your work has not been published in a PRINT anthology, novel or novella.

Via: Splatter Club.

Taking Submissions: Story Seed Vault

Deadline: October 24th, 2018
Payment: Short Fiction (<150CH) $3AUD per story, Long Fiction (>150CH/<200CH) $2AUD per story

*We might require additional evidence of a claim to publish.

Via: Story Seed Vault.

Taking Submissions: Nothing Without Us

Deadline: December 31st, 2018
Payment: 3 cents per word, minimum

Do you write words? Specifically, do you write English words that band together to form short fiction? Are you disabled, identify with disability, manage disability, or use some other way to describe how you relate to your disability or condition? If so, this call for submissions might be for you:

Not like your ableist patriarchal publishing monocultures,
with standard narratives that narrowly define
Here at the beginnings of our anthology we exist:
two mighty women with ideas that cannot be contained.
“Keep, traditional publishers and editors, your inspiration porn,
Your stories that objectify and demean,” we cry.
“Bring us your fabulous stories,
With diverse characters.
Bring us your Deaf heroes, your disabled, your neurodiverse,
Your characters breaking free from the shackles of normativity
Those who are not refuse, but fabulous
Send these your homeless stories, tempest-tossed to us,
We lift them up and celebrate them, at the gate of our anthology.

We are seeking short fiction for the Nothing Without Us anthology. All works must be fiction—fiction based on lived experiences is welcome. The lead character must be disabled, blind, Deaf, Autistic, neurodiverse, and/or live with mental illness. We do not expect all of these in one character, although we’re sure that character would be amazing. We are accepting fiction in all genres with the exception of hard-core erotica. We are also only interested in previously unpublished works. (Sorry, we’re not accepting poetry for this anthology.)

What we are not seeking

Inspiration porn. There’s already enough of it out there. Examples include but are not limited to: The Autistic person who overcomes their autism, presents as a quirky neurotypical, gets the girl, and lives happily ever after. The person who is in an accident, feels life is over, then overcomes it through work, a new love, and so on. The person blind from birth who overcomes their disability to be a success in mainstream culture “in spite of” being blind. These types of stories objectify the person and make their story all about their disability. We seek stories that show how we are people with complex and awesome lives.

We also do not want stories about the fetishization of disabled people, a person being in a relationship out of pity for the disabled person, or a character who solely exists for the benefit of the person without a disability.

Who can submit

We welcome writers across the disability, mental illness, developmental disabilities, neurodiversity, blind, and Deaf spectrums. We welcome those who manage invisible and visible disabilities and/or chronic conditions. We welcome those who count spoons! We’re just looking to have an entire work where we elevate the stories written by the folks in our community.

We welcome the communities that intersect with the disabled, neurodiverse, mentally ill, blind, and Deaf communities, such as the LGBTQIA2 communities.

We welcome POC and indigenous voices.

How to submit

Submission window:  September 30 to midnight (EST UTC-5) December 31, 2018

This is the part that you likely jumped to without reading the other sections, especially those of us with attention-deficit fabulousness. If you did skip the first parts, please read them at some point before submitting, because following the guidelines will factor in how we chose stories for this anthology.

  • Word length: 1,000 to 3,500 words
  • A cover letter including:
    • Title and word count in the first sentence, followed by where you live.
    • A brief description of the work (one paragraph).
    • Why you feel you and your writing would be a good fit for this anthology.
    • One paragraph biography of yourself.
  • William Shunn manuscript format with Times New Roman typeface at 12pt. Please, note, this, is, not, to, be, confused with, the William Shatner, format, that, requires, commas, after, every, word.
  • Submit your manuscript to [email protected] as a .doc, .docx, or RTF file type. The subject line should be in the following format—Submission: (Title of your story)
  • Please do not send by carrier pigeon.

Renaissance (our amazing publisher) currently offers 3 cents per word, but we will be launching a Kickstarter to try to raise the amount that authors will be paid for submissions. Rights purchased: First English-Language Rights & Non-exclusive Anthology Rights (print and e-book).

Canadian citizens (living in Canada and/or paying taxes in Canada) and permanent residents of Canada will receive preferred status.

No multiple submissions. If you received a rejection before the deadline, you may submit a new work. Once again, we are looking for original fiction only. No reprints, please.

We can’t wait to discover what kind of stories you’ll send us!

Via: Nothing Without Us.

Contest: St. Martin’s Minotaur/ Mystery Writers of America First Crime Novel Competition

Deadline: January 11th, 2019
Payment: The winner will receive an advance against future royalties of $10,000. Read on for more details.

Rules for the 2019 St. Martin’s Minotaur/ Mystery Writers of America First Crime Novel Competition

Sponsored by Minotaur Books and Mystery Writers of America (MWA)

1. The Competition is open to any writer, regardless of nationality, aged 18 or older, who has never been the author of any Published Novel (in any genre), as defined by the guidelines below, (except that authors of self-published works only may enter, as long as the manuscript submitted is not the self-published work) and is not under contract with a publisher for publication of a novel. Employees, and members of their immediate families living in the same household, of Minotaur Books or Mystery Writers of America (or a parent, subsidiary, or affiliate of either of them) are not eligible to enter.  Only one manuscript entry (the “Manuscript”) is permitted per writer. Void where prohibited or restricted by law.

Please read all of the rules and guidelines before submitting your entry.
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Taking Submissions: The Overcast Podcast

Deadline: October 31st, 2018
Payment: $0.01 per word
Note: Non-audio reprints allowed
Note: They love speculative fiction but aren’t looking for horror, make sure to read the guidelines.

The Overcast is currently open to submissions three times a year, during the months of January, April, and October. (Note we are no longer reading during July.  Our summers have just gotten too hectic.  Sorry for the inconvenience.  Thank you for understanding.)

 

What We Want

We are interested in speculative fiction, whatever that means to you, be it Science Fiction, Fantasy, Steampunk, Magical Realism, Slipstream, or an as-yet-unnamed genre.  Anything that looks at the world and life from an unexpected angle.  We want the original vision of William Gibson.  The magic and beauty of Erin Morgenstern.  The uncompromising voice of Margaret Atwood.  The technical brilliance of Ted Chiang.  We want to read stories that transport us to places that we’ve never imagined.  We want to still be thinking about a story days after reading it.  Be original.  Be amazing.

We are based in Portland, OR, and shine a spotlight on writers hailing from, living in, or connected in some way to the Pacific Northwest, as loosely defined by the bioregion of Cascadia.  We feel there is an exceptionally strong talent pool of speculative writers in Cascadia, and we want to celebrate and promote them to a larger audience.  Roughly half the stories we publish are by PNW writers.  That said, we are not exclusive, and the other half of our stories come from authors all over the globe.  So no matter where you live, send us your stories.  If they make us laugh, cry, or turn cartwheels of astonishment, preferably all at once, we will find a place for them on The Overcast.

This is an audio format publication.  We feel that stories of around 20-30 minutes in length are the best fit for our podcast.  While we will consider submission between 1,000-5,000 words, we read at around 100 words per minute, so the sweet spot for submissions is 2,000-3,000 words.  If it comes to a choice between two stories of equal merit, we will generally choose the one that is closer to the sweet spot.

Reprints are welcome, so long as they have not been previously produced in an audio format.

What We Don’t Want

Fan Fiction

Generic settings or characters we’ve seen a million times before (lithe elves, dour dwarves, charming vampires, etc)

Horror.  Dark, gritty fiction is fine, but straight horror really isn’t our thing.

What We Pay

Our authors are the soul of our podcast. We strongly believe that creators should get paid for their work.  Period.  We would love to pay pro rates, but alas that is beyond our current financial reach.  We currently pay a semi-pro rate of $0.01 per word.  We hope, however, that our podcast will soon bring us fame, fortune, and success beyond our wildest dreams, as well as the ability to pay pro rates.  We’d also like a pony.  A genetically modified pony with six legs that runs 100mph and urinates a rich, tasty stout.

All payment made via Paypal.

(Our rates are directly tied to our Patreon funding goals. As we reach our goals, our rates will go up.  Simple!  If you want our authors to get paid more, please help spread the word!)

How To Submit

Please attach your story in standard manuscript format to a brief email containing the following information:  Story Title, Word Count, and what, if any, connection you have to Cascadia.  Please DO NOT include a bio or list of credits.  We do not care how many degrees, awards, or publications you have.  We want your fiction to speak for itself.  If we love your story, we will ask for a bio upon acceptance.

Send your stories to: [email protected]

Please make the Subject line: “Submission: (Story Title)”

We do not accept multiple or simultaneous submissions.

If you have not heard back from us by the beginning of the submissions period following the one in which you submitted your story, please query.

For some reason, we have had numerous problems responding to submissions from AOL users.  Most of our responses get bounced back as undeliverable.  To prevent future frustration on all sides, please do not send submissions from AOL mailboxes.  Thank you.

Rights

We purchase first worldwide exclusive audio rights, as well as the right to keep the episode in which your story is produced available in our archives for as long as The Overcast remains in operation.  We do not own your story, nor do we wish to.  You are free to publish and sell it elsewhere in any other format.

Via: The Overcast.

Taking Submissions: io9’s The Future Of Death

Deadline: October 25th, 2018
Payment: $0.50/word

To honor Halloween (no, not that one), Gizmodo and io9 are presenting a very special editorial package focused on death in its many forms—we’ll be running essays, investigations, and a work of short fiction on what goes on beyond the veil. And as part of it, io9 is announcing an open call for works of short, speculative fiction that interrogate what death might mean, or be, in the future.

Perhaps death has become a thing of the past—for some humans, at least. Maybe a newly sentient AI must decide whether to program some form of death into its universe. Whatever the premise, we’re looking for creative takes on what it means for an object or entity to cease to be. We’re most interested in futuristic and science fiction-infused tales; no gore or straight horror, please.

We’re looking for pieces under 2,000 words and the deadline for us to receive your submission is October 25, 2018. Our rates start at $0.50/word and authors will retain the copyright to their work, granting Gizmodo a right to first publication and a 90-day exclusive period.

To submit, please email a short summary (a few sentences will do) of the scope and plot of the story, as well as links to any other published work you’d like for us to see, to [email protected]. Please include your story as an attachment.

Via: io9.

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