Nightmare Press Is Open To Novels, Novellas, And Collections!

Deadline: August 1st, 2019

NOVELS, NOVELLAS, COLLECTIONS

We are looking for horror novels, novellas, and short story collections. No specific theme or subgenre.

Please send submissions to [email protected], include SUBMISSION, book title, and your name in the subject line. Include the following:

1) A brief query in the body of the email. Make this the elevator pitch.
2) Attach a synopsis of the story in a word doc. file telling us the beginning, middle, and ending of the book.
3) Include a ONE page sample from anywhere in the book attached in a separate word doc.
4) Be sure the manuscript is completed.
5) If we like what we read, we’ll ask for the first three chapters. If we like those, we will ask to read the entire manuscript.
6) Word counts: Novellas between 17k and 40k words; novels 40k to 120k words.
7) All stories in a short story collection must be written by the same author(s). Give us at least 50k words total for the entire collection.

Deadline is August 1st.

Taking Submissions: Spy Girl: A Chipper Press Anthology

Deadline: September 30th, 2019
Payment: Contributor’s Copy

Spy Girl

A Collection of Intrigue

Chipper Press is looking for short stories that feature a female sleuth. We want these stories to be set in a middle-grade school. It can be a spy ring or a single amateur detective. Keep in mind these tales are intended for middle-graders.

What’s really in that school lunch special? What actually happened to the class pet? Is the teacher really an alien? Why does the school mascot seem so familiar? These are just some of the things that can be investigated by our Spy Girl.

Submissions of both short stories and novellas to this anthology are welcome, please keep in mind the minimum word count is 4,500 and the maximum word count is 17,000.

  • Dialogue needs to be believable, and please keep dialects/slang to a bare minimum if you must use them.
  • No head-hopping or POV changes. Pick one point of view and stick with it.
  • Please show more of the action than just telling the reader what happens.

This anthology is a great opportunity to showcase emerging writers and allow them to build their professional platforms.
Submission Deadline: September 30, 2019, with a targeted release date of early November 2019.

Submit your best work. Poorly formatted and unedited work will be turned down. Please use Americanized English spellings. We will be doing light editing as necessary to fit the standards we strive to maintain.
Submission Guidelines:

  • Any work under 4,500 words will be automatically disqualified for this anthology.
  • The work must not have appeared in print or online anywhere before.
  • All submissions must be in English.
  • Each author may submit up to three (3) unique works—please submit them separately.
  • Work must be in Microsoft Word or RTF, double-spaced, 12-point font-no headers/footers.

All contributing authors will receive a free copy of the book in softcover.  Authors that are chosen for the anthology will not be paid nor receive royalties for their submission. This is an opportunity to build your platform and fan base.
Submission Deadline: September 30, 2019

Via: Zimbell House Publishing’s Submittable</a..

Trembling With Fear 04/14/2019

One editorial plea this week. Please can all stories be sent in as attachments as per our submissions page. A drabble sent within the body of an email does not guarantee an ‘immediate’ read – even if it is short and right in front of me!

Now for the wonderful stories in this week’s Trembling With Fear.

Black Khakis by F.M. Scott is at the shorter end of our word range but shows what can be done with this length of story. Allan is a stressed office worker and also a writer. He has created a ‘character’ who, I suppose, you would regard in the same light as certain extras you see in a film, those who make a brief appearance and flit out again. We’ve all used them, they usually make a point of some sort or signpost something about the main characters or storyline, then they get killed off or discarded. Now, however, the character, who happens to wear black khakis, has had enough, feels he deserves more. I like this story because it can be taken a couple of ways. It can be read as a little revenge tale, where a downtrodden character finally stands up for himself, or it can be seen as a manifestation of the stress undergone by Allan. Either way, imagination has conjured up the man in black khakis and put the writer in this predicament. Will imagination get him out of it? We are told, as writers, that when a character comes to life and does their own thing regardless of what the author’s intention was then the story is working. In this case, a character coming to life is a lot more worrying.

Exploring by JA Hammer gives a perfect pen portrait of a setting, so clear you can see the place, that little hideaway a child loves to find and explore … The idyllic first paragraph contrasts with the shorter, sparser description of the interior but which is in its own way just as perfect, going from sunlight to a world washed in sepia tones. And then the flight with a last sentence which has a double meaning created by some very clever word play. Stephen King in miniature.

The Unthawing by CR Smith is another short piece with some excellent imagery. A dystopian world bound by snow hints at winged predators waiting for the return of humans to the cities which have long been deserted. Nothing is stated explicitly but there are subtle indicators that a dire outcome awaits man should he return to this particular urban setting.

Forget Me Not by N.O.A. Rawle is told mainly through dialogue. A scorned girlfriend seeks revenge on her ex-boyfriend via flowers which are not the innocent bouquets that they seem. Her wish appears to be granted but then she in turn receives an unexpected gift which gives a nice twist or pause for thought at the end. I enjoy stories with a twist or clever come-uppance and we haven’t had that many lately. The few we have had have unfortunately included rather flat or too-often used examples which have resulted in their rejection. If you have a twist make sure it’s not cliché.

I managed to see Pet Sematary last week and thoroughly enjoyed it. I also saw The Silence on Netflix having read the book by Tim Lebbon. The book was excellent but I was disappointed that Netflix switched the setting from the UK to the US. I know it’s because of the ‘market’ but it took away a lot of the tension generated by the scenes which took place in the more ‘confined’ space of the UK. It also lost a lot of the nuances in the relationships between the main characters, making them less involving which was a shame.  The US has missed out on the chance to see a lot of beautiful Lake District scenery. For this one, I would say skip the film and read the book, most definitely read the book!

Now reading Pyschoville by Christopher Fowler, wonderfully dark. A great satire on suburban life and the prejudice and bigotry to be found there. Not finished yet but the body count is on the way up! (You can tell I’m on Easter break by the way my reading rate goes up!)

Stephanie Ellis

Editor, Trembling With Fear

I had a write up of all of this week’s tales as Steph was on vacation but she swooped in at the last moment with a write up that put mine to shame. So… I deleted them so you could go off her words instead of mine. Enjoy! (Trust me, you’ll enjoy it better this way!) 

We’ve had a nice influx of drabble after this last week’s newsletter. Thanks so much!

We’ll be getting initial responses to everyone in the coming week once Steph is able to catch up from her time off. I’ve been spending quite a bit of time on drabble myself lately. I have the writing itch but no time to put pen to page outside of 100 words at a time (or usually 150ish that have to somehow be cut by a third…)

‘Trembling With Fear’ Is Horror Tree’s weekly inclusion of shorts and drabbles submitted for your entertainment by our readers! As long as the submissions are coming in, we’ll be posting every Sunday for your enjoyment.

Stuart Conover

Editor, Horror Tree

Black Khakis

Allan noticed the figure standing at the back of the room, a human outline in pale gas flame blue, beyond the sea of heads bobbing in conversation.  As quickly as it appeared, the figure vanished.  Probably some lighting effect, tossed off by the staff of an eccentric coffee joint.  Allan saved his work, closed his laptop, and paid up.  A stacked agenda of multiple priorities awaited him at the office.

            He got into his car and headed down Sixth.

            Sharply, from the backseat: “In a hurry this time?”

            Allan jerked the wheel and nearly sideswiped a parked car.  The face in the rearview mirror smirked—a thirtyish male face, on a head of dark brown hair, attached to an average-sized body clad in black khakis, top and bottom.

            “The fuck?” Allan spluttered.

             “Oh, I don’t blame you,” the passenger chuckled.  “But I’m not going anywhere, except where you are.”

            “Who are you?” Allan shouted.  The man smiled and moved his eyes about.

Allan whipped the car around onto Rockford and lurched to a stop in front of some old apartments.  “Look,” he said, his voice defeating the quivers and entering genuine pissed-off territory, “if you’re trying to carjack me, you kinda suck at it.  And you’re getting out of my car, right now.”

            The khaki man smiled.  “Am I, now?”

            “Yes, you are.”  Allan got out and jerked open the back door.  The stranger didn’t budge.  Allan sighed, grabbed him by his epaulets, and yanked him out.  He hit the pavement on his belly and rolled.

            Allan stared.  He’d been in a few scraps, but he’d never manhandled anyone before.

            The khaki man propped himself up on his elbows and began laughing.  “Now that takes it, man.  Really does.”

            “Okay!” Allan bellowed.  “You’ve apparently had your fun.”  He thought of McKinney and Erland, the office wiseasses who seemed to needle him for no good reason.  “If those guys put you up to this, you can tell them it tanked.  Miserably.”

            The khaki man sat up in the street, his laughter gone.  “What guys?  This is strictly between you and me.”

            Allan looked away for a second.  “Well, that’d make perfect sense if not for the small problem that I don’t know who the fuck you are!”

            The man in black khakis rose and dusted himself off.  His voice became dire.  “Allan, I’ve been in your world longer than I care to admit.  This, in spite of the fact that in your hands I never seem to make it further than a couple of lines before you either kill me off or kill the whole story.”  He spat on the pavement.  “The guy who, that’s all I’ve ever been.  The guy who does what—flickers in and out, sits on his ass, maybe mouths a word or two, and wears the stupidest fucking clothes you can think of?”  He spread his arms.  “Get a good look, Allan, because this is me, every time you call me forth.  It’s the same in the back of your mind.  Like black goddamn khakis!”

He ambled toward the driver door and held out a hand.  “Keys now, and get in.  If I can’t have any better, then you don’t get to, either.  Not until I say so.”

            Allan obeyed.  He didn’t care what might happen.  He feared the man in the black khakis.  He needed him.

#     #     #

F.M. Scott

F.M. Scott is from Tulsa, Oklahoma, where he lives and writes.  His work has appeared previously in Trembling with Fear, and he was a finalist in the inaugural Flash Fiction Contest sponsored by The Tulsa Voice and Nimrod International Journal.  His short story “Isolated Drums” was recently published in the first issue ofThe Rock N’ Roll Horror Zine.

http://writprodsm.wixsite.com/fmscott

Exploring

In the middle of a weed-choked meadow there were droning grasshoppers, a junkyard with old things, and a small held-together-by-spit-and-glue shack. Glimmers of sunlight flickered where rust hadn’t crawled yet, a lure through waist-high grass to a rotting, lopsided porch. Her heart pounded; she’d discovered a whole place by herself!

 

The door swung. Squeaked. There was a metallic scent in the air. A doorway, hanging open. A porcelain sink washed in mud. A mattress browned with mold. A russet knife. Then, a whimper of creaking wood. Another.

 

She turned, fled, running until breathing became pain, a knife in her side.

 

J.A. Hammer

J.A. Hammer lives off coffee (mostly Dead Eyes) and stress in the wild concrete city of Tokyo, where zombies are living, using the train lines every day. If you see the name CoffeeQuills online, that’s J.A. Hammer’s alter-ego, and they’re mostly safe to talk to (bites will only happen in the name of science). The cake is not a lie (but you must get it yourself).

Forget Me Not

“A grave decision.” Her voice was as icy as the florist’s was humid.

“I know.”

The ad proclaimed ‘Love life poisoned? Sex life wilted? Forget Me Not’

“I tailor plants to your needs.”

I’d never been vetted buying flowers before.

“Darren dumped me.” I blurted, “When the Tempting Temp was hired.”

“Allergy? Cardiac weakness?”

“Me not him…”

“Aconite then – paralysis, heart failure — anonymous delivery?” 

*

“Darren’s sick today, it’s Valentine’s too.” said TT, “But this is for you.”

The bouquet on my desk sported a Forget Me Not card with TT’s bubble scrawl, “To ease the pain. Darren xoxo.”

 

N.O.A. Rawle

N.O.A. Rawle regularly burns the midnight oil to get the world in her head in print. A Brit located in Thessaly, her work appears in numerous anthologies and magazines in print and on the web. For more information, find her at www.noarawle.blogspot.gr, follow her on Twitter @N.O.A.Rawle or Instagram as noarawle and like her on Facebook as N.O.A Rawle.

The Unthawing

All-encompassing white melds ground to sky as scientists search yet again for signs of a thaw. Trains remain frozen to tracks, vehicles entombed in snow, the river a glistening ribbon of ice.

A helicopter hovers above lines of skeletal trees. The outline of buildings slowly materialising from the white-out. The City is almost unrecognisable. Its population long gone, forced out by hunger, belongings abandoned, scattered to the wind.

Yet along the verdigris rooftops brooding creatures stir. Their grotesque faces keeping watch, waiting for the interloper’s return. And from stone perches encircling the City gargoyles wing’s spread in preparation of flight.

CR Smith

CR Smith is an artist and writer living in the UK. Her work has been published by Ellipsis Zine, Spelk Fiction, Visual Verse, Glove Lit Zine, Train Lit Mag and The Cabinet of Heed. It is also to be found in several anthologies including, The Infernal Clock, Drabbledark: An Anthology of Dark Drabbles, Chronos: An Anthology of Time Drabbles, the Trembling With Fear: Year One Anthology, and The Infernal Clock Deadcades Anthology. A poetry anthology, Fourteen, and a Stickleback pamphlet are due to be published in 2019 by The Hedgehog Poetry Press. Her artwork has graced both the cover of Déraciné A Gothic Literary Magazine, issue 2, and the inside pages of issues 2 & 3.   

Twitter @carolrosalind

https://crsmith2016.wordpress.com  https://www.instagram.com/smith.cr/?hl=en

Tom Doherty Associates Announces Nightfire, a New Horror Imprint

Interesting news from TOR which you will likely want to follow!

Tom Doherty Associates (TDA) President and Publisher Fritz Foy announced today the creation of NIGHTFIRE, a new horror imprint that will join Tor, Forge, Tor Teen & Starscape, and Tor.com Publishing as part of Tom Doherty Associates.

Foy will be Publisher, and TDA will add dedicated staff in editorial, as well as supplemental staff in marketing and publicity. Under the Nightfire imprint, editors will acquire and publish across the breadth of the genre­—from short story collections to novellas and novels, from standalone works to series, from dark fantasy to the supernatural, from originals to reprints of lost modern classics. In addition to publishing books across all formats (print, audio, and ebook), Nightfire’s releases will also include podcasts, graphic novels, and other media.

Of the new imprint, Foy remarked, “There is a renaissance in progress for all things horror. There is a new generation of horror fans who are setting weekend genre box office records, who are binge streaming episodic TV, subscribing to weekly chat and drama-based podcasts, and purchasing more graphic novels. More importantly, there are new literary voices we want to bring to our reading communities and followers…And also because we just plain love horror.

The first publication is planned for early 2021.

Sign up here for updates on Nightfire

Nightfire sign up

About Tom Doherty Associates (TDA):

Tom Doherty Associates (TDA)—better known by its imprint Tor Books—is a New York-based publisher of hardcover, trade softcover, and mass-market books founded in 1980. Imprints include Tor Books, one of the leading publishers in science fiction, fantasy, and horror since 1980; Forge Books, committed to publishing quality thrillers, mysteries, historical fiction, and general fiction; Tor Teen and Starscape, dedicated to publishing quality science fiction, fantasy, and contemporary fiction for young readers; and Tor.com Publishing, which publishes original fiction, art, and commentary on fantasy, science fiction, and related subjects across all media by a wide range of writers from all corners of the field.

The Horror Tree Presents… An Interview With Lydia Peever

Ruschelle: We’re glad to have you here at the Horror Tree. Make yourself comfortable. Have a freshly baked scone. I baked them with love-and a little bone and sinew. It makes for a fluffier scone and gets rid of those pesky neighbors.

Lydia: I am a huge fan of bone and sinew, so I am sure this goes better with coffee than neighbours ever could. Thank you!

 

Ruschelle: When did you first realize you were a dark and scary gal rather than one of the bright and shiny variety?

Lydia: Maybe when I was three and realized not many other kids liked spending time tending cemeteries, pressing flowers, and investigating roadkill. Other people had far more children’s books than we did too, having grown up with more Edgar Allan Poe and Washington Irving lining the shelves than Berenstain Bears.

 

Ruschelle: You host a creepy podcast called Dead Air where you discuss horror films. Tell us a little about the method to your madness. How do you choose the movies when there are so many fantastic beasts to pick apart?

Lydia: It is deceptively easy when my co-host, Wes ‘Dead Air’ Knipe is a deep mine of the darkest horror lore, and not a production meeting goes by without us adding a few more gems to our list of to-watch titles. We try to pick things we love, that the other hasn’t seen, and sometimes try to unearth a theme while we go. Some are surprised that our show is unscripted, but we do just banter naturally.

 

Ruschelle: List your top 5 films all horror buffs should watch and kindly explain why.

Lydia: It is a terrible task to attempt to choose horror films or books for another. I’ll list some for the sake of curiosity, while knowing full well there is a different kind of fan out there for every colour of the horror rainbow. Halloween and Halloween II sit together as one that I feel really sum up the genre in a lot of ways with excellent writing and filmmaking. Pieces will appease the fan of old grainy slashers, and Terrifier will bring that to the 21st century. Hell House occupies a space for me as a film and book that equally terrorized my teenage mind and hold a lot of gothic charm under it’s cursed roof. Hellraiser has to be in there since it has been such a delightful vision for me, for so many others, and continues to be.

 

Ruschelle: As a Horror Writer Association member, you have been knighted (just roll with me here) with the awe-inspiring responsibility of updating their ‘new releases’ website! Is this just one of the many benefits of being a HWA member?

Lydia: As with any good writers association, group or affiliation, it can be pretty much what you want it to be! As a casual meeting place, a formal representative, a networking hub, the HWA does excel and continues to expand and experiment with ways to serve authors. From my point of view, as cliche as it sounds, you get out of it what you put in to it. I was a member for a couple years before volunteering to keep the new releases updated, and I have loved it every month for something like four years now!

 

Ruschelle: You are a short stories girl and novelist. Most writers aspire to be novelists, unlike myself who is a champion of the short and sweet. Okay, I honestly don’t have the attention span for a novel—or much of anything—

…eggs, milk, squeaky toy for pups, new recreational axe with self cleaning blade…

OOPS, sorry! Grocery list.  See what I mean about attention span?

What do you find is the most difficult while crafting a novel compared to shorter works?

Lydia: Keeping motivated. There is something magical about having an idea, grinding out a draft, polishing a draft, then having a brain-child of a short story ready for the world in as little as a day or month. The long haul that is a novel can deflate me. If I could approach my novels with as much energy as I do short stories, there would be more than one published by now.

 

Ruschelle: Speaking of novels, your offering, Nightface is a fantastic vampire tale. Which vampires and their mythos did you find your inspiration?

Lydia: There is a little of every vampire I’ve ever met in Gunnar and Solomon, who feature in Nightface. There are also non-vampire inspirations like the most visceral fight scenes in film, occultists of centuries passed, and medical experimentation. The quieter vampires of Anne Rice made a big impact, and even more so did the worldbuilding of Vampire: The Masquerade in the mid-90s when White Wolf had such wonderful guides for live-action role-playing, specifically the Brujah clan.

 

Ruschelle: You have a sequel to Nightface being birthed. Will you give us a little nibble of where the story begins…or will you have to kill us if you give us the skinny?

Lydia: If only video existed of the night I read the first chapter at the ChiSeries night in Ottawa! There were about ninety very intrigued and slightly disturbed friends and fans there to hear it. The book begins at the end of Black River Road in the field surrounding an abandoned estate featured in Nightface. The working title has changed a few times, but the final title is now Nightface: Elders. Some people have asked if certain characters come back, and I’d have to say everyone comes back… in one way or another.

 

Ruschelle: If you could be turned into any blood-thirsty or modernly vegan creature, what would it be and why?

Lydia: It may be out of the horror universe proper, but once of the Radley family from Matt Haig’s book would be an interesting life that can pass for human. Truly, I’m already not far off the Jarmusch vampires, with the obvious exception of committing murder. There is something to be said for a perfect and near-rare cut of meat so I’d not compromise there, given the choice.

 

Ruschelle: You have been featured in quite a few anthologies. Do you find you enjoy the challenge of writing for a specific submission or do you dig through the bones of your un-homed ‘children’ and see if one might fit into a certain theme? Hey, we all want our children to fit in.

Lydia: Being that kid that never fit in, I think I have my own elegant solution to that – even if it ends up being a little backward. I’ve written for submission calls and really enjoy the ‘writing prompt’ that serves. As anyone, I either don’t make the cut or don’t make the deadline in many cases. Instead of trying to home the story elsewhere, I’ll keep it for use in Pray Lied Eve. That is, unless a really suitable home can be found. Sometimes I am just moved to write a piece. In that case I’ll submit to a few editors I love to work with already or to a few I aspire to be published by. Some of those end up on the cutting room floor too, but I do have fairly good success finding homes for my work so far.

 

Ruschelle: Pray Lied Eve both 1 and 2 are collections of stories that you have meticulously sewn together, enchanted and made dance for our entertainment. What piece of you went into each offering?

Lydia: To avoid a long answer detailing each entry, I’d have to say almost all of them are based on a place that exists, a person who did exist, or a thing that happened. In Shrinking Dwell, from Pray Lied Eve a man encounters large ice balls falling from the sky with no explanation. In about 2010 a friend of mine experienced just that, and I was there to see one fall. It was fascinating! More recently, in Pray Lied Eve 2, I wrote about my ancestors belongings in As Is, Where Is. So, there are many pieces of me in each one – more than in my novels for certain. Fitting, as the title of the collection is an anagram of my name.

 

Ruschelle: Do you have Pray Lied Eve 3 somewhere tied up in your dark, cozy basement waiting to be unleashed to scare the masses? Please say, yes!

Lydia: Prayers answered, yes, there is a Pray Lied Eve 3 around the corner. A faraway corner, and perhaps around another yet; the cover art has been planned at the very least.

 

Ruschelle: As I was stalking you for the interview (and because a girl needs a hobby. How else does an antisocial beyotch get to know people?) I came across some exquisite wedding photos slathered in gothic charm. Some little girls dream of Cinderella weddings but we horror-lovers want for more of the Maleficent-esque wedding. So, give us the your awesomely dark wedding deets!

Lydia: Not much to relay, as it was a very quiet and private wedding as we would prefer. The most interesting part for fans of the macabre would be that yes, we were married in a haunted jail. Yes, we tied the knot at the gallows. Certainly, we relayed our vows on death row. It was a wonderful day all around! The photographer, John Wenzel, had never shot a wedding before and never wanted to but had indeed shot some of the most striking goth, cyberbunk, and zombie-walk images in town so we were very pleased he said yes!

 

Ruschelle: Writing can sometimes be…uncomfortable. Do you find there are themes or particular scenes that are tougher to write than others? Personally, I can murder a person a thousand different ways and giggle as I do it, but pen a sex scene—UGH! Erectile dysfunction of the brain!

Lydia: That is an affliction I gladly suffer from as well. I can’t see me writing a sex scene ever, and I had a tough time writing a romance story for an invite anthology, Allucinor: The Element of Romance where genre authors were asked to write something outside of their wheelhouse. Fight scenes give me trouble but only because I strive for believable action. This probably comes from my creative jealousy after seeing films like The Raid: Redemption and other brilliant fight films. Always feel like I’ve bit off more than I can chew writing fight scenes.

 

Ruschelle: As a writer, do you find yourself reading other authors critically? Do you pick apart a scene or edit sentence structure? Or are you able to just enjoy the journey?

Lydia: Usually I can read recreationally just fine, but the red-pen part of my brain clicks on from time to time unbidden. Oddly, while reading very tightly written and edited work. The last time I found myself picking apart a work was reading something by Joe Hill. The best cure for that I’ve found is to close the book and go write or edit something of my own or do a review.

 

Ruschelle: What is your favorite vampire ‘type’: the ugly Nosferatu, the charming Count Dracula or the Mariah Cary of blood-suckers, Edward Cullin? Glitter, get it? I’ll shut up now.

Lydia: I’d have to say The Lost Boys hold a lot of charm for me, but in a more feral, less 80s fashion. There is something about the fringes of society that is already scary to a lot of people, so take those leather jackets and motorcycles and add fangs to get a great start for a vampire. I haven’t read any of the Twilight novels but being aware of them by osmosis, I’ll take a Count Orlok any day!

 

Ruschelle: You’re an avid photographer as well. What are some of your favorite subjects to shoot? Please share a few pix as well, we’d love to see your work.

Lydia: I’ve shot portraits and bands, flowers and foods but my all time favourite thing was the Zombie Walk. It was an event that became too large and too commercial as years went by, but when I was writing for the fantastic Ottawa Horror, I made a point of posting photos every year. The most fun year was 2014, but likely because it was warmer than most and there was no snow. So that is really the best eye-candy for horror fans. Some select photos are on my portfolio too!

 

Ruschelle: Thank you so much for chatting with us here at the Horror Tree. It was a pleasure stalking you. So…what’s bubbling in that beautiful cauldron of yours? What can your new-found fan look forward to from you? And how are they able to stalk you?

Lydia: The best spot is likely lydiapeever.ca – if I post a youtube video, an instagram photo, have a new podcast up or new writing, it all ends up there guaranteed. There is a newsletter sign up as well, if one only wants to see writing related happenings. But really, it is all kind of horror related! The biggest writing projects right now are a short story for an invite anthology I can’t name at the moment, and of course Nightface: Elders. There is one more that is not writing as much as working with a very accomplished and hero of a writer as script editor. the Internet Movie Database has an entry on that for those that want to sleuth it out. I honestly can’t say whether the novel or Pray Lied Eve 3 will be out next, so it will be a surprise for all of us to see which wins! Thank you so much for the chat today!

 

 

 

Taking Submissions: Under Sapphire Stars

Deadline: March 31st, 2019
Payment: $5
Note: Female-identifying writers only

Under Sapphire Stars, our first LGBTQ anthology is calling for female-identifying writers to step up and deliver their own amazing horror in that LGBTQ space. Stories can range from themes of horror, insanity, and murder to eroticisms played out within the ranks of an eldritch cult. Editor Desiree LeAnn is looking for only the best of the best, but we invite you to surprise us, scare us and to move us.

  • We will not accept any stories about rape.
  • Racism/Sexism/Bigotry of any form will never be accepted here.
  • Stories between 1500-5000 words preferred.
  • Double check your grammar and spelling.
  • Format your story correctly.
  • Please submit all stories in DOC/RTF format.
  • We prefer stories that have not been published before.
  • We prefer to avoid multiple and simultaneous submissions.
  • We retain exclusive publishing rights for 12 months.
  • We pay $5.00 for stories
  • Submission Date: 4.1-5-31

Via: Madness Heart Press.

Video Refresh: An Interview With C.A.Verstraete

A Sample of our interview with C.A.Verstraete by Selene MacLeod. She writes across multiple genres and shares what guides her to do so as well as some key advice for newer authors who might be seeking direction for their writing!

After watching the video, please like, share, and subscribe to our channel!

This is a new format that we’re playing around with for articles, interviews, and potentially Trembling With Fear. Please let us know if this is something that you’d like to see more of!

You can read the full interview here: https://horrortree.com/horror-tree-presentsc-verstraete/.

The Unholy Trinity: Three (True) Ghostly Tales

Our church worships at the altar of the Unholy Trinity. Its gospels are delivered as a trio of dark drabbles, linked so that Three become One. All hail the power of the Three.

Three (true) Ghostly Drabbles

Edith gasped. Outside, through the glass front that looked onto the garden was a shimmery figure. A man. Watching her, staring. It was night-time. She was alone, elderly, defenceless.

What could he want? Rob her? Hurt her?

She phoned the police. Then, footsteps on the stairs. Creaking, thumping.

The man was gone outside. Now, surely in her home, hiding perhaps, waiting.

The police arrived. They checked everywhere but found no-one.

Then; “Whose are those muddy footprints?”

She looked, shrieked. The prints were in her living room, leading upstairs.

He hadn’t been outside but beside her, observing quietly, his reflection deceiving.

 

###

 

Mike awoke, startled. A crash in the kitchen. Again. For several nights now the same ritual; late at night, crashing and banging in the kitchen, broken plates, glasses. He lived alone with his cat in an old house. The previous owner had died suddenly only months before leaving behind all the old furniture, including strange relics from far-away countries. Dolls, hideous books with strange texts.

The damn cat. New house, investigating, playing, but it wasn’t funny anymore.

He rose, annoyed, and stormed downstairs to scold the cat.

“Puss?” he shouted.

A meowing. From outside. It had been outside. Which meant…?

 

###

 

Chris screamed. A face watched him from the large closet in his bedroom. His parents rushed to his room, checked everything, saw no one. He was having nightmares, they said.

It had been occurring for days; noises in his room at night, downstairs in the kitchen. Whispering, rustling in the closet. Yet his parents didn’t believe him.

Until.

He awoke the next night. Saw a ghostly shadow standing over him, grinning.

He screamed.

This time, when his father checked, he heard the door open downstairs. Someone fled into the night.

No ghost, but a homeless man living in the closet.

 

 

Justin Boote

Justin Boote is an Englishman living in Barcelona for over twenty years, who has been writing short horror/suspense stories for two years. To date, he has had published or accepted for publishing around 20 stories in diverse magazines. He is also moderator for a private writer’s forum, The Write Practice.

He can be found at Facebook under his own name.

Taking Submissions: Once Upon An Enchanted Forest: An Anthology of Romantic Witchcraft Stories

Deadline: May 15th, 2019
Payment: $75 and 2 contributor’s copies

Title: Once Upon An Enchanted Forest: An Anthology of Romantic Witchcraft Stories

Word count: 7K-15K

Submission Window: February 5 – May 15

Payment: $75 paid upon publication + 2 paperback copies + 25 electronic copies for distribution to readers/giveaways

Anthology Release Date: 9.23.2019, the autumnal equinox. 

Prompt and Theme: The autumnal equinox marks the shift into darkness which completes on Samhain. Warmth is behind us, cold lies ahead. This is a time of Thanksgiving and kinship. However, in our stories, we also want to consider the theme of The Enchanted Forest. How can you place romance, sorcery, witchcraft, an enchanted wood, cottage, village, or castle into this theme? How can you play up the impending knowledge that everything is changing from light to dark? How can you take your characters from a time of celebration into a world of romance, magical intrigue, and sorcery?

What would lurk in your enchanted forest?

The autumnal equinox, magical/witchcraft elements, and romance must be includedin some manner, but remember that you have a ton of material to pull from. From the Celtic Connection: Druids call this time of year Mabon, Mea’n Fo’mhair, and honor the The Green Man, the God of the Forest. Various other names for this Wiccan Sabbat are The Second Harvest Festival, Wine Harvest, Feast of Avalon, Equinozio di Autunno (Strega, Italian), Alben Elfed (Caledonii), or Cornucopia. The Teutonic name, Winter Finding, spans from the Sabbat to Oct. 15th, or Winter’s Night, known as the Norse New Year. (“Information Categories.” What Is Wicca?, wicca.com/celtic/akasha/mabon.htm.) 

For modern stories, the autumnal equinox is still celebrated across the world. Every culture recognizes or has recognized this turning of the season, so do a little research. So many ideas await!

Things to note: 

  • We love diversity in all its forms.
  • We love strong women with agency.
  • We enjoy historical, contemporary, and even futuristic tales.
  • We most definitely want a good romance, which means a Happily Ever After or a Happy for Now ending.
  • We are not looking for erotica or horror.
  • If you’re wondering what kinds of stories we’re looking for, we advise you to take a look at 2018’s anthology, Once Upon the Longest Night, which released on the winter solstice, 12.21.18.

Formatting and Other Guidelines:

  • The work submitted must not have appeared in print or online anywhere before. We do not accept reprints, multiple submissions, or simultaneous submissions.
  • We do not accept fanfic.
  • All submissions must be in English.
  • Follow industry standard format, minus identifying information. We prefer Times New Roman, 12-pt font, double spaced. Use italics for emphasis, smart/curly quotes, and em dashes, not double hyphens.
  • Your story should be in DOC or DOCX format.

Response: Final decisions will be made by June 1st.

Remove any identifying information from your submission/header, please. 

Thanks and Good Luck!
Once Upon Anthologies

Via: Once Upon’s Submittable.

Taking Submissions: Thuggish Itch: Hospitality

Deadline: July 24th, 2019
Payment: AU$5.00

huggish Itch is our horror and sci-fi anthology collection.

This is the place to submit your horror, sci-fi and speculative fiction stories. 

Current theme: Hospitality

We love to travel. We always have. Part of that attraction is about getting out of the house and doing something new or different and, for us at least, travel often involves airplane, hotels and trips to all manner of restaurants.

For this collection, we would like you to send us your stories that feature some aspect of the hospitality industry. Just so we’re clear, that would include stories that feature the following aspects of the industry and those that work within them:

  • accommodation – hotels, motels and inns
  • transportation – planes, trains, taxi and ships
  • food and beverage – restaurants, cafes and coffee shops
  • tourism – travel agents, tour guides and hosts

Thuggish Itch is our horror, sci-fi and speculative fiction collection. Please make sure that your story falls within one of these genres. Be original. We also encourage new and unpublished writers to take the leap and get in touch.

Please ensure that you read through the general guidelines below and format your submission accordingly. If you have any specific questions please contact us using the form on the home page or via the listed social media accounts.

To help make sure that your submission gets to the correct place, please include the following in the subject line of your email: Thuggish Itch – Hospitality – Story Title.

  • Word count: 1000 – 2000 words
  • DeadlineJuly 24 2019
  • Payment: AU$5.00

General guidelines:

  • Please no extremeerotica or stories that feature excessive violence or vulgarity (unless otherwise specified).
  • All stories should be formatted appropriately. Please see here for more details.
  • Ensure that your name, address, and email contact and word count are at the top of your manuscript.
  • Double check your spelling and grammar before sending your work through.
  • Please submit all stories in .doc, .docx or .rtf formats.
  • International submissions are accepted.
  • No simultaneous submissions.
  • Multiple submissions are encouraged.
  • Where possible, we will provide feedback on request.
  • No reprints.
  • Please send all submissions to [email protected]

Via: Gypsum Tales.

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