Trembling With Fear 7-14-24

Greetings, children of the dark. It’s all deadlines in TWF Towers this week, with our short story submissions window closing at the end of today (wherever you are in the world), and our summer special closing to subs tomorrow, 15 July. Get ‘em in quick, or miss out! If you’ve subbed over these windows, you’ll get your acknowledgement in the next few days. Everything is manual here; we don’t have any of those handy auto-response systems so your first hurdle, after getting the courage to hit submit, is to wear your most patient trousers.

The summer special will be Shalini’s last issue with us, and I am sad. But, as hinted a few weeks back, we’ve got a slew of new faces moving into TWF Towers and I can’t wait to introduce you to them. Just waiting on the boss being available to chat to people in a different time zone / not being on holiday. (I mean, how dare he, right?!)

My battery is very much drained today, so I’m going to send you straight into it.

This week’s menu of dark speculative fiction kicks things off with Alice Yustas, and a heartbreaking tale that goes to a place you’re not expecting. Note the content warning here for domestic abuse. That’s followed by the short, sharp speculations of:

  • Alice Lawson’s eco lament,
  • Ryan van Ells’s buggy grossness (seriously; it’s not for anyone with insect phobias), and
  • Jack Fennell’s test subjects.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hi all!

First off, I’d like to thank our upcoming newsletter sponsor for the next year! Please check out Charlotte Platt’s ‘One Smile More’!

Ena Sinclair, a Scottish mage and spy, abandons her role in a prominent Edinburgh college and escapes to London to avoid an arranged marriage.

But London is not safe: a mage killer is on the hunt…

Abducted by vampires ‘for her safety’, Ena is terrified the nest owner will drain her to fuel his power but also curious to learn about his magic. Taking this once-in-a-lifetime chance to learn more about what her college had warned were dangerous creatures, Ena finds herself fond of the nest, particularly their bonded leaders, Addison and Tobias.

As survivors of the Immortal War, the pair still navigate a schism in vampire society that they are trying to heal. They now seek a peaceful life and offer Ena protection until she finds her own path.

…and dark things await them all.

Ena’s college seeks to forcibly return her to Edinburgh, and a killer is still on the loose. Hidden resentments surface, and Ena pays the price. Magically unstable and isolated, she must rely on her non-magical training to avoid being turned or used as a weapon to harm the nest she has grown to care for.

 

Be sure to order a copy today!

Whew. I was on vacation all of last week so am currently in the vast realm of catching up on everything under the sun. I don’t have much in the ways of updates this week though promise that we’ve got some big news coming up! 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • The paperback is now live! Please be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review! 🙂

 
Stuart Conover

Editor, Horror Tree

Alice Yustas

Alice Yustas (she/they) is a budding amateur author. Born In Russia, she lived in Germany for 11 years, before settling down in London. Alice draws her inspiration from the classic horror tales, as well as German modernism and myths from around the world. As a first generation immigrant, she is fascinated by themes of alienation, guilt, and suppressed anger.

His Footsteps on the Stairs, by Alice Yustas

She shivered at the sound of his footsteps. He was coming down to dinner. The husband, the man she entrusted her life to, gave her hand and heart in marriage. And now his mere presence in the house filled the wife of 12 years with terror. Her hands were shaking as she was pouring sugar from the paper bag into a porcelain bowl, little grains spilling on the table.

She was still young, and she had once hoped to enjoy her life for a few more years. But now she was locked here, in the quaint little house in a quiet neighbourhood, with the oppressive presence of her spouse in the air. She could sense him even when they weren’t in the same room. It was a constant sensation at the back of her head that she couldn’t shake off: the cold hand of terror.

Dinners were the worst. She didn’t know how he would spend his day, but he would always come down in the evening. Back in the good days, they would sit together over their meal and talk. That was a long time ago, back when their marriage was as fresh as a spring day. Now it was the winter of their love, the frost on the ground and dead leaves under the snow. 

These days, her husband would come down with that heavy dragging gait of his, and fall into the chair at the head of the table. He would sit there in silence, looking at his wife with a blank stare. No muscle would move on the man’s face, but the woman would sense the judgement in his look. She would feel so cold, her hands would go stiff: she would be afraid to make a wrong move, do something clumsy. A good spouse, she would make small talk, force a conversation. The husband wouldn’t answer – he would just goggle, with his head tilted at a funny angle. 

She would brace herself not to cry, and serve the dinner, knowing only too well he wouldn’t touch it. But once the food was on the table, she had an excuse to go to the bathroom. There she would let out her tears, and muffled cries of pain, she would whimper like a hurt dog. Sometimes, silence can hurt more than words, and the implications are scarier than actions.

The woman wished she could talk to someone about it, but she didn’t dare. The fear and the guilt were so deep in her, the very thought of sharing with someone was paralysing. This was her fault, she was to blame for all of it, and she would bear her cross in silence.

Nights were bad too. She could barely sleep – she would lie in bed waiting for her husband to fall onto the sheets, usually after midnight. He would just lie there very still, fully dressed, on the duvet cover. The man wouldn’t move or make a noise, and that’s what scared her most: the wife feared any moment he would explode. She also feared he would do something to her while she was asleep. That’s why she couldn’t close her eyes. She would lie in bed for hours staring at the ceiling – doing everything she could to stay awake. She would doze off at sunrise and wake up with a headache. But the sunlight made the shadows go away. 

In the morning, she would make herself a coffee and go out into their backyard. The roses were blooming beautifully, her pride and joy. Rosemary, lavender, and basil were green and vigorous. At the far end of the plot, the disturbed ground contrasted with the green of the perfect lawn, black stain on the emerald green. She would pretend not to see. There were so many beautiful flowers and herbs to distract her, with cheerful little bees buzzing around them. Her garden was her happy place, it was a place to escape, to breathe the air of freedom, and forget her fears.

Except the grave was still there as a silent reminder.

The reminder of how she, a middle-aged housewife, decided that she’d had enough, snuck up on her husband when he was having his afternoon nap, and struck him with a paperweight. 

Why? Because she missed the freedom of being young, and having adventures, going on dates, and never thinking about death. The quaint little house had become her coffin, and she no longer felt alive. In a crazy way, she wanted to turn back the clock – it was the fear of her own mortality that made her inflict death on her closest person. 

So she waited till it was dark, dug out a shallow grave, and buried the body. Except on the next evening, she heard his footsteps on the stairs. At first, she didn’t even realize it was wrong: her mind hadn’t yet adjusted to the new reality. But the husband was there, wearing the same shirt he had on when she smashed his skull, dirt on his hands, and drops of congealed blood on the collar. His neck twisted, and his face cocked upwards. 

And those eyes. Dead eyes? Of course, they were dead, you silly goose. The man is dead! But there was more to them. They had no expression, yet the wife could see the judgement in them. Whenever she would meet her partner’s gaze, she could sense it: as if the words spoken in his voice were going through her head: “I loved you, Eveline. I loved you, and I gave you everything I had. I gave you the house and all the free time for yourself. And you killed me! Was I such a bad husband? Was that shallow grave all I deserved?” 

He never uttered a single word, but his milky pupils were saying it.

Every evening they would sit at the kitchen table. The wife would serve dinner, like she had done for 12 years, and the husband would sit there and stare at her, without touching his food. And at night, they would lie side by side, the murderer and the victim, in a marital bed.

In the mornings, Eveline would go into her back yard. She would do it for a while, until one day, she climbed the roof instead.

From here, she could see the bright light above her: the stark blue silk of the summer sky, and the sense of freedom, for the first time in weeks. There was no smell of soil or old clothes; her late husband would never find her. The feeling of freedom was maddening to the wife, and she looked around her, appreciating the vast world outside her house. 

But sunshine was blinding, and she averted her eyes only to see the brown square of disturbed soil, looking back at her like an evil eye. She felt a tile move under her foot, and next moment she was flying, dazzled by the brilliance, until the light ceased, and the darkness embraced her.

The Day the World Held Its Breath

Pigeons fall, as though they expired mid-flight. Feathered corpses litter pavements and whirl in river eddies. They can’t find a reason, no disease apparent.

Sheep act lethargic. Laying with their faces in grass, not grazing. Destined to become pillowy carcases defusing a sweet rotten smell.

I scroll through missing cat posts in their 100s. One owner laments Cheerio is absent for his fish supper.

Mrs Jefferson’s Boxer is slumped at the end of her garden, whining.

We should be terrified.

Instead, we sink into the sofa.

I contemplate reaching for your hand.

Just – everything… 

 

feels like…

so much… 

 

 

effort.



Alice Lawson

Alice Lawson lives in London with her husband, daughter and 100s of inherited houseplants. Outside of her 9-5, most spare time is spent writing.

Birth

The madman’s body thrashed and spasmed, straining the chains holding him to the wall. His skin bubbled. Pores expanded. Insects peeled themselves from his skin leaving gaping, bloody holes behind and hundreds of pregnant beetle-like insects swarmed into the air. 

The cell door opened. At the sight, one guard ran. The other froze. Fear holding him. It was his death. 

The bugs descended. Where there had been a man was now a man-shaped mass of insects, pushing their thick ovipositors into him. Neurotoxin prevented him from feeling the eggs as they entered him, they would not spare him their birth.

Ryan Van Ells

Ryan Van Ells (he/him) is a queer lawyer and author of dark fiction currently residing in Milwaukee, WI. His work has appeared in October Screams, Drabbledark III, and various other publications. You can find him @ryanvanellswrites on Instagram and Bluesky, or @ryanvanells on Twitter.

The Ones Who Return

Selectees never react well to selection, but this one was different – stronger, faster, more predatory.

We select random individuals on candidate planets for ‘testing.’ The selectees spread dramatic stories about us, and soon we’re part of their folklore. Later, that makes diplomatic approaches somewhat easier.

This creature had no pulse, and retractable fangs. It bit my neck, sucked my hemolymph, and then expired, apparently of poisoning.

We recalibrated our scanners; it turns out the planet’s infested with similar creatures. Until we determine whether we somehow caused this, first contact is postponed. Earth will have to wait to join the Coalition.

Jack Fennell

Jack Fennell is a writer, researcher and editor based in Limerick, Ireland. He is the editor of the science fiction and fantasy anthologies A Brilliant Void and It Rose Up; a third anthology in this series, Your Own Dark Shadow, will be published in November 2024. His work has been published in a number of anthologies, and is a returning HorrorTree drabbler.

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