Max Blood’s Mausoleum: A New House for Horror

By Angelique Fawns

 

Max Blood is creating a new home for horror, and this venue is not squeamish.

“We’ve read it all before and will read it all again, so send us something that will really set us back on our heels. Terrify us. Make us squirm. Send us the best of your worst.”

Max Blood’s Mausoleum is a paying market, offering $30 per piece, and is planning to publish quarterly issues.

Max Blood says he “specializes in the weird, the cosmic, and the monstrous. With a passion for turning cryptid stories into positively horrific monsters, he has created many tales of monster horror. He has also dabbled in ghost stories and body horror.”

I’m working on a Halloween-themed story with Max Blood called “The Matron of Hawthorne Hall”, that will be used in his third issue which should be published around Halloween 2024.

(more…)

James Martin & Tickling Boundaries with his Eggplant Emoji 

By Angelique Fawns

 

James Martin is putting something refreshing and funny into the world. He just released Eggplant Emoji Volume 3: A Wealth of Comedy, a literary anthology that’s not afraid to make you laugh. These books are full of stories that are shocking, surreal, sexual, and full of giggles. 

My story, “The Social Media Hunk” is one of the off-kilter inhabitants of the third issue, and Martin’s main goal is to showcase the best comedic fiction he can find. I sat down with Martin to learn more about this cutting-edge (and edgy) project. 

(more…)

Marie Whittaker & The Adventures of Lola Hopscotch

By Angelique Fawns

 

Marie Whittaker has a message of kindness to spread and Lola Hopscotch is her adorable conduit. Each book tackles social issues for children, and Halloween is the perfect time to sample Lola Hopscotch and the Spookaroo. 

“When Lola and her friends hear scary sounds beyond the pumpkin patch they’re frightened. But when they see who’s doing the rustle-crunching they come to the rescue and help find a lost Mommy. Festive fall fun with friends is the best reward for helping others!”

Not only a children’s author, Whittaker also ventures into the darker worlds of horror, urban fantasy, and thrillers. Her supernatural thriller, The Witcher Chime, was a finalist for the Indie Book Awards in 2017.

I had a chat with Marie Whittaker about her career and future plans.

(more…)

Instead of my usual cuppa tea, I’m joining C.M. Saunders in drinking pots and pots of coffee, mainly to fuel not only my Horror Tree writing bits, but school and moving and cat rescue…and, well, you get the idea. Let’s get onto the interview; it’s more interesting, for sure!

 

Chris Saunders (he/him), who writes fiction as C.M. Saunders, is a writer and editor from South Wales. Since gaining a degree in journalism, he has worked extensively in the publishing industry and held desk jobs ranging from staff writer to associate editor. He is currently employed at a trade magazine. His fiction has appeared in numerous magazines, ezines and anthologies worldwide including The Literary Hatchet, Crimson Streets, 34 Orchard, Phantasomagoria, Dead Harvest, Burnt Fur and DOA volumes I and III, while his books have been both traditionally and independently published, his latest release being the Wretched Bones: A Ben Shivers Mystery, on Midnight Machinations, an imprint of Grinning Skull Press.

(more…)

E. Saxey is an ungendered Londoner who works in universities. Their fiction has appeared in Daily Science Fiction, Apex Magazine, Queers Destroy Science Fiction and in anthologies including Tales from the Vatican Vaults and The Lowest Heaven. They live in London and tweet at @esaxey.

Firstly, Unquiet is a stunning book. Thank you for sharing it with the world. It already means a great deal to me personally. What do you want people to take away from it?

 

Ideally I’d like people to find it enchanting and excruciating, a bit of a balance. There are some eerie and agonizing parts, and it would be great haunt readers and generally put them through the ringer, but there’s also art and love and hope.

(more…)

Leah Ning: Breaking Out and Managing Apex

By Angelique Fawns

 

Leah Ning’s writing career is like shooting off like a circus performer out of a cannon. She has stepped up as managing editor at Apex Book Company and is selling stories like hotcakes. Her short fiction has been picked up by some of the top markets in the speculative world, like Podcastle, The Dark, Beneath Ceaseless Skies, Dark Matter Magazine, Factor Four, Apex, and Air and Nothingness Press to name a few. This Virginian has cats, a dog, and a sugar glider. If you don’t know what they are, google them. Super cute.

She took the time to talk to me about her path to success and future plans. 

(more…)

REMAINS TO BE TOLD – An Interview with Kiwi author Marty Young 

 

In this unique interview series, we chat with the contributors of Kiwi horror anthology Remains to Be Told: Dark Tales of Aotearoa, edited by five-time Bram Stoker Award-winner Lee Murray (Clan Destine Press, 1 October). 

 

Today, we welcome author Marty Young, whose haunting short story “Redwoods on Te Mata Peak” appears in the anthology. 

 

Tell us about your story in the anthology.  

 

This story, “Redwoods on Te Mata Peak”, is loosely based on a regular weekend for me as a kid – albeit without the terrible ending! But a bunch of us used to cycle up Te Mata Peak on our BMX’s on the weekends – although I’ve no bloody idea how!! I’ve driven up that peak as an adult and I can’t fathom cycling up it on a bike, let alone a bike without gears! But yeah, that’s what we used to do, and one day, we did discover a wrecked car at the base of a gully, and we found a cave next to it, too. We didn’t have any torches with us that day, so we came back the following day, armed with torches and rope, and we went exploring. I remember crawling through spaces only just wide enough to crawl through with one arm held out front, then entering giant hourglass-shaped caverns. The cave system went on for several hours with no end in sight before we decided we had better return before we got lost. And for some reason, we never went back again. I don’t know why. So my story is based around that, only I didn’t want to write a standard cave story. I always felt there was something far more horrific waiting to be told with that set-up.  

  (more…)