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Guest Post: Doomed From The Beginning

By: Jennifer Anne Gordon

If I look back on it now, with the clarity of adulthood, I know that I was doomed from the beginning…

Well, isn’t that a strange way to start a guest post, isn’t it?

You may be wondering what it is that’s happening, and who exactly I am, well I suppose I should introduce myself. My name is Jennifer Anne Gordon, I am a published gothic horror novelist, as well as a dancer and choreographer. But you see, I wasn’t always the person I am now, no, once I was much different than the person who is writing this.

Perhaps though I may not be so different than some of you.

You see I was a pale awkward child, that wonderful combination of allergies, asthma, and sun sensitivities kept me indoors for most of the summer (well and winter too, I’ve never been great with the outdoors with the bugs, the pollen, and the people).

I fell in love with reading and books at a young age and remember tearing through the entire collection of Nancy Drew while I was in first grade. I would go to our school library and check out as many books as they would let me.

At an early age, my parents told me that they would never say no if what I wanted was a book…though to be fair, they had no idea what they were getting into with me.

From Nancy Drew I quickly turned my attention to Christopher Pike, I loved that all of his books were basically just about a pack of upper class teenagers that did something wrong ,usually running over a homeless person while “joyriding” or accidentally killing a friend by switching out their insulin as a “joke”, and then having to pay the price sometime during the summer of senior year by being psychologically tortured.

I swear I read my copy of Chain Letter way too many times.

Reading these books made me feel edgy, and cool, so much cooler than the rest of the pale asthmatics at Catholic School.

Around the age 10 my uncle came to stay with us for a while, after he left New York. To me that sounded wildly cool. As I got older, I realized that it was in fact Buffalo, New York and that did take some of the allure away. But nevertheless, at age 10, my uncle came to live with us. He had a mustache and wore a jean jacket that had Native American embroidery on it. He smoked cigarettes and he and my mother would talk in French to each other when they were telling secrets.

I was enthralled.

I would sneak into his room and snoop through his stuff as much as I could. To be honest it was boring. He just had normal grown up stuff. Shaving cream, socks, a wallet with no money, the coolest thing was he had a driver’s license from TWO states. He was just a normal grown up, that is until I saw something precious.

A book.

Not just any book, but a book that was thick and heavy, it even had a cat on the cover. I didn’t know they wrote long books about cats for grownups. I snatched the book and headed upstairs to hide behind my giant Victorian Dollhouse to read.

I hoped with all I had, that this was not going to be another situation like the “Rabbit Book For Grownups” (Watership Down…frankly my parents should never have allowed me to read that when I was 8 I went to school with puffy eyes from too much crying for almost a week).

So, there I was, behind the dollhouse, it was almost like I was in the dollhouse. I was staring into the face of this angry cat, a rabid, angry, mangey, puff ball, and read the title Pet Sematary.

I remember thinking that the word was spelled wrong, and I got a snide little bit of only child “know it all” satisfaction about that. Nevertheless, I tucked into my hiding spot behind the dollhouse and opened the book. It was clear to me after a few pages that this was NOT a book that I should be reading…

This was when I got the taste for something a little darker, a little more tragic. Not only did King’s novel scare the hell out of 10-year-old me, it also broke my heart. I couldn’t go back to normal books or normal life, I wanted to be scared AND sad. I wanted to feel the emotional weight of fear clutch onto my heart and not let go.

Now, of course, I was too young to read these books, as far as my parents were concerned, so now I had to start being sneaky. A girl has to get her fix.

I would go to the bookstore with my mom and sneak into the horror section, and stare at the covers, I was too scared to even pick them up.  My mother would eventually grow bored with the magazine section and find me. She would escort me promptly back where I belonged. To the young adult section, which if anyone my age remembers was not nearly as cool as it is now. It was mainly made up of one large bookcase, and of that case at least three rows were “Sweet Valley High” books.

Now, don’t get me wrong, I loved the adventures of those two beautiful blond twins, hell sometimes they even went to parties and in book #5 All Night Long One of the twins let a boy with a mustache go to second base. They were risqué for a sheltered 10-year-old, but still not what I wanted, what I needed.

Sadness, and Scares.

I had to play my cards right to sneak those books back into my life.

Luckily, as it was summer, I found the perfect way.

There was a ratty old ramshackle flea market a mile from my house, and my mom loved to go there on the weekends. You see, my mother collected clown figurines (yeah, scary and sad, but not in the way I wanted), our house filled with 100’s of them. She would scour all the tables at the flea market every weekend, snatching up each on she could find.

This is when my plan took form. I remember passing tables and tables of books every time we were there. If I could just get my mother to hand over a few bucks while she was in the midst of a clown buying delirium, I would be all set.

She played right into my hands. She handed over the $3 and told me I could buy books, but she just needed to see them first.

Damnit.

I walked in defeat towards the book table. The man who ran it wore a straw hat and had a parakeet perched on his shoulder. He smoked Pall Mall cigarettes like my dad. He asked me what I was looking for, and I said, “something scary”.

He walked me over to the corner of his table and that is when I saw them, all laid out. These didn’t look like scary books to me. They were too pretty, all the covers had women on them, and castles…but, the women, they looked scared, and some of them looked scared AND sad.

I thought to myself, this is it.

I picked up one of the books, it was called Conjure Wife. It looked magical. “How much is this?” I asked him. He said the words that still ring with beauty in my ears.

“All the gothic books are a quarter each.”

I knew I needed permission before I dove in and bought $3 worth of these classics. So, I went to my mom, showed her the cover of Conjure Wife, told her there were more like this, and she said “go ahead”.

She looked at the cover, probably liked that it had the word “wife” on it. Saw a castle, a floaty dress, and assumed that these books were fine. I went back to the table and bought 11 more. It didn’t matter which ones, and to this day, really only Conjure Wife stands out.

You always remember your first.

What I can tell you, about my long hot Gothic Summer, of the year I was ten, almost 11, was that I read a pile of books, and all were the same. Tragically, none of them ever featured a woman running from an old manor house in the middle of the night, clad only in a chiffon robe or an evening gown.

In fact, Conjure Wife, I remember was about the wives of Professors in a college town in the 1950’s, who practiced “magics” and had jealousy issues. There were no castles, no running. There were just games of bridge and women being upset over something called “tenure”.

I found that the idea of these books, these “Gothic” beauties, was usually more entertaining than the books themselves. Now, maybe that is because I was 10 (almost 11!!) and didn’t really understand them.

Maybe I didn’t want to. Why would I want to be a bored professor’s wife when I could somehow get my wits scared out of me causing me to run along a rocky shore in high heels with marabou feathers, almost teetering to my fictional death…

Still, I read on, waiting, and hoping for the next book that would make me hide behind my dollhouse in delight and terror.

It would take a couple years before I found that next “big book”, the next fictitious naughtiness that would in turn change who I was as a person. The next book that unbeknownst to myself at an early age, would eventually shape me as a writer.

It’s Flowers in the Attic, just ask any woman of my age range, it’s ALWAYS Flowers in the Attic.

I never really got over my love for gothic, it has refined over the years, turning from the “gothic romances” that I was sold on a hot afternoon at a flea market. To a deep love and appreciation for the slow-burning almost Victorian tales the edged somewhere on the brinks of madness and terror. The books that swam in the depths of memories that may be better off forgotten but cannot.

That is where I live now, as I writer…you see, I was right when I said I was doomed. My past is coming back to haunt me…it always does.

Quick, I should run from my house in my fanciest gown.

(Actual photo of Jennifer Anne Gordon)

 

Jennifer’s latest release is ‘Beautiful Frightening and Silent’

Adam, a young alcoholic, slowly descends into madness while dealing with the psychological scars of childhood trauma which are reawakened when his son and wife die in a car accident that he feels he is responsible for. After a failed suicide attempt, and more group meetings that he can mention. Adam hears a rumor of a Haunted Island off the Coast of Maine, where “if someone wants it bad enough” they could be reunited with a lost loved one. In his desperate attempt to connect with the ghost of his four-and-a half year old son, he decides to go there, to Dagger Island, desperate to apologize to, or be condemned by, his young son. Adam is not sure what he deserves or even which of these he wants more. While staying in a crumbling old boarding house, he becomes involved with a beautiful and manipulative ghost who has spent 60 years tormenting the now elderly man who was her lover, and ultimately her murderer. The three of them create a “Menage-a-Guilt” as they all come to terms with what it is that ties them so emotionally to their memories and their very “existence”.Beautiful, Frightening, and Silent is a poetic fever dream of grief, love, and the terrifying ways that obsession can change who we are.

According to Reedsy Review: This book is dark, twisted, and lyrical. This story starts with grief. I felt so deeply for Adam and what he has experienced through the loss of his family and the guilt that follows him since the accident. This book is painful to read, but it also continuously gave me the feeling of running towards something. The story kept me on my toes sitting right between the real world and fantasy paranormal so that I was never sure where we would go next. There are twists and turns throughout that left me surprised each time while at the same time feeling like there was nowhere else for the story to go.

I absolutely loved the writing. Be ready, it is extremely poetic, flowery, and lyrical. Gordon’s storytelling felt like a caress while still giving you the creepy crawlies all at once. With that said, I don’t think Gordon’s writing will mesh with everyone’s preferences. It’s such a beautiful but specific way of writing and I think some will be put off by it. With that said, I’m a sucker for the flowery writing. It’s why Laini Taylor is a favorite author of mine.

Unholy Trinity: Crossed by Terrance V. Mc Arthur

Our church worships at the altar of the Unholy Trinity. Its gospels are delivered as a trio of dark drabbles, linked so that Three become One. All hail the power of the Three.

Crossed

 

Crossbows

Crossbows, I understand.

People, I don’t.

Take Daryl. He shows up at Ace Crossbows, the day after he gets fired, goes into Wagner’s office. I hear shouting, a gunshot. I see red spatter the translucent office divider, and Daryl comes out with a gun, shouting and shooting. Patterson dropped like a wounded moose, bellowing.

I ducked behind a display case, grabbed a Wonderbow Special, loaded, and waited for Daryl to stop and reload. I took my shot. Got him.

What happened? Maybe there was too much pressure and Daryl snapped. 

Like a crossbow.

Maybe I do understand people, after all.

 

Cross Words

“Right hand, green,” Hal said.

How did Sibyl talk him into this? He came here, broke up with her, and now? Playing one last game of Twister, “for old time’s sake,” she’d told him.

Sibyl said, “Left foot, yellow.”

Pain shot up his leg as Hal’s foot hit the circle.

He said, “Right foot, green.”

“Left hand, red,” she said.

Hal’s arm snapped, and he crumpled, moaning, onto the game mat.

She stood over him, smiling in malicious triumph.

“Never play games with a witch, Hal. Don’t you know? Words can kill,” and she said, “Heart, Code Blue.”

Game over.

 

Cross Reference

The last library patron wouldn’t leave.

Mr. Edwards explained, “Sir, it’s past closing time. You’ll have to go.”

The shabby gentleman stood, proclaiming, “I must finish my work!”

“I’m sorry, sir, but the rules are the rules. I must ask you to leave.”

The man swept papers into his carpetbag, strode to the door, and snarled, “May the Drabeg rend your flesh!” and he left.

“Drabeg?” Mr. Edwards murmured. Librarians may not know everything, but they know how to find out. He walked to the card catalog, opened a drawer, flipped to a card, and read:

Drabeg

SEE:

Behind you.

Terrance V. Mc Arthur

Terrance V. Mc Arthur is a librarian, storyteller, puppeteer, and magician. He makes strange things, like dryer-lint art and playing-card sharks. His stories have appeared in Trembling With Fear and over a dozen anthologies from Thirteen O’clock Press, Untreed Reads, and Peculiar Pages.

Friday Update: Pandemic Book Launches

Pandemic Book Launches and Hot Off the Indie Press  29.05.20

In addition to Jim McLeod’s Pandemic Book Launch group on Facebook – go here for more infomation – Joe Mynhardt has set up a collaborative Facebook group for the independent presses: Hot Off the Indie Press. This one carries all sorts of posts from indie publishers to ‘promote sales, sales and opportunities for authors’ amongst other things, if you want to see what they’re up to and what’s available, check it out here.  

If you buy, please also consider leaving reviews for the authors and even dropping them a line on twitter or their websites to have a chat with them about the book.

Pandemic Book Launches 

 *** Charity Anthologies ***

     Diabolica Britannica, ed Keith Anthony Baird. Raising money for the NHS. More details soon!

 

 

 

 

 

 

May

     The Stain by Ruschelle Dillon, pub. Black Bed Sheet Books, 16th May 2020. amazon.co.uk, amazon.com.

          Crazy Times by Scott Cole, pub Grindhouse Press, 18th May 20202. amazon.co.uk, amazon.com.

 

     Dark Blood Comes from the Feet by Emma J. Gibbon, pub Journalstone, 22nd May, 2020. amazon.co.uk, amazon.com.

 

   Strange Days: Midnight Street Anthology 4, ed Trevor Denyer, pub. Midnight Street Press, 20th May, 2020. amazon.co.uk, amazon.com.

 

 

Son of Grendell: A Battle for the Wastelands novella by Matthew Quinn, pub. 25th May 2020. amazon.co.uk, amazon.com.

      Carmilla by J. Sheridan Le Fanu, pub. Crystal Lake Publishing, 26th May 2020. amazon.co.uk, amazon.com.

Nightfall: Nightmareland Volume One (Nightmareland Chronicles Book 1) by [Daniel Barnett]

 

 

    Nightfall: Nightmareland Volume One by Daniel Barnet, pub 31st May 2020. amazon.co.uk, amazon.com

   Note: Daniel is donating all 2020 royalties to No Kid Hungry.

 

 

June

       The Lamppost Huggers and Other Wretched Tales by Christopher Stanley, pub The Arcanist Press, 1st June, 2020. amazon.co.uk, amazon.com.

A Stranger's Guide by [Charlotte Platt]

 

 

    A Stranger’s Guide by Charlotte Platt, pub Silver Shamrock Publishing, 2nd June, 2020. amazon.co.uk, amazon.com.

What Hell May Come Cover

 

    What Hell May Come by Rex Hurst, pub Crystal Lake Publishing, 12th June, 2020.

 

Devil's Creek by [Todd Keisling]

 

    Devil’s Creek by Todd Keisling, pub Silver Shamrock Publishing, 16th June, 2020. amazon.co.uk, amazon.com.

 

 

   C is for Cannibals (A to Z of Horror Book 2) pub Red Cape Publishing , 24th June, 2020. amazon.co.uk, amazon.com

   Normal by Benjamin Langley, pub Bloodshot books, June 2020.

July

Slaves to Gravity by Wesley Southard and Somer Canon, pub. Silver Shamrock Publishing. Due July.

 

 

Curse of the Pigman by Asher Ellis, pub Silver Shamrock Publishing, 20th July, 2020.

August

Belle Vue by Cheryl Alleyne, pub Crystal Lake Publishing. 25th August, 2020.

 

 

 

Future Releases (note: dates not always available)

CF Final Front Cover

The Crying Forest by Venero Armanno, pub IFWG Publishing Australia.

 

 

Midnight in the Pentagram, ed Kenneth W, Cain, pub Silver Shamrock Publishing.

 

 

No photo description available.

Crossroads by Laurel Hightower, pub Off Limits Press, 10th August 2020.

 

 

 

 

Happy reading.

Steph

 on behalf of Stuart and the Horror Tree Team

 

Epeolatry Book Review: Dark Divinations: A Horror Anthology

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: Dark Divinations
Author: ed Naching T. Kassa
Genre: Gothic Horror
Publisher: HorrorAddicts
Release Date: 1st May, 2020

Synopsis: It’s the height of Queen Victoria’s rule. Fog swirls in the gas-lit streets, while in the parlor, hands are linked. Pale and expectant faces gaze upon a woman, her eyes closed and shoulders slumped. The medium speaks, her tone hollow and inhuman. The séance has begun. Join us as we explore fourteen frightening tales of Victorian horror, each centered around a method of divination. Can the reading of tea leaves influence the future? Can dreams keep a soldier from death in the Crimea? Can a pocket watch foretell a deadly family curse? From entrail reading and fortune-telling machines to prophetic spiders and voodoo spells, sometimes the future is better left unknown. Choose your fate.Choose your DARK DIVINATION.With stories by: Hannah Hulbert, Ash Hartwell, Joe L. Murr, Emerian Rich, Naching T. Kassa, Michael Fassbender, Jon O’Bergh, Stephanie Ellis, H.R.R. Gorman, R.L. Merrill, Rie Sheridan Rose, Daphne Strasert, Alan Fisher, and Jeremy Megargee

This anthology contains fourteen tales all set in Victorian times; each story begins with the location (UK or USA ) and the year it is set. The authors are a mix of Brits and Americans too. The theme of the anthology is hinted at in the title – all manner of divination methods are explored in these tales. We have scrying, (mirrors/bowls), entrail reading, fortune-telling penny slot automata machines, seances, tasseography (reading tea leaves), human seers, animals who can prophesy the future and voodoo spells. The choice of ways in which the characters try to foretell their future or discover hidden secrets is rich and dizzying. 

This sort of read is very much up my dark historical alleyway- loving, as I do, all things Victorian, supernatural and gas lit. 

The stories are very strong on conjuring the era – some capturing the ‘voice’ of the times more effectively than others; I did read the occasional jarring line of rather modern speech or phrasing but overall I could happily believe I was back in the era of crinolines, tea parties, arranged marriages, horses and carriages, or the American Civil War.

Two of the stories, (one by the editor Kassa) and the other by Jeremy Megargee reference two of the most famous myths of the Victorian era; one fact, the other fictional. I won’t say more due to spoilers. I wasn’t entirely sure about including these in the anthology, as though both were well written, I think the other stories with freer range in material, worked better.

There wasn’t a story I didn’t enjoy in the anthology- a couple did seem to end a little abruptly and didn’t feel fully finalised to this reader. However I do want to mention a few of my favourites, always a personal choice I realise.

Alan Fisher’s “The Moat House Cob” is set in the Tower of London for a start which piqued my interest and is possibly the most unusual and original take on the anthology’s theme and is memorable, especially as I have, (like the main character) intense arachnophobia! The Cob is not what you might think it is by the way.

Hannah Hulbert’s opening story, “Power and Shadow” (set in my home town of Norwich!) – for the depiction of the dominating Mother and the rather nice clever twist in its ending.

Jon O’Bergh’s “The Bell”- don’t want to give too much away here but if you suffer from claustrophobia and/or taphophobia- be warned – this story will not make you feel better.

Stephanie Ellis’ “Romany Rose”- a fully realised world within this story, a lovely depiction of the street urchins and the ending packs a punch.

Shout out to the cover artist, Kladyk, for the stunningly gorgeous image which I’d have as a poster in my study no problem

Quick word about – I did spot a few typos and editing errors; in some of the stories more than others.                                                                                                                  

I would like to thank the editor for sending me an E-ARC for the purposes of me writing a fair and honest review.

4/5 stars

Serial Killers: The Seven Invasions of Earth in the 21st Century Part 4 by David Berger

  1. Serial Killers: The Seven Invasions of Earth in the 21st Century Part 1 by David Berger
  2. Serial Killers: The Seven Invasions of Earth in the 21st Century Part 2 by David Berger
  3. Serial Killers: The Seven Invasions of Earth in the 21st Century Part 3 by David Berger
  4. Serial Killers: The Seven Invasions of Earth in the 21st Century Part 4 by David Berger

Serial Killers are part of our Trembling With Fear line and are serialized stories which we’ll be publishing on an ongoing basis.

Invasion IV – The BEMS

The briefest of all invasions, the BEMS (short for “Bug Eyed Monsters”: a traditional term) appeared at the second convention of the Universal, National, International, Conclave of Real Nerds (UNICORN) in 2065 in Madison, Wisconsin.

Even given the number of people at the convention engaged in cosplay, it took only a few hours before many participants noticed a number of their fellows wearing unusual, dark blue costumes, with segmented arms and legs and huge masks covering their entire heads. These masks featured gaping, toothless mouths, a fine set of antennae, and huge, bulging, incredibly realistic insectile eyes. The eyes gave them their names. Each of the BEMS was accompanied by a tall, beautiful blonde woman in lacey lingerie and high heels, wearing a bubble-like space helmet and a space suit that seemed to be made of cellophane. There were twenty-six BEMS and twenty-six blondes.

During the course of the UNICORN, the BEMS were both sociable and popular although they declined to speak. There are thousands of videos, selfies and stills of the BEMS and their blonde companions, posing arm in arm with participants. Many rumors spread as to who the BEMS were: the cast of a soon-to-be-released sci-fi movie; members of some strange cult of billionaires; or enemies of the Raelians. It was discovered that the BEMS had an entire floor in the hotel that was hosting the convention. By the end of the first night of UNICORN, this collection of rooms, which became a giant suite, was the location for a continuous party, providing seemingly endless food and drink. At all hours, attendees at the convention could be found enjoying themselves and attempting to chat with the BEMS, who inevitably responded with friendly nods. Many of the participants camped out in the suite for the duration.

Apparently, the BEMS had anticipated their popularity. They came equipped with BEM masks, small versions of their own heads that could fit over one’s head and which were given away free. Soon, hundreds of convention goers, especially youngsters, were wearing these masks both in the convention hotel and out in the streets and public places of Madison. Also available free were BEM bobble heads, BEM coloring books, BEM action figures, and a full set of trading cards, one hundred and four in all, showing the BEMS, four pictures of each, in various poses, with fanciful names: Awful Abner, Bang-up Bill, Cool Charlie, etc., down to Zealous Zeke.

In the closing hours of UNICORN, the BEMS, all twenty-six of them, gathered in a circle in the center of the convention hall, with their blondes. A goodly section of the crowd, sensing that something was about to happen, gathered round them. The BEMS chanted together in an unknown language for several minutes, while pumping their segmented arms up and down and stamping their feet. This was suddenly followed by a great, roaring cheer, which was taken up by the crowd. Immediately after, the BEMS and their women left the hotel. A silver-colored, windowless vehicle, roughly the size of a bus, with sixteen soft tires, came rolling up the hotel driveway, and the BEMS and the escorts entered. The vehicle rolled away and vanished from sight. 

The twenty-six women were let out, each still in her spacesuit and lingerie at the hotel in Madison where twenty-six rooms had been occupied by the lovelies since they day they had arrived in the city. Each night they had been taken back there from the convention hotel around midnight and picked up in the morning in their costumes, both ways by twenty-six limousines. The BEMS remained at the UNICORN hotel the entire time seemingly not sleeping at all.

It turned out that the blonde ladies had been hired as a group from a talent agency in Las Vegas. They had been flown to Madison in a chartered jet, where they found their rooms in their hotel waiting for them, along with their costumes, which they thought to be hilarious. They were provided with little illustrated booklets explaining their roles as escorts to the BEMS. They were questioned for several days by the FBI, CIA and other security agencies. They knew nothing of the BEMS, who apparently never spoke, but who were invariably kind and polite, only insisting, nonverbally, that the ladies stay with them when they were in the convention hotel.

As to the eight-wheeled silver vehicle that picked the BEMS and their ladies, it was determined that it made a stop a few blocks from the second hotel, where the BEMS picked up twenty-six pizzas, mixed plain, pepperoni and anchovies. And twenty-six liters of Diet Coke. Later, it was spotted several times on highways leading north out of Madison. The final time the vehicle was seen, it was leaving a local road onto a dirt track leading into a state forest, fifty kilometers from the city. The vehicle and its passengers were never seen again.

One of the items given away by the BEMS was a comic book alleging that the origin of the BEMS was a planet circling a star not far from Earth. The BEMS in the comic were depicted as happy tourists on vacation. Their amusement with common human objects is depicted. Their favorite thing seemed to be a hand-operated eggbeater. Their method of reaching Earth is not depicted. 

It’s hoped that the BEMS may visit UNICORN again someday.

David Berger

David Berger is an old guy from Brooklyn, now living in Manhattan with his wife of 25 years: the best jazz singer in NYC. He is a father and grandfather.  He has been, among other things, a case worker, construction worker, letter carrier, high school and ESL teacher, a legal proofreader and a union organizer.  Loves life, his wife and the world. Hopes to help the latter escape destruction.

David has been published by Verso with his graphic history of American bohemia: ‘Bohemians’, co-written by Paul Buhle and by DRABBLE for his works ‘Invisible Dudeand ‘Statuary’. His story, Ghoul Days, features in The Sirens Call ezine, Issue 45.

CLOSED: Ongoing Submissions: Mythaxis

NOTE: Mythaxis itself is not closed but is no longer an “ongoing” open call but instead has four submission windows. We will make posts based around these dates accordingly.

Payment: $20
Theme: Science fiction both hard and soft, fantasy both high and low, horror both harsh and humorous, along with whatever mash-ups or sub-genres can be conceived.

Mythaxis is open for submissions! We seek and offer the following:

  • Length: 1,000-7,500 words. This is a firm limit. Generally speaking, the further a story goes beyond 5,000 words the more it will need to impress, but the door is not shut in advance.
  • Compensation: $20 on acceptance and return of contract. Payment via PayPal.

We aim to acknowledge submissions the same day they are received. If you do not receive an acknowledgment within 24 hours of submission, please get in touch.

We aim to accept or reject within 14 days of that acknowledgment, but rl (real life) and rl (reading load) can get in the way. If you do not hear from us after 30 days, feel free to query.

We require First Print and Digital rights with a six month period of exclusivity from the date of publication. We also ask permission to potentially include accepted pieces in future anthologies, in event of which an additional full payment and digital copy will be offered in compensation. All other rights remain entirely with the author.

Simultaneous submissions are not only accepted, they are encouraged. Put your work out there, as many places as you can! We merely ask that you notify us of acceptance at another market as soon as possible. We do not currently invite reprint submissions.

Submissions should be anonymous, and do not require a cover page. Only include the story title, the approximate word count, and the story text. Do not include the author’s name in or on the file.

All submissions must be the original work of the author. We anticipate an adult readership in the sense of maturity, but this is not a market for adult content or offensively extreme content.

We welcome writers of any and all backgrounds, be they cultural or personal, and submissions exploring diverse perspectives and experiences, provided they do not seek to attack or demean those of others.

We look forward to reading your work… but first:

 

A friendly word of advice

It’s important for authors to understand what they are giving up when they assign “first” publishing rights to a magazine. After we publish your story, you will only be able to offer it elsewhere as a reprint, which may mean you can only sell it for less money, or for free – and some markets don’t accept reprints at all.

We want to publish great writing but our budget is modest, there are certainly better-paying markets out there. So why not try to land your masterpiece at the big markets first? Nothing ventured, nothing gained, after all – and when they prove themselves blind to your glory, we’ll still be here to help you prove them wrong!

Okay, we’ve said our piece. If you’re still keen to roll the dice…

 

HOW TO SUBMIT

Email files as an attachment to:

andrew(dot)leon(dot)hudson

(at)gmail(dot)com

Please use the email subject line “MYTHAXIS SUBMISSION – [STORY TITLE]” to evade spam filters.

Feel free to include a concise cover letter and/or author bio, though neither is mandatory. Mythaxis has a history of publishing first-time authors, and we mean to continue this tradition.

 

FORMATTING GUIDELINES

Acceptable document types are RTF, DOC, or DOCX.

Straightforward manuscript formatting is preferred for editorial convenience:

  • Please use an easy-reading font (Times New Roman 12pt, etc.).
  • Do not manually insert empty lines between paragraphs, or use tabs for first-line indents. Use paragraph formatting to set automatic indents or paragraph breaks.
  • Use a single centred # to represent essential section breaks.
  • Use italics for italics, don’t underline instead. Smart (“curly”) punctuation is fine.
  • If your manuscript includes any unusual formatting, please alert the editors when submitting and have a really good, story-related reason.

If you have any questions, please don’t hesitate to contact the editor at the above address. We look forward to reading your work!

Via: Mythaxis.

Here Is How To Find A Book Without Knowing The Title Or Author

How to Find Books Without The Title
Ever have trouble finding a book that you’ve read before? You know what it is about but have no recollection of the title or author? It turns out, the ability to discover this is a little easier than you’d imagine. The above video really covers how to find a book from knowing an activity within it, what the cover looked like, and a variety of other features.

The list of resources explained in the video above are featured here:
Google Book Search: https://books.google.com/advanced_boo… BookFinder: https://www.bookfinder.com/ WorldCat: https://www.worldcat.org/ The Library of Congress, Ask a Librarian: https://catalog.loc.gov/ https://www.loc.gov/rr/askalib/ask-co… Amazon book search and Jungle Search: https://www.amazon.com/Advanced-Searc… https://www.jungle-search.com/ Ask for help on the internet: https://www.abebooks.com/docs/Communi… https://www.goodreads.com/ https://www.librarything.com/

On top of that, the details were fleshed out in an article over at Make Use Of which you can check out today!

There are a lot of useful tips here. Do you have any others which they didn’t featured you’d like to see us write about? Are any of these new resources you haven’t used before? Let us know in the comments below!

Taking Submissions: Tales From Omnipark

Deadline: June 30th, 2020
Payment: $100
Theme: Must take place in Omnipark (details linked below.)

House Blackwood is putting together a brand-new anthology of original fiction, set in the world of OmniPark.

This anthology will feature stories from Brian Evenson, Gemma Files, Orrin Grey, Jesse Bullington, and other leading lights of the weird fiction community.

The deadline is June 30, 2020.

You’ll find much more background information on the OmniPark Wiki, which documents all the park’s original Realms and attractions, as well as many of the personalities who shaped its development.

We are paying $100 for short stories of 2,000 to 5,000 words, set in and around OmniPark.

Send submissions as Word (.doc) files, formatted according to Shunn manuscript format, to:

tales from omnipark @gmail.com (remove spaces)

Only manuscripts submitted as Word docs, following Shunn format, will be considered.

Via: House Blackwood.