Category: Trembling With Fear

Trembling With Fear 01-19-25

Greetings, children of the dark. How’s your 2025 emerging? I’m already berating myself for not sprinting out of the gates, so it feels right to remind you tomorrow, 20 January, is the third Monday of the month which makes it Blue Monday. While this was originally a marketing gimmick for a travel company, it’s ballooned into a global mental health awareness day. January can be dark in more than just weather ways, so check in on yourself, check in on your friends, and keep each other safe. It’s ok to not be ok, and it’s definitely ok to ask for help. 

With that, I have some parish notices for you before launching into this week’s edition:

  • First, our January short story submissions window is now firmly closed. We will not be taking any more short story submissions until the next window opens in April; find the details over here, and note they’re also on the submission form itself if you need a reminder!
  • That said, we are always open for drabbles – those tiny tiny complete stories in 100 words – as well as unholy trinities and serialised stories. You’ll find details for those over in the submissions page as well.
  • Finally, thanks to those who’s expressed interest in joining our assistant editor team to help out with the special editions. I’m hoping we have three out of four confirmed now, but are still seeking a volunteer to take ownership of our Christmas special edition. Could it be you? Do you love a bit of festive darkness? Get in touch and let us know!

And so onto this week’s edition. The TWF dark and delicious menu today is centred around Jessie Atkin’s strange growth. That’s followed by the short, sharp speculations of:

  • Jane Bryan’s gloomy warning,
  • Joshua Ginsberg’s dark omen, and
  • Weird Wilkins’s thirst for knowledge.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

More progress on the overdue anthology. We found a ton of work that had been missed, which is good – because we aren’t missing it now. However, it isn’t good because I think we’re now going to be at two books again.

We were able to get away with one book last year, which was pretty great; however, doing that this year would likely be able to be used as a weapon with how big it would be. We’re still working it out but should be able to get into the final edits, followed by cover creation, in the coming week or two. 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out and leave a review!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

(more…)

Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter One

  1. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter One
  2. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Two
  3. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Three
  4. Serial Saturday: Where the Yellow Rose Blooms by Sarah Townend, Chapter Four

Chapter One: Before the Bliss

                                                          

I sit on sloped shingle and toy with my last keratinous protrusion to try and quell the itch. This thorn, barb-rooted to my femur, anchored to the meat of my thigh by a red cable, is part of me and has been there, growing, since birth. It stings. But soon, it’ll detach and fall, and I’ll be peach-smooth all over. All woman. 

In front of me, Alora crouches awkwardly so as not to hurt herself on her five small hip spurs. She rummages through her rucksack and takes out handfuls of something from where childish treasures—shells, sea glass, dead moths—are usually stashed. “What’s in your fists?” I ask.

“Nothing.” Doe-eyes. My little sister smiles sweetly, then runs off, into breaking waves. I shrug at Emmanuelle—my friend beside me—and yawn. At least we’ve the beach to ourselves this evening and the sun, low in the sky, feels warm on my skin. 

I stop twisting the thorn and, instead, hold it in place and imagine the snapped ligaments deep within my thigh re-attaching it to the bone of my leg. If only I could slow time. What lies ahead terrifies me: womanhood, the consequential trip to Marmos.

*

 “Don’t swim past the outcrop,” I shout after Alora. “Ah, do what you like.” Leaning back on a cobble bed, I snag my sore spot. “Ay—This one hurts.”

Despite my desire to remain a child, the perseverance of this fourth and final hip thorn—my fifth never emerged—frustrates me. It’s sore.

“But you’re glowing, ripening well,” Emmanuelle says. 

“Apart from this thigh and my tatty hands.” I show her my knuckles and palms, calloused from labour. But Emmanuelle’s right. Velvety dappling, swirls of tangerine and russet now cover my body, and for this, I’m grateful.  

I run the back of my hand over my lower leg. Of recent, something within me, my groin a bag of honey bees, finds enjoyment in self-touch. The flat terrain of adult, spike-free skin, the way my shoulders, waist, hips feel. New sensations ripple within at night, when I caress myself in the dark, alone, under my quilt. 

A twinge in my thigh. My fingertips return to my hip. I twist the thorn again, in time with the breaking waves. The irritation eases. Perhaps I do long for total smoothness, to be adult. Maybe I do want this last thorn out.

*

Alora, still so young, a bundle of spikes and quills, tumbles and splashes through wave crests and wades further into the ocean, giggling all the while. 

“Why can’t I remain carefree, like Alora?” I ask. Emmanuelle stares ahead.

And why must I work so hard? Since my first quill fell away, I’ve laboured each day, levering a diamond-tipped chisel in and out of the quarry face. All shedding adolescents stand and chip there, together, liberating precious resources from a millennia of geology for our leathered elders. And before and after each long shift, I care for Alora. 

*

I stare at the ocean. With each breath of the tide, a pattern hinting at what my future may hold, a heedance, comes into fruition on the ocean’s surface, then, before I’ve a chance to interpret it, the missive disperses back into loose liquid form, blue and white froth, and the vision becomes lost. 

*

“You’re bleeding.” Emmanuelle’s face contorts. Smooth for over a year, memories of shedding for her, I expect, are forgotten, like childhood dreams. She pushes my picking fingers. “It will drop when it’s ready, when you’re ready,” she says. 

Will I ever be ready? My body? Maybe. But, my heart? I yearn to play, skip, and swim in the water like Alora, not labour and care for others. What happens after Marmos petrifies me.

Emmanuelle squeezes my hand. She smiles, closed-lipped. “And you’re nearly ready, darling. The future’s nothing to fear.”

“But what about the pain?” 

“Pain? This final thorn will hurt no worse than the others,” she says. She must know it’s the other pain I ask of, because there’s something hidden, a whisper behind her eyes.

 “I mean the pain that comes after Marmos, before the bliss—” 

Emmanuelle takes my chin in her hand. “That pain is a gift. A blessing from the feminine celestial.” Her warm breath graces my cheek. “It’s more of a universal, all-encompassing . . . deep discomfort. At its peak, the sensation is almost . . . sentient.” I swallow hard. For a moment, the quickening of my pulse and the rush of blood around my cranium drown out the insidious alternative story the waves have been whispering. “But as with all in life, dearest, there is balance. Polarity.”

“Go on,” I say. 

“When the pain is nothing but a memory, a thing of no mass or matter, there will be pleasure.” She caresses the markings which dust her upper arm, then strokes mine. “My husband lies with me and thrusts as he sings until a bliss like no other fills my soul. Between his melodies, I hear the beautiful truth of his love.” 

A bolt, a longing, shirks down my spine to the place where bees buzz at night. She draws my face kiss close. “Womanhood brings equal measures of joy and despair. You’ll embrace it, darling girl, the pain. You’ll cope. Women do.”

She reaches for her water flagon. My fingers return to my thorn. Sharpness. It comes free in my hand. Warm red gushes down my thigh. “Dammit,” I say, and show Emmanuelle. “It’s out.” 

Root now exposed, the thorn’s longer than my palm is wide. The hole in my thigh gathers at its edges, puckers, starts to seal. Fresh epidermal tiles tessellate into a new holoscar of orange and pink. 

I’ll pass the thorn to Mother. She saves all my shed protrusions—countless flaked quills from my back and shoulders, the three thorns from the infantile frills that once decorated my thighs. Currency for Marmos.

Emmanuelle pays attention to my thigh. 

“I am now a woman?” I ask. 

A line forms between Emmanuelle’s brows. She speaks slowly, holding each vowel too long. “You’ll get there,” she says. Her eyes remain on my leg. “Patience.”

Where the sun touches the water, plums and oranges mottle, like the patternations swirling into place where my thorn shed from. 

“Listen to the waves.” Emmanuelle’s dulcet words. “There’s balm in nature’s rhythm.” She strokes the back of my neck and hums gently. 

And like this, like reaching a cliff edge, the path behind you having fallen away, my childhood is over. What will become of me? Relentless spring tide waves crash in.

*

 “Alora,” Emmanuelle shouts, stands and strides towards the water. “Where’s Alora?”

I stand too. “I can’t see her,” I say. Rushing towards the shoreline, one hand hat-peaked against my forehead, my other arm eagle-winged for balance, I scan the expanse of ocean all the way to where sea becomes sky. “She’s there,” I say and point. 

In the distance, the top half of my baby sister, smaller than she should be, too far out, her body a spiky mark against the shifting sheet of sea. Alora throws her arms in the air. An arc of water rainbows above her head. 

“She’s swum out past the rocks. How many times…” I tsk and cuss and cup my hands around my mouth and shout instructions to my feral sibling to get her sorry ass back to shore. 

“She’s okay,” Emmanuelle says. “She’s paddling back. All this exercise before supper is great to release her energy.”

I side-eye my friend and in exchange, Emmanuelle gives me another knowing smile. “Release her energy?” My voice high-pitched. “Alora is young, without a worry in the world, of a time before responsibility and fear. She does not need release, she’s already free.”

*

When Alora sets foot on the beach, I reprimand her. She apologises, then sulks. Emmanuelle says goodbye and heads home to her new husband.

I yank free a thick towel from my sister’s bag and hold it out for her. It ribbons in a breeze which marks the onset of evening. Her teeth and quills chatter as she reaches for the edge of the fabric. Wrapping the towel around herself, her protrusions catch. The tip of one of her baby hip thorns tears a hole.

I sling on my old sandals. A redness spots up on my ankle where the broken strap of my footwear rubs. I think back to the sentient pain Emmanuelle spoke of, the pain which must come before pleasure—could it match the agony of lugging a wriggly, quilled and thorned child several miles home, along a beach, wrecked shoes?

I lift Alora up, her thorn spurs jabbing into my waist, and carry her home for a supper I will have to fix.

*

I prepare a simple meal. After we’ve eaten, Father slinks to his study, I tidy away dishes and instruct Alora to ready herself for bed. Then, I guide Mother to her rocker. 

“Mother.” I show her my dropped thorn. “It fell.” Mother eases herself up and grapples for the thorn in my hand. 

“We go now,” she says. 

Tonight, I will be Mother’s eyes, hers aged, milky from too much sun, and she, as tradition states, will be my chaperone. “Your loosenings are in the cloth sack. A lantern is prepped in the hallway.” She gestures at the door. “I knew by the song on the breeze, the call of migrating swans, tonight would be the night, but first, put Alora to bed.”

*

Sat on the stool in Alora’s room, I call out instructions. She brushes her teeth and quills, tidies her petals, gets into her crib. Alora’s shelf is crammed with glass jars packed with puerile booty. Green and brown seaglass chunks glisten by the light of her bedside lantern. 

“I don’t want you to go,” she says. She beckons me over, wraps her arms around my neck, and kisses me on the cheek. 

“I must.” Her arms drop as I pull away. She passes Thalia, her favourite teddy, to me. 

“I know.” She breaks eye contact, then shuffles down beneath crumpled sheets. “And I’m sorry.”

“Sorry? For what?”

A silence follows. She squirms. 

“Marmos.” Alora finally speaks “And for losing you.”

“But none of that’s your fault.” I kneel by her, and stroke the spines on her shoulders flat for comfort. “It’s inevitable. Written in the ebb and flow of the sea. My skin patternations dictate my future, as yours will for you. What’ve you to apologise for?”

“Today. At the beach.” She pauses, sobbing gently. “I took a bunch of your quills and one of your thorns from under Mother’s bed and fed them to the ocean.”

I withhold a gasp. An odd gulp emits from my throat instead. “I see.” 

“It was all I could manage in my bag pocket, in my hands,” she says, and then more firmly, “I’d have taken them all if I could.” Alora pouts and yanks the sheet back over her face. 

“That was wrong, Alora, but . . . I understand. Please sleep.” I pocket the threadbare teddy. “I’ll be back later tonight to tell you a story, if you haven’t soothed yourself.” All I hear are muffled tears as I back out of her room, shutting her door in my wake.

Unholy Trinity: Wicked Amber by Niko Lapidus

Our church worships at the altar of the Unholy Trinity. Its gospels are delivered as a trio of dark drabbles, linked so that Three become One. All hail the power of the Three.

 

I.

 

It was amber that caused it. A yellow stone, formed of sap of a tree from a deep and dark forest. When the amber was found in Utah, nobody knew what it really was. But like true amber, it held something. Not an insect or leaf, but a presence. Something old and hateful, with hands that reached and eyes that stared. The amber seeped into the ground, and it seeped into minds. Told folks to do bad things. Flies eating people. People eating people. People eating themselves. The amber took them slow, like a tumor. All because of that amber.

 

II.

 

I ate the berries, just like we all did. It wasn’t my fault, what I did. I didn’t know. What I did to Ma and Pa and baby Paul, it wasn’t my fault. They would’ve been the same anyway ‘cause they ate the berries too. None of us knew. We had seen papers, heard what happened with that yellow stuff over in Utah. We even saw the odd yellow patches on the berries, but we were hungry. Baby Paul was weeping with hunger. So we ate them, and by the time we all knew, the amber made me eat them.

 

III.

 

They called my vessel amber, but I was more than that, more than they could ever imagine. I had fallen from the stars, dripping from the trunk of a squirming black tree beyond mortal comprehension. I saw the world of humanity, and it was ugly to my many staring eyes. In their infinite stupidity, they thought me just a mere stone. But soon they learned. With cities and minds ablaze, they learned the true power of the amber that held my will and flesh. I took them like they took me, with tumors and boils and their own rotting hands.

 

Niko Lapidus

I’m Niko Lapidus, a 14 year old fantasy and horror writer. I’m from Berkeley, CA, and currently working on my debut novel, Voidbreaker. I’m also a stand-up comedian, and you can check my work out on spotify.

Trembling With Fear 01-12-25

Greetings, children of the dark. Before we get into it, let us wish our Californian friends much luck and safety as those fires continue to grip. Be well; seek refuge. 

It’s all systems go here at TWF Towers, almost like we never took a break, so we have a few parish notices. First up, our new editorial assistant Annette Livingstone has officially taken over managing the Horror Tree inbox, so you’ll see a new name popping up to acknowledge your submissions. Please don’t worry – she’s won’t bite (much). 

Also, you may have seen on social media that we’re looking for a new assistant editor to take over the special editions. That call-out has morphed a little: the boss man liked my suggestion of widening our team even further, and so we’re actually seeking an editor take on each of the special editions – four in total! That will not only give us more back-up in the world of TWF Towers, but it’ll also help YOU specialise in whichever holiday grabs you most. We think we’ve got a new Valentine’s editor, fingers crossed, so if you have a love of summer horror, of festive darkness, or you consider yourself Halloween royalty, please do get in touch. We’d love to hear from you: [email protected]

(Remember, these are volunteer positions; as much as we’d love to pay our team, any earnings the site makes need to go into keeping the lights on and paying for submissions. We don’t do this for the glory!)

And so onto this week’s edition, where Sarah Cline brings us a main course dripping with blood and regret. This one is truly haunting, but does come with content warnings for animal harm. That’s followed by the short, sharp (and coincidentally ghostly and somewhat vehicular) speculations of:

  • F.M. Scott’s accidental hitchhiker,
  • Crystal N. Ramos’s anniversary grief, and
  • Shiloh Kuhlman’s lingering soul.

Before we leave you to it, though, permit me a final plug? Writing the Occult: The Uncanny happens this Saturday 18 January,. Want to learn more about the uncanny valley, doppelgangers, creepy dolls, and how the uncanny goes beyond horror and into all of speculative fiction? Details are at writingtheoccult.carrd.co

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

It has been a busy week! We’ve been reaching out recently to find our new specials editor, and we’ve also been working on getting last year’s anthology, which is very overdue at this point out into the wild. We have a draft that I am taking a break from proofing to write my section in the newsletter!

I’ve also worked a little on our new site layout. Fingers crossed, it is coming sooner than later.

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out and leave a review!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

(more…)

Trembling With Fear 01-05-25

Greetings, children of the dark. I didn’t like writing ‘25’ at the top of this week’s edition. It feels like 2025 is the far-future, the sort of year that dystopian films are set in, all grimy and neon and rainy and dark. And, I guess, that’s kinda the world we’re living in (just less replicants). 

But I’ll admit it, dear reader: I’m feeling old. Like, really old. It didn’t help that the last half of 2024 just blazed past me and I never really noticed. It feels like I’ve spent much of recent history chasing my tail, trying to catch up, never quite getting done what I want to get done because there’s always something I’m running behind on. Heck – if you’ve submitted a short story in one of our recent open windows, you’ll know how far behind I am! (I’m sorry, I promise to do better this year.)

So what can I do about it? Change my mindset, sure. Make plans. Set goals. But my neurodivergent brain just won’t work that way. Any goals I set become things to avoid. Plans are changeable; mindset feels like it never will change. So my not-goal – my vague wave at a new way of living – for 2025 is to do better. No SMART goal here; no hard metrics I can rail against. I just want to do a bit better than I have been lately. I’m hoping my freelance work situation will settle a bit this month and I’ll be able to have some dedicated time to do all of my volunteering AND actually do my own writing. I said this time last year that I wanted to submit short stories and never did. This year, I’m just going to try to make time to write and see what happens. I need to be mindful that I’m still in burnout/breakdown recovery – yes, three years later; these things take way longer than I thought they would! – and not push myself. I need to be conservative with my energy. But I also need to not go into trances and doomscroll and spend time staring at walls and ceilings anymore. 

I have a funny feeling my lack of action is contributing to those feelings of ancient-ness – and I’m not a centuries-old vampire ffs! I’m just a middle-aged Australian who’s facing a new phase in life and kinda not handling it well, but I’m trying to retain and regain some hope. To help with that, I asked TWF Towers’ own Vicky Brewster to take a look at an old manuscript I wrote for the 3 Day Novel competition a few years ago; they’ve given me feedback and didn’t tell me to chuck it in the trash because it’s useless, so now it’s up to me to decide what to do with it. The story feels a bit zeitgeist-y for now, but it’s also not my usual style or genre so will see what happens with it. I also still have my Victorian occult thing kicking around, and an even older folk horror set in the Aussie outback. These all have legs; I just need to get my fingers tapping on them. Or maybe I need something shiny and new to get me out of the creative rut. I did have a brainwave at Fantasycon last year and decided I needed to write some vampire smut, so maybe that’s my way back? Heaven help us all if that’s the case!

Anyways, enough of my New Years ranting; let’s get to why you’re making this visit to TWF Towers: our first edition of 2025. This week’s main course takes us into the world of R.H. Stevens, where we find a lonely operator on their last job of a rainy evening. That’s followed by the short, sharp speculations of:

  • Penny Brazier’s twisted warning to local children,
  • Corinne Pollard’s magical mayhem, and
  • Robert Allen Lupton’s deep-space exploration.

Before we leave you to it, though, permit me a plug or two? My next Writing the Occult event happens on Saturday 18 January, and this time we’re tackling the uncanny with a rainbow hammer. Want to learn more about the uncanny valley, doppelgangers, creepy dolls, and how the uncanny goes beyond horror and into all of speculative fiction? Details are at writingtheoccult.carrd.co

Also, my work with the British Fantasy Society continues. (Have you joined yet? You really should – you don’t have to be British, and you don’t even have to be a writer! All fans of the speculative world are welcome.) Next Saturday I’m hosting a panel discussion about heroes and villains as part of the first virtual event of the year, all about crafting complex, believable and relatable characters. It’s free to BFS members and just £5 (about US$6.20) for everyone else. Get full details of who’s speaking, as well as your tickets, over here.

Oh, and finally, in case you missed it over the holidays, we’re looking for two new volunteers to move into TWF Towers! Could it be you? In short, we seek a replacement as well as someone to step into a new role. 

Assistant Editor – Special Editions
😈Responsible for our (currently) 4 special editions every year: Valentine’s, Summer, Halloween, Christmas.
😈Read submissions + deal with slush pile + contract successful writers.
😈Drum up interest in subs to your section.
😈Work with the editor-in-chief (aka ME) and other assistant editors (aka Sarah Elliott and Vicky Brewster) to keep the site and its free fiction offering running.
 
Publications Editor
😈A new (much-needed!) role for HorrorTree.com & Trembling With Fear.
😈Take control of getting the annual anthologies ready for publication: typesetting & formatting, dealing with Amazon, etc.
😈Experience with self-publishing will be a very big gold star in your favour.
 
Email [email protected] if you’re interested in learning more.

Over to you, Stuart.

PS Happy new year, or just happy Sunday, depending on how you feel about these things!

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“A Horror Short Story Collection by Josh Schlossberg

A hiker stumbles on a gruesome species undiscovered by science… An injury triggers an appalling new ability… A domestic pet holds a household in thrall… A human monster finally meets his match… Crimes against nature birth an abomination…

These and fifteen more tales make up WHERE THE SHADOWS ARE SHOWN, a short story collection by Josh Schlossberg (author of CHARWOOD and MALINAE), who guides you on a trek through the shadowy realms of biological and folk horror, supernatural and weird fiction.

So, lace up your boots, fill your water bottle, and put fresh batteries in the flashlight, because there’s not a chance in hell you’re getting back before dark.”

Support our sponsor and pick up Where The Shadows Are Shown today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all.

Happy New Year, one and all! I hope this update finds you well. For our super-late yearly Trembling With Fear release, we’ve begged Steph to come back and compile one last outing of it as our last editor who was working on it hasn’t had the free time she thought she would have. Internally, we have someone else tapped for next year’s which we’re going to be starting in on early to hopefully never have this problem again. *twitches*

Outside of that, we’re currently trying to finalize getting the new theme together and exploring new hosting options as, even with a more streamlined theme, we may have outgrown our current host. Figures! So, a whole lot of changes might be coming up soon that will hopefully make everything easier to get to and a lot quicker on top of it.
On a personal writing note, I was able to submit a new short story, figure out what else I’d like to submit to this January, and get a bunch more editing, writing, and moving forward on a couple of novellas all in the works. Hopefully, this pace can continue!

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out and leave a review!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

(more…)

Trembling With Fear – Christmas 2024 Edition!

Welcome to Trembling With Fear’s Christmas Special! As the holiday season casts its magic over the world, we’ve bundled up some spine-tingling horror and fantastical wonders just for you. Whether your holidays are merry and bright or shadowed by eerie snowdrifts and mysterious whispers, there’s something here to spark your imagination and perhaps send a chill down your spine.

This collection is our way of celebrating the magic, mystery, and mayhem that the season can bring. Our talented authors have unwrapped tales that reimagine holiday traditions and explore the edges of reality itself. Consider this our festive gift to you—stories to ponder by the fire, with the glow of lights and a steaming drink in hand.

We hope you enjoy every twist, turn, and frightful delight. Happy Holidays!

Stuart Conover

Editor-in-Chief, Horror Tree

(more…)

Trembling With Fear 12-22-24

Greetings, children of the dark. The darkest of the dark times are upon us; as you read this, you may well be waking up from the longest night of the year. And while that means for the next six months we can look forward to the light returning, it doesn’t mean any changes here at TWF Towers. We will always seek the darker side of life, so come, bring us your tales of pesky pixies, harrowing hauntings, creepy cryptids, and really anything else that fits the theme of speculative fiction in the dark. Yes, we’ll be opening up to short story submissions again at the beginning of January – and yes, I know we are running massively behind on getting back to those who have submitted short stories over the last two windows. I plan on catching up big time over the festive break, and then we’ll just need to wait on the boss to have his say! Stay tuned; we should be with you soon.

For now, though, let’s dive into the second-to-last regular missive from TWF Towers for 2024. This week’s main course comes courtesy of trusted regular contributor DJ Tyrer, who delivers a bit of eco-horror that’ll get you looking twice at the tree that’s likely in your house right now. That’s followed by the short, sharp speculations of:

  • Brian Rosenberger’s viral lament,
  • Amelia Afrin’s close call, and
  • F.M. Scott’s remnants of past art.

And remember to keep an eye out for our spectacular Christmas special edition, coming your way imminently! Thanks to new specials editor Lynn for all her hard work on it, and on pulling together our VERY late 2023 TWF anthology. 

From me, to end, I wish you the very best of the season, however, wherever, and if you celebrate. Be kind to yourself as the year comes to a close. Tomorrow is a new day, and the light is returning.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“A Horror Short Story Collection by Josh Schlossberg

A hiker stumbles on a gruesome species undiscovered by science… An injury triggers an appalling new ability… A domestic pet holds a household in thrall… A human monster finally meets his match… Crimes against nature birth an abomination…

These and fifteen more tales make up WHERE THE SHADOWS ARE SHOWN, a short story collection by Josh Schlossberg (author of CHARWOOD and MALINAE), who guides you on a trek through the shadowy realms of biological and folk horror, supernatural and weird fiction.

So, lace up your boots, fill your water bottle, and put fresh batteries in the flashlight, because there’s not a chance in hell you’re getting back before dark.”

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Hey all!

Okay, I had a bit more breathing room this week and was able to make progress on the new site layout and I think I know what we’re doing with the newsletter layout. I did make a few changes to it this week, and we’ll see how it pans out as a temporary look into the final new layout is actually enabled. More on that soon!

With two recent acceptances under my belt, a co-author of a WIP novella that had been started pre-pandemic and tapered off early on reached out and reminded me we were working on it. So, with what little time I had over the past week, I re-did the outline and character bios and made a to-do list of things we haven’t figured out yet from our previous outline and the start of a draft. It may end up getting written after all! 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out and leave a review!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

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Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter Three

  1. Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter One
  2. Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter Two
  3. Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter Three

Chapter Three

                                                          

A few nights ago – how many, who knows? – I was awakened at gunpoint by an angry mob of lunar workers from one of the lower wards. My first thought was Boško was dead. Damn. I liked him a lot. A great sense of humor and loyal to the death. No way he’d let these fucks in here. He’d have to be dead. This was a very bad situation I was coming into but I had the thought this could be worked out. I’ve had my share of crises to deal with and this was just going to be another one for the books. These fuckers were going to have to die. No question about it.

 These unmen probably figured out their comrades weren’t dying in surface accidents. I mean, they were, but these accidents were planned by yours truly so I could keep the remaining colony functioning at its optimal best. Increase caloric surplus, decrease mouths to feed, and do all this as systems became more automated, reducing the need for human work hours. It was simple math, people. Nothing personal. There was an elegance to my plan and it produced maximum joy. 

My math aligned with an accident rate that shouldn’t have raised any eyebrows, so what happened? I was taking on the burden required of me as leader of this lunar colony, as its founder and visionary. I know how that must sound. Visionary. It’s politically incorrect to call oneself visionary, isn’t it? But what else do you call it? As the person trying to protect these people from the realities of what had presumably happened on Earth, as the only person with the moral courage to do the things that needed doing, I stayed true to the vision. 

So I told them a lie. Not just any lie. The lie they needed to hear. It was a lie that kept them happy and secure, and living the best possible life on the Moon. The whole human civilization project was founded on a wonderfully creative tapestry of lies. The sooner one understood that, the sooner one could go about the business of keeping it afloat. 

Leaders work with what they have. Lies are a tool like any other. Slave away in this life, paradise in the next. For God and country. Make California great again. You know the deal. Very simple stories. Very effective. They were clearly beginning to wear off down here in the crater. But goddammit, progress is one grand narrative, and the lies are what keep us charging forward. 

Forge On.

Fiction is for losers, people who lack the vision and the balls to let their stories run free. Fiction is a failure of imagination. I was making history here. The simple story I gave them, worked wonders: 

Something had happened on Earth, communication was down, some kind of global meltdown, but we were working on it and when things went back online, everyone would be allowed to return to Earth. Forge On.

You’re welcome. I told them we were better off up here while this crisis, whatever it was, passed. Forge On. They asked about their families, why they couldn’t make connections with anyone, and I actually told them the truth. Forge On. Your families are most likely dead. We had to just remain calm, count our lucky stars, and wait for the systems to come back online and everyone would be able to return to Earth in an orderly way, once it was safe. You got it: Forge On. It had the monosyllabic symphonics of fuck you or fuck off, which wasn’t by accident. Forge On. It helped when I listened to their incessant complaining and I could just calmly say, ‘forge on,’ and be thinking, ‘fuck off,’ all in the same breathe. 

So your family was dead. Forge On. 

That was a pill they could swallow and none of these people really cared about family anyway. A lot of these surface colonists were men, socially incapable, had multiple families, young women that birthed them healthy children. They pretended to care about them because it was part of the story, and I rode along right there with them. We write it together and everything works out just fine. Multi-authored future. Forge on, you fucks. What more do you want from me? 

And now these animals are asking me to write a message here claiming I’m being held prisoner. No doubt they think this will serve as some kind of ransom letter. I’m typing it out with one hand here, and they almost certainly think this can be used as leverage to get what they want from Earth, trading me for the rockets and supplies that they need to get back home. The idiots have no idea what’s going on. It’s not their fault. I had them working the ice processors deep inside the South Pole, about as far away from Earth as you could get, literally kept them in the dark year-round.

My second thought, after realizing my head of security was kaput, as I was waking up from deep sleep with all these unmen in my room, was what these brown-skinned lower-ward workers were doing in my face and how had they gotten a hold of my prized collection of Smith & Wesson revolvers? Second and third thoughts, I guess. Those babies were tucked away in my private reserves, locked tight and only brought out on special celebrations, or on the rare occasions when I thought I might need to blow someone’s head off. It was part of my lunar cowboy persona. Never had to use them, but that was the point of having them. The animals had drugged me heavy. How long had they been here? Had they drunk all my whiskey? Fuckers.

Before I could ask what was going on or how they got my prized revolvers out of the reserves, I felt a sharp pain shoot up my right arm and saw my hand had been cut off at the wrist, neatly cauterized and completely exposed, the flesh around my nub inflamed red and charred black at the edges. Reflexively, I tried to scream but could barely breathe, let alone utter a sound. Fucking animals. They could have taken the tip of my index finger and gotten in just as well. 

Sick mother fucks.

The tranquilizers they’d given me were still in heavy effect, and I just stared at the nub and back at the angry mob stomping around my master’s quarters and the .44 magnum Smith & Wesson that killed Jesse James dancing right up in my face. My favorite fucking firearm pointed at my head by some skinny brown-skinned puke that I would have gladly murdered right then and there if I had faculties over my body. He was yelling something in Arabic. They were all yelling but I couldn’t hear anything. My legs and the good arm were chained to the bed. I could feel the resistance and the cold steel around my wrist and ankles because I was lunging for the guy’s throat with my swollen nub, the one with my Jesse James murder weapon. These idiots were so fucked. 

Now they were laughing hysterically. I think I must have said, because I remember thinking it, Boško, please kill these lower-ward slaves now. Get these fucks out of my fucking face. This is completely unacceptable, do you hear me? They were laughing and I think it was somewhere in that moment that I pissed myself, really let go, thinking these animals were going to kill me right then and there. Over the course of the last decade they had learned to speak English. Why not? Part of the genius of this colony was using language as a kind of keycode, English at the top, Spanish for the servant class, Arabic and really any other leftover immigrant population language at the bottom. 

But then a rational thought entered my brain. 

They were keeping me alive for something. Taking my hand had showed their hand, so to speak. They wanted me alive. I still had some cards to play.

As I scratch out this message locked away somewhere in the storage lockers deep within one of the lower wards – which one, I have no clue – I feel pity for these animals because the order and life I’ve provided these people is about to come crashing down hard. There is no ransom letter that’s going to get them off this rock. They could have had a life here under my supervision. That’s a fact. The last decade proved that to be the case. I had enough dehydrated protein and food rations to last me and the seventh colony a lifetime. Probably more, actually. So what if I supplemented those reserves with the occasional laborer, for fresh meat. There was no way they were all going to live anyway, and our resources were limited. We’re on the fucking Moon lockdown budget here, you know? 

Two hundred thousand calories extracted from a body up here is worth more than all the platinum and gold on Earth, you feel me? And did I hoard all those calories for myself? Of course not. I didn’t even take any for myself, just a taste to make sure the chefs were hitting their culinary marks. I took pleasure in the performance. The meals were the way to keep the English-speakers in order and that was enough for me. This was in the name of science. We never lost a day on the lunar arrays. Knowledge of the universe was expanding at a rate never before known in human history. It’s basic Dusky Seaside Sparrow logic I was applying here. 

I spread those precious calories and minerals evenly amongst the fine folks in Lunar Colony Seven. They paid me fortunes to keep them safe, sound, and most importantly happy, and that’s what I did. I was doing my job, fulfilling my contractual obligations to the shareholders who elected me. This was a democracy. I owned the companies, but they elected me to run them! It was practically in the contracts that you could be turned into food, and the unmen doing the work down here knew what they were getting into when they signed on the line.

They could have remained on Earth and starved away. No one twisted their arms. Nice slow deaths back on Earth, and I’m not even talking about whatever happened there at the end. At least up here they got to experience the Moon, walk its surface once a month, maybe, and know they were advancing the human race. They were a part of history in the grandest sense, like sailors on Columbus’s voyages, or the first people to walk across the Bering Strait. Did they think I would hand-hold them the entire time? 

I remember Carol saying once, all in a ‘theoretical proposition’ kind of way – her words, not mine – as a theoretical proposition, cannibalism is a deeply unethical and illegal act, and discussing it in any practical sense is both distressing and inappropriate. Well, fuck you, Carol. Did you really think there were that many ducks up here in the Seventh Colony? Really? Duck à L’Orange. Pan-Seared Duck Breast with Blackberry Sauce – blackberry sauce! Crispy-skinned duck breast served with a rich blackberry reduction, accompanied by sautéed greens and mashed potatoes. You’re welcome, Carol! Duck Confit. Slow-cooked duck leg preserved in its own fat, served with crispy potatoes and a side of frisée salad. Are you getting the picture yet, Carol? Duck Breast with Cherry Port Sauce. Great choice. Peking Duck. Duck Ravioli with Sage Brown Butter. The list goes on, Carol. 

You had a good life while I was in charge. With the animals out of their cages, I expect the lies to become naked again. Soon enough you’ll be eating each other right out of the rib cages, you know what I mean? I gave you all a gift. Shackleton Crater and all the colonies will shit the bed when you kill me. So sure, send this letter back to Earth. Stick it up your asses for all I care. No one is coming to save you because nobody is home. The real joke is, even if the world were spinning as it always had, who did they think was going to pay to keep me alive? Who did they think I was? So, Carol, when they eat you, I just have one question: I wonder if you’ll taste like the Duck Ragu Tagliatelle you were bitching about, or something else?