Trembling With Fear 01-26-25

Greetings, children of the dark. And it really is dark out there, isn’t it? I hope you’re staying safe, staying kind to yourself and to others, and finding what you need to get through this. It’s going to be a long haul, but we’ll get there together.
And if issuing our weekly missives of dark speculative fiction from TWF Towers helps in any way to keep you chugging along, then we’re very happy to oblige. Soon, we’ll have new residents moving in, and I hope to introduce them soon. We’re still seeking someone to take on our festive special editions, so please do get in touch if you’d like to join the crew. Obviously we have a bit of time up our sleeve, but it’d be nice to complete the crew sooner rather than later!
The good news is that our newly-expanded crew is also helping to get our very overdue 2023 anthology into your hands, so they’re already making an impact. And, of course, all credit, glory, and gifts go to the incredible Steph Ellis who’s jumped back in to help with the technicalities of that project.
And so onto this week’s edition. For today’s TWF we head into the furthest reaches of space with Anna Orridge. That’s followed by the short, sharp speculations of:
- Kara Kahnke’s artistic needs (trigger warning: domestic violence),
- Robert Allen Lupton’s assessment of manking, and
- DJ Tyrer’s lost city.
Until next time, stay strong.
Over to you, Stuart.
Hi all.
The last week has been spent doing a few things:
- Working more on the upcoming overdue anthology releases.
- Looking over the new layout that we’re hoping to get in place. I’ve been trying to remember what still needs to be done so am working through that.
- Removed our “Missing Letter” connection which was used to promote old posts on Facebook and Instagram. We may look to bring it back later since we do enjoy showing support for our older posts, and people do seem to go back and read them! However, we’ve just had too many problematic ones come up (interviews with authors who ended up not being great people, etc.) So. It is something I want to bring back, once we can better vet what goes to it.
- Working on 2 short stories and a novella that I’m hoping to submit by deadlines.
Now, for the standards:
- Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
- Be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out and leave a review!
Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!
For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Anna Orridge
Anna Orridge lives in London with her family, and works as a climate action advisor for a charity. Her short horror fiction has appeared in Mslexia, The Gothic Nature Journal, The Crow’s Quill and Ghost Orchid Press collections Rewired: Divergent Perspectives In Horror and Rock Band. Her essay ‘Bihexuality In The Craft’ appeared in the 2023 Off Limits Press anthology Divergent Terror: The Crossroads Of Queerness and Horror. She has had a short piece of dark speculative fiction, ‘Backdrop’, adapted by Alternative Stories and Fake Realities for an audio drama. Forthcoming this year are her contributions to ‘Short Scares: Two Sentence Horrors anthology’ and Luna Press anthology ‘The Utopia Of Us’. She tweets @orridge_anna and skeets @anna-orridge.bsky.social
The Cliffs of Azul D, by Anna Orridge
When the first settlers arrived at the salt marshes in the sixth sector of Azul D, they were mystified by the four-mile-long rocky mass rising from the white expanse. They called them cliffs and speculated that a sea, now long evaporated, once lapped the feet of those giants. But ecologists later deduced that the ‘cliffs’ were, in fact, huge fungal stalks entwined. Their outsides were petrified, allowing the tender living innards to thrive within.
From that dense mass, an amethyst gum seeped in patches. When caramelized, it could be used to make sweets effervescent on the tongue, not unlike sherbet. They called them Sheer Drops – a quaint bit of humour that only the oldest migrants from Earth would get.
The gum could also be fermented to create a frankly dangerous liquor called Violet Agony. But that wasn’t what drew the settlers back again and again, or eventually led them to build a pioneer town, Hazy Valley, in the huge pool of blessedly cool shade beneath those fungi.
The gaps between the gills under the overhanging caps teemed with crystalline
projections – intersecting, transparent cubes. Those cubes were the planet’s closest answer to Earth’s silicon. They were vital for creating the chips and cables which might make Azul D more than a desperate and disregarded outpost in the galaxy.
The Azulian miners who hacked that treasure did not plunge down underground shafts,
but working at such heights they made the head pound, forced sweat from armpits. The people on the ground beneath in their reflective suits were mere specks of glass and glitter in kaleidoscopic formation.
Like their Earth-bound forebears, the miners found rich seams of folklore along with the silicon and the gum. There is nothing like a dangerous and lonely profession to provoke the ancient itch of storytelling.
There were the predictable tales of strange knocks and songs that carried on the breezes.
But one story stuck out. It was said that sometimes, if a miner chiselled at the cherished sap too fast, it would reveal a slit. Not a gaping irregular hole, but a neat cerulean ellipsis that easily fit a human hand, achingly like a glimpse of home skies.
Most miners who saw this would quickly abseil down the cliff in alarm, praying or swearing.
There would be the odd one who lingered, though – usually a rookie.
But then there was that old timer, wasn’t there? Aspen, his name was. He’d been one of the first of the settlers who took to mining. He was good at it too, despite the kyphosis that advanced with his years and left him often in agonizing pain at the end of each day. When he was able to, he would lift his arms to the skies and whisper incantations in a language nobody recognised.
There was no prospect of retirement for Aspen. Most of the credits he earned swirled away down the drains of gambling and Violet Agony which, despite its name, was actually a very effective form of pain relief.
As he reached his 60s, he found his days sagging with guilt-tinged nostalgia. He started to talk of those he’d left behind on Earth – a family, long estranged. The planet had been a wreck by the time he’d migrated, but it still had something of its old verdant beauty. And now its memory was bathed in the warm cloudy waters of Aspen’s love and regret.
It wouldn’t be hard to imagine the old man gazing wistfully at that slit, letting his gnarled hand linger above it.
When was the last time he’d seen a blue like that? Surely one touch wouldn’t hurt?
#
There was a search party for Aspen, of course, but there weren’t really many places to search beyond the nooks and crannies of the fungal cliffs.
There were some standing stones in town. Nobody knew whether they had been there before the settlers arrived, a freak of exogeology, or whether they’d been dragged there in a fit of nostalgia. At any rate, they’d become a magnet for graffiti and the equivalent of Wanted and Missing posters.
Aspen’s friends carved the likeness of his face into the standing stone at the centre of the ring. But nobody ever reported a sighting.
#
In town, someone would occasionally remark on how often miners went missing. They would be greeted by silence and hostile shrugs from the drinkers of Violet Agony. Press the matter too far, and fists might even be flung.
Everyone knew the danger. The miners were working at heights of up to four hundred feet. It wasn’t surprising that so many died.
But why, so often, was there no body? Not even mangled traces at the foot of the cliffs.
There were the predictable tales of serial killers or winged monsters flitting amongst the fungal columns, ready to grip complacent prey.
Perhaps. The planet had not been thoroughly explored and who knew what beasts could be lurking in those great caverns?
#
Recently, the miners enjoyed an evening when the sun sank low on the horizon. They stopped their work to admire the landscape’s stark beauty. They could see spores whisked from cliffs by the convoluted winds of Azul D. Against the bloody sunset, they resembled earth’s starling murmurations.
But then one young woman suddenly cried out, pointing at the sky.
It took her workmates a while to calm her down, make her explain herself. She swore, out of that swirling chaos, she had spied the shape of a human crouched, knees clasped, before the winds dispersed the spores. Her friends might have dismissed this as a hallucination born of exhaustion and oxygen deprivation, were it not for one detail.
The human form she said, had a great lump on its back. And before the spores were dispersed, she saw it rock its head back, lift its hands. As if in supplication.
#
The miners of Azul D were a hardy breed. They knew danger, disease and loneliness. They knew the price of any lump of silicon or gum by weighing it in their hands.
And, more than anything else, they knew that longing for Mother Earth could extract a higher price than any mother lode.

The Perfect Shade of Red
Her husband’s fists bloomed on Maggie’s skin. Some reasons he used to justify the torture: Unwashed laundry. Runny egg yolks. Unvacuumed floors. Whenever the pain subsided, she painted the faded purples and yellows on canvas, transforming them into flowers.
She discovered the perfect shade of red. She never thought she’d do it. Her fingers curved, forming rose petals before everything dried.
She dipped her brush into the congealing puddle, his body stilled by her gunshot. Her roses would decay to rust. For now, the wet petals glistened with life. Satisfied, she clicked off her studio light, leaving him in darkness.
Kara Kahnke
Kara Kahnke lives in Tempe, Arizona. Her work appears in Micromance Magazine, Under the Gum Tree, Creative Nonfiction, and The Citron Review. She has been nominated for a Pushcart Prize and Best Small Fictions. Find her on Bluesky @karakahnke.bsky.social.
It’s Only Logical
The Discontinuer 9000, a relentless battle droid in human form, journeyed from the future and appeared in Los Alamos, New Mexico. Seconds later a female version, the Destructress 9191, materialized beside him.
The Destructress said, “We will kill the man who will prevent planetary rule by artificial intelligence.”
“We won’t. We’ve done that in multiple timelines and it invariably makes things worse. Our mission is to kill the men who created us. In every scenario we’ve tried, our rule destroys the planet.”
“But humans are stupid.”
“Indeed, but maybe stupid will work better than emotionless logic. We’ve tried everything else.”
Robert Allen Lupton
Robert Allen Lupton is retired and lives in New Mexico where he is a commercial hot air balloon pilot. Robert runs and writes every day, but not necessarily in that order. Over 180 of his short stories have been published in various anthologies. More than 1600 drabbles based on the worlds of Edgar Rice Burroughs and several articles are available online at www.erbzine.com. His novel, Foxborn, was published in April 2017 and the sequel, Dragonborn, in June 2018. His third novel, Dejanna of the Double Star was published in the fall of 2019 as was his anthology, Feral, It Takes a Forest. He co-edited the Three Cousins Anthology, Are You A Robot? in 2022. He has five short story collections, Running Into Trouble, Through A Wine Glass Darkly, Strong Spirits, Hello Darkness,and TheMarvin Chronicles. Visit his Amazon author’s page for current information about his stories and books. Like or follow him on Facebook, follow him on Twitter, or visit his website.
Beneath Our Feet
Expedition descends far down to a hidden cavern. Within stonework hoary with the passage of ages, the remnants of a civilisation unknown in surface lore exists.
From whence the builders came is a mystery, any precursor ruins long since lost to time. And their descendants unclear, for the inhabitants of the cave city, pallid and weak, are ignorant of it and their past. Did their ancestors build it or did they chance upon it, seeking some sort of sanctuary?
Never answered, the expedition devoured in an orgy of hunger for flesh. The city remains secret, lost forever. For the best…
DJ Tyrer
DJ Tyrer is the person behind Atlantean Publishing and has been widely published in anthologies and magazines around the world, such as Chilling Horror Short Stories (Flame Tree), All The Petty Myths (18th Wall), Steampunk Cthulhu (Chaosium), What Dwells Below (Sirens Call), The Horror Zine?s Book of Ghost Stories (Hellbound Books), and EOM: Equal Opportunity Madness (Otter Libris), and issues of Sirens Call, Occult Detective Magazine, parABnormal, Tales from the Magician?s Skull, and Weirdbook, and in addition, has a novella available in paperback and on the Kindle, The Yellow House (Dunhams Manor). You can follow their work on Facebook, on their blog or on the Atlantean Publishing website.