Trembling With Fear 01-19-25

Greetings, children of the dark. How’s your 2025 emerging? I’m already berating myself for not sprinting out of the gates, so it feels right to remind you tomorrow, 20 January, is the third Monday of the month which makes it Blue Monday. While this was originally a marketing gimmick for a travel company, it’s ballooned into a global mental health awareness day. January can be dark in more than just weather ways, so check in on yourself, check in on your friends, and keep each other safe. It’s ok to not be ok, and it’s definitely ok to ask for help. 

With that, I have some parish notices for you before launching into this week’s edition:

  • First, our January short story submissions window is now firmly closed. We will not be taking any more short story submissions until the next window opens in April; find the details over here, and note they’re also on the submission form itself if you need a reminder!
  • That said, we are always open for drabbles – those tiny tiny complete stories in 100 words – as well as unholy trinities and serialised stories. You’ll find details for those over in the submissions page as well.
  • Finally, thanks to those who’s expressed interest in joining our assistant editor team to help out with the special editions. I’m hoping we have three out of four confirmed now, but are still seeking a volunteer to take ownership of our Christmas special edition. Could it be you? Do you love a bit of festive darkness? Get in touch and let us know!

And so onto this week’s edition. The TWF dark and delicious menu today is centred around Jessie Atkin’s strange growth. That’s followed by the short, sharp speculations of:

  • Jane Bryan’s gloomy warning,
  • Joshua Ginsberg’s dark omen, and
  • Weird Wilkins’s thirst for knowledge.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

More progress on the overdue anthology. We found a ton of work that had been missed, which is good – because we aren’t missing it now. However, it isn’t good because I think we’re now going to be at two books again.

We were able to get away with one book last year, which was pretty great; however, doing that this year would likely be able to be used as a weapon with how big it would be. We’re still working it out but should be able to get into the final edits, followed by cover creation, in the coming week or two. 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out and leave a review!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

Jessie Atkin

Jessie Atkin writes fiction, essays, and plays. Her work has appeared in The Rumpus, The Writing Disorder, Daily Science Fiction, Space and Time Magazine, and elsewhere. Her full-length play, “Generation Pan,” was published by Pioneer Drama. She can be found online at jessieatkin.com

The Humming Sound of Trees, by Jessie Atkin

In the living room, a green stem twitched, reaching backward to make room for its brethren who needed equal time in the light for productive propagation. It was as if it were under strict instructions, though it was only fair considering everything. 

The process was repeating itself across the entirety of the room—all the rooms, in fact. In the kitchen, the walls were also moving, and were also covered in wiry stems, some ten feet long, producing small spindly-leafed plantlets at regular intervals. They moved as if in a breeze, though no outside force was needed for the natural growth to move in its own best interest.

What had once been walls were now merely supports for the immense green foliage that covered every surface that had existed before, save for the windows. Access to sunlight was, of course, in the growth’s best interest. The windows, however, were no longer a surface; they were a void. They needed no glass covering, no blinds, or shades, or curtains. Only the growth had needs, and here they had been filled, were being filled, would be filled for the duration of any future that could be predicted.

The necessities for its life were few: it needed only a star within ninety-three million miles of its location; hydrogen and oxygen for hydration; space to spread its vines and multiply; and, of course, time. And time it had taken, though less than was standard. It had gotten lucky. It had gotten more than it bargained for, but so had the planet. So had everyone.

The growth didn’t know how many of its offspring had been pruned and potted and replanted in other rooms in other buildings because the number by itself did not matter. All that mattered was that more houses, more places, had taken in its offspring, so many of its offspring, keeping the species alive across terrain the same way the growth had ensured its successful cultivation across space. Simplicity had always been the key. 

The soothing nature of its initial appearance had also been an advantage. 

While the environmental conditions of this planet had made it a suitable home, it had been the social conditions amongst the dominant native species that expedited the growth’s control of its newest world. The growth’s similarities to a diverse species of lower life forms, known at the time as “succulents”, had made the process of slipping in amongst the native beings not only simple but expeditious.

It wasn’t only the visual similarities between growth and succulent, but those that had to do with care and assistance that mattered most. Succulents, like the growth, could be ignored. For the most part, a succulent, like the growth, could take care of itself. Some water was helpful, but it came with no prescribed schedule or necessary cultivation. When the world’s dominant species did remember to look at the life willingly brought into its home, the change had already begun. Even then, there was only joy at the robust response each plant had shown in its new quarters. Offspring were replanted, regifted, restarted, and thrived. But small ceramic circles and simple square foot plots were never meant to hold the offspring of a species that did not dominate one world, but many.

The extra greenery was intended to boost mood, increase creativity, and eliminate pollutants. That’s what the growth learned, as it flourished beside the humans, as that planet’s dominant species was called. Of the three benefits succulents were said to provide, it turned out the growth was best at eliminating pollutants. Though it hardly agreed with the world’s dominant species, the humans, on what the most harmful pollutant was.

Once the real succulents began to die, once vines and leaves and evolution made themselves known, ducking into every pot and vase and garden bed, it was much too late. The growth need not reach out to be able to strangle any species so much more structurally complex than itself—only its equals, those who also depended on the star, and the hydrogen, oxygen, and space. There would be nothing left for the more complex creatures to eat, humans included, save each other, and every resource is, of course, eventually finite.

Though an experienced conqueror, this was the first time the growth had ever found a suitable home and watched said home become even more suitable over time. It was not only now the dominant species on this world, but a far better steward, it seemed, than those who had come before it. 

A breeze moved across the ground, through the air, and in the opening that once had been a window. The breeze was not necessary to move the vines, or spores, or any other piece of the growth known on this terrain as a ‘plant’. It was not needed, but it was there. It was at ease, dancing across a landscape that, like the breeze, exhaled easily, easier than it had in millennia. For, what was good for the growth was also good for this celestial body. This breeze, cool, and content, and natural, spun across a green surface that seemed to breathe, just as the lost complex creatures had. This time, though, the creature offered just as much as it took.

In the living room, as it had been known, the growth was certainly providing the most “living” the space had ever been the beneficiary of. But why have a single room, one small space, when there was an entire world? When there were so many worlds. The growth had never had reason to box itself in. There had never been a reason not to use space. There had never been any way to stop the growth, its travel, its expansion, its advancement. Though, of course, the humans had sped things along.

The breeze relaxed, a whisper in all the calm, a reminder in what often sounded only like silence that there was not emptiness. The growth was life, and the planet was too. And, in silence, a whisper can sound like a scream.

Penitent

Silence crashes down, the chaos now an echo in my senses. Held breath. Pounding heart. Scream-raw throat. The sudden stillness feels like madness. 

Beneath the shroud of gloom, I cannot determine what remains of what was; I only know for certain what is now here with us. I am humbled and horrified to have witnessed that of which it is capable.

The blame is ours. We who now cower here in the darkness we created brazenly released what we did not comprehend, with insufficient thought to consequences.

Such are the sins of human curiosity, for which our punishment has arrived.

Jane Bryan

Jane Bryan was born and grew up (kind of). She is bipedal, omnivorous, and carbon-based. Her interests include speculative fiction, amateur phrenology, air sculpture, and sarcasm. She lives where her stuff is.

Feldgeister

“It comes for us during the storms,” Rose wheezed from her bed inside the hotel that wasn’t really a hotel.

“Aunt Rose, that’s…” Silly, Nick wanted to say. But as he peered out the window through the downpour, he noticed something by the corn field at the edge of the parking lot. A vaguely human shaped silhouette created by the absence of rain.

“Saw it once,” Rose continued. “Far off.”

“Yeah? What did it look like?” Nick replied as he watched the form approach the building.

“Like nothing at all,” she sighed. “Maybe it’ll look different when it’s my turn.”

Joshua Ginsberg

Joshua Ginsberg is the author of five non-fiction books about off-beat travel, local history and haunted locations, including Secret Tampa Bay: A Guide to the Weird, Wonderful and Obscure (2020) and of Haunted Orlando (2024). His work has appeared in numerous anthologies, in the Nosleep Podcast, and in publications such as Apex Magazine, Crepuscular, Black Hare Press, Trembling with Fear, OddMag, The Chamber Magazine, and others. He lives in Tampa with his wife, Jen, and their Shih Tzu, Tinker Bell.

Thirst For Knowledge

In a forgotten house, deep in the woods, therein lies a tome.
A font of wisdom which demands a price, knowledge for that which is known.

Each question you pose, an answer you’ll gleam, but it’s not as simple as that.
This book takes from you – and on your memories, it’ll gladly grow fat.

Perhaps what it takes will be harmless, something mundane and dull.
You’ll ask it a question, gain answers, and into curiosity you’ll lull.

But the cost grows higher, as through its pages you roam.
For how useful is knowledge… When you’ve forgotten the way back home…

Weird Wilkins

Hailing from the deepest, darkest pits of England, Weird Wilkins is a fresh-faced writer and lifelong horror fanatic. He writes firmly in the weird fiction sub-genre and has a particular passion for folklore, the supernatural and healthy lashings of body horror. Find him on Facebook

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