Category: Reprints Allowed

Ongoing Submissions: Mortal Realm – New Worlds (Sci-Fi)

Payment: $20 minimum for fiction, $10 minimum for reprints. The payment structure isn’t overly clear and will depend on the length and their take on how compelling the story is.
Note: Reprints allowed.

Generally, it takes us two weeks to respond to submissions. This can be extended by holidays and a large backlog. Please allow up to four weeks for a reply.
Additionally, we may be interested in a piece for an anthology we’ve yet to announce. So accepted work may not be published for over a year.
  • We are looking for short stories for one of our 3 monthly anthologies/eZines. General theme is “New Worlds”, Adventure, and Death. With each release having a narrower focus.
  • We prefer stories that are at least 5,000 words. But will accept stories that are between 2,500 and 25,000 words.
  • We love all types of Fantasy, SciFi, and Horror.
  • No erotica. Must be generally acceptable for a 14+ audience.
  • No abstract, absurd, or non-conventional narrative styles.
  • We are accepting previously published short stories.
  • Multiple submissions are fine.
  • Manuscripts must be complete and edited.
  • We provide payment for an accepted story based on a number of factors.
  • Payments are roughly 3 months after acceptance. Check or PayPal.
  • We are looking for non-exclusive world-wide rights to sell and distribute digitally.

Via: Mortal Realm.

Ongoing Submissions: Zooscape

Payment: 8 cents/word up to 1000 words and a flat rate of $80 for longer stories. $20 for reprints.
Theme: Furry stories
Note: Reprints Welcome

We pay 8 cents/word up to 1000 words and a flat rate of $80 for longer stories.  $20 for reprints.

What we’re interested in:

Stories up to 10,000 words; query for longer.  All stories must be furry.  That means an anthropomorphic animal figure should be significantly featured in your story — it could be anthropomorphic in body or only intelligence. We’ll consider any type of furry fiction from secret life of animals to fox in Starbucks.  We love science-fiction with animal-like aliens and fantasy with talking dragons, unicorns, or witch familiars.

We are interested in underrepresented voices. If you have personal experience relevant to your story, feel free to mention it in your cover letter. For instance, if your story is about a space unicorn and you are a space unicorn (or a research biologist who studies space unicorns), let us know. We welcome and will be looking for diverse voices. We are not interested in stories that give voice to racist or sexist ideologies.  And while we like unicorns and dragons, we find focusing on virginity, at best, tedious.

Please do not simultaneously submit a story to us and another market.  For multiple submissions, please query.  For reprints, please tell us where and when the story was published before.

If you haven’t received an initial response to your submission (rejection or hold request) within a month, feel free to query.

How to submit:

Please send us an email at [email protected] (except with fewer koalas) with the subject line, “SUBMISSION:  Title, Word Count.”  Attach your story in Standard Manuscript Format as a .doc, .docx, or .rtf file.  (If you’re not familiar with Standard Manuscript Format, it’s demonstrated and explained in this essay by William Shunn.)  Please keep your cover letter brief.  Something like the following is fine:

Dear Mx. Story Wrangler,

I would like to offer my attached story, “Awesome Furry Story,” for your consideration.  I hope you like it!

I’ve previously had stories published in Awesome MarketAnother MarketYet Another Market.

Sincerely,

Hopeful Author

(they/them)

If you haven’t had any stories published before, don’t worry!  We love discovering new voices.

Via: Zooscape.

Ongoing Submissions: Flash Fiction Podcast

Payment: half cent per word with a minimum payment of three dollars (USD).
Note: Reprints allowed.

Submissions are open for Manawaker Studio’s Flash Fiction Podcast. We are currently reading for Season 3, which will run from Jan to Nov 2018, and include approximately 45 stories.

The Flash Fiction Podcast is just what it sounds like. Most weeks, a new short-short story is put out in podcast form by Manawaker Studio, produced and hosted by CB Droege.

At the end of each season, the episodes are compiled into an audiobook to be made available through Audible. The episodes will also be archived indefinitely on the Manawaker site.

The podcast is supported by Manawaker’s patrons on Patreon.

THE STORIES

There is no requirement of submitted stories other than length. The ideal length is around 800 words, but stories as short as 250 or as long as 1500 may be considered. All genres will be considered, but the story must remain accessible to all ages, which mostly means no erotica or gore-horror.

Currently, we are particularly low on genre subs, so if you are trying to decide which flash to send, and one of them is a sci-fi, fantasy, or detective story, send that one.

SUBMITTING

Submitters may submit up to three works in the body of an e-mail.

Previously published work is okay, as long as you let us know where it was published previously, so we can credit them in the podcast. It’s the submitter’s responsibility to ensure they have the rights to their work before submitting.

Simultaneous submissions are okay, just make sure you tell us right away if the non-exclusive audio rights to your work are no longer available at any point, and please do so in a reply to your original submission, so that it’s easier to find.

If your work is accepted, you will grant Manawaker Studio the right to edit and produce the work non-exclusively as part of the weekly podcast (which is posted on the Manawaker website, iTunes podcast store, Google Music, and several other aggregators which pull content from those services.) and in an audiobook collection, which may remain ‘in print’ indefinitely. The work or parts of it may also be used for promotional purposes by Manawaker Studio.

At no point will Manawaker studio require any sort of exclusive rights to any story, and the original creator will retain all copyrights.

Compensation for the use of an accepted work will be a token payment of a half cent per word with a minimum payment of three dollars (USD).

A sample contract sits here, if you are interested.

All submissions should be sent to [email protected] with ‘FFP Submission’ and your last name in the subject line. Include a brief cover letter and third-person bio (65 words max) (for the contributors page on the website) in the body of the e-mail. If you’d like a URL for an online portfolio or blog included, give that as well.

Response times will vary ranging from a couple weeks to a few months.

Note: all submissions received before 2 February 2018 have been read and responded to. If you sent something in before that, and have not heard back, then something went wrong. Please query, so that we can figure out what happened to your submission.

Further note: Due to a providence of sharing for the call, I received an absolute bounty of subs in Dec and Jan, and it’s taking longer than usual to get through this tall pile. Sorry for the delay, hopefully I’ll be through it soon, and back to more normal turn around times.

There is no deadline for submissions, as this is an ongoing project.

Any questions about the project or these guidelines (or any queries after submissions) should be sent to [email protected].

Via: Manawaker Studio’s Flash Fiction Podcast.

Ongoing Submissions: Bards and Sages Quarterly

Payment: $30 for original work, $15 for reprints
Theme: Fantasy
Note: Reprints Accepted.

This is a quarterly journal of speculative fiction. We are interested in all speculative genres (horror, fantasy, science fiction, slipstream, steampunk, magical realism, etc) up to 5,000 words in length.

Payment details (effective for 2020):

Original, unpublished short stories up to 5000 words: $30 for non-exclusive, perpetual rights to publish the story in the assigned issue.

Previously published short stories up to 5000 words: $15 for the non-exclusive, perpetual right to publish the story in the assigned issue.

Cover Art: $30 plus one print copy of the issue for non-exclusive, perpetual rights to publish the art in the assigned issue.

Send Submissions to

[email protected]

General Guidelines for All Projects

All submissions must be electronic only. We do not accept hard copies of submissions.

Simultaneous submissions are fine with us. No need to point it out. Just let us know if it is accepted elsewhere so we can remove the story from the queue if needed. Use the email address [email protected] to withdraw a submission. 

Multiple submissions are fine, too. Each submission, however, must be a separate email. Also, please use a little common sense. Sending us a dozen stories at once probably isn’t helpful, particularly if you have never submitted to us before and don’t yet have a “feel” for the type of stuff we accept. 

Stories must be complete, stand-alone stories. We will consider stories that are part of an existing setting (for example, a “prequel” story that ties into an author’s novel) but the story must be self-contained and have a clear conclusion. No “cliffhanger” stories.

The subject line of the submission should indicate the name of the publication you are submitting for and the title of the story. Examples:

Bards and Sages Quarterly: Title of My Story

The Society of Misfit Stories: Title of My Story

This is very important to make sure that your story is processed correctly. I get hundreds of emails A DAY regarding everything from legitimate business correspondence to not-so-legitimate SPAM. So that I can get your story routed to the correct reviewer, please make sure that the project and name of your story are in the subject line.

Bards and Sages Quarterly can be abbreviated to BASQ and The Society of Misfit Stories can be abbreviated to TSMS to accommodate long story titles. Best Indie Speculative Fiction can be abbreviated 

Body of the email. Please include the following information:

  • Author Name
  • Title of Story
  • Primary Genre of the story
  • Estimated word count
  • A short summary or blurb about the story
  • If the story has been previously published, please include publishing information
  • If you would like to get a copy of the reviewer’s scorecard and comments, you must explicitly state such. We do not automatically send out this information. If you don’t request feedback, you will get a generic response if the story is rejected.

The above information is extremely helpful to reviewers for managing their workloads. There is no need to include an author bio or a list of previous publishing credits. Such information will be stripped from the email before it is forwarded to the reviewer. If we accept the story for publication, we will request such information then.

The title of the story and your author name should appear on the first page of the story only. There is no reason for it to appear on additional pages. It is a digital file. The pages are not going to get separated.

Do not submit stories in the body of the email, even for flash fiction. 

All stories should be submitted in Word doc, docx, or rtf formats only. We work in Microsoft Word. Most of the major word processing programs can output your file to one of these formats without issue. You will receive an automatic rejection if you send us a PDF, a zip file, or a link to download your submission from a third-party site.

Do not use headers, footers, or watermarks. These are the types of things that have to be stripped from a file before it can be converted for publication. Do not bother adding page numbers.

Do not use custom fonts or custom icons. Many of these are copyright protected by their creators and even if we wanted to use them because they are so cool we legally can’t. Limit your font choices to basic fonts like Arial, Garamond, and Times New Roman. If your story is accepted for publication, we will be formatting it to match the style we intend to use for the entire project. We aren’t going to use the individual fonts authors may embed in their files.

Do not use Headings for body text. Don’t use Headings at all. We’ll just have to remove them if the story is accepted.

Do not tab at the beginning of a paragraph. In fact, break the tab key on your keyboard right now. Kill it with fire. No key causes more drama with epub formatting than the tab key because tabbing can interfere with text autoflow functions in ereaders. Use your word processing program’s paragraph style options to set your paragraphs to indent the first line.

Do not use “typesetter” marks. Nobody is manually setting type. If you want something in bold, put it in bold. Don’t type *asterisks* around a word to indicate bold or _underscores_ for something that should be in italics. Just use bold and italics. These errant marks have to be stripped from a file before it can be converted to other formats.

Single space only. You can use your word processing software’s style options to set the line spacing to single space. There is no reason to double space. This is a holdover from the days of hard copies being manually written on by editors.  Everything is being done digitally.

Use American English for spelling and punctuation. We are a U.S.-based publisher and the majority of our business comes from U.S. consumers. Most word processing programs allow you to set the proofreading language of the document.

While I don’t expect authors overseas to follow the Chicago Manual of Style to the letter (we do edit and proofread, after all), there are a few basics that will make our lives much easier.

  • Collective nouns: In American English, collective nouns like team, group, band, etc are treated as singular words. Example: The team is scheduled to play Friday.
  • American spelling generally drops the “u” from words like labour (labor), colour (color), and honour (honor).
  • Words that end in ise  in British English usually end in –ize in American English. Realise (realize), finalise (finalize), organize (organize).
  • Honorifics and titles include a period at the end in American English (Mr., Mrs., Dr., etc)
  • American English uses double quotes for quotes, not single quotes.

The one exception to the above guideline is if your story is actually set in the U.K. We won’t Americanize your story set in London! 

If you need additional help formatting your story and you use Microsoft Word, you can reference this guide we created to help you.

For more information on how we grade stories, please review our Scorecard.

Additional Recommendations:

These are recommendations and not required, but they do make our lives easier.

Scene breaks: Because so many authors do their own thing with this, it isn’t always clear in a story where there is supposed to be a scene break. We suggest that you use * * *, centered, with a blank line above and a blank line below the asterisks. 

Use scene breaks instead of chapters for short stories: in the majority of cases, we are going to suggest during the editing process to get rid of chapter breaks in anything less than 10,000 words anyway. In shorter works, scene breaks are much smoother transitions that full chapter breaks. 

Additional information:

Unless otherwise noted on a project, we are requesting a non-exclusive, perpetual rights to publish your story in the project. Once a project is published, it remains available for sale forever. We won’t unpublish a work to remove a story just because you decide nine months down the road to self-publish it exclusively with Amazon. Please keep this in mind when submitting work.

Payments are always made upon publication unless otherwise noted.

We pay by either Paypal or Google Wallet. If you have neither and request a paper check, please note that we will not be responsible for lost, damaged, or stolen checks. 

Via: Bards And Sages Quarterly.

Ongoing Submissions: Mirror Dance

Payment: $5.00
Note: Reprints Allowed
Note: Check the main page for the current theme which rotates

What We Publish
Mirror Dance is a quarterly online magazine of fantasy fiction and poetry. We are open to all sub-genres of fantasy, including magic realism, urban or contemporary fantasy, sword and sorcery, fantasy-of-manners, and stories with mythological or folkloric themes. As a member of the Outer Alliance, we actively seek fiction with LGBTQA themes and characters who challenge traditional concepts of gender, as well as stories from diverse ethnic, religious, and social perspectives.

We are open dark fantasy, science fantasy, and historical fiction with fantasy elements. We do not publish science fiction or non-supernatural horror.

Fiction of any length will be considered, though we generally find stories under 6,000 words more suitable for online reading. We value unique voices and beautiful but readable prose styles. We prefer stories with dynamic, fully-developed characters and richly detailed settings over stories driven by a particular twist or plot device.

Poetry of all lengths will be considered, from haiku to epic narratives. We value strong imagery, precise word choice and a tight, specific focus. Poems must have an identifiable fantasy or mythic element. Please do not send more than three (3) poems in one submission.

Mirror Dance pays $5.00 upon acceptance for each work of fiction or poetry. We can make payments through PayPal, check, or an online donation to the project or charity of your choice.

Skull detail from the Crystal Globe (Waterhouse)

How to Submit 
Please send your work in a .doc, .docx, or .rtf document, or pasted in the body of an e-mail, to mirrordancefantasy at gmail dot com. In your cover e-mail, include your name and contact information, the title of your submission, and its word count.

Please use the subject line “Mirror Dance Fiction Submission – [Title].” Replace [title] with the title of your submission, and change “fiction” to “flash fiction,” “poetry,” etc. as appropriate. For all other communications, include “Mirror Dance” in your subject line.

Skull detail from the Crystal Globe (Waterhouse)

Other Considerations
No simultaneous submissions. Please do not send us work that is currently under consideration elsewhere. If your story becomes unavailable after you’ve submitted it to Mirror Dance, please notify us immediately.

Please respect language. Atrocious spelling, grammar, and punctuation in your e-mail or your submission itself are grounds for a rejection. A few small typos are acceptable; carelessness is not.

We are happy to consider reprints. Please include previous publication details in your e-mail. We have a slight preference for stories that aren’t currently available in a free-to-read online venue, such as your blog, another e-zine, or a critique site that is not password-protected.

In the case of original fiction, we are asking for first English-language digital rights exclusive for three months. All work published in Mirror Dance will be archived unless the author requests otherwise. The author may request that the work be immediately removed from the website at any time after the first three months of the story’s publication.

Mirror Dance aims to respond to all submissions within two months. If you are concerned about the length of a response time, please feel free to query the editor at the e-mail address above.

Thank you for your interest in Mirror Dance! I look forward to reading your submission.

Via: Mirror Dance.

Ongoing Submissions: The Centropic Oracle

the-centropic-oracle

Payment: 0.01 per word, CAD
Note: Non-released in audio reprints allowed

The Centropic Oracle is looking for science fiction and fantasy stories that make you feel and think. In our opinion good fiction – particularly SF and Fantasy – should challenge us to examine our own lives and beliefs. It should force us to reflect on how we fit into the world and what it takes to make the world a better place by our being in it. We aren’t looking for things that will give us answers to those questions, but that doesn’t mean your story shouldn’t have a resolution (good, bad, or indifferent!) to its conflict.

What we do not accept:

    • – erotica of any description;
    • – gratuitous graphic violence;
    • – profanity – we need to maintain our non-explicite rating on iTunes, so keep it PG
    • – anything to do with zombies;
    • – pieces that are nothing but proselytization of a religious or political perspective;
    • – racist, homophobic, misogynistic, or misandrist works;
    • – fan fiction – it must be an original story that you own all the rights to.

 
What’s a tough, tough sell and makes us shudder at the thought of having to read it yet again:

  • – vampires;
  • – werewolves;
  • – any supernatural being in a romance with a human.

 

Basics

The prose must be readable and easily spoken aloud. This means that it must flow naturally and not distract the reader from the story. Lyricism is fine (we quite enjoy it) but pointless repetition is distracting. This is flash and short fiction so every word counts. Make those verbs active and incorporate your adjectives well to set mood! A single well-placed word in a sentence can change it entirely. Word usage frequency is something we notice. Take a break from your piece and read it again. Do you notice one word that pops up again and again? If you notice it, it’s guaranteed we will – it’s a pet peeve. Rhythm and cadence matter too, we don’t want to read pieces that sound like they were written by a robot who is only capable of crafting sentences five words long.

Characterization is integral. If you don’t know your character, your reader won’t either. It’s distracting when a character behaves in ways that don’t make sense, or outbursts feel like they came out of nowhere.

Continuity errors are a sure way to get a rejection. If your antagonist changes hair colour part way through the story, you will get a rejection. Continuity is one of the key basics in editing and is an indicator that you haven’t proofread your piece, let alone given your best effort to it.

Grammar matters. Know the difference between your, you’re, and yore, and between to, too, and two. Know when to use a comma. The occasional typo is one thing (even those of us who are proficient in grammar can miss a single typo despite reviewing a manuscript a dozen times) but poor grammar won’t get you past the first read, and if it’s bad enough we won’t even finish the read.

If we have rejected your story, do not resubmit it. We do not ask for rewrites. Ever. If it’s almost there, we will accept the piece contingent on specific edits. If you refuse the suggested edits and we feel strongly enough about the necessity of those edits, we will release your piece unpublished and without payment.

If we accept your story we will require a bio and a photo from you for promotional purposes on our website. In addition, be prepared to be called to interview with the reader and/or a small panel for a group discussion of your story. Talking points will be sent out prior to the voice-only interview so that you can have anecdotes or comments prepared. If you do not wish to have your photo posted, or appear on the show, do not submit.

Word Count

Flash fiction submissions should be between 200 and 1500 words. We accept vignettes in the flash fiction category as long as they make us feel and think. We aren’t of the belief that they don’t have value and we actually enjoy them when the prose is beautiful.

Short story submissions should be between 1500 and 6500 words. The upper limit is absolute and longer stories will be rejected without being read. This is an audio podcast, and we aim to keep our ‘casts to a maximum of 40 minutes.

Query us about serial works (not novels, serials in the fashion of the original Sherlock Holmes stories). It’s a tough sell, but we may go there for the right worlds and characters. Our criteria for those are more extensive and our automated system does not handle our process.

Multiple Submissions

We do not accept multiple submissions. We do our best to keep our response times as short as possible, which means keeping the pending list as short as possible. Once you have received a response to your submitted story you are welcome to submit again.

Simultaneous Submissions

We do not accept simultaneous submissions. We try hard not to keep you waiting long for a response.

Reprints

We do not accept pieces that already have audio recordings published but we do not consider your story a reprint if it has appeared elsewhere in print (hardcopy or electronic) only. Be sure to tell us when submitting if it has been published in print and we will promote it before the ‘cast so our audience may read along if they wish.

Payment

Currently we pay CAD$0.01 per word, but that will increase as we grow. If we publish your story we do ask that you help us promote it on your social media platforms. The faster we grow our audience, the faster we can increase our word rate. Payment will be made within 30 days of publication.

As part of the compensation you will be actively promoted on our website, so please keep us updated with any new credits you accumulate. We will provide an affiliate link to anything you have listed under your byline on Amazon – or any other online retailer – and a direct link to any electronic free-to-read publication. You will receive periodic email requests from us to review your Contributor page and provide us with any relevant updates. Your Contributor page will appear on our Featured Author page in rotation and we will give you notice of when you will be featured so that you can share it on your social media platforms.

Paypal support payments made directly on your page will be forwarded to you less Paypal’s fees and a 10% commission. Payments made from the story’s feature page will be split 50/50 between the author and the actor less Paypal’s and our fees.

In the future, we may ask to include your piece in an audio anthology compensated a on pro-rata royalty basis with 33% to the author and 33% to the actor.

Rights

We require a one year exclusive and five years non-exclusive to audio rights from the date of publication. If you make a print (hardcopy or electronic) or video performance sale, let us know – we want to promote that!

Formatting

Please submit in the Shunn format. If you aren’t familiar with it, you can see it here. Submissions that do not follow this format will be rejected unread.

File Format

Please submit rtf files only as our readers use a variety of devices.

How to Submit

We accept submissions through our electronic submissions manager only. Emailed submissions, or submissions sent via the contact form, will be deleted unread. We do not accept hardcopy submissions.

Our Process

Once you have created an account in our Submission Manager and have submitted your story you will be redirected to a page that shows your Submission ID number and a confirmation email will be sent out. If you don’t get a submission ID, please contact our site support ([email protected]) to report the error. If you don’t receive the email, check your spam folder before contacting us. You can check back often to see your submission progress through the various reading stages. We take pride in our writer friendly submission manager, and hope that it helps your stress level to know where exactly your piece is at in the process, and how long you should expect it to get through that step. Please do not send us an email query unless your submission disappears from the manager (open or closed) and you have not received an email. We do not keep copies of rejected stories, only the submission activity.

Via: The Centropic Oracle.

Ongoing Submissions: Mithila Review

mithila-review

Payment: $10 for original poetry, essays, flash stories (under 2.5K words), and reprints; $50 for original stories between 4-8K words or longer.
Note: Reprints Allowed

Mithila Review is a speculative arts and culture magazine. We are open to original submissions as well as translations from around the world.

Along with original speculative fiction and poetry, we will host reviews, discussions and appreciations of stories, books, movies, television series, arts, comics, etc that explore interstitial spaces and marginal experience in the world we live today.

What are speculative arts?

Speculative arts and culture encompass literary and artistic works in the broad genre with supernatural, fantastical or futuristic elements i.e. science fiction, fantasy, science fantasy, horror, alternative history, magic realism, uncanny and weird. Learn more.

You’re welcome to join our Science Fiction and Fantasy group on Facebook for reading recommendations, academic resources and occasional call for submissions.


SUBMISSIONS GUIDELINES

POETRY

We welcome literary and speculative poetry from around the world. Please send us your best work. Our favorite poets include Arvind Krishna Mehrotra, Amal El-Mohtar, Arundhathi Subramaniam, Gwendolyn Brooks, Kabir, Li-Young Lee, Shweta Narayan, Sofia Samatar, W.B. Yeats, among others.

FICTION

We are looking for speculative fiction that explores the interstitial spaces and marginal experience. We are also open to excellent literary fiction with speculative elements.

Stories that we love regularly appear in leading SF magazines including Strange Horizons, Clarkesworld, Tor,Uncanny, Apex, Lightspeed, Nightmare, Futures (Nature), Interfictions, Daily Science FictionDrabblecast, Beneath Ceaseless Skies, PodCastle, EscapePod, among others.

Important tips: 

Please send one story, essay, film or book review or up to 3 poems in a single document at a time tosubmissions[@]mithilareview.com.

Document formatting tips: Please use Times New Roman, Font Size 12. We accept .doc and .docx formats.

Response Time: 1-3 weeks. Average: 1 week.

Payment:  $10 for original poetry, essays, flash stories (under 2.5K words), and reprints; $50 for original stories between 4-8K words or longer. (Update: 10/24/16)

Rights: We need first world electronic rights (text), and non-exclusive audio and anthology rights for our planned annual anthology.  

Patrons: We need patrons to help us become a professional market for emerging and award-winning poets, authors and artists across the world.

Via: Mithila Review.

Ongoing Submissions: Deadman’s Tome

deadmans-tome

Payment: Deadman’s Tome offers published authors pay calculated by the amount of views, likes, and comments that pertains to published work featured on the site. As of the rate in which payment is calculated is .10 cents per view, like, and comment for a year. Payments are sent via PayPal.
Note: Reprints Allowed

2016 Submission policy.

All Submissions should meet this criteria:

Medium: Short stories and Flash Fiction

Genre: Horror, Dark fiction, Dark Erotica

Format: Attach the .RTF, .DOC, or .DOCX in the email, we do not like the body to be flooded with text.

Make sure length is reasonable, no more than 7000 words.

Multiple Submissions okay. Deadman’s Tome offers published authors pay calculated by the amount of views, likes, and comments that pertains to published work featured on the site. As of the rate in which payment is calculated is .10 cents per view, like, and comment for a year. Payments are sent via PayPal.

Submit a brief bio, we don’t care if you have no work history, give us a brief bio of yourself.

Those that get published will also be featured in our Author Shrine.

Submit to Editor.

 Authors of any accepted and published submission will receive payment in the amount agreed between Deadman’s Tome and Author. The original creator, being the credited name on the work or within  the submission of the work, agrees to give Deadman’s Tome the right to publish, edit, modify, and/or republish submitted published work. If the original  owner wishes to cease publication they must inform us before publication date,  if it is after publication the owner then has 15 days to notify us so that we can pull the respected item*. Any compensation for redacted published material must be refunded before such a request can be fulfilled. By granting us the right to publish, whether for compensation or  not, it will lose First Publishing Rights and would be considered a reprint for future publications, in which case the value would be negatively affected.

*Any time table, unless otherwise noted, is subjected to a reasonable grace period that may change based on situation.

Send submission to
[email protected]

Via: Deadman’s Tome.