The Wolf At His Door Blog Tour: An Interview With Adrian W. Lilly
Horror Tree (HT): Adrian, Could you share a little about yourself with our readers?
Adrian Lilly (AL): I’m a horror and mystery enthusiast who loves the outdoors. I recently released my fifth novel, The Wolf at War, which finishes up The Runes Trilogy I also write poetry and short fiction, which have been published in a number of venues, including Allegory, 69 Flavors of Paranoia and Hello Horror.
HT: Without spoilers, could you let our readers know a little about your ‘Runes Trilogy’
AL: The Runes Trilogy is a werewolf odyssey. It begins with a family that is the unknowing target of a conspiracy orchestrated by werewolves. By the third book, the conspiracy has gone global. It mixes horror, family drama, mystery, and genetics with just a touch of romance.
HT: With the conclusion of the series coming out do you plan on returning to werewolves in the future or touching on a new aspect of horror?
AL: I love all types of horror—from demons to serial killers to werewolves, of course. I have sketched out another werewolf novel—completely unrelated to The Runes Trilogy but I’m not sure if it will be the next book I release. I have three books sketched out right now. So, it depends on my mood. I am feeling the werewolf vibe right now, though.
HT: What drew you to werewolves in the first place?
AL: When I was a little boy, first grade, I think, I watched The Howling at a slumber party. I have been hooked ever since. Those are the types of werewolves that I enjoy—the two-legged, blood thirsty monsters, not the ones that look just like a wolf and are looking for love in all the wrong places.
HT: What kind of research did you have to do for the novels?
AL: I am a total research geek. I researched city maps, perfume types, jewelry names, and clothing styles—just to get details right. I researched different diseases and how viruses affect DNA structure. I looked into heredity and paranormal traits as well as guns and laws and military training procedures. I researched human behavior so that my character reactions could be true to life.
HT: Did you draw upon any of your real life experiences for your work?
AL: Certainly. Much of the novel takes place in landscapes I know well—from the neighborhood where the Runes live in in the first book to cities like Detroit and Chicago and Portland in the second novel. With horror built around something imaginary, like werewolves, the most important element is making all those aspects that are real—like character reactions and the places they live—so real that they help transport the reader to a world where the supernatural exists. Much of those elements come from my experiences.
HT: When writing do you tend to just let the words come as they may or do you prefer to outline, and why?
AL: My plots tend toward the convoluted, so I outline the heck out of everything. I write full character bios and sketches of likes, dislikes, hair color—things that never make it into the book. Then I create a plot and subplot chart that is color-coded. I think I already mentioned that I’m a geek, didn’t I?
HT: Do you have a specific setting or activity such as listening to music that helps get you in the zone?
AL: I do listen to music when I write. I put earphones in and play one song on repeat for hours. Usually, it’s Boadicea by Enya. It drowns out everything else, but it doesn’t have words to interrupt my thoughts.
HT: If you’ve ever had writer’s block what have you done to overcome it?
AL: I did the only thing I could do. I sat down at my computer and faced a blank page. I wrote some sentences. Some bad sentences. Then I wrote some more bad sentences until I finally got my rhythm. Then I read those first bad sentences and realized, with a little work, they could be saved, and suddenly, I had a few pages. I powered through that way, chapter after chapter, for a while until I had written enough that the organic flow began again.
HT: If you had a chance to co-write a story with another author, which author would it be and why?
AL: I’ve never written with anyone else. I think I would be a terrible writing partner. Of course, I admire Edgar Allan Poe and Stephen King. I think if I co-wrote with someone, it would have to be a project where we each write separate chapters. I think I would like to write with King, because he’s so prolific, and I would like to know his secret.
HT: Do you have any advice that you would like to share for authors that are just starting out?
AL: If you like to write, figure out how it works for you. What I mean is that, I, for instance, like to outline everything, but some writers don’t. Just figure out the way you can enjoy a project and complete it. Other than that, work with an editor and a trusted group of friends to bounce ideas off of.
HT: Is there anything else you would like to share with the authors that frequent our site?
AL: Feel free to drop by www.adrianlilly.com or www.facebook.com/adrianwlilly and say hi.
Ilene Rune has lived with a secret for 21 years that threatens to destroy her marriage, her life, and all of humanity. But how can she tell her son, Alec, that his new boyfriend, Jared, may be part of that secret?
Investigating a brutal murder, Detective Lance Herald enters a dark world of fairy tales and fantasy—that shakes his belief in what is possible and imagined.
Lucy Rune cannot fathom what happened the night one brother was slaughtered and the other critically wounded—but she does know, her boyfriend, Rene, who was also attacked is changing.
Geraldine Bloom, Alec’s grandmother, has the gift of foresight, and has waited for years for the evil that wants her grandson to come for him.
Alec Rune wakes from a coma to learn his twin brother has been murdered—and that he is the only witness. But he remembers nothing of the night.
Werewolves, genetics, and a thrilling murder mystery intertwine in this “multi-layered and unpredictable” (Christine Coretti) horror novel that builds to “an absolutely epic ending” (thegayUK.com).
“Sam, did you hear something,” Celeste’s urgent voice echoed to him through his valley of sleep.
He shook his head, his eyes still closed and voice groggy. “Nope.” Outside, something grunted. At least, it seemed like a grunt. Sam leaned up on an elbow. Celeste’s urgency now washing over into him. “Shhh.”He whispered. He lay still in the bed, listening. The lake clawed at the shore, desperate to pull the rocks under the surface. The wind picked up, rattling across the cabin. March could be brutal.
“I think it’s just the wind,” he offered.
“No,” Celeste whispered to him. “Listen.” Again, they fell quiet. The grunting sound returned but with labored breathing. The sound intensified, as if the origin of the sound were much closer now—perhaps just outside the window by which they lay. The motion-sensor security light broke the night, and chalky light seeped under the closed curtains, dripping down the wall. Sam cast his eyes up, aching to see beyond the pulled curtains.
Sam clenched Celeste’s arm and mouthed Don’t Move.
Celeste held her position.
Slowly, through their disbelief, the sound became distinguishable. The heaves were the heavy breathing of a large animal—but there were no large predators in the area. No cougars. No bears. Certainly no lions. Not even alligators. Sam’s mind muddled with thoughts of what it could not be. Maybe it’s a stray dog. A fox? At best a coyote.
A shadow moved outside the window. Sam could not discern the shape of the animal; it appeared to stand on two feet. His first thought was of a mutant creature from the nuclear power plant, but decided that ridiculous. Mostly, anyway.
Celeste clamped her hand around Sam’s forearm. A mammoth shadow fell across the window. She felt fear growing inside her like a strangling vine, unyielding no matter how hard she tried to cut it back.
The shadow passed.
“Shit,” Sam muttered.
Celeste felt the vine wither, releasing her chest, and she breathed. “Fuck.”
Sam tossed the covers off and turned to face the window. If the thing was still around, he wanted to get a good look.
“Careful, Sam,” Celeste whispered.
Sam inched the curtains apart. The security light illuminated the yard. Beyond that the gray sky shed little ambient light. He could see nothing in the yard. At the edge of the yard, he heard the lake crash against the rocks. Sam turned to face Celeste. “I can’t see anything. It’s gone.”
“Good. Want a beer?”
“Sure. I can’t sleep anyway.” Sam watched Celeste as she crossed the bedroom to grab her shirt.
“Sam,” she said then bit off her sentence. Her jaw slacked and her eyes rounded. Sam sensed the presence of the beast behind him even before he felt the window glass pelt his bare back. He felt the claws shred the flesh and muscle of his shoulders as he was lifted off the bed and pulled through the shattered window into the cold night air.
“Sam!” Celeste screamed, looking through the vortex of broken glass, broken wood, and blood. The curtain was torn from the wall, the rod dangling like a broken limb. The darkness swirled as cold air met the damp warm air from the house and steam formed a momentary, translucent window.
“Jesus Christ,” Sam pleaded from outside. Heinous growls followed his shrill screams. “Oh, fuck! Help me.”
Celeste backed toward the kitchen then spun and bolted across the floor. She grabbed the telephone. She tapped out 9-1-
“Oh, no, no, no,” she cried as the beast appeared in front of the large bay window, dangling Sam from one large paw. Fear and pain bled his face of life, making him mannequin-like, though he still moaned and slapped at the beast holding him.
Celeste tapped the final one. She heard a reply, “9-1-1 what is your—”
The voice was drowned out by the sound of crashing glass as the beast hurtled Sam through the large bay window and retreated into the darkness.
“Sam,” Celeste screeched. His body landed in a contorted heap on the kitchen floor. Celeste stepped toward him. She heard a small voice beside her.
“Hello? Do you need help?”
Celeste placed the phone on the counter and stepped toward Sam. “Help me,” he muttered. “God, it hurts.”
“Oh no,” Celeste moaned as her eyes fell on Sam’s torn body. Both of his arms were nearly severed from his torso. Deep claw marks formed chasms across his chest and stomach. Half of his face dangled from the bone. How can I stop the bleeding? She stumbled to him and knelt by his side. A thunderous howl pierced the night. Celeste turned her eyes to the broken bay window. She stood slowly. Celeste backed away from Sam, casting her eyes down to him, pleading forgiveness, as she left him bleeding and tortured on the floor. From a knife rack on the counter, she grabbed a butcher knife.
With her other hand, Celeste grabbed the phone. “Send help…”
“Miss, I have dispatched police. What is the nature of your emergency?”
“Fuckmotherfuck.” Celeste replied and dropped the phone.
For the first time, the beast came into full view as it leaped through the bay window. Amid the spraying glass, Celeste caught glimpses of fur and fang. The creature ducked behind the counter, out of sight.
“Sam?” Celeste choked.
The beast raised into view, dragging Sam by his neck. Blood flowed down the length of his body. His jeans had turned dirty red with blood. He neared unconsciousness. “Drop him, you fuck.” Celeste ordered, pointing the knife toward the beast.
In defiance, the beast lifted Sam, bringing his neck closer to its jaws. Its long snout gaped open, revealing spiked teeth. The teeth clamped around Sam’s neck. A geyser of blood erupted from his neck, spraying the beast’s face. Sam gurgled once, before the skin on his neck split, and his head fell backward, dangling by one sinew.
Celeste whipped the knife across the room and bolted for the bedroom. Slamming the door, Celeste hopped onto the bed and out the broken window. Her first thought was to dart toward the car. After one step she froze. The idea was flawed on two counts: she had no keys and she would have to run past the bay window.
She was left with one option: the lake.
The frosty grass chilled her feet as she bolted across the wet lawn, her eyes and mind focused on the lake. Celeste spun to face the cabin. The silhouette of the beast was illuminated in the bay window. It held Sam’s torn torso between its two great paws. Its head cocked, eyes locking on Celeste. Burning like twin green comets, its eyes glimmered and blurred as it tore toward her, its enormous, muscular body springing through the window. As Celeste turned, she saw the faint outline of a car—a large black sedan—that did not belong. It was parked in the edge of the trees by the lake, nearly hidden. The image just whirred past her eyes as she spun and refocused her attention on the lake.
Falling over the rocks, Celeste flung herself into the cold lake waters. The shock pulled the breath from her lungs and her skin felt—for an instant—as though it burned. She choked in a breath and forced her limbs to move, swimming from shore. The beast lunged into sight, alighting on the rocky shore; it crouched, watching her paddle just beyond its reach. Celeste took shallow, quick breaths in the cold water. She felt the cold seeping into her.
She prayed for the police to arrive. How long could it take? A cramp contorted her feet. Celeste continued her labored paddling. She knew she couldn’t stay in the water for long. Hysteria swirled in her mind like a fog: Sam is dead. I’m facing a monster. She lost the sensation in her fingers. How long had it been?
Splitting the night with a howl, the beast bounded from the rocks, disappearing over the edge of the rocky shore. Waves splashed over her face, and Celeste realized she was slowly sinking. Her lethargic arms beat against the icy waters. The cramp in her foot crawled up her calf; she wouldn’t be able to swim for long. The cold was winning. Celeste wasn’t sure how long she waited, but in the burning cold water, it felt like an eternity.
Like mist settling over the water, Celeste heard the distant cry of sirens. She forced her burning arms to pull her toward the shore. She treaded water for a moment, forcing her mind to forget the terrible cold and focus. Were the sirens really coming?
Certain she heard sirens in the distance, Celeste stroked toward the shore. She could not feel the sharp edges as she clasped her rigid fingers to the rocks. She laid her head against one of the large, gray rocks. Arms stiff, she hoisted herself onto the slippery rocks. Her chest heaved, coloring the night gray. She would wait for the police, she told herself, safely near the water.
In a brown blur, the beast leaped from beyond the rocks, lashing its massive paw at her. Celeste felt its claws snag her arm. Fighting, she pulled away. She heard the ripping, not totally aware what was happening as she fell backward into the icy waters.
Searing pain shot through her shoulder and across her chest. She felt her warm blood flow into the water. It was too dark, but she knew the water was painted red with her blood. The beast looked at her a moment, its lips snarled in what she perceived as a smile. It vanished again, dropping her twitching arm on the rocky shore.
As the police lights came into view, Celeste’s eyes sank beneath the lake surface. She bobbed up, whispering weakly, “Over here,” before her face slide beneath the water a final time.
Barnes& Noble: http://www.barnesandnoble.com/w/the-wolf-at-his-door-adrian-lilly/1116068410
Amazon UK: http://www.amazon.co.uk/The-Wolf-Door-Runes-Trilogy-ebook/dp/B00DR4H7QG
Adrian W. Lilly is the author of the novels The Devil You Know, Red Haze, and The Runes Trilogy: The Wolf at His Door, The Wolf in His Arms, and The Wolf at War. His short fiction and poetry have been published in Hello Horror, 69 Flavors of Paranoia, Nervehouse and The Weekly among other publications. He can be found online at www.adrianlilly.com.
He is a fan of Gothic suspense movies and novels, which greatly influence his writing. Adrian’s writing focuses on strong character development and the nuances of fear that build toward horror. The mansion in his first novel, The Devil You Know, was inspired by the grand mansions in the Victorian neighborhood where he lives.
Adrian writes novels, short stories, and poetry and has spent many years as a copywriter in the advertising industry. In addition, Adrian has directed two short films and co-directed a feature-length sci-fi comedy.
My website: www.adrianlilly.com
Google Plus: https://plus.google.com/u/0/+AdrianLilly
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