Tagged: Short Story

Trembling With Fear 10-13-24

Greetings, children of the dark. Short and sweet intro again this week as I’m presently, at the time of you reading this (if, indeed, you’re the one who waits for it to go live and pounces immediately), at the UK’s Fantasycon in the old Roman city of Chester. That means I’m writing this a good bit earlier than normal (yes, Stuart may well have a heart attack) and in something of a rush. 

So let’s get stuck straight into this week’s TWF menu, with a main course from Louis Inglis Hall and a bus journey that’s a bit out of the ordinary. That’s followed by the short, sharp speculations of:

  • Meg Keane’s waking regret,
  • Christopher T. Mayne’s ruined rumination, and
  • Catherine Berry’s gardening tips.

And quickly, a final call for short story submissions! Our autumn/fall window opened on 1 October and will close tomorrow, Monday 14 October, so get in quick. I’ve acknowledged everything received up to Wednesday lunchtime UK time, and will get to the rest of you when I’ve returned from the con life. And yes, there are still a few stragglers from the last open window waiting to hear from us; you’re first in line and we’ll get to you ASAP!

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“This Ultimate collection is a treasure trove containing revised and expanded editions of The Name of Fear and A Cleansing of the Blood, two all-new Anton novellas, and twelve original short stories. Follow Anton from the blood-stained sands of Rome to ancient battles with unstoppable beasts in the deepest depths of tenebrous jungles and into a dystopian future where even vampires fear to tread. Each story is a unique journey, offering a different perspective on Anton’s world.”

Support our sponsor and pick up Where The Shadows Are Shown today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all!

A lot of back-end stuff this week. We had a couple of older Ongoing Submissions that were reported as being closed markets to clean up and had a spammy e-mail problem that I believe is now resolved. Really, it was mostly administrative work and not much progress. Apologies for a boring update from my side! 

Also, just a reminder that we’re starting to do more social posting for both BlueSky and Threads. So, if you’re over there and don’t follow us, now is the time! 😉

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • The paperback is now live! Please be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review! 🙂

 
 

Stuart Conover

Editor, Horror Tree

(more…)

Trembling With Fear 10-06-24

Greetings, children of the dark. This time next week, a few residents of TWF Towers will be on their third day of Fantasycon here in the UK: myself and my other half Chris Hawton, plus our own TWF Assistant Editors Sarah Elliott and Vicky Brewster, will be found loitering around panels and hallways and bars in the general hotel area for much of the weekend, and we’d love to see you there! Check out the programme, and grab your tickets via the British Fantasy Society. Lots of dark-tinged goodness is on offer. 

I’ll admit – and have admitted a lot recently! – that I never thought of myself as a fantasy person. I was firmly in the horror zone, but would equally get annoyed when people would declare “Oh I can’t deal with horror”. They always meant slashers and gore (and it was often said while they sat reading crime novels), and I was sick of explaining that wasn’t my kinda horror. And then I got dragged to a Fantasycon, and saw so many horror people there, and so many talks and launches and all sorts, usually around my brand of horror: folk horror, occult, supernatural and paranormal, ghost stories and hauntings and vampires and all that great stuff. So I got more involved in that community, and came to fully embrace the spectrum that is speculative fiction. Not all of it is for me, just as not all of it will be for you. I’m less keen on the epic sword & sorcery stuff, on quest narratives, on LOTR pastiches. But hand me some grimdark, a haunted house, even a darkly romantastic fae series, and I’m all-in. 

And honestly, that’s what we mean when we say we’re looking for dark speculative fiction in these pages. It doesn’t mean we don’t want your serial killers and psycho humans; what it does mean is that the more you lean into the speculative, the more it’s going to hit the mark for us. Take something a little unreal, a little dark magic, a little something lurking in the background, and see what happens to your story. We’d love to read it.

Let’s get stuck into this week’s TWF menu – though vegans and animal lovers may want to skip the truly juicy and haunting main course from John Westrick and go straight to the short, sharp speculations of:

  • Charlotte Haley’s dog problems,
  • Noland Taylor’s fame hunger, and
  • Alan Moskowitz’s unintended consequences.

Finally, a quick reminder that we’re now in the midst of our October submissions window for short stories – yes, we’re looking for your flashiest flashes of up to 1500 words. This is our most oversubscribed section at TWF Towers, so please bear with us as we poor volunteers make our way through your fabulous work. It can take us a looooooong time, but we will get there. 

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“This Ultimate collection is a treasure trove containing revised and expanded editions of The Name of Fear and A Cleansing of the Blood, two all-new Anton novellas, and twelve original short stories. Follow Anton from the blood-stained sands of Rome to ancient battles with unstoppable beasts in the deepest depths of tenebrous jungles and into a dystopian future where even vampires fear to tread. Each story is a unique journey, offering a different perspective on Anton’s world.”

Support our sponsor and pick up Where The Shadows Are Shown today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all!

Not much new to talk about. We’re still working on the new layout and next anthology. Had an interesting cover offer over the last couple of days that we’re exploring.Hopefully, we’ll have some larger progress soon on that front. 

Also, just a reminder that we’re starting to do more social posting for both BlueSky and Threads. So, if you’re over there and don’t follow us, now is the time! 😉 

  • For actual Horror Tree updates, I did push forward some progress in a couple of areas in the past week, both on the theme and our next anthology release. Not much to report on yet, but progress is being made!
  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • The paperback is now live! Please be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review! 🙂

 
 

Stuart Conover

Editor, Horror Tree

(more…)

Serial Saturday: Degeneration by Sarah Busching, Chapter One

  1. Serial Saturday: Degeneration by Sarah Busching, Chapter One
  2. Serial Saturday: Degeneration by Sarah Busching, Chapter Four
  3. Serial Saturday: Degeneration by Sarah Busching, Chapter Five

Chapter One

                                                          

A stranger saves me from being crushed to death by a grand piano. I don’t understand what’s happening until it’s over. One moment, I’m stopped in front of a boutique, window browsing, and the next, a man has shoved me ten yards down the sidewalk like a linebacker.

I scream, at first because a man grabbed me, and then again, louder and longer, because a piano has crashed where I was just standing.

“Oh my god, oh my god,” I shriek, and burst into tears.

“You’re okay,” the man says, awkwardly patting my back.

“Imurgerrrrld,” I sob. “I waaaa! I wasssss there, right? Oh my god.” 

The man tries politely to disentangle himself from my clawed fingers while I hiccup and snort.

“I need to thank you,” I say when my sniffles have stopped and I’ve found my tissues in my purse. “Let me, ah…” I trail off. “Coffee. Drink?” I attempt.

“It’s nothing,” he says. 

I wipe my nose and peer up at him. I step back, startled, hit with an overwhelming sense of familiarity. I know these brown eyes, faint lines crinkling around them and across his forehead, even though I’ve never met him before. 

One of the piano movers has exited the crane and calls out, “Hey! Are you okay?” He probably wants to see if I’m going to sue them. I don’t want to talk to him alone.

“What’s your name?” I turn to ask my rescuer, but he’s already gone.

#

I see him on the way to work one day. I’m walking on the cobblestone path along the river, taking the long way, and I spot him standing on the other side, waving wildly at me. It’s the green beanie that I remember. He points just in time for me to start running.

A jet-ski has gone rogue, flying at an outrageous speed straight for shore. It bounces high on the water’s surface and skids up the bank. I barely escape, and by the time I’ve raced out of the way, my rescuer has disappeared.

#

I start taking nighttime antihistamines to help me sleep. After a week, I tell myself to kick the habit, but it turns into a month, then two. I open my windows and the city’s light-studded darkness comes screaming in. I let the muggy southern heat drown me. 

#

I have a theory, and I decide to test it. It works as quickly as I expected. 

I lie down on a train track.

The train’s arrival isn’t imminent, but it should pass through within the hour. A “NO TRESPASSING” sign is labeled with the train corporation’s name in a menacing red. 

The sun has set, but there’s still a little light beyond what the street lights provide. This track goes through an empty grassy lot and then over the river, so there’s nobody else around. I lay in between the rails, eyes closed, listening to traffic.

I wonder what will happen if any of my friends or coworkers see me lying here. Downtown, there’s always a good chance I’ll run into a friend or someone from my office or my hiking group. And with my latest promotion, there are even more people at my engineering firm who would recognize me.

“What the hell are you doing?” It’s his voice.

I open my eyes. He’s standing over me.

“Hi,” I say, unable to keep from grinning in triumph.

With the sun fading behind him, his face is shadowed, but his voice is wary as he asks, “Are you suicidal?”

“Nope.”

He sighs and holds out a hand to me. I take it and let him help me up, and he keeps holding my hand until we’ve moved well away from the track. 

We stop and stare at each other as he releases my hand. He’s a little above average height and wearing a dark green beanie, so I can’t see most of his hair, but what is peaking out looks light brown, matching a short brown beard. Cute, albeit exhausted-looking. I name all his clothes to myself like I’ll be called to a witness stand: black running shoes, jeans, and a racer jacket, but not a fancy one, one that’s wrinkled like it’s been slept in.

“Why were you lying down on a train track?” he asks me.

“You tell me.”

“What does that mean?” 

But I know he knows. “Why do you keep appearing when I’m about to get killed in freak accidents? Are you…” I sigh. He’s really going to make me say it out loud. “Are you my guardian angel?”

“What? No!” He frowns.

I frown back. “You don’t have to act like I’m being crazy. I know something weird is going on.”

He rubs the back of his neck. “I told you this would happen,” he mutters.

The train’s horn blows from the other side of the river.

I raise my eyebrows. “You told who this would happen?”

“You,” he says. “I’m sorry.”

The train honks louder as it rolls over the bridge, at no more than thirty miles per hour.

“Who are you?” I ask.

“My name’s Chris,” he said, which explains absolutely nothing.

“I’m Natalie,” I say.

“I know,” he replies, somehow managing not to be creepy, or at least, not any creepier than this already is.

We watch the train and its coal cars rumble by. Every car is tagged, and the graffiti colors go by like a daydream. 

“Let me buy you a drink,” I offer, half-yelling over the screech of the train wheels.

“You don’t want to,” he says, his expression failing to suppress some old hurt. 

A broken heart, I decide. But the feeling that I know him has oddly translated into a deep need that’s making me nervous. “Hey, it’s not a date. I just want to say thanks,” I reassure him. “Let’s just go have a fun evening.” I’m practically begging, but I have to know why he keeps showing up.

We wander up the street, and, terrified that he’ll vanish again, I try to herd him into the first open bar. He shakes his head and says, “I know a better place.”

We walk for several more blocks until he stops at a door in a tall wooden fence and leads us in a patio garden. There’s no signage on the gate or anywhere else, but Chris says, “This is Wiley’s.”

A giant tree stands in the center of the patio, with dozens of metal lanterns hanging off its feathery branches. Clusters of wicker chairs and couches with brightly patterned pillows dot the space. There’s no music playing, but the low hum of conversation and not-too-distant traffic fills it with white noise.

He leads us to a bar under a vine-draped pergola and orders us two beers. There are space heaters here, and Chris unzips his jacket, revealing a plain t-shirt with absolutely no clues to his identity or interests. I unzip mine, too, and sit down. I have to admit, I sort of dressed up for him, wearing my dressiest jeans and a black top.

“You look nice,” he says.

“Thanks.”

I haven’t had dinner, but I’m too jumpy to eat. We watch our beers being poured in silence.
After a sip, I ask, “Why do I feel like I know you? How do you always know when I’m about to die? Can you see the future or something?”

He smiles at me and my heart breaks and I don’t know why. “No.”

I wait a moment. “Are you going to elaborate?”

“I don’t know.” He takes an awfully large swig of his beer.

“Hmm,” I say. In an overly introductory voice, I drawl, “Well, I’m an engineer.”

“Electrical?” he asks, as if randomly guessing.

I squint. He’s not guessing. “Yeah,” I say. “And you… save people?”

“Sure.”

I sip my beer. “Where do you get the funding?”

He laughs at that. “That’s funny. I do spend a lot of time worrying about funding.”

I raise an eyebrow. “Not what I thought you were going to say. Are you in a nonprofit?”

“No. I’m a neuroscientist.”

“Let me guess, you started in academia and switched to commercial because you got tired of—”

“Tired of not making money,” he finishes. “Yeah.”

I snort. “My brother’s a PhD, too.”

We chat a bit more about jobs, but eventually there’s a lull in the conversation.

“I’m sorry, but this is still super weird,” I say. “What’s going on here?”

“May I show you?” he asks.

“Okay. What do you mean—”

In response, he reaches out a hand and gently touches the side of my head.

—his tongue in my mouth his hand pushing my knee my hand pulling his hair—

I gasp, pulling away like I’ve been burned. 

His face is red, and he’s staring very hard at his glass. 

After I stop gaping, I whisper, “What was that?” 

“A memory,” he says, still unable to look at me.

“That can’t be a memory.”

“It’s yours,” he says quietly. 

“But we’ve never met before…” I trail off. He’s telling the truth. I’m not scared at all. In fact, I’m hot, literally sweating, and I want to hop off my barstool and climb into his lap and wrap my legs around him like an octopus.

Thankfully, before I have the chance, a tall woman in athleisure appears at his side, startling me so that I loudly huff out the breath I’ve been holding. 

“What are you doing here?” she snaps at me.

I’m sure my eyes bulge. “Oh, my god. Are you his girlfriend?”

“Absolutely not.” She shakes her head. “For fuck’s sake, Natalie.”

I draw back. “Sorry, do I know you?”

Her mouth falls open. “Apparently not.” She turns to Chris. “For fuck’s sake, Chris!”

“It’s not my fault,” he says.

“Isn’t it, though?”

Chris says to me, “This is Prisha.”

When I glance at her, Prisha gives me a goofy little wave that I was entirely not expecting, and I’m surprised enough to wave back. She smiles as if we’ve just shared a joke. The interaction loosens something in my chest. 

Prisha waves the bartender over and asks for our check. To us, she says, “Sorry guys, but we’ve got to go.” 

“We?” I ask at the same time Chris asks, “They’re here already?” 

“You should have known,” Prisha says to him.

Chris glances at me hesitantly. “You should probably come with us.”

Prisha rolls her eyes. “I can’t believe we’re doing this again.” 

I shiver. “Again?”

She looks at Chris. “Your turn to explain.” She smiles at me apologetically.

The bartender brings back the check and Prisha puts down a card and winks at me. “Least I can do for interrupting your date.”

Chris switches it out for his card before she can protest. He stands up, leaving half his beer undrunk. I don’t quite chug mine, but I do finish it quickly. They wait expectantly, but I keep sitting after I set my glass down.

“Well, bye,” I say.

“I’m serious about you coming with us,” Chris says.

“No thanks,” I reply, wondering if I should say I’m going to the bathroom and then sneak out the back door.

“Just walk with us. We’ll stay on this street. There’s still a lot of people out,” Prisha offers.

My hands clutch the sides of my stool like these people are going to physically grab me. Prisha steps back a little, glancing at the gate. Chris looks like he’s trying to apologize, but he says, “You’re safe with us. I know this is weird, but also, you laid down on a train track tonight.”

It would be a questionable decision to follow two strangers out onto the street at night, but I picture the grand piano, the jet-ski, the train track. It would be nice to be able to sleep without diphenhydramine. So I follow them.

Trembling With Fear 9-29-24

Greetings, children of the dark. As you read this, I’ll be on my way back from Bedford, not far outside of London town, where I was repping the British Fantasy Society at the Innsmouth Literary Festival. As I write this, though, it’s a couple of days away and I’ll admit I’m slightly nervous. The event is dedicated to weird fiction, especially in the Lovecraftian vein, and it’s a world I’m just not that familiar with. I’m hoping I can get the lowdown while I’m there, but I’ve always been a bit nervous given, y’know, the whole Lovecraft bit of it! I’m sure there’s a difference between diving into Cthulu’s waters, and diving into the life and loves of the writer himself – which, as we now know, are a bit suspect – but it’s always felt too BIG for me to truly get it. 

So here’s a challenge to you, dear reader: send us your weird tales! Show me what it’s all about! How weird can you go while maintaining a coherent narrative in just 100 words? That’s something to keep you going in these spooky, quickly-darkening nights.

Not much weirdery in this week’s darkly speculative menu, though there’s plenty to sink your teeth into. This week Tiffani Angus contemplates the true nature of milk. That’s followed by the short, sharp speculations of:

  • Corinne Pollard’s medical issues,
  • Rory ffoulkes’s wildlife camera, and
  • DJ Tyrer’s icy expedition

Some quick reminders to finish up:

Did you meet and greet all the new residents of TWF Towers? In case you missed it, last week we announced our new Assistant Editors, one to oversee each section of submissions. Meet them over in this article, but please join me in welcoming:

  • Assistant Editor – Specials: Lynn Huggins-Cooper
  • Assistant Editor – Serials: Vicky Brewster
  • Assistant Editor – Unholy Trinities: Sarah Elliott

Remember we’re currently open to:

  • Submissions for our Halloween special
  • Serialised stories
  • Drabbles
  • Unholy trinities

But we won’t open to regular ol’ short story subs until 1 October, when our next 2-week window creaks open. Oh, hang on – that’s this week! Get ready, folks!

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Scott Harper’s ‘Anton The Undying: The Complete Collection’!

“This Ultimate collection is a treasure trove containing revised and expanded editions of The Name of Fear and A Cleansing of the Blood, two all-new Anton novellas, and twelve original short stories. Follow Anton from the blood-stained sands of Rome to ancient battles with unstoppable beasts in the deepest depths of tenebrous jungles and into a dystopian future where even vampires fear to tread. Each story is a unique journey, offering a different perspective on Anton’s world.”

Support our sponsor and pick up Anton The Undying: The Complete Collection today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all!

On a personal note, I typed “The End” on a draft for a novella and saw my short The Elysium Drift find its way into print in Yabblins 2 (which you can find on Amazon!) I’ve really slowed down in the writing department lately with everything going on, so these both felt like huge wins for me.

Onto Horror Tree! We’re still making progress on all ends of the spectrum. The re-design is chugging along, the next anthology is in the works, and soon, we’ll be doing more social posting for both BlueSky and Threads. So, overall, things are going nicely! Slow but steady wins the race. (I don’t know what race we’re in…)

  • For actual Horror Tree updates, I did push forward some progress in a couple of areas in the past week, both on the theme and our next anthology release. Not much to report on yet, but progress is being made!
  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • The paperback is now live! Please be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review! 🙂

 
 

Stuart Conover

Editor, Horror Tree

(more…)

Serial Saturday: Don’t Look at Me by Tom Little, Chapter Ten

  1. Serial Saturday: Don’t Look at Me by Tom Little
  2. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Two
  3. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Three
  4. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Four
  5. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Five
  6. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Six
  7. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Seven
  8. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Eight
  9. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Nine
  10. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Ten

Chapter Ten

                                                          

The hallway was vacant. The psych ward at 2 a.m. was as lively as the morgue, and Ferrill tried to look inconspicuous as he wandered his way to the lobby in plain clothes. He only glanced at the night staff and smiled. And then he was out into the stifling night air. It was easier than sneaking out of his own home. 

Helms’ patrol car was parked right up front, backed-in so he could tear out at a moment’s notice. Ferrill made several broad scans across the parking lot before approaching the vehicle. A jolt of excitement shot through his hands as the key turned and the lock popped. Breaking into a cop car. If only Grant could see this. Could he? Are you in there too, Grant?  

The driver’s seat felt like a jetfighter’s cockpit. Helms was a big guy and the seat was too far back for Ferrill to manage. After adjusting the seat, he instinctively reached for the mirror, but withdrew his hand and decided not to look. He slid the key in and hesitated. If he fires off the siren by accident, he might as well drive into a light pole. Don’t draw attention. You’re almost there. Don’t screw this up.

A turn of his wrist and the engine growled, then purred. He looked out each window once more, not a soul around but the one he was carrying. With a deep breath, he shifted the patrol car into drive and turned to the south side. A thought occurred to him as the city lights shimmered in the distance. He should’ve left a letter for his parents. 

***

Detective Marshall had commandeered the hospital’s chapel to work in solitude. Deep into the night, he had probed the city’s records on the Morris home and the family’s deaths. Growing cold, he revisited his naive profile of the South Street mutilator. Dull in the artificial light of the chapel’s stained glass, the false profile mocked him from the old file. A child’s scribbles. When the murders were fresh, he thought he could snag the killer on his own wit, piecing the signs together until it was whole.

He had drafted features based on the location of the killings, the victims’ similarities, and the ugly coup de gras. A true sadist, no doubt, who preyed on the poor, weak, and easy. It gave him power, superiority. There must be a haunting inadequacy somewhere in his life, maybe a physical flaw. A facial disorder that gave rise to those damned ghost stories. He didn’t like to be seen. The eye gouging could be a retaliatory act against the judging, pitying, superior looks he’d received all his life. Don’t look, don’t see, don’t look at me

But it was all wrong. Marshall had no clue what he was chasing. Surrounded by opaque signifiers and a bogus case file, he was lost. Sometime after 2 a.m., Marshall hid his head in his hands, his mind draining into blank space, thoughts going static. The chapel door shuddered, about to open. Marshall leaped alert and froze, watching the door. He wanted to shout them off, but couldn’t find his voice. The shuddering ceased and footsteps faded in the hall. He must’ve locked the door. With the altar to his back, he thought about praying. It was unlike him to ask for help. 

***

Nature had reclaimed the old neighborhood. Vines entangled porch bannisters and poured out through windows. Trees encroached on the abandoned homes, their roots disrupting the cracked sidewalks. Tall grass swayed as the patrol car passed. Ferrill knew where to go although he had never been here before. It was all familiar to the silver eyes looking through his pupils. It would guide him there.  

An awful pang gripped his chest when he saw the house. That’s it, a colorless Queen Anne towering ahead. He parked the cruiser and sat still a moment, trying to calm his pounding heart. This would be the end. The creature would be safely home, never to be seen again. And Ferrill would be its sacrifice. 

Trying to muster the will to act, he looked in the mirror. The thing allowed Ferrill to see himself. His own face looked tired. Dark rings around his eyes, the color drained from his skin. It was the look Grant often wore, strung out and wasted. At one time, it had seemed so glamorous.  

With one last look into his own eyes, Ferrill left the car and crossed over the home’s fallen gate. It was a grim sight in the blue moonlight, but the house must have been very nice once. Jacob Morris had amassed a fortune pioneering the city’s steel industry, and his death was widely publicized. A rotten wooden board lay at the foot of the front steps. Ferrill stopped to read the hastily carved greeting: 

The house of Jacob Morris 

Who left a corpse for us

With gold in his pockets

And silver on his sockets

Bloody rich and dead

With a bandage ‘round his head  

Splintered wood crackled as Ferrill climbed the front steps. Above him, light-blue paint chipped and peeled away from the ceiling. It was “haint blue,” a shade once thought to fend against restless spirits. Across the porch, the large door hung loose on its hinges, its brass knob stolen long ago. He felt electric eels slithering inside him as he pushed it aside. 

***

Tedious years fluttered away in an instant as Marshall shoved his open file off the chapel’s communion table. His wasted efforts came to rest softly on the carpeted floor, leaving only the psychologist’s notes. The boy shows the same signs as all the other victims. But the dreams—those are interesting. I shouldn’t have told him the house was real. “Don’t encourage belief in hallucinations,” the psych said. “Keep him here in reality.” 

“He’s watching you,” she said. “You and Helms are his grasp on the real world. He’s convinced that he’s been cursed with something awful, and may do something drastic to purge it. Show him that you’re not afraid, that there’s no need to act on fear. Avoid condescension. He’ll notice.”    

A sharp knock stole his attention. “You in there, Marshall? It’s Helms. Urgent.” 

The detective hustled up the aisle. He tightened his tie and unlocked the door. He loaded “What have you done,” but holstered his attitude. “What’s the matter?” 

The officer’s big, shaken frame filled the doorway. “The kid’s gone.”    

***

The dream, the investigation photos, it was all as he had seen before. Ferrill had brought a spotlight from the cruiser, a column of dust floating through its white beam. His sneakers padded silently over the foyer’s chessboard tile. There was a massive staircase by the door, but he imagined himself falling through it, disappearing in a burst of splinters. The churning in his gut was becoming unbearable, and looked for a place to lie down. 

Down a hall, he found the lavender parlor from his dream. Where the face was first taken. There would be a sofa here, where he could rest until the time comes. Something in him was ravenous, undeniable, more physical than ever before. He braced himself against the parlor doorway and lowered his beam to the floor. 

Ferrill was overcome with the sense of someone waiting for him in the dark. Growing weak, he raised the light to the fireplace mantel. Above it was a portrait of a young woman. Her face was smeared blank. Focused on the image, Ferrill set the spotlight on the sofa, projecting its beam upon the painting. His insides were roiling in a desperate rage. He approached the portrait and drew his knife. 

***

Marshall rocketed his unmarked car down South Street, Helms riding shotgun. He nearly lost control turning the corner into the old neighborhood, his palms slick with sweat. Let the boy live. Please let him

“There it is,” he growled to himself as they arrived at the crumbling house. Helms felt apart from himself as he rushed past his own cruiser, already at the scene. Ferrill had left the keys in the ignition. Two flashlight beams cut across the overgrown lawn, no sign of the boy. The front door was open. 

Helms entered first, pistol drawn and trialing the light. “Ferrill!” He called. “Can you hear me?” Marshall followed, watching the officer turn circles in a panic. “Don’t hurt the boy!” Helms shouted, the veins in his neck pounding. “If you hurt him, I’ll burn your damn house down!” 

“Cool it,” Marshall’s voice was low. He angled his light to the tile and illuminated footprints. In urgent silence, they followed down the hall. Breathless, they reached the parlor, decades of dust freshly stirred in the stale air. The cruiser spotlight lay by the sofa, casting white against the ceiling. 

Dread bathed Helms in icy cold as he shone his light upon the sofa. Ferrill lay on his back. His leather jacket was draped over his face. His shirt was shiny with blood. “Oh damn it,” Helms broke down, sobbing on his feet. 

Marshall approached and looked into the light. He stood frozen in place for a moment, then braced Helms by the shoulder. “Wait, step back.” He drew his gun and motioned Helms away. His hand shook as he reached for the leather jacket. Holding his breath, he pulled it away.

The boy was breathing. His jaw was intact. Something was on his face. Helms recognized Grant’s bandana, tied around to cover his eyes. “He’s alive,” Marshall whispered to himself, holstering his gun. The boy convulsed once and coughed red mist. His hands were over his stomach. Marshall pulled back the boy’s shirt and discovered a deep wound under his ribs. Ferrill’s switchblade fell to the floor. “I cut it out,” the boy spoke. “But I didn’t look.” 

“Get him back to the hospital now,” Marshall ordered with a shudder in his voice. “He can make it. I think he can.” 

Helms took the boy in his arms and bolted to the door. “You’ve done it, Ferrill. You’re free.” The boy strained to breathe. “I hope you can hear me now. You were a lot braver then me.”

As they crossed the foyer, the hair on the back of Helm’s neck froze like needles. In the rising light of the doorway, he turned to look into the house. Fully manifest, the creature was standing on the stairs, gripping the banister, eager to see them leave. Its face was hidden in the retreating shadows, but Helms caught an awful look at the body. Distinctly he saw it, the blackened, oozing, burnt skin. The boy was fading, but he stood still. He could kill it. Draw his pistol now and end it. He looked for its face, the body shining in light. As the sunlight climbed the stairs, the figure faded. No claws, no face, and the house was silent.  

The morning was warm at his back. Snapping aware, Helms turned and bounded across the porch to his patrol car. He laid Ferrill in the back, fired off the siren, and burned rubber toward the hospital. He wouldn’t know how to explain the night’s violence to Ferrill’s parents, but they should know he’s a good kid. 

*** 

In the parlor, Marshall kept his coat open, a hand on his pistol. After two years, he was in the killer’s lair, and he wouldn’t leave empty-handed. “I’ve been looking for you,” he called into the dark. “Show your ugly face. I’d love to see it.” 

His anger echoed in the tomb-like quiet. He dredged his flashlight through the shadows, ready to close his case. The light found a curious thing above the fireplace. He thought he saw a portrait of a woman, her face fair and beautiful. In the blink of an eye, though, the face was gone, just a smudge on the painting. The sting of fear flushed his veins and he turned to leave. He stepped into a heaving figure, towering tall over him, its skin dark and stiff like a body bag.    

Trembling With Fear 9-22-24

Greetings, children of the dark. At the risk of becoming a broken record, another plea from me this week: if you submitted to our last short story window, please know we will get back to you as soon as we can. It takes a long time to read through the submissions and collate our thoughts – we always make sure multiple people read them so we don’t introduce any bias – and we’re all volunteers so things can get stuck for a while, especially over summer. We do try to make sure we get back to you before the next open window, which is coming up quickly!

But also: remember we’re only open to short story submissions for two weeks every season. This is to help us manage the submissions, because we were getting such a backlog that people were waiting over a year to be published, which I’m sure you’ll agree is less than ideal. We don’t have infinite space or budget, alas, and so we can only take one short story every week. That means there’s only 52 spots each year, and we get more than that for each two-week open call. You’re all way too keen and talented! 

But now, it’s time to prep for this week’s darkly speculative menu. This week we head to a birthday party for a very particular mother, thanks to Dave Musson. That’s followed by the short, sharp speculations of:

  • James Callan’s rural drama,
  • Jonathon Worlde’s otherworldly issues, and
  • Troi-Jeantte’s trapped trauma

Some quick reminders to finish up:

Did you meet and greet all the new residents of TWF Towers? In case you missed it, last week we announced our new Assistant Editors, one to oversee each section of submissions. Meet them over in this article, but please join me in welcoming:

  • Assistant Editor – Specials: Lynn Huggins-Cooper
  • Assistant Editor – Serials: Vicky Brewster
  • Assistant Editor – Unholy Trinities: Sarah Elliott

Remember we’re currently open to:

  • Submissions for our Halloween special
  • Serialised stories
  • Drabbles
  • Unholy trinities

But we won’t open to regular ol’ short story subs until 1 October, when our next 2-week window creaks open. 

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Scott Harper’s ‘Anton The Undying: The Complete Collection’!

“This Ultimate collection is a treasure trove containing revised and expanded editions of The Name of Fear and A Cleansing of the Blood, two all-new Anton novellas, and twelve original short stories. Follow Anton from the blood-stained sands of Rome to ancient battles with unstoppable beasts in the deepest depths of tenebrous jungles and into a dystopian future where even vampires fear to tread. Each story is a unique journey, offering a different perspective on Anton’s world.”

Support our sponsor and pick up Anton The Undying: The Complete Collection today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all!

Whew. Not much progress on the website this week. Lauren has been away for a trip and we’ll be working on both it and setting up the general layout for our next physical release of Trembling With Fear once she’s settled back in this week. So, hopefully we’re going from not much site news to a whole lot! 🙂 

  • For actual Horror Tree updates, I did push forward some progress in a couple of areas in the past week, both on the theme and our next anthology release. Not much to report on yet, but progress is being made!
  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • The paperback is now live! Please be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review! 🙂

 
 

Stuart Conover

Editor, Horror Tree

(more…)

Serial Saturday: Don’t Look at Me by Tom Little, Chapter Nine

  1. Serial Saturday: Don’t Look at Me by Tom Little
  2. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Two
  3. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Three
  4. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Four
  5. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Five
  6. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Six
  7. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Seven
  8. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Eight
  9. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Nine
  10. Serial Saturday: Don’t Look at Me by Tom Little, Chapter Ten

Chapter Nine

                                                          

Ferrill had been waiting hours to see a psychologist. The hospital’s psychiatric department was the first to bleed when the state calls for budget cuts, and the staff had dwindled to a handful of overworked professionals. If they could determine what’s gone wrong in his head, they would wrangle a psychiatrist to write his prescription. He was invited into a common interview space in the late afternoon.  

Dr. Spurling had been briefed on Grant’s death (documented as a hit-and-run in her file), and Ferrill’s behavior following the incident. Before he arrived, she repositioned the office lamps to illuminate the corners, eliminating shadows. She had studied the brain scans and the X-rays. She observed the way he grasped his black jacket for security, the way his eyes deflected from the officer’s face before he left. 

There were several tests arranged on her desk, but she didn’t acknowledge them. She asked what was on his mind. While he was waiting, Ferrill thought he would try to explain away the haunting face, but now he was thinking of Grant. The Grant from years ago, before beer and dope and leather jackets. Before they went exploring on the south side—when his family didn’t mind the young man showing up uninvited and everything was cool with his parents. He shared his memories through tears, walking backward from their final moments. Spurling listened, watching the boy let his guard down and very gradually loosen his grip on the stained jacket. 

***

Marshall returned to the hospital that evening. Helms waited for him in a covered driveway. A late rain shower had left the air thick and stinking of asphalt. Helms watched the detective cross the parking lot, walking on a sheen of hot rain, reflecting streetlight. He hoped Marshall had come back with some new insight that could save the boy. He took so long, he must know something. Marshall greeted Helms with a shrug and asked where the boy was. Helms led him to the psychiatric department.   

Marshall knocked once, then entered the psychologist’s office. “Excuse me,” he said. “I thought this would be done by now.”

Ferrill shrugged. “We’re just talking.” He glanced at Spurling, hoping that didn’t sound dismissive. Then he turned back to the detective. “Are you taking me somewhere?”

“It would be best if you stayed here another night, kid. The house is not an option.” Marshall tensed as he realized the psychologist may have heard all about Ferrill’s dream house. “Uh, you can’t go home yet.” 

“Well, are you going to keep me here until it gives up and breaks out?” Ferrill looked to Spurling for support. “Don’t say I can’t go. It can’t know that.” 

“He’s still on about the house,” Marshall sighed, looking to the psychologist. “He’s seriously troubled about this place. It has some history to it. What do you think is going on here?” 

“We can speak about that later,” she said. “Let us finish our meeting here and I’ll be right with you.” 

The detective slid his hands into his pockets and waited outside. Ferrill stepped out half an hour later looking for Helms. Spurling followed, standing in the doorway with a handful of notes for Marshall. They described a young man with a very troubled mind. 

***

Ferrill was moved to the psych ward that evening. The psychologist recommended a sleep study, but the personnel wouldn’t be ready for another day. The boy would just have to be patient. 

Marshall arranged for Helms to stay and watch over the boy, in-part to keep him unavailable during the aftermath of Grant’s death. It was patchwork, and Helms would soon have to come up with a grand explanation for the young man’s conspicuous wounds. There would be no other witnesses. The two paramedics occupied a room across the hall from Ferrill, admitted after questioning by Detective Marshall.    

Awake in the grey room, Ferrill felt his time slipping away from him. There was a constant gnawing in his gut. An impatient tic tic repeated in the back of his mind. It was watching him all the time now. He had become so vigilant, eyes probing the shadows, fearful that the twisted figure maybe near. It always was. The perpetual alertness had given to fatigue, and Ferrill fought to stay awake. If he fell asleep, the void may open underneath. Through the green Exit light, he watched Helms nodding, tapping his foot until the head sagged and his breathing slowed. The darkness overcame and Ferrill heard pages turning all around him. 

Adrift in nowhere, he heard his mother’s voice. “It’s time to go home.” Ferrill sprang up in his grey domed cell—the pysch ward, but not quite. As his eyes strained to open, he saw that someone was standing at the foot of his bed. Grant held his jaw shut with a bloody hand. Though clenched teeth he spoke. 

“Ferrill. Take it home. You know where to go. Get up and do it tonight.” 

Ferrill could only whisper. “Will I die?”

Grant, his eyes like silver dollars, paused a moment. “It is sorry.” 

Ferrill began to cry. “Could I keep it in here forever? Does it have to come out?”

“I could not keep it. Every moment captive is misery. You feel it suffering inside, don’t you?” He opened his jacket, revealing a twisted mass of emaciated flesh. Below the ribs, he was hollow. “It will eat away at you until it can break free. Send it home and no one else well ever have to see what we have seen.”

“They won’t let me go,” Ferrill protested, hoping to bargain with his friend.

“Then I will leave you.” 

Grant’s voice deteriorated into a rasp. A familiar snap filled Ferrill’s ears and Grant’s body fell beneath the bed like a marionette, the strings cut and jaw slack. The silver eyes remained, suspended in the dark, and Ferrill discovered the face hiding just behind. Like a bat unfolding its wings, it stretched its leather-tight limbs over Ferrill’s body, the pale face following in a hateful scowl. 

It climbed over the bed, the eyes open wild and jaw agape, just above the boy’s face. It spoke slowly, to measure its words across the boy. “I’ll… leave… you…” The switchblade claws walked up Ferrill’s legs, up his torso to his lips, prying them apart. “And… the man… will see. The officer will take me.” 

Ferrill looked around for Helms, asleep in the room. It would serve him for striking Grant, but now he’s trying his damnedest to help.  

“I’ll go!” Ferrill shouted. “Wait for me and I’ll take you myself.” Eyes clinched, he felt the gnarled body’s weight ease away. “You don’t have hurt anybody else.” 

Tic tic just above his face. He opened his eyes to see its cracked palm spread. The clawed hand caressed his sweat-soaked brow. With a wave, his eyes were closed again.

“Go tonight.” 

Ferrill was again bathed in green Exit light. Helms was asleep in his chair. The curtain was drawn in the grey room. Knowing his every move was under surveillance, he wasted no time rising to his feet and finding the officer’s keys. Helms had removed his belt prior to settling down to rest. It rested on a meal tray by his chair. Ferrill worked slowly to remove the keyring from its secured clasp. Quietly, carefully. A glint of silver made him flinch. It was his pocket knife. Helms had confiscated it at the curb. The boy tied his shoes and returned the knife to its worn groove.   

Trembling With Fear 9-15-24

Greetings, children of the dark. Did you meet and greet all the new residents of TWF Towers? In case you missed it, last week we announced our new Assistant Editors, one to oversee each section of submissions. Meet them over in this article, but please join me in welcoming:

  • Assistant Editor – Specials: Lynn Huggins-Cooper
  • Assistant Editor – Serials: Vicky Brewster
  • Assistant Editor – Unholy Trinities: Sarah Elliott

A lot of this week’s intro is going to echo the last one, mainly because the call-outs are the same!

  • We’re currently open to submissions for our Halloween special!
  • We’d love to see more Serials coming in!
  • And please feed the drabble beast!

If you submitted to our last short story window, please know we will get back to you as soon as we can. It takes a long time to read through the submissions and collate our thoughts – we always make sure multiple people read them so we don’t introduce any bias – and we’re all volunteers so things can get stuck for a while, especially over summer. We’ll be much quicker with these things now we have extra hands on deck.

Enough with the welcomes and the caveats: let’s get to this week’s darkly speculative menu. This week’s gothic main course is some quietly longing hauntings that whisper in the air, courtesy of Mave L. Goren. That’s followed by the short, sharp speculations of:

  • Ryan Benson’s emotional depths,
  • Christina Nordlander’s woodland waiting, and
  • Andrew Leonard’s skewed caring

BTW as a final thought, let me direct your attention to a blog published by the inimitable Gabino Iglesias last week. He’s using his investigative journalism background to trap scammers preying on the self-publishing market. Very worth your time; you’ll find it on his Substack

Now, over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Scott Harper’s ‘Anton The Undying: The Complete Collection’!

“This Ultimate collection is a treasure trove containing revised and expanded editions of The Name of Fear and A Cleansing of the Blood, two all-new Anton novellas, and twelve original short stories. Follow Anton from the blood-stained sands of Rome to ancient battles with unstoppable beasts in the deepest depths of tenebrous jungles and into a dystopian future where even vampires fear to tread. Each story is a unique journey, offering a different perspective on Anton’s world.”

Support our sponsor and pick up Anton The Undying: The Complete Collection today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all!

Whew. Another busy week. I “think” I know how our future homepage is officially going to be laid out. We still have some UI tweaks to make, but I believe we have the overall idea set. More on that, soonish! 

As we’re sticklers to only listing open calls with deadlines so there is as little clutter as possible on the site, I’ve got a really cool heads up on an open-until-full offer from the publisher Velox Books! They’re looking to take your collections or short horror stories and will pay a modest advance against royalties. You can find the full details right here. Just remember, they’re going to fill up sooner than later so if you’ve got a collection that is looking for a home, this is one to check out! 

  • For actual Horror Tree updates, I did push forward some progress in a couple of areas in the past week, both on the theme and our next anthology release. Not much to report on yet, but progress is being made!
  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • The paperback is now live! Please be sure to order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review! 🙂

 
 

Stuart Conover

Editor, Horror Tree

(more…)