Trembling With Fear 11-17-24

Greetings, children of the dark. I’ve noticed the TWF mailbox is getting chockers with seasonal greetings, just as the streets of London are filling up with Christmas lights and trees and baubles. And I don’t like it. We’ve just had Halloween! Surely it can’t be that time already?!

Alas, it is. Which means yes, our Christmas special is open for subs for another few weeks. 

However, we are very much closed to our regular short story submissions until January. We’re still working through the backlog from the last window, and we have even more from the October one dragging down the pile to boot. We can’t possibly handle any more right now! But I fear that there is a submissions grinder somewhere that says we’re still open year-round, because there’s been an uptick in outside-the-window subs. I’d rather think that instead of thinking our dear dark brethren aren’t reading our submissions guidelines… I don’t like returning things unread, but please help us to help you and only submit when we’re open. 

Right now, our weekly edition is very much open to one thing only: the drabble cupboard is looking rather bare indeed! Please don’t let us think it’s a result of climate change or something… Heck, the world is a f***ing scary place now. Channel it into some dark fiction that’s only 100 words long and send it over. Please?

For now, though, it’s time for our weekly fare. This week’s main course takes us into realtor territory as Kahlo R.F. Smith shows us around an Open House with more than a little bit of history. That’s followed by the short, sharp (somewhat real-worldy this week!) speculations of:

  • Penny Brazier’s festive feast,
  • M. Brandon Robbins’s saving grace, and
  • Johanna B. Stumpf’s scholarly risk.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“A Horror Short Story Collection by Josh Schlossberg

A hiker stumbles on a gruesome species undiscovered by science… An injury triggers an appalling new ability… A domestic pet holds a household in thrall… A human monster finally meets his match… Crimes against nature birth an abomination…

These and fifteen more tales make up WHERE THE SHADOWS ARE SHOWN, a short story collection by Josh Schlossberg (author of CHARWOOD and MALINAE), who guides you on a trek through the shadowy realms of biological and folk horror, supernatural and weird fiction.

So, lace up your boots, fill your water bottle, and put fresh batteries in the flashlight, because there’s not a chance in hell you’re getting back before dark.”

Support our sponsor and pick up Where The Shadows Are Shown today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all!

We’ve had an uptick in people asking about the font size in the newsletter. Apparently, increasing the amount is too small. I’ve been trying to troubleshoot in the last couple of newsletters and haven’t been making much progress. I reached out to Mailchimp this week, and they told me there was an issue with the template that we’re using (we’re using a really old template) and that we would need to create a new one.
So, I’m going to try to work my way through creating a new one in the coming month. This isn’t my area of expertise, so it may take a bit, but I promise you, this is in the works! 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Please, order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!
  • Be sure to follow us on both BlueSky and Threads!
 
 
Stuart Conover

Editor, Horror Tree

Kahlo R. F. Smith

Kahlo R. F. Smith (she/it) was born in the redwoods of Felton, CA and is pursuing an MFA in Fiction at the University of Nevada, Reno. Her work has haunted Luna Station Quarterly and Last Girls Club, and was nominated for a Pushcart Prize by Fatal Flaw. It has presented original Monster Studies research at the PCA National Conference and the UCSC Festival of Monsters. When not hunting Bigfoot or navigating catacombs, it can be found on Instagram @vellumgarden or at kahlosmith.wordpress.com.

Open House, by Kahlo R.F. Smith

First Floor

 

Mudroom

Father’s shoes caked in long-dried mud. 

Mother’s topcoat for important errands. 

Stacks of her unopened mail, perfumed and wax-sealed and red-lettered and stamped for return and invoice enclosed and important: open immediately

A note slipped under the door. More than one note, in fact: a small pile of notes filling the crack under the door. These days I only use the back door and sit in the garden, where the walls are too high to see over. 

I’m planning one last party in the garden. You weren’t invited, but I’ll leave the front door unlocked, and I expect soon you’ll find your way in.

 

Living Room

Two plastic-covered couches. Mother still spends most days lying on those couches.

Three crucifixes, freshly dusted.

Tasteful floral wallpaper.

The single square of wallpaper where once, when I was even stupider than I am now, I drew a heart in red crayon and as punishment spent three hours on my knees staring at that spot on the wall until the whole room turned red.

Two stained-glass-shaded lamps.

Father’s photos, shrouded in black tulle. Mother draped them all, hiding his face but maintaining our dignity. She even allowed guests to comment briefly—sympathetically—on his sudden passing.

The indoor dining table. There was no need for space to host inside when Mother had the garden, but we ate inside, quietly and with good posture.

 

Guest Bathroom

Perfect folded towels gone crisp and stale.

Light blue seashell soaps.

Mother’s perfect room. I still can’t bring myself to use it. I walk inside just to stare at myself in the spotless mirror. Today, I used the mirror to paint myself with Mother’s waxy lipstick. I put on two thick coats and smacked my lips. I look pretty in her lipstick, though tears streak my mascara.

 

Kitchen

Tupperware for our meals, which Mother prepared every week, and which are all I have been eating. Chicken breast with rice. Quinoa salad. Grapefruit supremes. They have run out, finally, so we are having our garden party today.

The stain, of course. The corner of the counter where Jean’s head…and it spread under the sink. 

Beneath the sink, the rat poison. Where Mother always kept it.

A pantry full of dainties for the guests, which I was never allowed to eat. I’ve plated them up for the garden party.

 

Second Floor

 

Children’s Bathroom

One toothbrush, pink.

One cup, pink.

One floss dispenser.

Assorted face washes, shampoos, and exfoliating masks, which I have stopped using.

A bar of Jean’s soap, which she gave me the one time I visited her house after school. I used to hide it under my mattress. Now it’s all I wash with.

Jean’s nightgown—my nightgown, really—hung up to dry. I help her and Mother change their clothes every morning and evening, and I wash the clothes every day.

The bandages and antiseptic Jean brought me when Father was still alive. Mother never raised a hand to me, so I haven’t needed them since he died, but I kept them. They were one of the few things Jean gave me that Mother wouldn’t find suspicious, and on each of the bandages she’d drawn an X to mark where she would kiss me if she could.

All my stupid makeup. Mother taught me how to use it, and now that I can finally stop wearing it, I’m using twice as much. Full faces for her and Jean every morning. Caring for other people is so messy. I’m beginning to understand why Mother resented it.

 

Children’s Bedroom

One stuffed bear, white.

My bed with its soft pink sheets.

The case for my violin, which I was allowed to play only at practice and at garden parties.

All our letters. Some freshly tacked on the wall for me to read while we sleep, Jean’s body curved around my back. Some still crammed below the board I loosed under the bed. 

Jean’s dress—my dress, really—perfumed and hanging on its hook for me to change her. She is wearing a different outfit to our garden party. A pair of Father’s dress pants and one of his button-down linen shirts. She looks quite dashing.

 

Master Bedroom

Mother’s bed, freshly made. I make it every morning, to keep the pillowcases clean.

Mother’s vanity. I am afraid to touch her make-up. I have only done it twice. She caught me the first time, when I tried to blush my cheeks for a dance, and she made me scrub it off until my skin burned redder than any powder. The second time was the night I took her very favorite red lipstick, melted it down and mixed it in the kitchen, and reformed it in its tube. She didn’t catch me that time. She didn’t even notice the taste.

The key to the garden, where I was not allowed except when Mother held her tea parties. I’ve locked the back gate, so you have a reason to explore the house and see what wonderful condition I’ve kept it in. Despite the circumstances.

 

Master Bathroom

The dark patch by the shower. Mother collapsed, finally, in the bathroom. It was days after I fixed her lipstick. Mother never wore much makeup. She did not hit her head, but her nose bled, and her gums. It stained. I did my best to clean it up, but could never be as thorough as we were down in the kitchen. 

Mother was always the expert. Cleaning, cooking, entertaining, parenting. Perhaps best at cleaning. Before I recovered from the sight of Jean on the floor—imprint of Mother’s hand still blush-red on her cheek—Mother was on her knees sopping up the blood. She was so calm when she ordered me to carry Jean’s body into the garden.

One bar of soap, pink and rose-scented.

A small hand-held mirror.

All of Mother’s perfumes, caps unscrewed. I have used up half her collection, but the smell is only getting worse. Yes, today is the perfect day for our garden party. We could all use some fresh air.

 

Garden

A table set for three.

Father’s shrouded photograph, set between my plate and Mother’s. 

My violin, discarded in the grass. I have already played a song for each of them. A drinking song for Father, and a hymn for Mother, and a love song for Jean which she could never hear me play.

A tiered platter of the fancies Mother would not let me eat. 

Mother’s plate is empty, and so is Jean’s, but mine overflows. I’m eating as fast as I can. And I wonder—as I shove another petit four into my mouth—if I could have been the girl who only eats salad at parties and never dreams of cake. The girl who loves her Mother and never colors on the walls. The girl who talks to boys and never looks at other girls. Instead, here I am—the girl who dreamed of all the wrong things until she went and did them.

I want you to find us like this: my face smeared with fondant and frosting, Jean and Mother’s cold cheeks smothered in waxy kisses, and my lips red red red. 

Us all sitting down with father; a happy family at last.

The Feast of St Nicholas

I just wanted it to be perfect this year. No drinking, no shouting. 

Crackers laid out, the fancy ones. A holly centrepiece. Those goose fat roast potatoes you see in magazines, crispy on the outside, fluffy in the middle. No rage. No punched walls. 

They say you can get a whole turkey in an air fryer, but it took six rounds to cook you. It was worth the effort. The children said things like “crispy” and “delicious”. They were almost too full for the trifle, can you imagine?

I just wanted it to be perfect this year. And it was.

Penny Brazier

Penny Brazier is a weary freelance copywriter with long-buried creative aspirations that are slowly reanimating and crawling out of their graves. Also messes around in loud bands. Follow on Instagram @penthemighty and on Substack – Word and Guitar.

The Value of a Name

He was a fool. He gave her his name without even the slightest bit of effort. All it took was a coy smile and her best laugh, and he not only gave her his name but also shared a meal with her. He had broken two rules.

She wouldn’t come for him tonight, or tomorrow, or the next day. No, she would wait until he felt safe and secure, until he had forgotten the exchange they shared.

Then she would creep out of the woods, sneak into his study, and speak his name. After that, he would be hers forever.

M. Brandon Robbins

M. Brandon Robbins is a writer, gamer, and librarian who lives in Goldsboro, North Carolina. His work has appeared in Shotgun Horror Clips and Trembling With Fear. His short story “Heart of Stone” is available as a chapbook published by Demain Publishing. He blogs at writingscreams.blog.

The Test

“A test? You want to write a test? On the first day after the holidays?” The older teacher looked incredulous at his younger colleague. “They’ll tear you apart!” 

The young man nodded. “Sure. First day. Show them who’s boss.” 

The older teacher raised his eyebrows. Well,” he shrugged, “it’s your funeral.” 

As the young man turned and hurried into the classroom, his colleague stuck around in the hallway. The sounds inside the classroom quieted down for a moment. Then shouting erupted. Chairs scraped, feet shuffled. The noise grew – until it was pierced by his single scream of terror. 

Then, silence.

Johanna B. Stumpf

Johanna B. Stumpf is a German millennial, living in Norway. She holds a Ph.D. in Theoretical Computer Science and writes mostly weird, funny and feminist pieces. An overview of her past publications can be found on her website johannawritesstuff.wordpress.com.

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