Serial Saturday: A Touch of Fear by Zach Grant, Chapter Three

Chapter Three

I had hoped never to return to the university in my lifetime. As I approach in the dead of night, memories of guards and their strong arms wrap themselves around me like handcuffs. Sometimes, I wish those experiments never ended. That way, the accident wouldn’t have happened. She’d still be here. 

I follow the familiar route to the side entrance, locked by a fob scanner. A quick stop at home had allowed me to pick up the copy I made ten years ago when I managed to steal one from the head doctor. The punishment for my theft was twelve hours of searing pain, but those appear to have paid off. I scan the old fob, and with a flash of green, I’m in. 

The stairwell to the fourth-floor lab remains painfully similar to my day. Purple flowers speckle the off-white paint, leading up towards my agony. I focus on my feet, one step at a time, as I forge my path to the grand laboratory. The stairs open to a large plaque that’s new to me. The glass is clear with fine navy letters naming the researchers on the floor.

Dr. Ivory White

Dr. Desmond Li

Dr. Richard Heart

Dr. Brie Tyler

Pictures are displayed next to their titles, each smiling in a frustratingly professional manner. I recognize all but Dr. Tyler, who must have been hired after my time. I resist the urge to spit on the plaque and continue down the hall to the lab and offices. I peek into each dark room, my badge ready in the event of any caretakers or night dwellers. For all I know, the doctors have another subject they’re torturing once the moon rises. As I creep down the hall, a poster catches my eye—a research project by none other than Lara Henderson, dated a few years back. A bold title sits above the cluster of neuronal diagrams and charts: 

Fear: Poison or Prosperity? 

I scan the text for anything helpful in solving the author’s murder—any illicit references or backhanded comments towards faculty or research organizations. There’s nothing of the sort. It just appears to be a fine project about whether fear is useful in developing the human mind. I can certainly attest to its usefulness in solving murder cases, though I suspect that’s not what Lara had in mind. 

All that remains is the large oak door at the end of the passage—a door that’s plagued my nightmares for the past fifteen years. I draw my revolver, the metal cool against my sweaty palm. My breath comes in short rasps as I edge toward the lab entrance. My legs tremble and beg me to turn back or to call Rachel and insist she join me—anything to avoid entering that room alone. But I drain all anxiety from my brain with an image of Lara’s sightless eyes. It’s my responsibility to do this for her. I push open the door. 

The main lab is just as I remember it—normal. Standard benches poke from the walls, with shelves bending under stacks of pipette tips, beakers, and solutions labelled in black felt marker. The pungent stench of ethanol lingers as if someone recently disinfected the entire workspace. This is where the students do their work and, most likely, where Lara spends her days. But the door into the back is where I’m most familiar. 

The hidden laboratory is a freakish display of machines pulled straight from a horror movie. Long hospital beds and chairs with restraints sit beside large devices with nodes sticking out like strands of hair, slithering along the dark floor. A desk is situated near the back, where I picture the doctors sitting and observing my strapped body—listening to my screams of terror. There’s a wall of cubbies to my right, empty now, but that used to hold the dead bodies that they would force upon me. Corpse after corpse, they would flash at me, forcing me to relive hundreds of final moments—thousands of emotions evoked by every method of death imaginable. The despair re-enters my mind, as if it never left, weighing so hard on my soul that I stumble into a rolling bed. I take a deep breath and wipe the tears from my eyes. Now is no time to cry. 

I wade through the equipment to the main desk, scattered with notes. I refuse to sit where they’ve sat and choose to stand over the workspace as I inspect the scrawls. They don’t make much sense—just observations and ideas about fear and its roots. But there is one note that proves useful—a password. I enter it into the desk computer to discover folders of notes and videos. The first I see is labelled “Alan River.”

My finger hovers over the mousepad. Afternoon coffee creeps up my throat, stinging my tongue with acid and vomit. I click the first video. 

“Please! No more. I don’t want to do this. I want Liz. Please. I want Liz!”

My blood congeals at the sounds of my fourteen-year-old voice wailing. I close my eyes and exit the file before I can see anything else. Then I vomit into the trash can. Blood rushes to my head. My eyes pop from their sockets as tears and saliva drain down my chin. 

“Get ahold of yourself, Alan,” I mutter. “Find Lara.”

It takes all my strength to look back at the screen. I work some computing magic to locate the most recent open tab, or rather video. This one is labelled “Henderson.” 

I watch through squinted eyes as Lara screams at the top of her lungs. She’s strapped to the bed, her eyes closed with nodes protruding from her hair. A woman stands above her, inserting something into her victim’s arm. It’s the needle of a syringe. I can’t see her face when the doctor turns, but I’d know three of the four with my eyes closed. It isn’t any of them, which means it must be Dr. Tyler. 

I shut down the computer and scour the notes one last time. They’re all gibberish. I curse and swipe them from the table, blood pounding in my ears. Then, I spot one on the floor. It’s simple, only two sentences. But the few words still scare me worse than anything I’ve seen so far. 

It all comes back to River. He is the final piece. 

I scramble to dial Rachel’s number. Each ring hits me with a train of terror as my heart beats like a racehorse. She doesn’t answer. I call again, and this time someone picks up. 

“Rachel!” I stammer. “This is so messed up, you will never believe…” But I’m interrupted by an unfamiliar hiss that does not belong to my friend. 

“Hello, Alan. Solved the case already?”

I freeze as my ears buzz. “Who is this?” I demand. 

“I think you know. I need you, Alan. Stop poking around my lab. I think it’s time we had a little chat in person. Sending you the details. Come alone, or she dies.”

The line cuts to static. I’ve never heard that voice before, but I can guess who it belongs to. The same person I just saw in the video—the one at the bottom of the plaque, and the name of the Supervisor on Lara Henderson’s poster. Dr. Brie Tyler.

***

My sister Liz taught me more than anyone about the consequences of being afraid. Dr. Tyler has my only friend, and I’m frozen with fear, just like I was that day all those years ago—the day of the accident. The difference is that I refuse to remain paralyzed today. I swore an oath to Liz, and it’s about time I kept it. 

Tyler summons me to a warehouse thirty minutes out of town. I inform the department, but I have a head start, meaning that if Tyler bests me before they arrive, Rachel and I might both be done for. Perhaps it’s for the best, as her instructions were to come alone, but if I can’t beat her, we’re screwed.

The warehouse in question is the most stereotypical hideout I’ve ever seen. Graffiti decorates the exterior with painted murals depicting blood, bodies, and murder. A rather gruesome scene of a woman screaming sends a shiver down my back despite the warm summer breeze. I replace the paint with chalk drawings in my mind, imagining Liz colouring all over the grotesque designs. The thought gives me strength as I plow into danger.

The inside is dark and damp, with boxes stacked in sky-high piles, creating a cardboard maze. Mould clings to the corners and ceiling, spreading like leaking oil. I wind through the labyrinth, gun in hand, ready to shoot at every turn. The stench of rot, blood, and decay infiltrates my nostrils to join the aroma of fear. A small light peeks from the final turn. I raise my gun, but the force comes from behind. A figure emerges from the shadows. I see the whites of her wide eyes before everything goes dark.