Trembling With Fear 11-24-24

Greetings, children of the dark. Some quick reminders and parish notices for you before we get stuck in:

  • Our Christmas special is open for subs for another few weeks – make sure your story is absolutely, 100% verifiably tied to the season, please! Not just that it’s a bit cold.
  • We are very much closed to our regular short story submissions. I don’t like returning things unread, but please help us to help you and only submit when we’re open. 
  • Thanks to those who’ve heeded our plea for more drabbles. I’m behind on the inbox because ~life~ but I’ll get through it hopefully this weekend (and hopefully actually find time to train our new assistant so you don’t have to wait on me anymore!)

For now, though, it’s time for our weekly fare. For this week’s main course we head to Grandma’s house with Philip T Bond. That’s followed by the short, sharp speculations of:

  • DJ Tyrer’s game time,
  • Kyle Smith-Laird’s relationship problems, and
  • Rebecca Krouse’s purple palace.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“A Horror Short Story Collection by Josh Schlossberg

A hiker stumbles on a gruesome species undiscovered by science… An injury triggers an appalling new ability… A domestic pet holds a household in thrall… A human monster finally meets his match… Crimes against nature birth an abomination…

These and fifteen more tales make up WHERE THE SHADOWS ARE SHOWN, a short story collection by Josh Schlossberg (author of CHARWOOD and MALINAE), who guides you on a trek through the shadowy realms of biological and folk horror, supernatural and weird fiction.

So, lace up your boots, fill your water bottle, and put fresh batteries in the flashlight, because there’s not a chance in hell you’re getting back before dark.”

Support our sponsor and pick up Where The Shadows Are Shown today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all!

So, you may have noticed that we’ve gone silent on X over the past week. This decision was (surprisingly, if you know me) not political. They’ve finally started charging large-scale customers to use their APIs, and with how much our engagement has dropped there over the past two years, I just don’t have the time, energy, or motivation to search for an alternate way to auto-post to the platform. 

So, as always, we’re on all the other sites. 

Also, by the time you’ve read this, the cover for our delayed Trembling With Fear Year 7 should have been decided upon, and the next step is getting text on it. We’re getting there! Woohoo! 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Please, order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!
  • Be sure to follow us on both BlueSky and Threads!
 
 
Stuart Conover

Editor, Horror Tree

Philip T. Bond

In former lives he was an IT engineer, husband, librarian, and bartender. He graduated from a now-defunct high school in Seoul, South Korea, and holds a Spanish degree, for some reason. Follow on Instagram @philipt.bond

Incursion, by Philip T. Bond

One weekday morning, as on every weekday morning in the summer when Bethany Gunn was six years old, her mom dropped her off at her grandma’s house. And on this morning, as on every drop-off morning, Bethany’s mom didn’t wait around. While backing down the driveway, she waived and sped off to her teller job at a bank downtown.

Bethany loved going to her grandma’s house. There was a TV in the living room, but Grandma didn’t turn it on much. And if she did, then after about an hour she’d say, “Well, that’s enough of the idiot box,” and she’d get up and turn it off. Bethany was just fine with this. Her grandma read to her and taught her how to cook and sew, among lots of other things Bethany never got to do at home. The TV was always on at home.

That morning, Bethany let herself in through the always-unlocked front door and called, “Grandma, I’m here.” But her grandma didn’t appear from the kitchen as she always did, smiling, still wiping her hands on a towel or the bunched-up hem of her apron. As Bethany discovered on going upstairs, her grandma was still lying on her back in bed. Her eyes were half-open, slightly misaligned, and they didn’t move. Her teeth were still on the nightstand.

Bethany knew her grandma would not wake up, but that didn’t make her afraid. She didn’t know her mom’s work number, but 911 was a number she knew. She went back downstairs and stared at the phone on the wall in the kitchen then pushed a chair from the table over so she could reach the receiver. But instead of using the phone, she went to the living room and sat on the couch with one of her coloring books. She colored all afternoon until her mom came to get her. She never got up to eat or even to use the bathroom. Turning the TV on was far from her mind.

This sad, childhood memory had been in Bethany’s thoughts on and off since breakfast. And when she got home from work, bone tired and ready to crack a beer, the old memory came up again, as clear and insistent as it had been all day. It came up just as she put the key in the door to the duplex she shared with her husband, Hank, and their big tabby cat, Melvin. The memory came up then vaporized when Melvin shrieked from inside the duplex. As Bethany entered the tiny foyer, the cat’s screaming made her drop her purse and hurry up the staircase to the second floor.

At the top of the stairs, Hank’s phone lay facedown on the ugly, brown carpet, right outside the kitchen. Bethany crouched and saw that the screen was smashed, but smashed outward, as if something had punched it through from the inside. Surrounding the phone, on the carpet fibers, was a jagged halo of bluish glass dust. Bethany had just touched the edge of the phone’s protective plastic casing with her fingers when another cat shriek cut the air. She rose out of her crouch and looked past the short hallway into the living room, where the cat sound had come from. She could see the wall-mounted TV, parallel to her on the left, and the screen was dark. If Hank was here, why was the TV off? Bethany couldn’t see the couch, where Hank always lounged smoking pot after work, because it was on the recessed side of the room, opposite the TV. Bethany felt the urge to move but something stopped her. She tried to move several times but couldn’t do it.

“Hank? Babe, is everything okay? Did you know your phone was out here with the screen busted? Hank, what happened to your phone? Did you throw it?”

There was no answer from Hank, just a screech out of Melvin like guitar feedback. Concern for the cat finally forced Bethany to walk into the living room.  When she reached the TV, she turned and saw Hank on the couch. He had his eyes covered with his hands, and his mouth gaped wide open as if he were shouting, but no sound left his throat. The cat came out from under the couch just then, turned and hissed twice at Hank, then ran at Bethany and clawed up her bare leg, catching its front claws on the hem of her skirt. Bethany hiccupped in pain and grabbed the cat by his scruff, tore him loose, and held him against her chest.

Then she looked back at Hank. 

“Hank, what the hell’s going on? Why are you covering your eyes?”

Hank’s mouth didn’t move but stayed frozen wide open like his jaw had come unhinged.

“Why is the cat so – why are you covering your eyes, Hank?” Bethany could hear herself becoming upset, but nothing seemed immediately real yet, as if she were watching a video of the event from a place in the future.

Hands over his eyes, Hank appeared to scoot forward on the couch as if to get up. From where Bethany stood, it looked like Hank raised his butt off the couch while staying bent forward in a sitting position. It looked like the tips of Hank’s bare toes were the only thing supporting his entire, folded-over body. Bethany stared, expecting her head to catch up any second and resolve the illusion, but Hank kept floating forward. His toes left the floor and he kept floating forward like he was glued to an invisible chair bent almost parallel to the floor. Then Hank raised his face to her, bent his neck back beyond what seemed physically possible, and let his hands drop, his arms limp as shirtsleeves on a clothesline.

Bethany saw through Hank’s eye sockets.  She could see the little vase on top of the short, black bookcase she’d put in the corner of the room.

Bethany clutched Melvin to her chest and ran toward the front of the duplex. But when she reached the staircase to the foyer, she shrieked again, because Hank was somehow now floating just above her purse on the foyer floor. She didn’t stop but pivoted hard right, almost lost balance, then ripped up the long, straight staircase to the second floor, the cat screaming and tearing into her with all of its claws as she ran.

Upstairs, Bethany slammed the bedroom door shut and turned the little button on the knob. The cat clawed down her forearm, gouged her with its hind claws as it sprung to the floor, and dissolved under the bed. With her bloody forearm, Bethany cleared everything off the top of the chest of drawers in the corner and shoved the fat hunk of furniture across the room to blockade the door. 

She heard a scrape outside the door. She knew it must be Hank. She shuddered and started to cry, picturing Hank hanging in the air, right outside the door, his mouth like an open mailbox, the hallway behind him visible through his eye sockets.

She pulled her hair with both hands and shrieked, “Wake up! Wake up!” There was a rustle and scrape behind her, and a surge of sunlight as the window curtains, their shadows cast on the wall in front of her, billowed out, brightening the room for an instant. She brought her hand up to her mouth and bit into the meat below her thumb. Then she turned, expecting to see Hank, or what had been Hank, hovering behind her.

But her grandma stood there, right in front of the window, where the chest of drawers had been. She looked every bit like an actual living person.

“Sweetie, come here to me,” she said. “Do it now.”

Bethany stared in utter astonishment and could not bring herself to move.

“Please, there isn’t time,” her grandma pleaded, gesturing emphatically.

Bethany had just raised her hand into the air to touch her grandma’s extended fingers when she went blind. Her mouth dropped open like her jaw had come unhinged, and her feet rose several inches off the floor.

Bethany’s grandma dropped her gaze and her hands, fell back into the curtains, and as they parted, was absorbed into the sunlight.

Amazing

In the loft, old box of game cartridges plus console with no make indicated. Plug into old TV, insert a game, give it a go…

Dinosaur Maze. Well, the title says it all. Control a simple graphic of a man running through a labyrinth pursued by brontosaurus, triceratops, t-rex. Straightforward.

Make it to level 2 and graphics suddenly improve.

Level 3 is almost 3D.

Reach level 4 and it’s like you’re there.

Level 5… you are…

One moment, on the couch… the next, running for your life…

It can’t be real, yet feels it.

Teeth snap. Pain. Blood.

Game over.

DJ Tyrer

DJ Tyrer is the person behind Atlantean Publishing and has been widely published in anthologies and magazines around the world, such as Chilling Horror Short Stories (Flame Tree), All The Petty Myths (18th Wall), Steampunk Cthulhu (Chaosium), What Dwells Below (Sirens Call), The Horror Zine’s Book of Ghost Stories (Hellbound Books), and EOM: Equal Opportunity Madness (Otter Libris), and issues of Sirens Call, Occult Detective Magazine, parABnormal, Tales from the Magician’s Skull, and Weirdbook, and in addition, has a novella available in paperback and on the Kindle, The Yellow House (Dunhams Manor). You can follow their work on Facebook, on their blog or on the Atlantean Publishing website.

Scrape

“Did it get you?” he demanded. “I saw–”

“–It’s only a scrape,” she interrupted. “We’re so close. Please. It’s cloudy.”

He nodded, frowning. They hurried home through the dense woods. 

Stinging prickles burned inside her wound. Frowning, she itched, then peeked. Black, wiry hairs were sprouting like malignant vines. 

She rolled her sleeve down.

“You ok?”

“Yeah,” she lied.

They continued.

The clouds parted. Bright moonlight filtered through the wooden canopy. 

Her bones cracked, re-knitted; teeth twisted into fangs, claws erupted from fingernails, skin turned to pelt. She howled. 

He turned, realizing he’d never see the child she’d been carrying.

Kyle Smith-Laird

Kyle Smith-Laird is a queer writer in LA who loves artichokes, D&D, walking my dog, and dreaming in French. www.kylesmithlaird.com

The Purple House

A warm day in January. Papers signed, no words exchanged.

No questions asked.

Many entered, and now I have a home. 

Key in hand, and a bag of everything I own. 

Inside, darkness. And then purple.

The wallpaper, the furniture, the banister.

In the kitchen, rotting purple meat on purple counters.

Purple maggots squirming through the putrid flesh. 

I run upstairs, purple carpet muffling my steps.

In the bedroom, purple curtains. 

A purple vanity, a purple armoire. 

Inside the purple closet, a purple woman hanging, a purple noose around her purple neck. 

A purple smile painted across her purple face.

Rebecca Krouse

Rebecca Krouse (she/they) lives in Oklahoma where they work in higher education and is now working on a PhD. She received a master’s degree in educational leadership studies from Oklahoma State University where she researched the lived experiences of students in recovery. They are passionate about student advocacy, social justice, human rights, and furthering support and resources for hidden student populations. She enjoys writing poetry, drabbles, and short stories when she’s not painting, writing songs, or attempting to learn guitar. They aspire to help others, while teaching them how to amplify their own voices and to cultivate self-advocacy. 

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