Tagged: Flat Amount

Taking Submissions: For Those Who Deserve to Exist

Deadline: December 30th, 2021
Payment: $30 and a contributor’s copy
Theme: Reclamation by marginalized individuals. Rising up, overcoming, and righting (and rewriting) transgressions
Who Can Submit: Those who identify as a marginalized individual or a person from a marginalized community.

This new open call is one that is very special to us here at Inked. The past 10 months have felt like 30 years, and it seems in many ways we are going backwards instead of making progress. So this time, we’re going to grab a spot on the stage, demand the world make room. Our next anthology, aptly titled For Those Who Deserve to Exist, will be about marginalized folk, by marginalized folk.

We will be looking for passionate, visceral stories about rising up, overcoming, and righting (and rewriting) transgressions. The general theme is that of reclaiming narratives through the genres of horror, science fiction, and fantasy. In true Inked fashion: no sugar-coating, no watered down characters or situations. No punches pulled.

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Taking Submissions: Contrary Spring 2022 Issue

Deadline: March 1st, 2022
Payment: $20
Theme: We ask our fiction writers to imagine their readers navigating a story with one finger poised over a mouse button. Can your story stay that finger to the end?

“Turning words into art is unnatural. It begins with a contrary attitude. It says, I am unhappy with the way things are and desire to make things different. Rather than represent the world, I will make something wildly and savagely new. I will defy logic. I will invest in new perceptions. I will combine and recombine and fabricate and juggle until something that I have never experienced is experienced. The process is alchemical. The process is violent. It goes to the heart of creativity. It disrupts and shatters. It is splendid with provocation. It is an aggression against banality. It is sharp and loud like a janitor scraping frost from a window. The hectic bounce of steam on a street after a truck roars by. The anarchy of waters, the comedy of the face, dangerous feelings vented from a cage of skin.” ~ John Olson

Poetry — We believe poetry is contrary by nature, always defying, always tonguing the tang of novelty. We look especially for plurality of meaning, for dual reverberation of beauty and concern. Contrary’s poetry in particular often mimics the effects of fiction or commentary. We find ourselves enamored of prose poems because they are naturally contrary toward form – they tug on the forces of exposition or narrative – but prose poems remain the minority of all the poetic forms we publish. Please consider that Contrary receives vast amounts of poetry and that we can publish only a small percentage of that work. Please submit no more than three poems per issue. Our poetry editor is Shaindel Beers.
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Taking Submissions: Sherlock Holmes and Dr. Watson: Medical Mysteries

Deadline: February 15th, 2022
Payment: $100 and a paperback copy
Theme: Collection of traditional Sherlock Holmes stories that must somehow connect to the theme of “medical mystery”.

Sherlock Holmes and Dr. Watson: Medical Mysteries
Description: A collection of traditional Sherlock Holmes stories that must somehow connect to the theme of “medical mystery”. This could include Holmes investigating a crime committed at Bart’s hospital, having a nurse as a client, or figuring out the cause of a strange illness killing off some of London’s wealthiest citizens. The topic is quite broad on purpose and we invite authors to be creative with their submissions.
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Taking Submissions: Taking Submissions: Allegory Volume 41

Deadline: December 31st, 2021
Payment: $15
Theme: Speculative fiction, primarily horror, science fiction, and fantasy.
Note: Reprints welcome

Formatting Guidelines

This is proving to be a recurring problem, so we’re putting it up front. Please, for all our sakes, read this next part carefully.

All submissions should be sent by e-mail (no letters or telephone calls please) to [email protected]. Below are some formatting rules to help us process your submission more quickly.

EMAIL AND COVER LETTERS

Email is accepted in both text and HTML formats. When submitting, please put this in the subject line:

Submission: (Title) – (First and Last name)

Include the following in the body of the email and in the attached submission:

Your name
Name to use on the story (byline), if different
Your preferred email address
Your mailing address
The story’s title
The story’s word count

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Taking Submissions: The Land of 10,000 Crimes

Deadline: December 31st, 2021
Payment: $75 and a contributor’s copy
Theme: Mystery and Crime stories to be set in Minnesota or Minnesota adjacent (Wisconsin, Iowa, Canada, the Dakotas).

We are pleased to announce there will be a short story anthology for Bouchercon 2022 – The Land of 10,000 Crimes. Our goal is to raise money for the Women’s Prison Book Project. All of the proceeds, after publishing costs, will  go to the WPBP, along with the proceeds from our live and silent auctions.

 

 

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Ongoing Submissions: (mac)ro(mic)

Payment: $15
Theme: works that focus on expressing, not impressing

We want your heart, your soul, the pieces that are a part of you. We want stories that are worlds in words, pieces that tell a (mac)ro story in a (mic)ro word count. We want works that focus on expressing, not impressing. Above all else, we want stories that connect. Our only restrictions? It has to be either flash fiction or creative nonfiction, 1,000 words or less. Other than that, surprise us.

We pay $15 per accepted piece.

Got something that fits? Send it here.

Want to know more about what (mac)ro(mic) is looking for? Check out my interview with Jim Harrington of Six Questions For… here.

SQF: What are the top three things you look for in a submission and why?

NO: Honesty, voice, and clarity. I’m not picky when it comes to POV, tense, perspective, genre, etc. What it comes down to is that I’m looking for powerful work, and in my experience, powerful work comes from honesty. If not factual honesty in the form of creative nonfiction, then emotional honesty. I can tell when a writer really feels what they’re writing, when they’re pouring themselves into a story, and I can usually tell that within the first sentence or two. I live for that. After that, voice and clarity tend to tag along automatically when you’re writing with honesty.

SQF: What most often turns you off to a submission?

NO: The intent to impress rather than express. Vocabulary is great, and a witty style is fun to read, but it all has to be in service to the work. If it veers too far into look-ma-no-hands territory, it quickly takes me out of the story. Once immersion is lost, that’s pretty much it.

SQF: What do you look for in the opening paragraph(s)/stanza(s) of a submission?

NO: I look for a hook, a hint toward theme and tone, and a character/situation that I need to know more about. I tend to have one of my old college writing professors in my ear while I’m reading submissions, with questions like: Why does this story need to be told? And: Why now? I don’t need or want those questions to be answered right away, but I want to have some possible answers of my own when I finish the story. Also: never, ever, ever underestimate the power of an excellent first sentence.

Via: (mac)ro(mic).

Ongoing Submissions: Tabletops & Tentacles

Payment: $25 and a contributor’s copy
Theme: Fantasy, sci-fi, horror and noir themes.

T&T is a fiercely independent geek ‘zine which means two things: We are always looking for fresh voices and interesting takes on short fiction, columns and reviews. And we don’t have a lot of money, as the magazine is published out of the love of the geeky world we live in. That said, we believe in paying our contributors and will pay what we can. As more people discover the magazine, we will hopefully be able to increase the rates we pay contributors.

 

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Ongoing Submissions: Not Another Lit Mag

Payment: $15 per contribution
Theme: Film parodies of the 90s and early-2000s such as Scream (1996), Not Another Teen Movie (2001), Shrek (2001), Another Gay Movie (2006), and more, cement the idea that old tropes and references can be recreated into something new and fresh.

READING PERIOD

Not Another Lit Mag reads year round. The magazine publishes quarterly. Publication dates appear below. Decisions for subsequent issues are made the tenth of the previous month.

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