Deadline: June 1st, 2018
Payment: $250 for stories and essays and $75 for poems
SUBMITTING TO SLICE
SLICE magazine welcomes submissions for short fiction, nonfiction, and poetry. We’re looking for anyone with a fresh voice and a compelling story to share, and we are particularly enthusiastic about championing emerging voices. The best way to get a sense of Slice’s content is to read the magazine. You can subscribe here. At the core, Slice aims to bridge the gap between emerging and established authors by offering a space where both are published side-by-side. In each issue, a specific cultural theme becomes the catalyst for articles, interviews, stories, and poetry from renowned writers and lesser known voices alike. We offer all contributors of Slice a monetary award for their work ($250 for stories and essays and $75 for poems).
Our reading period is currently open. The reading period runs from April 1 – June 1, 2018. The theme is “Time.” All submissions during that time will be considered for Issue 24, which will be released spring 2019.
Click here to submit via Submittable, an online submissions manager.
Please note, we are unable to accept any submissions sent to us via email or post. The maximum word count for submissions is 5,000 words. Simultaneous submissions are acceptable as long as we’re notified immediately if the work is selected for publication elsewhere. All work should be previously unpublished. Please allow up to three months for us to reply to your submission.
VISUAL ART SUBMISSIONS
If you’d like to contribute art to Slice, please drop us a line at art at slicemagazine dot org and include either a link to your online portfolio or a PDF of recent work.
Via: Slice Magazine.
Deadline: May 28th, 2018
Payment: Prose- $0.02/word, $0.01/word after 500 words., Poetry- $0.50/line, $0.25/line after 20 lines.
Cross + Decay is now accepting work for Issue 2: (How To Survive In) The Woods. The deadline is May 28 2018.
Submission Guidelines: Cross+Decay is a literary and art magazine, welcoming poetry, prose, and artwork. The work must adhere to the issue’s theme, but it is up to the interpretation of the creator to decide what work best fits that theme and would be most relevant.
- Prose can be fiction or non-fiction, 500-1000 words (maximum 1000). Prose must be clearly formatted, and fully edited, including spell-checking and proper grammar. Previously published work is welcome, as long as rights have reverted back to the writer. Work exceeding 1000 words will automatically be rejected.
- Visual art can be of any medium, including photography and photographs of three-dimensional work. Work must be attached as .jpegs. Artists can submit their work with watermarks or as lower quality files, but the images must represent what the work would look like in print, and must be able to be sent as a high quality .jpeg if accepted (300 dpi, and at least 2000 pixels square).
- Creators are welcome to submit multiple works, but they must all be submitted at the same time, and within the same email.
Payment: Accepted creators will be paid for their work.
- Prose- $0.02/word, $0.01/word after 500 words.
- Poetry- $0.50/line, $0.25/line after 20 lines.
- Artwork- $15/selected digital file.
All creators will continue to have full rights to their work.
Please email submissions to [email protected], with full name, a short bio, and information relevant to understanding the work (if needed). If you have any further questions, please send an email to the above address.
Submissions close May 28 2018 at 11:59 PM MST. Late submissions are automatically rejected.
Via: Cross And Decay.
Deadline: May 26th, 2018
We’re now accepting submission for Issue 03! Submit on our submittable HERE.
Submission period is open from now until May 26th.
What kind of writing do we want to see?
We’re particularly interested in themes of healing and reclaiming, family and found family, communities and support systems, and quite plainly, love. We invite you to invent, reinvent, experiment, and bend or break the rules. Give us your big and your small, your subtle poetry and your speculative fiction, your political and your personal, your faith, identity, love, loss, and humanity. Our previous issues have featured works of poetry, fiction, and nonfiction that grapple with harsh realities of everything from social media to systemic oppression and inspire us to fight against these barriers.
All writers with pieces accepted will be rewarded $30 and will retain rights to their works. Wizards in Space seeks writers from all backgrounds, and all writers are encouraged to submit. Voices of color, nonbinary genders, the LGBTQ+ community–we are a safe place for your work. If it’s your original writing, submit it! Even if you’re not sure which category it fits into, or if it’s our style, or if it’s any good at all, submit your work! We promise to read every submission with kindness and an open mind
The best way to get a sense of what we’re looking for is to read through Issues 01 and 02, which you can order HERE.
- The nitty gritty:
- Please do not include your name or any identifying information in your submission or in the file name to help us comply with our anonymous submission process.
- No cover letters, please. You’ll have the chance to write a couple sentences about yourself when you submit.
- Previously published work is a-okay, as are simultaneous submissions. Just let us know where a piece has been published before, and we’ll be sure to credit it.
- Fiction, nonfiction, and cross-genre: one piece, up to 5000 words. Poetry: up to five pages. (Only one poem per page, please.)
- Typed, numbered, double-spaced pages are best.
- Please title all your pieces.
- We accept .doc and .docx file formats. If those formats are not accessible to you, we will accept pdf.
- Due to the personal nature of creative nonfiction, use discretion about using the names of real people in your work.
- If your work contains sensitive material, please include content warnings as necessary. We reserve the right to add or modify content warnings as part of our editing process.
Is there anything we’re not looking for?
- extreme profanity
- work that you, the writer, aren’t proud of
I’m a visual artist. Can I submit my work?
Yeah! Guidelines are on the submittable form for visual work!
How will the work be judged?
All writing is judge anonymously. If you have any questions or concerns about our judging process, chat with us!
I keep seeing the word “fandom” thrown around. Am I eligible to submit, even if I don’t feel like I fit that category?
YES! Our rule of thumb is if you’re bummed about not being eligible to submit, you’re eligible to submit. While this mag did grow out of the Harry Potter fandom as an organized group, over 35% of our Issue 01 writers did not identify as part of the fan community. We define a “fan” as someone who’s passionate about something – anything at all, from Star Wars to linguistics to college football – so if that’s you, we’d love to hear from you.
The format stuff
- Typed pages, double-spaced for prose, single-spaced for poetry.
- Please number your pages.
- Prose: Up to 5,000 words.
- Poetry: Up to 3 pages. Whether that’s five flash poems or one epic is up to you!
Photography & Art
- Highest resolution and best quality that you can get your hands on, please.
- We will accept art in JPEG, PNG or TIFF formats.
- All visual artwork must be at least 4.5’’ x 7’’ to fit in the book.
- All visual artwork must be 300 dpi.
A few more odds and ends
Please title all your work. I just did a reading where I said I never title my pieces but, I’m sorry, you’ll have to come up with a title. Please do not title your pieces with ¯\_(ツ)_/¯.
Content warnings must be included at the top of the work when submitted. If deemed necessary, content warnings may be added by the editorial team for publication.
A note on names: You are welcome to publish your work under whatever name honors you, chosen or given, or you can elect to be published anonymously due to the personal nature of a piece. You’ll be able to specify during the submission process. (We will still need your info for payment.)
Okay, but where do I actually submit?
Send us what you’ve got through Submittable!
What you’re agreeing to upon submission
Accepted work may be featured, along with your name and bio, on the Wizards in Space website and social media accounts. Please know you’re agreeing to this upon submission.
Writing may be edited and we reserve the right to publish our edited version without your prior approval. But we’re very good at what we do, so don’t worry.
Writers keep all rights to their work. We ask that if your piece has yet to be published online or in other publication that you cite Wizards in Space Literary Magazine as its original home, but you should be able to post and repost your beautiful stories and experiences as much as you want. That’s just like, our opinion, dude.
Any questions or concerns about our submission process? Feel free to drop us a line.
Good luck! Thank you! May the space wizards always come down from the stars and bless you when you sneeze.
Via: Wizards in Space Literary Magazine.
Payment: $5 per published submission
How to Submit to Slink Chunk Press
We use Submittable as our submission’s manager, so please submit via hereand not via email. All general queries can be directed [email protected]
When submitting, please include a short bio, just a few sentences about yourself, which we will use if your story is accepted! No cover letter is required, although you can include any places other work has previously been accepted in your bio if you would like (this is not mandatory.)
Things we think are really cool (in no particular order):
– magical realism
– urban fantasy and science fiction
– alternative depictions of women and men in these settings
– alternative depictions of women and men in general
– LGBTQIA lit
– non-binary MCs
– diversity in race and ability of protagonists
– steam punk
– made up words
– not being homophobic, transphobic, ableist, racist, or a misogynist
If you can tick at least two of those boxes (the last one is pretty much mandatory), please, send us your art for consideration!
What we accept:
Flash Fiction: min 500 – max 1,000
Short Fiction: min: 1,000- max 3,000
Poetry: 1-5 poems
Creative Non Fiction: max 3000
We’re not sticklers for length,but please try to keep within a couple of hundred words of the suggested limit (just remember that this is an online platform).
Paintings and or Photographs: There’s no real restriction on numbers here, you can submit one piece, or a whole series of pieces. Just don’t send us your entire iPhone camera roll!
Videos: We’re talking readings, performances, songs, rants, animations, you name it! We prefer videos to be submitted via Submittable in mp4 format.
However, if you’re video is already hosted and you would like us to feature it, please email the link to [email protected] If your video is yet to be filmed, and you would like to pitch it to us before creating it, please email us at the same address.
Comics: We are so keen to have web-comics on board! Ideally we’d like something short, say 6 pages max, but this is certainly up for negotiation; perhaps we could publish a longer comic over a series of issues, or if we really, REALLY like it, serialization could also be an option.
AND FINALLY: If your creation is cross-medium (eg. text and photos, collage etc.) and doesn’t fit into any of these categories, but you still think it would be a good fit for Slink Chunk Press, pitch it to us at [email protected]
Slink Chunk Story Time:
Slink Chunk Press will be inviting some of the writers published in the launching issue to read their stories via Google Hangout. Everyone will get a chance to read, we will talk about why we liked the story/why it was chosen for the issue/other general fun things. Readers of Slink Chunk Press will be able to watch via YouTube (this will be moderated by the EIC because the internet can be a scary place). Think of it as a magical, writer-ly slumber party. And if you have a character that has, say, a very distinct appearance, or expresses themselves in an aesthetically interesting way, you could perhaps channel that during your reading. In other words, dressing up as your character is certainly an option because dressing up is AWESOME and highly encouraged. FUN!
And a few other important things…
– We are currently interested in unpublished work. If you are published in an issue of Slink Chunk Press, and then wish to publish it elsewhere afterwards, please feel free to do so! Just be sure to acknowledge Slink Chunk Press as the original site of publication.
– Simultaneous submissions are accepted, just please let us know if your piece has been accepted elsewhere.
– If you have hosted the piece on a personal blog, art sharing site such as deviantART, or YouTube, please let us know in the body of your submission. We will still consider it for publication, but may request that you give us a shout out on these platforms and through your other social media networks. We’ll ask nicely, promise!
– Slink Chunk Press is not for profit, with all funds being channeled into paying our contributors. Currently, we offer a flat rate of $5 per published submission (if you are submitting multiple poems as a collection, they will be counted as one submission). We know it’s not much, we wish we could pay you what your stories are worth.
– All Publishing Rights are returned to the author on the event of their piece’s submission.
Via: Slink Chunk Press.
Deadline: May 1st, 2018
Payment: $25.00 – $50.00 for fiction, $5.00 – $10.00 for poetry
“I wanted you to be the first to know,” Rowan tentatively confided in me.
Due date: May 1, 2018
We love the fact that writers around the world are inspired by our first lines, and we know that not every story will be sent to us. However, we ask that you do not submit stories starting with our first lines to other journals (or post them online on public sites) until we’ve notified you as to our decision (usually two to three weeks after the deadline). When the entire premise of the publication revolves around one sentence, we don’t want it to look as if we stole that sentence from another writer. If you have questions, feel free to drop us a line.
(Also, we understand that writers may add our first line to a story they are currently working on or have already completed, and that’s cool. But please do not add our first line to a previously published story and submit it to us. We do not accept previously published stories, even if they have been repurposed for our first lines.)
One more thing while I’ve got you here: Writers compete against one another for magazine space, so, technically, every literary magazine is running a contest. There are, however, literary magazines that run traditional contests, where they charge entry fees and rank the winners. We do not – nor will we ever – charge a submission fee, nor do we rank our stories in order of importance. Occasionally, we run contests to help come up with new first lines, or we run fun, gimmicky competitions for free stuff, but the actual journal is not a contest in the traditional sense.
Fiction: All stories must be written with the first line provided. The line cannot be altered in any way, unless otherwise noted by the editors. The story should be between 300 and 5,000 words (this is more like a guideline and not a hard-and-fast rule; going over or under the word count won’t get your story tossed from the slush pile). The sentences can be found on the home page of The First Line’s Web site, as well as in the prior issue. Note: We are open to all genres. We try to make TFL as eclectic as possible.
Non-Fiction: 500-800 word critical essays about your favorite first line from a literary work.
All Stories: Writers should include a two- to three-sentence biography of themselves that will appear in the magazine should their story run.
Multiple Submissions: We don’t mind if you want to submit multiple stories for the same issue. However, it is unlikely we will use more than one of your stories in the same issue.
Four-Part Stories: If you think you are up to the challenge, you can write a four-part story that uses the spring, summer, fall, and winter sentences. However, all the parts must be submitted at once (a single e-mail or snail mail) before the February 1st deadline. (If selected, each part will be published in its respective issue.)
Submissions: We prefer you send manuscripts via e-mail to submission (@) thefirstline (dot) com. We accept stories in MS Word or Word Perfect format (we prefer attachments). Please do not send pdf versions of your story or links to Google docs. Make sure your name and contact information, as well as your bio, are part of the attachment. Stories also can be sent to The First Line‘s post office box. No manuscripts will be returned without an accompanying SASE with sufficient return postage. Here is the submission schedule for 2017:
Leo massaged the back of his neck, thankful the meeting was finally over.
Due date: February 1, 2018
“I wanted you to be the first to know,” Rowan tentatively confided in me.
Due date: May 1, 2018
The window was open just enough to let in the cool night air.
Due date: August 1, 2018
As she trudged down the alley, Cenessa saw a small _________________. [Fill in the blank.]
Due date: November 1, 2018
Notification: We don’t make decisions about stories until after each issue closes. We typically send notices out within two to three weeks after the issue’s deadline to everyone who submitted a story. You can also check the home page of the Web site as we will indicate each issue’s production status there.
Payment: We pay on publication: $25.00 – $50.00 for fiction, $5.00 – $10.00 for poetry, and $25.00 for nonfiction (all U.S. dollars). We also send you a copy of the issue in which your piece appears. You’ll receive your money and issue at the same time.
Note to our international writers: Postage cost for sending author copies overseas is becoming outrageous, so we are reducing international author payment by the amount it would cost to send one author copy overseas. However, if you would like to receive an electronic version of the issue (PDF) instead of a hard copy, author payment will not change.
Via: The First Line.
Payment: 1 cent ($.01) per word to a maximum of $50. Poetry pays $20 flat.
- Nonfiction from 2,000 to 7,500 words. Scholarly and/or critical articles pertaining to Ligotti or associated authors (see below). As for contemporary authors to add to this list, Livia Llewelyn, S.P. Miskowski, Matthew M. Bartlett, T. E. D. Klein, Gemma Files, Ramsey Campbell, Allyson Bird, Laird Barron, Nicole Cushing, Mark Samuels, and many more have produced work that we would love to see subjected to intelligent critical analysis and discussion.
- Literary Horror Fiction from 750-6,000 words. Note: We are looking for original work inspired by Ligottian and/or related themes (regarding which, see the list on our main page).
- Poetry at a length of no more than 50 lines, dealing with subjects and themes that fall within our area of interest.
- Artwork that similarly addresses our subject matter.
The following authors and their work are of especial interest to Vastarien:
- Charles Baudelaire
- Thomas Bernhard
- Aloysius Bertrand
- J.L. Borges
- William S. Burroughs
- Angela Carter
- Louis Ferdinand Celine
- E.M. Cioran
- Charlotte Perkins Gilman
- Douglas Harding
- Shirley Jackson
- U.G. Krishnamurti
- H.P. Lovecraft
- Vladimir Nabokov
- Emile Nelligan
- Michael Persinger
- Edgar Allan Poe
- Maurice Rollinat
- Arthur Schopenhauer
- Bruno Schulz
- Paul Valery
- Peter Wessel Zapffe
LENGTH: See the specific guidelines above for length requirements for different types of submissions. Additionally, in no case will a submission over 7,500 words be considered for publication without prior approval. Words subject to inclusion in the overall word count shall include the body of the submission and any explanatory footnotes; citations shall not be included in the overall word count.
PAYMENT AND RIGHTS: We pay 1 cent ($.01) per word for nonfiction and prose fiction, to a maximum of $50. Poetry pays $20 flat. Payment for artwork is negotiable. We purchase first serial and electronic rights. Upon publication, rights revert to the author, but we retain the right to continue selling back issues of the journal and the right to archive your work online.
HOW TO SUBMIT: Submission is via Submittable only:
ACCEPTABLE FILE TYPES: DOC, DOCx, and RTF
RESPONSE TIME: We aim to respond to submissions within two weeks (though final selection can take longer). If you have waited longer than 60 days, feel free to query us at [email protected], with QUERY plus the title of your submitted work in the subject line.
INTERNATIONAL AUTHORS: Vastarien welcomes submissions from authors outside the United States.
DIVERSITY STATEMENT: Vastarien believes in promoting a range of excellent writing and artwork from authors of diverse backgrounds, genders and sexual orientations. We encourage submissions from authors and artists traditionally underrepresented in horror and pieces that reflect these varying perspectives.
VASTARIEN DOES NOT ACCEPT THE FOLLOWING:
- Multiple submissions
- Unsolicited reprints (defined as essays, articles, stories, or poems that have already appeared anywhere online or in any other published form)
Via: Vastarien Journal.