Deadline: June 30th, 2019
Payment: Between $0.04 and $0.08/word, depending on factors listed below
Note: Reprints, poetry accepted
Following our guidelines does not guarantee that we will accept your story, but ignoring them does guarantee that your submission may be returned without receiving the attention it deserves.
At DreamForge, our goal is to publish positive science and fantasy fiction. (That’s about it, but if you want to know more, you can check out our Rules of Fiction page.)
What Are We Looking For?
Space opera, urban fantasy, military sf, magical realms, hard science fiction, sword & sorcery, time travel, cyberpunk, steampunk, hopepunk, and whatever else comes before punk. Parables, poetry, zombies, and vampires are also welcome. No horror please.
- Yes to communities and teams working together to overcome dire challenges.
- Yes to marginalized and under-represented characters as protagonists.
- Yes to science and magic that solve problems, alleviate suffering, and boldly explore new possibilities.
- No to corrupt, dystopian governments or evil corporations.
- No Horror, please
- Stories set before, during, or after an “apocalypse” are more likely than not to be rejected.
- Tone down the violence, profanity, and sex
Shorter is better!
If you submit a story over 5,000 words, it has to be amazing to get very far in the review process. We want variety in each issue, and longer your story, the less variety we can print.
Overall, we will consider the following word counts:
- Flash Fiction & Poetry: 100 – 1500 words
- Short Stories: 2,000 – 7,500 words
- Novelettes: 7,500 – 12,000 words.
Deadline: March 31st, 2020
Organic Ink: Volume Three (Poetry) (Not Rated)
- Deadline – March 31st, 2020
- Publication – June 2020
- Word Count – Word count limit has been revoked.
- Theme – There is no theme for this anthology. Poetry about love, hate, greed, depression, etc. Haikus, epics, etc.
* Introduction of yourself should be a short biography in 3rd Person between 100-250 words. Upon acceptance, this will be used within the anthology. Send a bio with every single anthology submission. We work with hundreds of authors and will not take time to retrieve yours from a previous anthology.
* Poetry submissions: All poetry needs to be contained within a single e-mail. Each poem should be in a separate document. Haikus may be grouped together.
* All e-mails should be addressed to “Dear Editor.”
After receiving edits back, the author has two weeks to return the submission for formatting.
All submissions will be reviewed within thirty (30) days of the anthology’s submission deadline. This ensures submission calls do not close early and gives everyone a chance to submit. You will know your submission has been received for consideration by receiving a generic response. Whether accepted or rejected, you will always receive a response.
View our blog post on the topic of how to submit to a publisher.
Failure to submit following all of the guidelines will result in an immediate refusal. You are able to submit again before the submission call deadline.
Deadline: May 31st, 2019
In anthropological terms, liminality is the midpoint of a ritual: the threshold where a person is no longer quite who they were, not yet who they might become. In between masks, what face might you have? What might you be in transit? Where will you go? Everything is possible in that moment; change is its own goal. Liminality is the space between.
Liminality is an online quarterly magazine of speculative poetry edited by Shira Lipkin and Mattie Joiner. We are very pleased to meet you. We’re looking for speculative literary poems that touch the heart as much as the head; poems of the liminal, the fluid, and the fantastic. We’d love to see work that shifts shape, refuses to be to be easily pinned down or categorised. We actively welcome diversity; we want to hear new as well as established voices. Tell us tales we thought we knew, the way only you can tell them. Give us new myths.
Liminality pays $10 per poem, for first worldwide publication rights and non-exclusive anthology rights.
We will be open:
April 1 – May 31
July 1 – August 31
October 1 – November 30
To submit, send up to five poems to liminalitypoetry AT gmail.com with the subject line “SUBMISSION – [your name]”. Please include your poems in the body of the e-mail; if you have formatting that makes that untenable, you may attach the poem as an .rtf. You may send up to five poems per reading period. We do not accept reprints or simultaneous submissions. (If the poem has been publicly viewable online, yes, it would be a reprint.) “Dear Editors”, “Dear Mattie and Shira”, and “Dear Shira and Mattie” are all fine as forms of address.
Deadline: June 15th, 2019
The Journal of Compressed Creative Arts is looking for, as you might guess, “compressed creative arts.” We accept fiction, creative nonfiction, poetry, mixed media, visual arts, and even kitchen sinks, if they are compressed in some way. Work is published weekly, without labels, and the labels here only exist to help us determine its best readers.
Our response time is generally 1-3 days. Also, our acceptance rate is currently about 1% of submissions. We pay writers $50 per accepted piece and signed contract.
We are open for compressed poetry, compressed prose fiction (including prose poetry), and compressed creative nonfiction during two reading periods: September 15 – December 15 & March 15 – June 15.
The reader for your submission is, during this current round of submissions, the managing editor.
Please be sure to submit in the correct category; we’ve been receiving several fiction submissions in the creative nonfiction category.
Deadline: May 5th, 2019
Switchblade is an outlaw fiction print anthologyfeaturing authors writing in the hardboiled/noir genre, and nothing else. So think Richard Stark, Ross MacDonald, Jim Thompson, Don Winslow, Ken Bruen, James Ellroy, Lawrence Block, Iceberg Slim, Max Allan Collins, Christa Faust. (just to name a few) We don’t do cozies. We don’t do procedurals. We’re not a literary magazine, and we don’t do other genres. That said, we will consider noir/crime fiction ranging from the early twentieth century up to present day. Aside from that, we are a no limit hardboiled fiction journal—we publish the kind of stories no one else will consider. Back in the day there was a Nynex yellow pages ad campaign that went like this: if it’s out there, it’s in here—that’s how we feel. The world is filled with deviance, and good hardboiled fiction reflects that. We like strong characters, and good story telling, and we will not reject anyone based on mainstream morality. Amoral protagonists are encouraged. We will not however, publish masturbation fodder for masochistic pedophiles. We’re not interested in torture-porn erotica. But if you’ve got a deplorable protagonist, and there’s a good story—we’ll print it.
**Submissions for 2019**
Our next reading period will be
MARCH 10th to MAY 5th
For the 2019 Cybrerpunk themed Special Issue ONLY
Switchblade: Tech Noir
Content. Rural noir is fine (very popular right now) but we love urban noir too. Urban being the setting.(not a reference to the racial demographic–any racial demographic is fine) We do mob stories. And not just Russian mob stories. Got a tight piece of fiction about the Sicilian mob in Jersey—we’ll look at it. Anyone who thinks the Italian Mafia (LCN) in America evaporated into thin air after the John Gotti trial, hasn’t spent any time in Philadelphia. That said—if it reads like a Sopranosscript or Goodfellas fan fiction, it’s going right into the trash bin. Make it original. If I open up a story about an Irish mob guy from Chuckytown (Charlestown), and his name is Blackey—it better be one hell of a story.
Just like the other guys, we’re not interested in clichés. Serial killers are boring to me. Heist plots are also going to be a tough sell. We like Michael Mann’s “Heat”, and Stanley Kubrick’s “The Killing” as much as the next guy, but as I’ve stated, we’re looking for originality, first and foremost. We love suspense. We like tension, and we like tightly written, gritty fiction with a twist (or two). If you really want to know what we’re all about, and to see what kind of stories end up in the pages of Switchblade, do yourself a favor and pick up a copy of our latest issue. For $7.99 it’s a real steal.
Formatting. Our motto is quick and dirty: we’re looking for short fiction: 2,000 to 4,500 words. We’re also seeking flash fiction with a maximum of 1,000 words. Please put “fiction submission” and the title of the story in the subject line. Include a cover letter in the body of the email as well as a brief (100 word max)third-person biography. No Revised Drafts: The first draft you submit (upon selection) is the draft we print. So proofread your work before you submit.
No simultaneous submissions. Address your cover letter to “Dear editor at Switchblade…” We’re not the big five, but we expect some professionalism. Please wait 30 days after the submissions deadline before querying about the status of a submission.
Please set tab indentations for paragraphs at .25” Response time: We don’t send out “received” emails. Please allow up to three weeks after the end of the posted reading period before querying about the status of your submission. Send your story in standard manuscript format, double spaced as an attached Microsoft Word document (.doc or .rtf) to switchblademagsubmissions (at) gmail (dot) com
Payment: We’re now upping the ante. (a little) Each selected contributing author will now receive a payment of $15 (via Pay Pal)we are no longer including contributor copies as payment. Payment is per contributor, not per story. So whether we print your story, or poem, or both, you will receive a one time payment of $15. Payment for artwork will be $15 per page*(with a maximum of 4 pages)
Artwork: Please put “Artwork Submission” in the subject line of the email. We are currently seeking gritty-themed artwork featuring urban blight, femme fatales, juvenile delinquents, enforcers, shady characters, choppers, hotrods, and of course switchblade knives. Artwork should be submitted either as a link to your online portfolio, or as an attached JPEG file (at least 200 DPI)
Poems: We are also seeking noir poems (no more than a page) Please include “poetry submission” in the subject line of the email.
Rights: Switchblade claims the following publication rights: First English-language Rights, English-language Periodical Rights, World Periodical Rights, and Electronic Distribution Rights. All rights revert back to the author six months after initial publication. ShouldSwitchblade choose to create an anthology of previously published work, new rights will be negotiated.
Reprints: We are not accepting any reprints at this time.
Find us on *twitter: https://twitter.com/SwitchbladeMag
Follow us on instagram: switchblademagazine
Don’t bother looking for us on Facebook. We don’t associate with social media platforms that censor advertisements or posts.
*Please do not submit fiction through twitter