Category: Poetry

Poetry

Taking Submissions: AGNI Online

Deadline: May 31st, 2021
Payment: $10 per printed (or printed-out) page for accepted prose, and $20 per page for accepted poetry, up to a maximum of $150 and 2 contributors copies
Theme: This has to be literature. They don’t print genre work but you can borrow from genre work for your story.

Essentials to remember

Reading
period
September 1st
– May 31st
Response
time
Two to four
months
Submission
methods
Electronic and
postal
Simultaneous
submissions
Accepted
Word
limit
No hard-and-fast
length limit

We look for writing that catches experience before the crusts of habit form—poetry and prose that resist ideas about what a certain kind of writing “should do.” We seek out writers who tell their truths in their own words and convince us as we read that we’ve found something no one else could have written.

When to submit

AGNI welcomes manuscripts between September 1st and May 31st. Submissions mailed in June, July, or August will be returned unread, provided sufficient return postage is included.

Things to know when submitting

  • Nearly everything we publish is unsolicited.
  • We encourage submissions from writers of all identities, living anywhere, published and unpublished.
  • We will not consider writing that has already been published in English, whether in a book, magazine, newspaper, or on an app, a website, a social media feed, or a publicly accessible online community.
  • We consider only work written in English or translated into English.
  • We have no word limits, though space is at a premium and length sometimes affects our decisions.
  • We do not publish genre romance, horror, mystery, or science fiction; however, we are open to writing that borrows elements from any of these.
  • We will consider excerpts if they read as if they were meant to stand alone.
  • We are interested in personal essays, think-pieces, memoir, prose poems, formal poems, blank verse, free verse, short stories, and short shorts; we do not publish academic essays or purely journalistic writing.
  • Though we rely on student interns for many things, they are not involved in considering submissions. All manuscripts are read by masthead editors.
  • Our blog features posts by writers who have appeared previously in AGNI or AGNI Online.
  • You can familiarize yourself with the magazine by ordering a recent print issue or by perusing the writing that appears here. This site includes selected pieces from our decades of print issues and everything we’ve published at AGNI Online since its inauguration in 2002.

Some requests

  • Please send only one story, one essay, or up to five poems, and please wait for our reply before sending more. As soon as we respond, you can feel free to submit again during a reading period.
  • Please use page numbers and, if you are submitting prose, double-space your document.
  • Please do not submit revisions of work we’ve already considered.
  • If you submit on paper and want us to reply by mail, please enclose a stamped, addressed envelope (SAE). If the envelope is large enough and you include sufficient postage, we will return the manuscript; otherwise, it will be recycled. If you’d like to be notified by email only, please include your email address and skip the SAE.
  • Do not email your work; we do not read or consider emailed submissions.
  • Feel free to submit the same work to other magazines simultaneously. If your entire submission is accepted elsewhere, please log in to your online account and withdraw using the link there—or, if you’ve submitted by mail, or if only a portion of your submission has been taken elsewhere, please contact us with a quick withdrawal note.
  • Do not mail your work to us in the months of June, July, or August. The online portal is also closed during those months.
  • Do not send us your only copy; we cannot accept responsibility for your manuscript.
  • Please do not contact us about your submission until four months have passed. We work hard to respond within two, but we’re not always able. After four months, please contact us right away if you have not received a reply.

WHERE to send:

If you’d rather not submit through our free online portal, please address your envelope to the Fiction Editor, Poetry Editor, or Nonfiction Editor and mail to:

AGNI Magazine
Boston University
236 Bay State Road
Boston, MA 02215

Regular post is fine. There is no advantage to sending a more expensive way.

Purchasing rights

All submissions are considered for both print and online publication.

We buy first worldwide serial rights and pay $10 per printed (or printed-out) page for accepted prose, and $20 per page for accepted poetry, up to a maximum of $150. We also give a year’s subscription to AGNI. In the case of print publication, each contributor receives two copies of the issue their work appears in, and we send up to four additional copies to friends or family.

Blog publication, which is limited to writers who have previously appeared in AGNI or AGNI Online, is unpaid.

Via: Agni Online.

Taking Submissions: Rattle – Neurodiversity Special

Deadline: October 15th, 2020
Payment: $200 per poem and a complimentary print subscription
Theme: Neurodiversity

#71 – Spring 2021 – Neurodiversity

Poetry: Our Spring 2021 issue will feature a tribute to neurodiversity. Neurodiversity is a concept that respects neurological differences as variations of the human brain and seeks to redefine these variations in a positive way, rather than stigmatizing them. ADHD, Dyslexia, Autistic Spectrum, and Tourette Syndrome fall under the umbrella of neurodiversity, to name a few. For the purpose of this issue, we encourage submissions from people with neurological differences who support, and/or identify with, the idea of neurodiversity. Poems may be written on any subject, in any style or length, but the poet must be a person with neurological differences. Our intention is to highlight a diverse and powerful community of writers that is often marginalized and mischaracterized. Please be sure to select the Tribute to Neurodiversity category.

Artwork: We still need cover art for this issue and would like to use work by an artist who identifies as neurodiverse. To submit something relevant to the theme, use the artwork category on Submittable.

Deadline: October 15, 2020

Via: Rattle.

Ongoing Submissions: Rattle – General Poetry

Payment: $200 if accepted for a print issue, $100 if accepted for online publication.
Theme: Poetry of all shapes and sizes

Rattle publishes unsolicited poetry and translations of poetry.

Submissions are open year-round, always welcomed, and always free. Despite their growing prevalence in the literary community, we do not believe in submission fees and never will.

Rattle does not accept work that has been previously published, in print or online (we do NOT consider self-publishing to blogs, message boards, or social media as publication with respect to this rule).

Simultaneous submissions are encouraged. If the work is accepted elsewhere, just add a note through Submittable, or, if you submitted in hard copy, email to let us know. We don’t publish anything without your signature, anyway; if another journal beats us to the punch, congratulations!

Contributors in print receive $200/poem and a complimentary one-year subscription to the magazine. Online contributors receive $100/poem.

All free submissions are automatically considered for the annual Neil Postman Award for Metaphor, a $2,000 prize judged by the editors.

Quick Options:
Submittable / Postal

Poems

We like poems of any length. Send up to four poems at a time. We’re looking for poems that move us, that might make us laugh or cry, or teach us something new. We like both free verse and traditional forms—we try to publish a representative mix of what we receive. We read a lot of poems, and only those that are unique, insightful, and musical stand out—regardless of style. Since our issues include about 70 pages of poetry, one of the main things we’re looking for is diversity; we have enough room to be eclectic, and we plan on using it. So while most magazines suggest reading their back issues to get a sense of what they like to publish, we’d suggest reading to get a sense of what we’re having trouble finding—if you notice a style or subject matter that we don’t seem to be publishing, send us that!

Rattle publishes about 300 poems each year, and almost all of them come from unsolicited submissions. Your submissions keep us going, and we always appreciate them.

Required Information

Please include this information with each submission:

Name, Mailing Address, Phone Number, Email address

If submitting electronically, use the appropriate fields when you upload your file on Submittable, but avoid including your name or contact information anywhere within the file itself. If submitting by mail, only include your name and contact information in the cover letter, not above the poems. We ignore the poet’s name while reading submissions to be as fair as possible, and this makes it easier.

In addition, please send a short contributor note for the author. Your note should tell us who you are and why you love poetry. Our notes section is something that makes issues of Rattle unique, and many say it’s as fun to read as the poetry itself. Contributor notes should be in the first person, and follow the format of this sample:

Erik Campbell: “One afternoon in the summer of 1994 I was driving to work and I heard Garrison Keillor read Stephen Dunn’s poem ‘Tenderness’ on The Writer’s Almanac. After he finished the poem I pulled my car over and sat for some time. I had to. That is why I write poems. I want to make somebody else late for work.” (email address, web address, or Twitter handle goes here at the end if you’d like it included)

Notes in this form are only needed upon acceptance—it doesn’t have to be included with each submission, though we would enjoy it.

Please keep in mind that submitting to Rattle implies an interest in the magazine, and anyone who submits will be added to our mailing list to receive occasional updates on new issues, events, and calls for submissions. We never buy, sell, trade, or share your information with anyone. View our Privacy Policy for more information. You may opt out of our mailing list at any time, in writing or with an email to:

Payment

Payment for print publication (from us to you in exchange for your work) is $200 and a complimentary one-year subscription to the magazine, including the issue in which your work appears. Contributors also may pre-order additional copies of their issue at our cost to produce. Payment for online-only work is $100.

Rights & Rules

All rights revert to the authors upon publication. To get technical, we require First Rights, meaning we want to be the first publisher to present the poems to the public. This means that we won’t consider poems that have been published in books, magazines, or newspapers, in print or online. We will, however, consider poems that have only been self-published to blogs, message boards, or social media accounts.

Though authors do retain all rights to their work, we post everything we publish on the back-issues section of the website after print publication, and so require Non-Exclusive Electronic Rights.

Response Time

Response times vary greatly, depending on volume and where we are in the production schedule, and can take anywhere from one to six months, and sometimes longer. Please do not query; we reply to every submission. You can check the status of electronic submissions any time by logging in to your account at Submittable.com.

Revisions

Please note that it is not possible to revise a poem while it’s being considered. If we decide we’d like to publish any of them, you will have an opportunity to revise author galleys at that time. Please proof-read your work carefully before you submit—but only for the sake of your own sanity. Typos happen; we don’t frivolously discard poems because of them.

Option #1: Submittable (preferred)

Submittable is so convenient for everyone, and the vast majority of submissions have been coming this way, so we’d much prefer if you submit online using this system, which allows you to track the submission and ensures that your poems will never get lost in the mail. If you are able to submit electronically, please use Submittable’s online submission manager:

submit

 

Option #2: Postal

We much prefer to receive submissions online, but not everyone has internet access (for example, those writing from prison), so this remains an option. Please use Submittable if at all possible. If you need to send your poems by post, don’t hesitate, but please note that poems cannot be returned, and we no longer reply to postal submissions unless to offer publication. There is no need to include a return envelope. Simply include your mailing address and phone number, and we will reach you if anything is accepted for possible publication.

Send the submission directly to our office:

Rattle
12411 Ventura Blvd.
Studio City, CA 91604

Via: Rattle.

Taking Submissions: The First Line – Winter 2020

Deadline: November 1st, 2020
Payment: $25.00 – $50.00 for fiction, $5.00 – $10.00 for poetry
Theme: Story must begin with:

Winter:
Loud music filled the room, making it hard to hear anything else.
Due date: November 1, 2020

We love that writers around the world are inspired by our first lines, and we know that not every story will be sent to us. However, we ask that you do not submit stories starting with our first lines to other journals (or post them online on public sites) until we’ve notified you as to our decision (usually three to four weeks after the deadline). When the entire premise of the publication revolves around one sentence, we don’t want it to look as if we stole that sentence from another writer. If you have questions, feel free to drop us a line.

Also, we understand that writers may add our first line to a story they are currently working on or have already completed, and that’s cool. But please do not add our first line to a previously published story and submit it to us. We do not accept previously published stories, even if they have been repurposed for our first lines.

One more thing while I’ve got you here: Writers compete against one another for magazine space, so, technically, every literary magazine is running a contest. There are, however, literary magazines that run traditional contests, where they charge entry fees and rank the winners. We do not – nor will we ever – charge a submission fee, nor do we rank our stories in order of importance. Occasionally, we run contests to help come up with new first lines, or we run fun, gimmicky competitions for free stuff, but the actual journal is not a contest in the traditional sense.

Fiction: All stories must be written with the first line provided. The line cannot be altered in any way, unless otherwise noted by the editors. The story should be between 300 and 5,000 words (this is more like a guideline and not a hard-and-fast rule; going over or under the word count won’t get your story tossed from the slush pile). The sentences can be found on the home page of The First Line’s Web site, as well as in the prior issue. Note: We are open to all genres. We try to make TFL as eclectic as possible.

Non-Fiction: 500-800 word critical essays about your favorite first line from a literary work.

All Stories: Writers should include a two- to three-sentence biography of themselves that will appear in the magazine should their story run.

Multiple Submissions: We don’t mind if you want to submit multiple stories for the same issue. However, it is unlikely we will use more than one of your stories in the same issue.

Four-Part Stories: If you think you are up to the challenge, you can write a four-part story that uses the spring, summer, fall, and winter sentences. However, all the parts must be submitted at once (a single e-mail or snail mail) before the February 1st deadline. (If selected, each part will be published in its respective issue.)

Submissions: We prefer you send manuscripts via e-mail to submission (@) thefirstline (dot) com. We accept stories in MS Word or Word Perfect format (we prefer attachments). Please do not send pdf versions of your story or links to Google docs. Make sure your name and contact information, as well as your bio, are part of the attachment. Stories also can be sent to The First Line‘s post office box. No manuscripts will be returned without an accompanying SASE with sufficient return postage. Here is the submission schedule for 2020:

Spring:
Ravi had just worked a double shift and was having trouble keeping his eyes open.
Due date: February 1, 2020

Summer:
The door was locked.
Due date: May 1, 2020

Fall:
The Simmons public library was a melting pot of the haves and have-nots, a mixture of homeless people and the wealthy older residents of the nearby neighborhood.
Due date: August 1, 2020

Winter:
Loud music filled the room, making it hard to hear anything else.
Due date: November 1, 2020

Notification: We don’t make decisions about stories until after each issue closes. We typically send notices out within three to four weeks after the issue’s deadline to everyone who submitted a story. You can also check the home page of the website as we will indicate each issue’s production status there.

Payment: We pay on publication: $25.00 – $50.00 for fiction, $5.00 – $10.00 for poetry, and $25.00 for nonfiction (all U.S. dollars). We also send you a copy of the issue in which your piece appears. You’ll receive your money and issue at the same time.

Note to our international writers: Postage cost for sending author copies overseas is becoming outrageous, so we are reducing international author payment by the amount it would cost to send one author copy overseas. However, if you would like to receive an electronic version of the issue (PDF) instead of a hard copy, author payment will not change.

Via: The First Line.

Taking Submissions: The Wire’s Dream Magazine

Deadline: September 2nd, 2020
Payment: $5
Theme: Stories that expand our shared narratives of experience by recognizing and giving value to our greatest resource — each other

TWD Magazine accepts original, unseen creative work in the following categories:

  • Fiction
  • Creative Nonfiction
  • Poetry
  • Art
  • Photography
  • Combined Work

Work must be original and unseen. Please do not send work that has already been published or is pending publication. Simultaneous submissions are acceptable. There is no creative limitation on the style of work submitted. There are no fees for submission. No work submitted by a third-party (i.e. a public relations firm) on a contributor’s behalf will be considered without an authorized release affidavit signed by the represented party. No exceptions.

NEW: Accepted Contributors will receive a $5 payment for their work. A max of 2 Contributors per category will be featured.

General Guidelines

Submission Period:
January 1st to March 1st (Summer Issue)
Reading Period: March 2nd to April 30th
Tentative Digital Magazine Release: June 30th**

July 1st to September 1st (Winter Issue)
Reading Period: September 2nd to October 30th
Tentative Digital Magazine Release: December 31st**

**Dates are subject to change due to volume of submissions received; may be delayed by a week or two.

Cover Letter
Subject: Name of Category, Your Full Name (Or Pen Name)

Body: Brief introduction, short bio (300 words max) with publication links (if applicable). No bio picture. Please indicate if your submission is simultaneous and at what date it was first submitted elsewhere.

PayPal to Accept $5 Payment: If work is accepted, please be prepared to provide a valid PayPal email address where you would like to receive your payment. Until further notice, only electronic payments via PayPal will be made; no paper checks will be issued.

Complimentary Close: Your full name declares that your submission adheres to TWD Magazine submission guidelines.
Attachments: Please read specific category guidelines.

Specific Category Guidelines

Fiction
1 – 2 pieces per submission
300 – 1500 words each
Word document (.doc, .docx) or PDF only

Creative Nonfiction
1 piece per submission
500 – 2500 words
Word document (.doc, .docx) or PDF only

Poetry
1 – 3 poems per submission
Each poem must be no longer than 2 pages
Word document (.doc, .docx) or PDF only

Art
1 – 3 high quality images per submission
Please provide a 300 word project intent
Resolution 150 or higher
PNG only

Photography
1 – 3 high quality images per submission
Please provide a 300 word project intent
Resolution 150 or higher
JPG or PNG only

Combined Works
Works that are primarily visual, follow guidelines for Art or Photography
Works that are primarily text based, follow guidelines for Fiction

Electronic Agreement

All submissions are considered and read in the order in which they are received. By submitting, you authenticate that your work is your own. You also give the editor permission to use your work for future print, creative, and/or promotional purposes. NOTE: TWD Magazine works to promote YOU, the creator. Your voice and perspective are valued here.

Respect & Value

Please consider that all published work must adhere to The Black Lion Journal’s Credo. With this in mind, pieces that are explicitly construed as openly offensive, violent, sexist, racist, hateful, and/or hurtful to any person(s) or group(s) will not be considered and will be deleted.

NOTE: The editor reserves the right to amend and/or modify this page with any updates.

Via: The Black Lion’s Submittable.

Taking Submissions: THEMA – The Other Virginia

Deadline: November 1st, 2020
Payment: short story, $25; short-short piece (up to 1000 words), $10; poem, $10
Theme: The Other Virginia

The Other Virginia (November 1, 2020)

To download a PDF file of the guidelines, click here .

ALL SHORT STORIES, ESSAYS, POEMS, PHOTOGRAPHS and ART MUST RELATE TO ONE OF THE PREMISES SPECIFIED ABOVE.

NOTE: Previously published pieces are welcome, provided that the submission fits the theme and that the author owns the copyright.

The premise (target theme) must be an integral part of the plot, not necessarily the central theme but not merely incidental. Fewer than 20 double-spaced typewritten pages preferred. Indicate premise (target theme) on title page. Be sure to Indicate target theme in cover letter or on first page of manuscript. Include self-addressed, stamped envelope (SASE) with each submission. Rejected manuscripts unaccompanied by an SASE will not be returned. Response time: 3 months after premise deadline.  NO READER’S FEE.

Mail to: THEMA, Box 8747, Metairie, LA 70011-8747.

Outside the US: email [email protected]

On acceptance for publication, we will pay the following amount: short story, $25; short-short piece (up to 1000 words), $10; poem, $10; artwork, $25 for cover, $10 for interior page display.

Copyright reverts to author after publication.

THEMA isn’t for everyone. To find out why, click here.

New to submitting manuscripts to journals?
Click here to download a PDF file of a few basic guidelines.

Unlike many publishers, we prefer works submitted by the authors themselves, without the involvement of an agent.

Be sure to indicate premise and include SASE for each submission.  BE SURE to include a separate SASE for each premise.

No handwritten manuscripts will be considered.

NOTE:

We do not accept e-mailed submissions EXCEPT from authors who live outside the U.S.

For those living outside the U.S., submit manuscript as an email attachment (readable by MSWord ― either as a DOC file or an RTF file), and include the following information on the title page: target theme, title of work, name of author, email address and physical address.

 

Short Stories: All types welcome―both traditional and experimental

Send to: Virginia Howard, editor, Box 8747, Metairie, LA 70011-8747

Outside the US: email to Virginia Howard at [email protected]

What we like: a carefully constructed plot; good character delineation; clever plot twists

What we don’t like: bedroom/bathroom profanity.  Why?

  • It’s boring! Writers should be more creative than to depend on the same tired and dubious language crutches to express surprise, disdain, shock, bemusement, anger, sadness, and other emotions.
  • Such profanity, used in excess, often serves as a camouflage for a weak plot. If the plot is good, the story can be told much more effectively in nonscatologic language even though a character in the story may be sleazy.
  • Stories of lasting quality rarely need it.

Poetry: All types of poetic form welcome. Submit no more than three poems per theme, please. If more than three poems are submitted, we will read only the first three poems in the stack.

Send to: Gail Howard, poetry editor, Box 8747, Metairie, LA 70011-8747

Outside the US: email to Gail Howard at [email protected]

What we like: poems that are thoughtfully constructed and carefully distilled.

What we don’t like: sexually explicit wording. Subtlety is more creative.

Via: Thema.

Ongoing Submissions: Fourteen Poems

Payment: £25
Theme: Poetry
Note: LGBT+ poets

New queer poetry is in an exciting place, whether on social media, poetry reading groups or slam poetry live gigs.

We want to represent all thats thrilling about the new wave of LGBT+ poets. If you’re a poet, even if you’ve never been published before, we want to read your work.

Every issue we publish 14 of the best queer poems we’ve found, and we want to include you! We publish 4 times a year, but take submissions all year round.

To be considered, email up to 5 poems, preferably in a pdf format, with a small paragraph about yourself to [email protected].

We’re based in London, but you can be from anywhere. We particularly encourage Black and other POC queer writers to submit. We pay £25 for each poem published. Submission is free and you retain your copyright. We know how difficult it is to get published, so we’re happy for you to submit elsewhere simultaneously.

Via: Fourteen Poems.

Ongoing Submissions: Anathema

Payment: $100 (CAD) for fiction and non-fiction, $50 (CAD) for poetry.
Theme: Must have some speculative content, however slight. No restriction on genre.
Note: You must be a queer/two-spirit person of colour/Indigenous/Aboriginal* to submit

Who Can Submit?

You must be a queer/two-spirit person of colour/Indigenous/Aboriginal* to submit to Anathema.

 

Windows and Response Times

 

Anathema is open to unsolicited submissions year round.

Our first round response time is usually under 8 weeks; please query after 8 weeks if you haven’t heard from us.

 

Fiction, Non-Fiction, and Poetry

 

Fiction: 1,500-6,000 words (soft min/max, but please within that general range). Original fiction only, no reprints. Must have some speculative content, however slight. No restriction on genre.

Non-Fiction: 1,500-3,000 words (soft min/max, but please within that general range). Original content only, no reprints.

Poetry: Under 100 lines, any form — traditional, free, and/or experimental. (Prose poetry may exceed this stated limit). Original content only, no reprints. Must have some speculative content, however slight.

Simultaneous Submissions: Yes. Please do notify us if you sell your sub somewhere else so we can remove it from consideration.

Multiple Submissions: No for fiction/non-fiction. Yes for poetry (maximum two), included in same email.

Payment: $100 (CAD) for fiction and non-fiction, $50 (CAD) for poetry. Paid on publication. We pay primarily through PayPal, but will arrange other payment methods as necessary.

Rights: First Electronic Rights (Online and eBook). 4 Months exclusivity from date of publication, archiving unless requested to remove story/non-fiction by author. An exemption to the exclusivity period above is granted for reprinting of work in Year’s Best and other annuals and related volumes, author collections, and as otherwise agreed upon by both the publisher and the author.

 

Process and Queries (Fiction, Non-Fiction)

 

Submissions: Address your e-mails to anathemaspec [at] gmail [dot] com. Please use the Subject line “Submission: [Your Story Title]”. Please attach your manuscript file as a .doc, .docx, or .rtf only. We ask that you use Standard Manuscript Formatting when preparing your file. If you wish to pitch us on a non-fiction project instead of submitting a completed piece, please query as below.

Queries: Address your e-mails to anathemaspec [at] gmail [dot] com. If sending a general query, please use the Subject Line “Query: [Your Question]”. If querying about the status of a fiction/non-fiction/poetry submission, please use the Subject line “Query: [Your Submission Title]”. We try and keep all responses under eight weeks, but sometimes subs go into our spam, and sometimes our responses apparently get eaten by spam filters on the other end. So if we’re late sending you a response don’t hesitate to query.

Cover Letters: It’s easiest just to address us as either “Dear Editors” or “Dear Michael, Andrew, and Chinelo.” Please include your name and the pronouns you’d like us to refer to you by, the length of your story (word count), and a note on how you self-identify for inclusion in Anathema. Full bio and/or publication history (if any, and you don’t need to be published already to submit anything to us) are optional.

 

Cover Art

 

Format: Portfolio previews/links thereto preferred, rather than single piece submissions.

Original/Reprint: We are open to both original and reprint art for use as cover art for our issues. We consider it fairer to purchase reprint art given our pay rate, but are always happy to consider original art if you’re comfortable with that rate.

Payment: $200 (CAD) for cover art, paid at time of purchase of use. We pay primarily through PayPal, but will arrange other payment methods as necessary.

Rights: Electronic Rights (Online and eBook).

 

Process and Queries (Cover Art)

 

Submissions: Address your e-mails to anathemaspec [at] gmail [dot] com. Please use the Subject line “Submission: [Cover Art], [Your Name]”. If including images in your submission please use thumbnails with links to larger work or portfolios.

Queries: If you need to query about cover art for any reason and are not submitting art for consideration, please use the Subject line “Query: [Re Cover Art – Your Question]”.

Cover Letters: It’s easiest just to address us as either “Dear Editors” or “Dear Michael, Andrew, and Chinelo.” Please include your name and the pronouns you’d like us to refer to you by, and a note on how you self-identify for inclusion in Anathema. You do not need to have sold any of your art previously in order to submit work for consideration.

 

General Notes

 

* We’re using the above phrasing for brevity’s sake, but we’re open to submissions from people anywhere along the LGBT/LGBTQ/LGBTQIA2 spectrum (including Two Spirit, pan, poly, ace, aro, nonbinary, genderfluid, genderqueer, and other queer orientations not covered here) who are also people of colour, biracial, multiracial, Indigenous, Aboriginal, or otherwise non-white.

We are open to international submissions, and are especially interested in submissions from all marginalized groups. As long as you fall under the broad spectrum of our mandate we want to see your work, so please don’t self-reject.

All of our content is free to read online. In order to support the magazine we sell eBooks of each issue individually and sell subscriptions.

We are open to any form of genre or speculative content. We talk about what we do as “SF/F/H, the weird, slipstream, surrealism, fabulism, and more,” elsewhere on the site. But we are not limited to those genres. Use them as a starting point and send whatever you want: as long as it’s got some kind of speculative content we’ll consider it. And we are also interested in seeing work that has been difficult to place because of content or perspective.

We can only accept fiction, non-fiction, and poetry submissions in English at this time. Also, as we only accept original fiction and non-fiction, we apologize that we can’t consider work previously published in another language and submitted in English translation.

If you have a question not covered anywhere here, please do not hesitate to query us at the e-mail address above.

Via: Anathema.

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