Taking Submissions: THEMA: What a Strange Question!

Deadline: November 1st, 2019
Payment: short story, $25; short-short piece (up to 1000 words), $10; poem, $10; artwork, $25 for cover, $10 for interior page display.

Upcoming premises (target themes) and deadlines for submission [postmarked]:

What a Strange Question! [November 1, 2019]

To download a PDF file of the guidelines, click here .

ALL SHORT STORIES, ESSAYS, POEMS, PHOTOGRAPHS and ART MUST RELATE TO ONE OF THE PREMISES SPECIFIED ABOVE.

NOTE: Previously published pieces are welcome, provided that the submission fits the theme and that the author owns the copyright.

The premise (target theme) must be an integral part of the plot, not necessarily the central theme but not merely incidental. Fewer than 20 double-spaced typewritten pages preferred. Indicate premise (target theme) on title page. Be sure to Indicate target theme in cover letter or on first page of manuscript. Include self-addressed, stamped envelope (SASE) with each submission. Rejected manuscripts unaccompanied by an SASE will not be returned. Response time: 3 months after premise deadline. NO READER’S FEE.

Mail to: THEMA, Box 8747, Metairie, LA 70011-8747.

Outside the US: email [email protected]

On acceptance for publication, we will pay the following amount: short story, $25; short-short piece (up to 1000 words), $10; poem, $10; artwork, $25 for cover, $10 for interior page display.

Copyright reverts to author after publication.

THEMA isn’t for everyone. To find out why, click here.

New to submitting manuscripts to journals?
Click here to download a PDF file of a few basic guidelines.

Unlike many publishers, we prefer works submitted by the authors themselves, without the involvement of an agent.

Be sure to indicate premise and include SASE for each submission. BE SURE to include a separate SASE for each premise.

No handwritten manuscripts will be considered.

NOTE:

We do not accept e-mailed submissions EXCEPT from authors who live outside the U.S.

For those living outside the U.S., submit manuscript as an email attachment (readable by MSWord either as a DOC file or an RTF file), and include the following information on the title page: target theme, title of work, name of author, email address and physical address.

 


Short Stories: All types welcomeboth traditional and experimental

Send to: Virginia Howard, editor, Box 8747, Metairie, LA 70011-8747

Outside the US: email to Virginia Howard at [email protected]

What we like: a carefully constructed plot; good character delineation; clever plot twists

What we don’t like: bedroom/bathroom profanity. Why?

  • It’s boring! Writers should be more creative than to depend on the same tired and dubious language crutches to express surprise, disdain, shock, bemusement, anger, sadness, and other emotions.
  • Such profanity, used in excess, often serves as a camouflage for a weak plot. If the plot is good, the story can be told much more effectively in nonscatologic language even though a character in the story may be sleazy.
  • Stories of lasting quality rarely need it.

Poetry: All types of poetic form welcome. Submit no more than three poems per theme, please. If more than three poems are submitted, we will read only the first three poems in the stack.

Send to: Gail Howard, poetry editor, Box 8747, Metairie, LA 70011-8747

Outside the US: email to Gail Howard at [email protected]

What we like: poems that are thoughtfully constructed and carefully distilled.

What we don’t like: sexually explicit wording. Subtlety is more creative.

Art and Photography: Now accepting color illustrations and photographs for cover, and black and white illustrations and photographs for interior display. Submit 5″x7″ photograph of artwork.

Send to: Virginia Howard, editor, Box 8747, Metairie, LA 70011-8747

Outside the US: email to Virginia Howard at [email protected]ia: THEMA.

Via: THEMA.

Taking Submissions: Liminality Poetry Magazine

Deadline: August 31st, 2019
Payment: $10

In anthropological terms, liminality is the midpoint of a ritual: the threshold where a person is no longer quite who they were, not yet who they might become. In between masks, what face might you have? What might you be in transit? Where will you go? Everything is possible in that moment; change is its own goal. Liminality is the space between.

Liminality is an online quarterly magazine of speculative poetry edited by Shira Lipkin (co-founded and co-edited through our third year by Mattie Joiner). We are very pleased to meet you. We’re looking for speculative literary poems that touch the heart as much as the head; poems of the liminal, the fluid, and the fantastic. We’d love to see work that shifts shape, refuses to be to be easily pinned down or categorised. We actively welcome diversity; we want to hear new as well as established voices. Tell us tales we thought we knew, the way only you can tell them. Give us new myths.

Liminality pays $10 per poem, for first worldwide publication rights and non-exclusive anthology rights.

We will be open:
April 1 – May 31
July 1 – August 31
October 1 – November 30

To submit, send up to five poems to liminalitypoetry AT gmail.com with the subject line “SUBMISSION – [your name]”. Please include your poems in the body of the e-mail; if you have formatting that makes that untenable, you may attach the poem as an .rtf. You may send up to five poems per reading period. We do not accept reprints or simultaneous submissions. (If the poem has been publicly viewable online, yes, it would be a reprint.) “Dear Editor”, “Dear Shira”, and “Dear Mx. Lipkin” are all fine as forms of address.

Via: Liminality.

Taking Submissions: The Literary Hatchet

Deadline:November 1st, 2019
Payment: FICTION, SHORT STORIES: 500-6,000 words — $10

The Literary Hatchet is a journal devoted to provocative fiction, poetry and prose. We are interested in well-written but digestible works in any genre (except erotica).

We will consider previously published material but prefer original works.

We accept short fiction, flash fiction, first-person narratives, speculative fiction, short stories, poetry, photography, art, cartoons, and illustrations.

We’re interested in new angles on old ideas, or topics that don’t get covered frequently. We like to showcase articles that don’t just sum up some issue but make us think and make us want to read further.

The above is not exhaustive. If you don’t have an immediate idea for a piece, but you’d really like to write for us, let us know and be prepared to show us work you’ve done. We can always think of subjects!


WHAT WE DON’T WANT

We do not accept erotica, either as articles or images
We do not accept articles or images with excessive crude language or outlandish sexual humor
We cannot consider partial or incomplete stories or essays
We do not accept Haiku poetry, unless as a part of a collection of five or more


GUIDELINES BY TYPE OF SUBMISSIONSHORT STORIES:

We accept short stories from 500-6,000 words in length. Feel free to contact us with inquiries about the type of stories we might be interested in if you are in doubt. We appreciate the well-written work, and acceptance is determined by whether the piece grabs the editor and holds their interest. We consider works of general fiction as well as horror, dark subjects, detective fiction, and stories about monsters, either real or imaginary.

POETRY:
We are looking for high-quality extraordinary poems (both serious and humorous) that explore the darkness that resides in each of us. Personal pieces that offer a self-reflection are acceptable.

ART, PHOTOGRAPHY, CARTOONS, AND ILLUSTRATIONS:
All submitted art and illustrations must be in 300 dpi, JPG or GIF formats and no larger than 1200 X 1200 pixels.

INTERVIEWS:
If you would like to interview someone our readers would find interesting (including, but not limited to, authors, celebrities, relatives of Borden case members, experts in a related field of study), you can submit your idea to us for approval.


COMPENSATION, RIGHTS, AND LENGTH

RIGHTS: By submission of your work, you are agreeing to The Hatchet and its publisher PearTree Press holding exclusive first-printing world rights for a period of 6 months. While your piece is online, it may not appear anywhere else on the Internet, in print, or sold for profit. Rights revert back to the writer/artist at the end of 6 months.

We ask, but do not require, that you then give us non-exclusive electronic rights to include your work in our archives after it is rotated off the issue. You have the right to remove your article from the archives at any point after 6 months.

COMPENSATION AND LENGTH REQUIREMENTS: We pay compensation for almost all work accepted for publication. Payment is made upon publication. Checks are sent by mail. Foreign contributors can choose to be paid by check (US dollars), PayPal or Amazon Gift Card.

FICTION, SHORT STORIES:

  • 500-6,000 words — $10

INTERVIEWS and REVIEWS:

  • compensation is paid to the person conducting the interview — $5

POETRY:

  • we prefer poetry under 100 lines — $5

ART/ILLUSTRATIONS:

  • in JPG or GIF format only — $5

FIRST PERSON STORIES:

  • 250-750 words — $1

HOW TO SUBMIT

We buy exclusive first-printing world rights for 6 months.

Submissions must be made via Submittable.com

Electronic submissions should be as an attached MSWord or AppleWorks file. Do not include the text of your submission within the email.

Multiple submissions are accepted.

No simultaneous submissions accepted.


RESPONSE TIME

Average response time is about 30 days. If you don’t hear from us in 30 days, please query.


EDITING POLICY

We prefer not to edit heavily. If we like your idea, but feel that your article needs significant editing, we’ll send it back to you with lots of suggestions and recommendations. We will correct all typos, grammatical errors, and adjust punctuation to our house style. If we make any substantial changes we will contact you first for approval well in advance of publication.

If we cannot contact you or you do not return our emails, we will assume that you have withdrawn your submission. Feel free to resubmit it at a later date.

We prefer poetry under 100 lines. Please don’t send us poetry unless you have thoroughly proofread it. Accepted submissions may be edited for clarity or to correct minor errors. Poetry submissions which do not meet minimum standards for correct spelling will be rejected.

HOW TO CONTACT US

SUBMISSIONS: Submissions must be made via this link: Submittable.com

or write us at

PearTree Press
328 French Street
Suite #2
Fall River, MA 02720

The Literary Hatchet is open for submissions and we financially compensate our authors and artists for their works.

You can submit more than one work per issue, but please send each submission individually.

SUBMISSION DEADLINES:
March 1 (publication date April/May)
July 1 (publication date August/September)
November 1 (publication date December/January)

Via: The Literary Hatchet.

Taking Submissions: Consequence Magazine

Deadline: August 31st, 2019
Payment: Prose: $10 per page ($250 maximum), Poetry: $25 per page

CONSEQUENCE is an independent, international literary magazine. Annually in the spring we publish a print edition that includes short fiction, poetry, non-fiction, interviews, visual art, and reviews focused on the culture and consequences of war.

WRITERS whose work has appeared in the magazine include Peter Balakian, Bob Shacochis, Fanny Howe, Phil Klay, Afaa Michael Weaver, Askold Melnyczuk, Tom Sleigh, Anne Germanacos, Yusef Komunyakaa, Dan O’Brien, Martha Collins, Sven Birkerts, Margaret Luongo, David Abrams,  Ed Ochester, Jill McDonough, Christopher Lydon, Bruce Weigl, Lee Hancock, Fred Marchant, Brian Turner, Homero Aridjis, Martha Cooley, George Kalogeris, and Richard Hoffman.

SUBMISSIONS are welcome during the reading period between May 1st and  August 31st. We do not consider work previously published in English.  All unsolicited work must be submitted through our website’s submissions portal: www.Consequencemagazine.org/submit.  We do not accept mailed or e-mailed submissions.

For fiction and non-fiction: please submit one piece of no more than 5,000 words.

For poetry: please submit up to three poems of any length.

Translations are considered when permissions have been obtained.

Simultaneous submissions are welcome and encouraged, but if your work is accepted elsewhere, please let us know immediately.

Each submission may be accepted for publication in the print edition of CONSEQUENCE  and CONSEQUENCE Online.

CONSEQUENCE is an independent, non-profi magazine, and a 501(c)(3) charitable organization. We pay $10 per page for prose work, $25 per page for poetry, and $15 per page for translations that we commission. For the print magazine, we offer a contributor’s copy and a gift copy of the issue.

Address: CONSEQUENCE Magazine
P. O. Box 323
Cohasset, MA 02025-0323

Reading period: May 1 – August 31, 2019.

CONSEQUENCE is an independent, non-profit literary magazine published annually. We publish short fiction, poetry, non-fiction, interviews, visual art, and reviews primarily focused on the culture of war.

We do not consider previously published work.

Online Submissions Only.

Please submit one piece of no more than 5,000 words. Translations are acceptable if the author’s permission has been granted.

Simultaneous submissions are welcome and encouraged, but if your work is accepted elsewhere, please let us know immediately.

Each submission may be accepted for publication in the print edition of CONSEQUENCE and CONSEQUENCE Online.

CONSEQUENCE is an independent, non-profit magazine, and a 501(c)(3) charitable organization.

We’re pleased to announce we now compensate writers for their work.

  • Poetry: $25 per page
  • Prose: $10 per page ($250 maximum)
  • Translations:$15 per page ($250 maximum)

Via: Consequence Magazine’s Submittable.

Taking Submissions SubTerrain #84

Deadline: September 6th, 2019
Payment: Poetry: $50 per poem , Prose: $.10 per word (to a maximum of $500.)

subTerrain publishes original fiction, poetry, creative nonfiction, essays, and commentary three times a year. Submissions must be previously unpublished material. (Note maximum number of submissions per issue in General Guidelines below.)

subTerrain welcomes submissions from both emerging and established authors. We are happy to consider work from all corners of the identity spectrum, including works by underrepresented writers, including but not limited to writers who are indigenous, of colour, immigrants, women, LGBTQI+, low-income, no-income, and writers with disabilities. Submitters are welcome to state demographics such as race, age, gender, etc. in their cover letter if they so choose.

WINTER
1984 Revisited (#84) — For our 84th issue we plan to pay homage to the dystopian world that was depicted in George Orwell’s novel 1984. A revisit and analysis of Orwell’s world as depicted in his seminal dystopian novel, along with other complementary dystopian works and reviews, will form the over-arching theme for our Winter 2019 issue. In a time of growing uncertainty about the future, readers have been turning to dystopian classics. As reported in the NY Times, January 2017, “The Handmaid’s Tale is among several classic dystopian novels that seem to be resonating with readers at a moment of heightened anxiety about the state of American democracy. Sales have also risen drastically for George Orwell’s Animal Farm and 1984, which shot to the top of Amazon’s best-seller list.

Other novels that today’s readers may not have picked up since high school but have landed on the top reading lists recently are Aldous Huxley’s 1932 novel, Brave New World, a futuristic dystopian story set in England in 2540; and Sinclair Lewis’s 1935 novel It Can’t Happen Here, a satire about a bellicose presidential candidate who runs on a populist platform in the United States but turns out to be a fascist demagogue.” This issue will also offer us the opportunity to reflect on the state of American democracy and Canada’s own rise of alt-right Conservatism.

DEADLINE FOR SUBMISSIONS: September 6, 2019
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Ongoing Submissions: Pretty Cool Poetry Thing

Payment: $10 to $20 and a contributors copy

at this time, we only accept poetry. maybe in the future, we’ll do other things, but the nature of printing on index cards makes space a severe factor. so sorry.

WHAT WE NEED FROM YOU

send 3 to 5 poems to [email protected] with a max of 300 words per poem, along with a 2 to 3 sentence bio written in the third person with your pronouns. send as one .doc/.docx file.

cover letter preferred. give us a preamble. give us a joke. write it in swedish. have fun with it!

simultaneous submissions allowed, but please inform us if accepted elsewhere. previously published poems are not accepted at this time. it’s ok if it’s on your blog though!

please follow the length guidelines closely! we’re working with index cards, so space is tight and we’d hate to reject a masterpiece because we can’t fit it.

WHAT YOU GET FROM US

if we accept your poem, we get one-time print publishing rights, then the rights go back to you.

we pay. depending on sales / number of poets, the amount will fall between $10 to $20. it’s not much, but it’s not zero!

and of course, you get a contributor’s copy. i mean, of course.

Via: Pretty Cool Poetry Thing.

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