Submissions for the horror collection THE EDGE: INFINITE DARKNESS, the second book in The Edge series, are now open. Submissions should be sent to [email protected]m.
Send your story as a message, not an attachment, and include a short bio about yourself above the story so we can get to know you.
Format your submission title as: “Darkness Submission – Title – Author Name”. Please edit your story before sending it because if I can’t read it, I won’t. (NO REPRINTS – NO REPRINTS – NO REPRINTS)
Pay: 1 cent a word (7,000 words = $70 = 0.01 x 7,000)
Requirements: 500-7,000 words a story – multiple submissions are allowed within reason, spam is not allowed. My only rule vs multiple submissions is more of a warning than a rule. If I don’t like the first submission, then I can’t promise I will read the following submissions.
Timeline: Submissions will be viewed until either May 1st or the book reaches its goal length, whichever comes first. That is, unless the stories received are unsatisfactory and I’m forced to leave submissions open longer, but let’s hope that’s not the case.
This collection is the embodiment of Darkness. There is no direct theme in terms of “ghost”, or “monsters”, or anything like that. What darkness can you bring forth that is hidden from the world? A darkness that perhaps exists in the woods, or your basement, or in the back of someone’s mind. Take the reader by the throat and drag their struggling body into the confines of this darkness and make them beg for their own sanity that you let them go.
Dark. Twisted. Sick. Perhaps psychological. Write something that would make the school psychologist call you in for questioning. Write something that would make a little kid afraid to close their door at night and their parents even more so. Write something that sends the readers mind into a spiral straight down into the darkness.
We’re giving away 2 copies of Freaks Anon by Matt Darst this month. Below, Matt provides some thoughts on genre classifications, the novel, and the changing nature of speculative fiction.
What’s in a Name?
To paraphrase author Charlie Jane Anders, the various genres in fiction are a lot like dog breeds. They’ve been engineered to promote very specific traits. For instance, good horror intends to scare its audience. In a sense, horror is the Rottweiler of fiction, a working group dog that seeks to terrify. Science fiction, on the other hand, is very different breed. Sci-fi imagines technological innovations and their impact on mankind. I’d liken the genre to the English bulldog, an animal today that has been genetically modified so that it looks and acts very different than its bull-baiting ancestors.
These genres and others can be great shorthand for readers and viewers looking for particular characteristics. The problem with genres, though, is that they can get tired. Purebred dogs, though loveable, are often susceptible to illnesses that don’t plague mutts. At its worst, horror can rely too heavily on gore, jump scares, or weary tropes. Other genres have their problems as well. Too often in sci-fi we find ourselves in a dystopian environment, traveling beyond the speed of light, being menaced by AI, or bumping up against an alternate universe. These themes are as unwelcome as hip dysplasia and other canine genetic disorders.
Writing across genre lines diversifies the gene pool. While these novels are just as loyal as their fixed genre peers, they offer a glimpse of something new, something refreshing. Crossovers can be chilling, inspiring, and even euphoric.
We’ve seen directors do this successfully. Take Alien. H.R. Giger designed something we had never seen before. Alien is sci-fi set in a haunted house. Or The Thing. John Carpenter pit Lovecraftian horror against the human race in a Cold War chess match. It’s a thriller as much as it is science fiction and horror.
So what did I learn from these films? It’s okay to write genre mash-ups. That’s a lesson that authors Charlie Huston (his Already Dead is the perfect mix of horror and noir), Michael Crichton, and Stephen King have underscored. Writers have varying interests. Why not encourage them to apply their diverse interests and views to their work? With that in mind, I began work on what would become Freaks Anon.
Freaks Anon is a supernatural superhero tale, a novel that’s as much urban fantasy and historical fiction as it is horror and sci-fi. It’s a nexus point between several passions, including music.
Turning back to Carpenter, not only does the director integrate a variety of genres and amazing visual effects (courtesy of Rob Bottin and Stan Winston), his collaboration with Ennio Morricone on the score helped create an even more comprehensive vision. Lately, there have been additional offerings in this vein. It Follows features an amazing soundtrack by Disasterpeace. Stranger Things preyed on our collective sense of 80s music nostalgia.
Freaks Anon is similarly inspired. So much of Freaks Anon is influenced by music that I decided to replace the typical chapter format with “tracks,” essentially creating a mix tape within the novel. Each song speaks to events or the theme of a chapter: The Church’s Ripple, The Jam’s Disguises, Bowie, The Walker Brothers, and dozens of other bands.
(Note: if I could somehow also include a visual element in my writing, I would. Design and music are like chocolate and peanut butter. You can’t get much better than the album art of Warhol or Peter Saville. Or the concert posters created by Mike Joyce of Swissted. Their work even inspired me to take a stab a redesigning some iconic film posters)
What does the future hold? Well, Alan Rinzler offered some thoughts on his blog for writers. “Genre is a convenience,” he noted, “a traditional device that the conventional process of commercial publication has been using awkwardly for centuries.” According to Rinzler, “The hegemony of genre categories is eroding. A book may well wind up on more than one shelf.” That’s a good thing for authors, especially writers like me, with a variety of interests and that don’t want to be pigeonholed or stifled by the trappings of a genre.
About the Novel
Rather that continue to talk in broad strokes about the novel, maybe it would be best to provide a back cover synopsis: Centurion is a wannabe superhero. Life is pretty hard for him, and it gets harder once his sidekick, Henry, dies. The police say Henry’s death was an accident, but Centurion knows better. Henry’s death is part of a bigger pattern. Someone’s murdering children, kids with extraordinary psychic and physical abilities, across the South and Midwest. He needs to find the killer…and fast. In Chicago, his prime suspect has already set her sights on a pair of new victims. But these teens aren’t like anything he’s ever seen. They’re special. Like Henry. Centurion will face spies, monsters, and the ultimate evil: the Chicago auto pound. If he doesn’t watch out, he might just find he’s the one in need of saving.
Collection notices. Disapproving looks. Sleeping in a van. Life’s hard for wannabe superhero. Things get harder still when Centurion’s sidekick, Henry, dies.
The police say Henry’s death was an accident. Centurion knows better. His death is part of a bigger pattern. Someone’s murdering children, kids with extraordinary psychic and physical abilities, across the South and Midwest.
He needs to find the killer fast. In Chicago, his prime suspect has already set her sights on friends Astrid and Kim. But these teens aren’t like anything he’s ever seen. They’re special. Like Henry.
Centurion will face spies, monsters, and the ultimate evil: the Chicago auto pound. If he doesn’t watch out, he might just find he’s the one in need of saving.
All proceeds from the sale of Freaks Anon will be donated to charity.
Included with the novel is Matt’s dystopian short story Monument.
Matt Darst got hooked on reading early. His addiction to reading took a turn for the worst when he started writing…for fun. His experimentation with notebooks (a classic gateway) led to dabbling with typewriters. Soon he was hitting the hard stuff: word processors.
After law school, he decided to straighten out his life. He went cold turkey. He got a responsible job, a place in Chicago, and a dog. He surrounded himself with all the trappings of a normal life. Still…
Pen and pad call to Matt late at night, cooing his name, telling him to take another hit of fiction. Sometimes, when he’s weak, he heeds the siren call of the drug. He wakes from each blackout amid reams of freshly written pages, pages that have seemingly written themselves.
‘Trembling With Fear’ Is Horror Tree’s weekly inclusion of shorts and drabbles submitted for your entertainment by our readers! As long as the submissions are coming in, we’ll be posting every Sunday for your enjoyment.
Fun fact: This is week includes our first accepted poetry! These will fall in line with Drabble in how they’re accepted.
Two requests this week if you have a chance:
For the writers: We’re always suffering a severe shortage of drabble and could use more!
For the readers: Would you be interested in Trembling With Fear to become its own website down the line? Still a Sunday post on Horror Tree but having its ongoing content with a focus on readers? (More shorts published online, author interviews, etc.) Please let us know via Twitter, Facebook, our contact page, or in the comments below! Thanks!
Editor, Horror Tree
By: Rachel Wesley
I wake with a start, lightning flashing through my otherwise dark bedroom; thunder rumbling across the sky. That familiar tingle bounces around my stomach, the one that people get when they know they are being watched.
I lay there, pretending to still be asleep while I slowly inch my hand under my pillow for the waiting 9mm. Knowing the monster that stalks me causes a tinge of guilt for what I am planning. There is no other choice; it has to be done.
I can feel the thing staring into my back, waiting for me to make a move. My fingers close around the cold metal and I instinctively click off the safety. A horrendous roar bursts into the night, like nothing describable. My heart pounds in my ears, drowning out all other sounds, except that roar. It goes on and on.
I dash out of bed, making a run for the door. Too late, I hear the glass of my sliding patio door, connecting my bedroom to the outside, shatter. I made my move too late. I turn, expecting to get off at least one shot, but I’m shocked to see the monster is already on me.
A massive, clawed hand wraps around my throat and lifts me off the ground in one quick movement. Why had I waited? I should have taken a shot while it was still outside. I try to scream as my gun, my only hope, falls from my hand, but nothing comes out. The giant creature pulls me up above his face and for the first time since he stalked me, I see the full horror of him.
At least 8ft tall, with warped, gnarly, antlers rubbing against my 10ft ceiling, the boney creature has a strength his size betrays. A foul odor rises from every part of his leather-like skin. Small uneven patches of fur burst out in areas at random.
He slams me hard against the door, enough to knock the air out of me. The creature slides me up higher. Fear and confusion warp my thoughts. I meant to make it through this; it had been the plan. I meticulously worked on this plan; perfected it.
Nothing had been enough.
Finally, the beast looks me in the eye. It was the first time I have seen my husband Ben since he was killed 2 weeks ago. His eyes plead for forgiveness, but still, his gaunt stomach rumbles tremendously. He sends me flying into the adjacent wall and is on me in a second. As the crunching begins, words fill my mind: “Forgive me.”
Rachel Wesley is an American author who writes in the horror, thriller, and fantasy genres. She has a particular interest in old school horror with a new school twist. She loves obscure legends and wishes to bring more of them to light. Some of her work has been featured on Reddit and read by various YouTubers. She ghostwrites articles for business sites and individuals and submits expert advice on miscellaneous topics. Rachel is a homeschool parent and has written two books and numerous articles on the subject. http://www.rachelwesley.com/
Real flames swirled like long locks around that head
Above that hideous face and glowing eyes!
Then she keened out—most shrill—a well-known name.
And he knew then that his true love was dead.
The banshee never errs and never lies.
Frank Coffman is Professor of English, journalism, and creative writing at Rock Valley College in Rockford, Illinois. A published poet, author, and researcher, his emphasis of late in literary criticism has been on the poetry of Robert E. Howard [edited Robert E. Howard: Selected Poems]. His weird/supernatural poetry has appeared in Spectral Realms, Skelos, and other journals. He is the founder of the Facebook site: Weird Poets Society.He has a keen interest in all of the genres of popular imaginative literature.
By: Emma Taylor
Bound bodies were everywhere, unconscious or even alive, only God could have known. The rope tore at my wrists. The knot at my feet was looser.
The grind of a garage door opening shattered the silence. An enormous shadowy figure emerged, moving as if he just woke up from a year long nap. His massive teeth ripped into the first victim’s stomach. Blood and intestines dripped from his scratchy beard as he moved from one body to the next. My stomach tensed.
I must have whimpered. He turned in my direction and caught my eye. Smiling, he moved toward me.
Emma Taylor lives in rural Missouri with her dogs, Roscoe and Bowie. She loves reading and writing (especially horror and suspense stories). She has been writing since she was 6 years old.
The Survivor’s Musuem
By: Andrea Allison
“Ladies and Gentlemen, my name is Devon. I’ll be your guide for this evening. Welcome to The Survivor’s Museum. Every person in our exhibits are the lone survivor of a serial killer. Learn the history of their tormentors as well as what they did right that granted them their life.
We arranged each display to honor a killer’s specific tastes and it’s interactive to make your experience more enjoyable. This is a one time private showing. Under no circumstances are you to touch the exhibits. You paid a lot of money for this tour. We don’t want any…..complications.
Andrea Allison currently resides in a small uneventful town located in Oklahoma. She is an author who enjoys writing horror of all varieties. Having discovered her love for all things spooky courtesy of the Fear Street series, she has found minimum writing success and massive amounts of kind rejections.
A good number of authors that I encounter in the fiction writing community seem to feel that an editor’s word is the final say on all things, good or bad. I disagree with this way of thinking.
As a writer and an editor myself, I feel it’s highly important to find an editor you can work collaboratively with, not for. I know that sounds a bit odd considering the author contracts the editor to work for them, but stick with me on this and I’ll walk you through it.
One of the key concepts many authors lose sight of when working with their editor is that the piece they are working on is still their own creation. They have a right to disagree with editorial suggestions and should question their editor on anything that doesn’t make sense to them. Far too many authors buckle to the pressure of the editorial authority assumed by both parties.
I’m not suggesting that an author disregard their editor’s corrections – some things are simply wrong and require change. However, many points an editor might bring up may be considered subjective based on how they’ve read the piece, and once an open dialogue between writer and editor is established, an acceptable solution to what may become a sticking-point could easily, if not time consumingly, be resolved. Many editors would argue that my use of the term ‘consumingly’ is wrong. In a sense, they would be correct, this word is ‘wrong’. However, I’m not writing this to be correct, I’m writing it to be effective, therefore my use of an aberration of the term ‘consume’ is subjectively acceptable.
When creating a literary piece, the lines of right and wrong are far more clear. When creating a work of fiction, they can and should be blurred to effectively draw a reader into the story and not alienate them from the text. This is the result of a friendly red pen. I am in no way stating that a writer should go to war with their editor. The message here is a very clear one: the concept of the writer’s creation is their own, and to produce the best possible work, they should invest a little time in questioning suggested edits they don’t care to make, or may not fully understand the reasoning behind and not fall victim to the time-honored tradition of believing their editor to be infallible. Subsequently, the author shouldn’t hand the work over and expect a piece of brilliance they didn’t initially deliver to be returned to them – that’s what ghostwriters are for. I’m not singling out the editor as ‘the villain’ here, but merely suggesting that both recognize the importance of the other and treat each other with a kindness and equity afforded their collective talents.
Dark Helix Press is wondering – where will Canada be in the future?
Will the next 100 years be peaceful with lots of technological advances or will Canada become a colony on a spaceship after Earth blows up? Robot beavers, poutine currency, there’s no limit to what can happen!
Canada in the future must be a well defined landscape in the stories submitted, so it’s essential that the world built by the author resonates well with the readers. Bonus points for those who can sneak in Canadian cultural references and diverse characters is a must.
We are aiming to release this book before July 1, 2017.
We are looking for poems, flash fiction and short stories. Ratio of each will depend upon quality of submissions received.
Since this is a project celebrating Canada, preference will be given to Canadian writers. However, if you are an international writer who sends in a fantastic story and understands our country, we are open to this as possibility as well.
For guidelines, compensation and formatting details, visit our submissions page.
Submitting is a two step process:
1) Fill in and submit this Google form to ensure your name is listed in our database for review
2) Email in your submission to “darkhelixpress at gmail.com” with subject headline: “Canada- (author name) – (title)”
Any questions can be sent to “darkhelixpress at gmail.com”.
What We Are Looking For
Each anthology may feature flash fiction, short stories, essays, and poetry. Ratio of each depends on submission quality received.
Specific guidelines are:
Flash Fiction – 500-1,500 words. We want stories which address the theme of the anthology and captivate readers.
Short Stories – 1,501-3,500 words. Longer stories which explore more possibilities of the theme and contain deeper character developments.
Non-Fiction Essays – 1,501-3,500 words. Based on a true story, presentation of some revelations or lessons learned from the experience.
Poems– 10-100 lines. Narrative poems that address the theme. Freestyle accepted, please make sure the words make sense somewhat. If you feel over 100 lines makes your poem stronger, please note this in your correspondence and we may ask for more when we accept your submission.
For fiction submissions, we prefer complete stories – with a beginning, middle and end. No excerpts will be accepted.
Note that we are not impressed by gratuitous sex and violence or pointless foul language; any edgy content should be necessary and appropriate to the plot and characters.
What We’re Buying
Dark Helix Press wants first worldwide publication rights, electronic rights, reprint rights, and digital archival rights. Rights revert back to the author upon publication and author retains all other rights. Any story submitted must be your own unpublished original creation. If you have already published it on a blog or website accessible to the general public, it is considered published, please do not submit.
Multiple Submissions & Simultaneous Submissions
You may have up to three submissions in each submission. Note that we are short staffed and it may take up to 12-18 weeks before you may receive a response. If you wish to withdraw, please send us an email and we will discard your submission.
Submissions follow a 2 step process at the moment: Step 1 is filling in a Google Form and Step 2 is emailing in the submission.
Submit all manuscripts in Word format – if submitted in the body of the email, it will not be read
Top right hand corner, first few lines should contain your real name, pen name if any in brackets, address, telephone, email address for contact/Paypal payment, type of writing (flash fiction, short story or poem) and word count
Title should be in Times New Roman, 16-point, bold
Manuscript should be single spaced, Times New Roman, 12-point font
In between paragraphs, double space
Indicate the end of manuscript with three stars (***), then two spaces afterwards include a bio of 100 words which may include a maximum of 2 links to website, blog or social media profiles, etc.
We believe it is important to be paid for your work, although our rates are token amounts. Projects are created for the love of writing and stretching our imagination.
The compensation amounts will be paid via PayPal, with the option to donate it back to offset production and marketing costs of the books. The playing field is a tough one these days with lots of free writing available to readers…
For flash fiction, the pay is $5 USD per story;
For short stories, pay is $10 USD per story;
For poems, pay is $2 USD per poem.
In addition, each contributor will receive a digital copy of the anthology
By publishing through Dark Helix Press, we will be listing your author bio along with your website/social media links on the anthology page.
During marketing campaigns for the book, we may post your name and story/poem title in advertisements to attract readers. Feel free to contribute by letting readers know about the book or your story/poem via social media (we will re-tweet/share your posts if you let us know about them) or guide us to potential reviewers that may help elevate book success.
The more well known the anthology is, the brighter the spotlight will shine on your writing! We believe collaboration is the key in all projects.
During the submission process, we collect some personal information, including your email address and physical or snail mail address; we will never send you anything without your permission, nor will we publish or distribute that information to any third party. This information is kept on file for tax purposes only.
Deadline: May 31st, 2017
Payment: 1 cent per word advance and royalties
Note: Reprints ONLY
Dust off your dragon stories. It’s time to “releash” them on the world in the first DFF Dragons anthology. No word on publication timing as this will depend on the quantity and quality of reprint short story submissions.
Theme: Dragons Open: Now
Closes: May 31, 2017 (Or upon receipt and contracting of a full TOC; so don’t wait.)
Stories: Approximately 30 Reprint Stories; Total Words: Approximately 150,000;
Story Words: 750 – 10000 Words – Or by prior invitation/permission more or less words;
Type: Reprint Only – prefer semi-pro to pro prior publication;
Rate: 1 cent per word advance – (less fees charged to author by PayPal). Participation in royalty sharing after advance; Rights: Non exclusive World English print (paper & hardcover), ebook/digital, audio – all for the complete anthology only. Publication: Complete anthology only – no one offs and no individual story license.
Response Time: Could be 3 weeks, but if we’ve short listed your story it could be considerably longer while we build out our TOC. You may submit your reprint to other markets; just us know if it is no longer available (and congrats). However, we will do our best to keep authors in the loop.
Submissions will be reviewed for inclusion upon receipt. Please submit only ONE story for consideration at a time; multiple entries will be rejected. IF your story is rejected you may submit another story for consideration – but just one at a time, please. IF your story is accepted then additional stories require pre-approval to submit.
We are not looking for and will not license stories that are available to download on-line for free as a stand-alone story from any venue.
Dragons – bad-ass dragons. Dragons that destroy things and eat people, and the people/robots/aliens/time lords that fight them or out-smart them – or get eaten by them. No story book dragons that live in forests helping orphans or peddling psychedelics. My dragons eat orphans for breakfast. Timeline and setting is wide open. Your dragons aren’t necessarily getting stabbed by swords – but swords are welcome too. I want dragons – awe inspiring fear provoking monsters. They can be mechanical, mystical, steam-powered, alien, aquatic, from another dimension, or from outer space — but they must be terrifying beasts of destruction. Here be dragons.
We will accept any well polished reprint and forego the pro to semi-pro distinction for this anthology. We don’t content edit these though so your submission has to be great out of the gate.
Expanded Terms (subject to formal contract)
The following is a general, non-binding, statement of the terms under which Digital Fantasy Fiction publishes submissions but is superseded by the Publishing Agreement and DFP League terms and conditions that will be provided for review and agreement prior to publication and payment.
Authors are paid one (1) cent per word in United States dollars ($0.01 USD) based on final proofread word count. Accepted submissions are paid 100% within thirty (30) business days of first publication date. Payment is via PayPal less PayPal fees. There are no fees, charges, or expenses of any kind charged to the author by the publisher; however, transaction, exchange rate, or banking fees charged by PayPal or third party banks are the responsibility of the author.
We buy non-exclusive second world rights to a short story for one anthology, in the English language and any electronic, audio, and print format, with a six (6) month no new use clause. (You must agree not to reuse or republish the selected Work for a period of 6 months from first payment; but existing publications are fine.) Rights apply only to one anthology (Hic Sunt Dracones), not general use of a work.
The work is initially published for Amazon e-books and subsequently in a print collection of stories as a digital and print anthology. We provide copy editing, proofreading, and formatting at our cost. Copy editing will be performed on your work prior to publication to bring it in line with Digital’s style guidelines and for technical errors. You may be provided with a copy of the editing changes prior to publication, but your consent is not required. However, no substantive content changes will be made without the consent of the Author.
Authors must warrant, state, represent, and agree that the author has full and unrestricted right to re-license the work to Digital Fiction Publishing Corp. for publication in accordance with the Publishing Agreement, and that the author is the owner of the copyright to the work, without material encumbrance.
Author shall be required to fully indemnify and save harmless the publisher for any failure to abide by these requirements. (Please do not license us something you don’t own or can’t license as intended. Digital Fiction is relying on, exclusively, the representations of the author in this regard.)
Additionally, if your story otherwise qualifies and is selected for publication, we require that no self-published or other versions of the stand-alone story remain or be made available on-line for free as a stand alone story. That is, if your otherwise qualifying story was ever published by you or a third party on-line as a stand-alone story for free, then you must agree to remove or have removed the story from on-line publication for a period of six (6) months from the date of Digital’s first publication. If you don’t have control over your on-line content we will not license your work – sorry.
Digital Fantasy Fiction is a fantasy fiction imprint of Digital Fiction Publishing Corp. and we want dragon stories. We will in this case consider any genre as long as your reprint short story prominently concerns a dragon or dragons.
We want stories for a young adult to adult (not children) audience. Content should be PG to R rated. No erotica, pornography, or gratuitously offensive content will be accepted. Please don’t submit anything that fits these categories as it’s a waste of your time and ours, thank you. Because we want bad-ass dragons that eat people, and the like, we will tolerate a considerably higher level of gore and general violence where the same is for the sake of a great story — not for the sake of gore and violence. That is, avoid sending us gratuitous anything – violence, sex, profanity, etc. If it is not integral to the story and it’s not advancing the plot or character development; we don’t want to see blood, gore, or sex just for shock value’s sake (this goes for language too). But dragons eat people, sometimes three or four at a go, so we’re cool with that.
We don’t get too hung up on sub-genres or specific requirements. If you think you have a bad-ass dragon short story, then there’s a good chance we will too. Just be careful to avoid trying us out with wimpy dragons that help people — you’ll hurt our feelings.
Thank you for considering Digital Fiction Publishing Corp. We look forward to hearing from you.
Please consider white-listing @dfpcorp.com and @submittable.com to ensure receipt of submission related emails.
Deadline: April 1st, 2017
Payment: $0.01 / word, $50 max
Submissions are open until 12:01 AM, April 1, 2017.
I recently started reading lots of short fiction. As I’ve picked up a few different magazine titles, I’ve noticed that there’s not really a lot getting published of the stuff I like to read best, which is pulpy action/adventure. A couple of genre-specific titles have come and gone, with one or two still having a go at it, but I’d like to see a place that specializes in action/adventure across genres. So that is what StoryHack Action & Adventure is intended to be.
My end goal is to launch a professional-rates-paying magazine. Lofty indeed, I know. To this end, I’m going to fund an “Issue 0,” paying less-than-professional rates, as I’m not made of money. I’ll do a magazine-sized print layout, and I’ll also commission a cover and a bit of interior artwork. And then I’ll use the produced Issue 0 as a part of a crowdfunding campaign, to prove I have the skills to bring it all together. If the crowdfunding thing works, then I’ll see if I can get the magazine to be self sustaining. If it doesn’t crowdfund, then it will still- I’m just kidding, It’s going to work. I’m going to crowdfund the crap out of it.
What I’m looking for
To steal a joke, StoryHack Magazine will publish both kinds of fiction – action and adventure.
I’m open to any genre, as long as there’s at least one good meaty action scene in there. Bonus points for extra adventure. And I’m serious when I say any genre. Sword & sorcery, lost world, occult detective, alien fighter pilot, western horror, you’re limited only by your imagination. Think Robert E. Howard, Edgar Rice Burroughs, Dashiell Hammett, Doc E. E. Smith. Think fun and energetic.
You should know, however, that I’m not going to select erotica or extreme gore.
I’ll consider any short story/novelette length 1,000 to 14,000 words, but I do have to cap the payments. Sorry.
What I’ll pay
$0.01 / word, $50 max for worldwide 1st print and ebook rights with 3 months exclusivity. I’ll make a sample contract available if you want.
Stories simultaneously submitted elsewhere are fine. Multiple stories submitted at once, no.
How to Submit
Just send your submission, formatted appropriately, in a .doc, .docx, .odt, or .rtf file to submissions at storyhack.com, with the subject line of “StoryHack Magazine Submission”. Make sure in your email you include your name, the name of your story, and your pen name (if different). Also please include a one or two sentence synopsis/teaser.
I’m going to give submissions about a month. They will close on 12:01 AM, April 1, 2017.
Once I’ve selected stories, It’s time to send out contracts, pay authors, commission art and do the layout. I think that’s about 3 weeks worth of stuff, but I may be a tad optimistic.
Once everything is all set, then I’ll upload the magazine to all the stores and get on the process of making the electronic version free everywhere. That should happen relatively fast.
Deadline: June 11th, 2017
Payment: $10 and contributor’s copy
We are seeking short stories for a new anthology
slated for fall of 2017 (roughly early September for release, official title TBA). This will be a sister
anthology to our first release, Shadows in Salem, that came out in September of 2016. We want this collection to share the theme of Salem, MA ON HALLOWEEN NIGHT through the years. Set your story in 1955, set your story in 1999, that is up to you, but it must be dark, gothic, or horror related! We will post years that are submitted as they arrive in our e-mail so you can keep track and so we don’t have twenty stories set on Halloween night in 1626. We are from Salem, so we know the area well, as do our local readers, so please take that into consideration in your research! Some witches are okay, but please remember that there is so much more to this city than the witch history! We are hoping to select one story per decade for variety, but we do not expect to fill *every* decade between the founding of Salem (1626) and today. Our anthologies generally end up at around twenty stories, so keep in mind, you don’t have to limit yourself to the last 100 years.
Instructions: Send your submission to [email protected] for consideration with “Halloween Salem Submission“ AND THE YEAR YOUR STORY IS SET as the subject line, for example, “Halloween Salem Submission: 1922“, but please read our guidelines below!
Submit by: June 11th, 2017 Word Count: 1,000-6,000
Content Requirements: Your story must take place in Salem, MA on Halloween (10/31). The time-period and content is your choice, but DO be unique and DO make it SPOOKY! We will continue posting a running list of the years/decades that have already been submitted to ensure you have a chance to pick a year that has not been submitted already. Of course, we are looking for the best, so if there are many submissions set in 1977, we’ll try to choose the best of them. Yes, Salem is ‘The Witch City’, so you can utilize this in your writing, but please be unique if you choose this subject matter!
List of Years we’ve already received submissions for: NONE! (Because we just opened the call for submissions!)
Payment: Accepted submissions will be awarded payment in the way of $10 upon printing, paid via PayPal. Writers may also choose to accept their payment in the form of extra copies of the anthology. It may not be much, but we are a small and humble press just getting our start and it’s all we can offer at this time, besides our excellent social media promotion and beyond (we post daily, often, and spotlight our writers regularly). If your submission is accepted, you will also receive a printed copy of the anthology!
Format: Format should be in standard manuscript format and submitted as .doc,
.docx. Unfortunately, we cannot accept reprints at this time. Please include a brief cover letter introducing yourself along with your submission.
Response Time: Please be aware that it may be six to eight weeks (or more) before you receive a response from FunDead Publications, we often wait until after the close date to send acceptance e-mails to ensure we select the best content for our readers. Our submission load is often fluctuating, but we read and respond as quickly as we can. If it is a simultaneous submission, please let us know.
Diversity Statement: We at FunDead Publications believe diversity is what makes fiction wonderful and unique and we welcome submissions from writers of every race, religion, nationality, gender, and sexual orientation.
Deadline: May 1st, 2017
Payment: $75 plus two contributor’s copies
For the vampire erotica anthology Blood in the Rain 3, available October 2017, we seek short stories of 2000–7000 words with both a vampire and an erotic element—anything from a sexy tease to hardcore porn (we lean toward porn!). We encourage stories nonstereotypically including people of color, people who are LGBTQIA, and people over 18.
Most of all, we want compelling characters having hot sex, with a story that draws us in. And a vampire. Make us horny!
We pay within 30 days of publication: $75 plus two contributor’s copies.
Deadline: July 31st, 2017
Payment: .03CAD per word and two contributor’s copies
“The nethermost caverns … are not for the fathoming of eyes that see; for their marvels are strange and terrific … out of corruption horrid life springs, and the dull scavengers of earth wax crafty to vex it and swell monstrous to plague it. Great holes secretly are digged where earth’s pores ought to suffice, and things have learnt to walk that ought to crawl.”
— H. P. Lovecraft, The Festival
We’re excited to open submissions to our sixth anthology…
Pelucidar. The Hollow Earth. DEROS, and the Shaver Mysteries. Blue-litten K’n-yan, red Yoth, and black, lightless N’kai. The Amigara Fault. Derinkuyu. Agartha. The world (and worlds) below. Inner earth, a near infinite space of vast, echoing potential … our (possible?) birthplace, and the place where we all return, either as corpses, or something other? … the churning, chaotic underworld, and true home of all that is weird, unconscious, and forbidden. Descend with us in this anthology of weird fiction; descend to the realms CHTHONIC.
We are looking for weird fiction that explores the mystique and terror of caverns, abyssal spaces, and subterranean worlds. As with previous MMP anthologies, we will be including a seed story from H. P. Lovecraft’s oeuvre (in this case, The Rats in the Walls, though many of his stories went underground). We want to see bizarre civilizations, mind-boggling physical and biological phenomena, horrific rituals, mad science and madder sorcery. We want to feel the tunnel floors beneath our feet shake with the passage of beasts, machines, and gods that have never seen the light of the sun; sentient oils, intelligent muck, living rock, molemen, formless spawn and Efts of the Prime, worms, Dholes, and ghastlier things. But CHTHONIC won’t be just a serving of pop culture “surface” material, if you’ll pardon the pun. We like to see stories with depth (oh god, another one, sorry!); emotional and psychological explorations of the internal spaces of the human mind and soul, as well as the ground below. Write us stories that induce crushing claustrophobia or open us wide to new dimensions of thought and being. If your story can do both, so much the better.
Final story count for the anthology will be determined based on quality and number of submissions. CHTHONIC: Weird Tales of Inner Earth will be released as a softcover paperback and as an electronic book in multiple formats.
Submission period closes JULY 31, 2017. The anthology will be released in early December of 2017.
Please use Standard Manuscript format when submitting. That’s double spaced, left justified, Times New Roman or Courier or something at least readable, a header on the first page (at least) with your author info and word count and… well, you know the drill. RTF or DOC files preferred, but DOCx and text files also accepted. Obviously, you could send us something that’s not in Standard Manuscript format, but it will lower your chances of it being looked at seriously.
We will look at both original work and REPRINTS.
To submit a story to CHTHONIC: Weird Tales of Inner Earth send an e-mail (with the story file attached, not in the body of the email) to: [email protected], with subject line: CHTHONIC, title of your story, and your name.
For short fiction, we’d like to see anything from 1,500 to 7,000 words.
FLASH FICTION: got something under 1500 words? Send it in. However, the following still applies…
All accepted submissions will be paid .03CAD per word, via Paypal, as well as two contributor copies (paperback) of the anthology, and copies in all electronic formats (mobi, EPUB, and PDF). Authors are also entitled to electronic copies of three additional Martian Migraine Press titles of their choosing.
REPLIES AND QUERIES
We will try to acknowledge receipt of your submission within a week of its arrival in our inbox. The submission period itself will close on July 31, 2017 and we should be responding to all submissions, yes or no, throughout the submission period and no later than August 2017. We do our best to ensure that all submissions are contacted and kept up-to-date, but sometimes items fall through cracks, so, if you haven’t heard from us by September 15 2017, please query.