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Trembling With Fear 4-27-25

Greetings, children of the dark. I, like I’m sure a lot of you did, saw Sinners last week. My word, what a glorious piece of cinema that is. I’ve got a piece in the summer issue of the BFS Journal all about how we’re not meant to be in an uptick of vampire stories, but if Sinners is anything to go by then… oh my, I am going to be a very happy cinema-goer in the coming months! I bloody love a vampire, as I’m sure regular readers will know. I’m not exactly quiet about it. 

Have you got a vampire story hanging around, inspired by the cinematic resurgence of the dark ones? Well, a quick reminder: we are officially closed to short story submissions until our next window opens in July. Between then and now, the residents of TWF Towers will be hunkered down reviewing the almost-60 submissions we received for the 12 available spots. Please be patient with us while we get through them!

And while we’re on the subject of submissions, we’re already getting some early submissions for the annual summer special, which is great—just remember that our new specials editor John won’t be reviewing these for a while yet as we’ve only just entered Spring! While you’re welcome to send them in, please be aware they’ll be filed away for safekeeping until probably June at the earliest. 

Want to get a response earlier than that? We’re always, always, always looking for drabbles, unholy trinities and serialised fiction! 

For now, let’s head over to this week’s edition of dark speculative fiction. Our main course, Peter Bakumov takes a trip to the end of the world. That’s followed by the short, sharp speculations of:

  • Rob Butler’s soaring bird,
  • Christopher Mattravers-Taylor’s ill-fated dive, and
  • S.G. Perahim’s gym bro woes.

One final quick reminder: the next edition of my Writing the Occult online event series is fast approaching. We’ll be talking about relics on 10 May—all those cursed things dug up from the ground, found under the water, buried deep in the hope they would never again see the light of day. We’ll be chatting about the weird things we do with human remains, about Egyptology, about archaeology and shipwrecks and museums and more. There will even be a workshop with acclaimed horror writer Ally Wilkes, who will lead us through an adventure in cursed objects. You know you want to join us, right? Head over here for details and tickets. 

For now, it’s over to the boss man.

Lauren McMenemy

Editor, Trembling With Fear

Hi all.

I jinxed us last week. The Trembling With Fear physical edition is still at 78%. So close to being done but not quite there yet.

However, I did have some time to work on the new layout, and Lauren has sent in some great key changes to make sure things happen properly. I may take an agile approach and get the site on the new layout with some of the key pieces and implement other new changes over time. We’ll see. I fear that if I wait for everything to be ready, it may be another year before I can get it done. 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!

Offhand, if you’ve ordered Trembling With Fear Volume 6, we’d appreciate a review!

For those who are looking to connect with Horror Tree as we’re not really active on Twitter anymore, we’re also in BlueSky and Threads. *I* am also now on BlueSky and Threads.

Stuart Conover

Editor, Horror Tree

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Serial Saturday: The Sacrament by T. H. Sterling, Chapter Three

  1. Serial Saturday: The Sacrament by T. H. Sterling, Chapter One
  2. Serial Saturday: The Sacrament by T. H. Sterling, Chapter Two
  3. Serial Saturday: The Sacrament by T. H. Sterling, Chapter Three
  4. Serial Saturday: The Sacrament by T. H. Sterling, Chapter Four
  5. Serial Saturday: The Sacrament by T. H. Sterling, Chapter Five Scheduled for May 10, 2025

Chapter Three

                                                          

The chill of dawn still lingered in the rectory’s dining room, its austere stone walls unyielding to the warmth of the sun creeping over the horizon. A simple wooden table, scarred from years of use, stretched across the room, its benches empty save for Peter and a few others quietly finishing their breakfast. The scent of porridge and fresh bread mingled with the remnants of incense from morning prayers.

Peter sat hunched over his bowl, spooning the bland porridge absentmindedly as his thoughts lingered on the holy writings he had stumbled upon yesterday. Testament of the Resurrection John … The script made no sense. God wouldn’t have wasted his time, and Peter felt certain he had been guided to the steel chest. He needed more time to decipher the words and their meaning. 

“You’ve been keeping strange hours,” came a voice rich with disapproval. Brother Anthony, a senior scribe, approached with his own bowl in hand. His short, broad-shouldered frame cast a sturdy shadow as his robes swished softly against the stone floor. His movements, efficient and deliberate, reflected a lifetime of habit, though the slight stiffness in his gait hinted at his years.

 “We were beginning to think the archives had swallowed you whole,” Anthony added, his mouth curling into a subtle smirk. “In the event that it has slipped your mind, we scribes are in need of your approval on our recent translations.”

Peter glanced up, his expression neutral, though his lips twitched at the jab. He knew he’d been lost among the treasures of the library, but with Communion approaching, he needed that special passage for the Rector. 

A chorus of children’s laughter floated in through the open window, a rare burst of life against the rectory’s austere stillness. Peter’s gaze darted toward the sound, a flicker of warmth breaking through his otherwise somber mood. He cherished these monthly visits with the innocent joy they brought to the church grounds. 

“When did the orphans arrive?” he asked, wishing he had the time to share a story with the youth. 

“Three days ago—makes meditation quite impossible.” Anthony sighed, setting his bowl down with a soft thud. His weathered face, framed by salt-and-pepper hair, creased into a frown. “Can you request that these miscreants be housed elsewhere?”

“A good practice in patience, Brother. It’s only for a few days while God’s chosen ones prepare for their holy mission.”

“Indeed.” 

“The Lord requires sacrifice from all of us.” Peter bit back a stronger snide remark, keeping his tone measured. 

Anthony pursed his lips and gave a curt nod. He turned on his heels and strode away, leaving the scent of parchment and candle wax in his wake.

Peter watched him go. Brother Anthony’s complaints were nothing more than idle grumbling. Everyone knew the preparations had to take place on consecrated ground, where only those untouched by the world’s sins could receive the rituals from the Brethren of the Sacred Rite. Once the divine ceremonies were completed, the Rector sent the children out to the far corners of the earth as vessels of God’s will.

He sighed, knowing he had other duties, but he could put off the draw of the secrets in the catacombs no longer. At the bottom of the stairs, oddly, only one sword hung. He held the blade over the small opening as instructed. The quiet wasn’t quite still with low mumbled chants in the distance. The Sacred Rite Brethren—he wasn’t prepared to share the space. 

He inserted the key, but it wouldn’t turn. He grabbed the handle and pulled. Locked—the deadbolt.

The Rector had told Peter to find him immediately if he heard anything. This would give him the perfect excuse to ask about the Testament’s passages. Perhaps the head priest would be familiar with the text or the author, giving him a clue to why a firsthand account of the resurrection would be hidden away. 

He hesitated outside the Rector’s office. The door, heavy and worn, loomed in front of him, as though it could sense his guilt. Peter’s grip tightened around the iron keyring at his side, the cool metal biting into his skin. With a deep breath, he knocked.

“Come in.” 

As he entered, the Rector remained focused on the heavy tome open on his desk. 

“Father,” Peter began, his voice measured. He paused, choosing his words. “May I ask for your guidance on a matter of translation?”

The Rector hummed in acknowledgment, but his gaze didn’t leave the book. Peter fidgeted, shifting from one foot to the other.

“I found some ancient texts in the Archive,” Peter continued, his tone casual. “They’re … unusual. I thought they might be relevant to our work for Communion.”

The Rector’s hand froze mid-turn of the page. He looked up, his dark eyes narrowing. “What texts?” he asked, his voice low and even.

Peter’s stomach knotted under the intensity of the Rector’s gaze. “Uhm, just old scrolls, an account of … well … a witness of the resurrection … I’d never heard of such an account.”

The priest stiffened. His olive-toned brow furrowed, and his fingers tightened around the edge of his desk. “And how,” the Rector asked, his voice dangerously calm, “did you come upon this? In the Brethren’s chamber?”

Peter bit his lip. He glanced at the floor as he struggled to find an answer that wouldn’t reveal too much.

The Rector’s hand slammed against the desk, the sound reverberating through the room. “You should not have violated that holy space!” His voice, now a thunderous roar, filled the space. “Anything there is not for your eyes, reserved for the Master of the Sacred Rite.”

Peter flinched, his throat dry. “I only wanted to give you something special for—”

“Enough!” The Rector’s voice cracked through the air, his face darkening. “Return those to where you found them and do not speak of them again.”

Peter gave a somber nod.

“Don’t make me regret choosing you as Custodian. And pray for your transgressions, Brother. The Lord’s mercy is not guaranteed for those who meddle in things beyond their station.”

Peter bowed his head, retreating toward the door. The Rector’s anger lingered in the air, heavy and suffocating. 

As Peter slipped out of the office, the scripture of the Testament clung to him like a shadow. He wanted to know more, but that desire reeked of pride—an indulgence of his ego. Obedience and discipline were values he was called to exemplify as Custodian. Was his hunger for knowledge another sin, masquerading as piety?

He wandered along the hallway, replaying the moment, his footsteps echoing louder than he intended, each step a reminder of his trespass. He shouldn’t have gone to the Rector—not when he’d already trespassed into forbidden ground. It didn’t matter what he’d uncovered; to the head priest, the Brethren’s chambers were holy, inviolate. 

Peter clenched his fists, the guilt sharp as a blade against his conscience. It cut deep, sharper than he expected. He had been wrong, and he knew it. He had failed his vows, his calling.

As he turned a corner, he nearly collided with a young girl, possibly around twelve years old, who stood at the end of a line of orphans. He scolded himself for being so distracted. The girl didn’t react, seeming not to notice.

He opened his mouth to apologize, but Brother Christian, a member of the Brethren of the Sacred Rite, stepped in his way. Tall and lean, his straight posture and pressed robes gave him an air of quiet authority.

“Brother Peter.” He placed his hand on Peter’s arm, guiding him away with a grip of steel. His olive-toned brow contorted into a frown. “They are practicing their vow of silence in readiness for their mission. You know better than to interrupt.”

Peter walked down the corridor, passing their rigid line, their stillness so different from normal. Dull-eyed, expressionless faces gazed straight ahead. 

They must have had to sit through one of Christian’s sermons, Peter thought. There’s many a time I’ve almost fallen asleep from the long drone.

He wanted to thank them for their commitment, and wish them well, but Brother Christian’s scowl kept him going forward.

Taking Submissions: 100-Foot Crow Spring 2025 Window

Submission Window: May 15th – June 15th, 2025
Payment: $8.00 ($0.08 per word)
Theme: Scifi and/or Fantasy 100-word stories (can include horror but must have a SF or F element) that focus on the theme of ‘Train” – any meaning of the word Train is valid.

We’ll be opening again for submissions May 15 to June 15 for the theme TRAIN. We will allow one themed and one un-themed submission per writer. All submissions must be submitted via our Google form, which will be available here when we are open.

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Indie Bookshelf Releases 04/25/2025

Got a book to launch, an event to promote, a kickstarter or seeking extra work/support as a result of being hit economically by life in general?

Get in touch and we’ll promote you here. The post is prepared each Tuesday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

 

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Epeolatry Book Review: Black Out the Stars by Christopher Bond

Disclosure:

Our reviews may contain affiliate links. If you purchase something through the links in this article we may receive a small commission or referral fee. This happens without any additional cost to you.

Title: Black Out the Stars
Author: Christopher Bond
Genre: Crime horror
Publisher: Aquino Loayza
Publication date: 25th March, 2025

Synopsis: Marcus, a man estranged from his family, returns to his roots amid a backdrop of generational trauma in rural, poverty-stricken Ohio, only to find that not all family secrets die given time. As Marcus helps his uncle drain a pond on their ancestral property, he uncovers the dark secrets of his family and the land they’ve called home.

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Unholy Trinity: Murder She (W)Rote by Nic Tusa

Our church worships at the altar of the Unholy Trinity. Its gospels are delivered as a trio of dark drabbles, linked so that Three become One. All hail the power of the Three.

 

Murder, She (W)Rote. Season 1, Episode 1: Honey, It’s Considered Manslaughter if It Isn’t Planned (And No One Knows I Sharpened the Knife)

 

He hadn’t hidden it well; always shit with details. 

Hell, he still thought her eyes were brown.

 

Men are more likely to be stabbed on weekends.

Because they’re home annoying their wives.

 

Veronica toed off her shoes, crossing the dark house to their bedroom.

 

Fun fact: men usually stab underhanded into the stomach, but because women are more tricep-dominant, they tend to stab downward.

 

Her fingertips ached— manicured nails extending into imperfect talons.

 

Plenty of muscle mommies out there will prove you wrong!

More like muscle monsters!

 

Ten precise four-inch substernal wounds were the fastest way to a man’s heart.

 

 

Murder, She (W)Rote. Season 1, Episode 2: I’ve Got the Arsenic for That Tea (Sipping on Secrets, Choking on Confidences)

 

Trapped between the wall and his arms, Christina’s skin crawled like a thousand writhing snakes. 

 

Women kill differently from men.

I expected nothing less.

 

Her fangs had dropped during puberty. Clandestine bumps on the roof of her mouth. If she opened her mouth wide, they mobilized, sharp and deadly as a viper’s.

 

We are more subtle and patient.

Out here, dosing hubby’s morning coffee with a little poison, like “today’s the day!”

 

He leaned into her neck so she did the same, sinking her teeth into his vulnerable skin.

Two pinpricks of blood against her tongue as the venom sang.

 

 

Murder, She (W)Rote. Season 1, Episode 3: Darling, This Embrace is a Chokehold for Your Neck (And I’m Waiting For Your Final Breath)

 

A lot of women will try to make it look like an accident. 

When Shelby capsized their kayak two klicks from shore, Miranda laughed. Shelby was a strong swimmer but Miranda was the water. It would have been easier to break up.

 

So like…

Asphyxiation and strangulation.

 

Bobbing in the sea, small waves caressed her gills. Her legs had fused; scales sprouted to protect her from the cold.

 

You mean like drowning their kids in the bathtub?

Or smothering them with pillows.

That’s awful.

 

In one powerful kick, Miranda closed the distance, wrapping webbed fingers around Shelby’s ankle. 

She dove.

 

Nic Tusa

Nic Tusa spent almost a decade as a NYC paramedic and writes speculative fiction that blends the gritty chaos of reality with the strict rules of magic. She enjoys a good slice of pizza, running, and the emo music of the early aughts. Her short story An Animal Within? was recently included in BDA Publishing’s Your Body, My Rage anthology.

Taking Submissions: Neurodiversity and the More-Than-Human

Deadline: August 31st, 2025
Payment: $50 AUD
Theme: Neurodiversity and the More-Than-Human

Our second anthology will gather a wide range of creative responses on the theme of Neurodiversity and the More-Than-Human.

We want to foster neurodivergent situated knowledge that is not limited to the traditional academic essay: engage in autotheory, autoethnography, creative essay, poetry, short story, speculative sci-fi, visual art, and more.

While the close bond between neurodivergent humans and other living beings are often put forward, little thematic focus has been placed on the intersection of neurodiversity and the more-than-human in academic and creative writing. This anthology seeks to fill this gap and foster a more-than-human turn in neurodiversity with an emphasis on creative responses.

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Taking Submissions: It Takes a Village

Deadline: June 1st, 2025
Payment: $5 for poetry sets (up to 5 pages), $10 for flash fiction (up to 1000 words), $25 for fiction stories up to 5000 words, +$2/1000 words for over 5000 for fictions stories up to 10,000 words
Theme: Canadian authors telling stories about community: finding it, building it, maintaining it, being expelled from it. SF and F are called out as acceptable, no word on H so probably a hard sell

This anthology’s theme is “It Takes a Village” – I’m looking for stories about community: finding it, building it, maintaining it, being expelled from it. How do we build our villages as adults? How do we grow connections with those around us? What do we do when we’ve lost them? We’ve heard the phrase “It takes a village to raise a child” but also “The child who is not embraced by the village will burn it down to feel its warmth.” How do we tackle these emotions as adults?

As this is a bit trickier of an anthology theme than the last one, the reading period is going to be much longer, and the final evolution of the anthology’s theme will come from what the overarching theme and tone from the submitted and accepted pieces create.
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