Events

Deadline: August 31st, 2019 Payment: $10 and a contributor's copy We are currently accepting submissions for Haunted Playthings: 13 Tales of Terror Based on True Stories…or are they? It will follow the same format as our first anthology, Shadow People and Cursed Objects: 13 Tales of Terror Based on True Stories…or are they? In case you’re not familiar with our first anthology, it included a mixture of short stories about shadow people and cursed objects. Some were based on real events or objects. Others were inventions of the author’s imagination. The fun was for the reader to decide which was based on fact, and which was made up. All was revealed in the Truth or Fiction section. We’re going to do it again this time. What We Want As the title suggests, Haunted Playthings will contain thirteen short stories about just that…haunted playthings. Including (but not limited to): Ouija boards Haunted dolls Haunted video games or electronic toys Possessed rocking horses Haunted tricycles Spooky swing sets or playgrounds Whatever other kind of haunted plaything you want to write about! Yoyos, hula hoops, Slinkys, stuffed animals, fidget spinners, puzzles, action figures, dress up clothes, Slip and Slides, coloring books…there are loads of possibilities really. Your story can be based on a true account of a haunted plaything (think Robert the Doll, Annabelle the Haunted Doll, or even Lake Shawnee Amusement Park). Or your story can be a total invention of your imagination. Your choice. Get creative and have fun! Length Story: 1,000 to 5,000 words Truth or Fiction explanation: up to 500 words Other Story Requirements No previously published stories. However, feel free to submit as many original stories as you want. Simultaneous submissions are okay, but if it gets accepted elsewhere please tell us so that we can take it out of consideration for our...

Deadline: August 31st, 2019 Payment: trying for 0.02/word (see below) and a contributor's copy Anthologists: Ronald Linson & Deidre J Owen Publication format: print (POD), digital Word count for submissions: 2,000-7,500 (with exception; see below) Compensation: authors will receive a free contributor copy (print and digital) as well as a modest monetary compensation; details below. LITTLE GIRL LOST: THIRTEEN TALES OF YOUTH DISRUPTED will be an anthology of original stories centering around the idea of the lives of young girls being disrupted in some way. It could be through vanishing mysteriously, experiencing a life-altering event, or… ? We are seeking well-written, imaginative tales that explore this idea to its fullest. Use your own interpretation as to the meaning of ‘lost.’ Surprise us! Submissions period opens APRIL 8th, 2019 and will close AUGUST 31st, 2019 or when the anthology is filled. Submissions received outside of this period will be deleted unread. We are seeking original, previously unpublished stories of the highest quality between 2,000 and 7,500 words. We are willing to look at stories up to (but not exceeding) 10,000 words, but they are less likely to be accepted. There are a few slots open for reprints, however (see “Reprints” below). Genre: Your story can be in any genre so long as it fits the theme of the anthology, with the firm exception of erotica. Subjects we WILL NOT accept include (but are not limited to): Erotica Pedophilia Depictions of rape Graphic descriptions of sexual activity involving persons under the age of eighteen (18) Gratuitous or excessive violence or gore Racism, bigotry, or slander towards anyone Fan Fiction (If you are unsure whether your story crosses any lines, please feel free to submit it anyway. Decisions will be made on a case by case basis.) Submitting: Please send your submission to [email protected] as an attachment. The subject line...

Deadline: August 31st, 2019 Payment: $50 Our Process The Forge Literary Magazine publishes one prose piece per week selected by a rotating cast of editors. Each submission is read blind by two editors. If a story is chosen to move forward, it is read by one of two rotating Editors of the Month who each make final decisions on the stories they receive. Since we are a diverse, international group of writers, our tastes and styles are wide-ranging. Read more about us here. Fiction and Nonfiction We prefer stories below 3,000 words but will consider work of rare quality up to 5,000 words. We love flash and micro prose. Please send one previously unpublished piece per category and wait to hear from us before submitting another. Reprints are by solicitation only. Literary excellence is our only criteria. We are open to all genres and  voices, and stories with any background, race, ethnicity, gender, sexual  and personal identity from all over the world.  We accept and encourage simultaneous submissions, but please withdraw promptly via Submittable if your piece is accepted elsewhere. We read our submissions anonymously. Our submission manager will ensure that your contact info is connected to your work. Please do not put your name anywhere in the file.Please do not inquire about the status of your submission until three months has passed. If you are a former contributor, please wait at least six months before  you submit again; we only publish one piece per contributor per year. Payment and Rights We pay, upon publication, $50 flat regardless of length. We request exclusive  worldwide English language rights to publish in the Forge Literary  Magazine, an online journal, for a period of three months, after which  all rights revert to the author. Authors outside the U.S. must be able  to receive payment via Paypal. Via: The Forge's Submittable

Deadline: August 31, 2019. Payment: 1.5 cents (USD) per word. Who We Are Edited by award-winning science fiction writer Bruce Bethke, STUPEFYING STORIES is a bold attempt to grow a new general-interest science fiction and fantasy magazine from the ground up. Right now we are a small-press, semi-pro, payment-on-publication market publishing on a somewhat erratic schedule, but our goal is to grow to become a regular monthly magazine that pays professional rates on acceptance— And here’s the radical part. We want to do this not by chasing after foundation grants, asking people to contribute to our Kickstarter, Indiegogo, or GoFundMe campaigns, or begging passers-by to put spare change in our Patreon tip jar, but by selling lots of books and magazines. Sounds pretty crazy, doesn’t it? What We Publish Genres: Science fiction, fantasy, and horror, in roughly that order of preference. Venues: STUPEFYING STORIES magazine and the Saturday SHOWCASE feature on our website. Length: Generally, from flash fiction up to 10,000 words. We will consider longer novelettes and novellas, but space for longer works is limited, so please query first before sending anything longer than 10,000 words. Original Novels: We do publish original novels through our parent company, Rampant Loon Media, but do not read unsolicited novel manuscripts. Please query first. See further information below. Reprints: We do not publish reprints. There is one exception to this rule: see further information below. TIP: The best way to see what we like to publish, of course, is to buy and read a few issues of our magazine. The next-best way is to click on this link—SHOWCASE—and read a good sampling of the stories you’ll find there. What we’ve published in the past is not necessarily a foolproof guide to what we’d like to publish in the future, but it’s a good place to start. What We Buy and What We Pay Rights: Worldwide English-language first...

Deadline: August 31st, 2019 Payment: Royalties and a contributors copy The myth of the US-USSR space race was that it was done for scientific prestige. Behind that is the deeper myth that it was done for nuclear superiority and counterbalance. The truth is that it was done to save humanity. Immortal Works (editor Bruce F. Webster) hereby calls for submission for an anthology of SPACE-THEMED ALTERNATE HISTORY to be called THE SECRET LUNAR WARS: 1956-1979. Deadline: August 31, 2019 Payment: Royalties and a contributor copy The President of the United States looked across the Oval Office desk at the Director of NASA, a holdover from the prior administration. “I’m sorry it’s taken so long to have this meeting, but I’m still getting a handle on this job. That said, let me cut to the chase: we sent men to the Moon roughly a half a century ago, but have done nothing since. Why?” The Director bit his lip, grimaced a bit, then said, “To talk about that, we’ll need to bring the Secretary of Defense and the Director of National Intelligence into the discussion.” The President, startled, asked, “Why, for heaven’s sake?” Another grimace. “Because there are – complications – with us, with anyone putting humans on the Moon again. Big complications. Deadly complications. Complications you probably wouldn’t believe. Trust me, we’re not incompetent at NASA. We could have multiple bases on the Moon by now if we wanted to. But we’ve been deliberately dragging our feet on any human mission outside of low Earth orbit since the 1970s. For very good reasons.” The Secret Lunar Wars is an anthology of alternate history short stories that explains what was really going on during the period of time from the first suborbital rocket launches in 1956 to the fall of Skylab from orbit in 1979. Here’s the framework:...

Deadline: August 31st, 2019 Payment: $10 and a contributors copy Oddity Prodigy Productions is seeking submissions for a new anthology, “Scary Stuff”. This will be the first anthology published by OPP to accept submissions. There is a planned Kickstarter to cover publishing costs. Publishing date and distribution is as yet undecided.  The deadline for Submissions is August 31st, 2019 What we are looking for: In the ’40s and ’50s EC comics published such classic titles such as ‘Tales from the Crypt’ and Vault of Horror’. These were tales of horror that featured classic stories filled with ghosts, and goblins, twist endings and the classic idea of reaping what you sow. The style of story continued into the ’60s and ’70s with Creepy and Eerie magazines. Published outside the comics code the latter had the same campy style filled with over-the-top monsters and gore. We are looking for stories that channel these classic horror tropes and styles. We’re looking for old haunted houses, swamp monsters, mad scientists, shocking discoveries in the weird neighbor's basement. Pick up an old issue of Creepy, watch Tales from the Darkside, or take a look at some EC comics for inspiration. What we’re not looking for: We are not looking for stories featuring over the top depictions of rape, child molestation, or torture. This should be fun and campy. Sexual content is ok, but nothing too graphic or excessive. Think Fright Night or Evil Dead, not Hostel or Se7en. SUBMISSION PROCESS We are looking for stories between 2000 and 5000 words. Exceptions can be made but anything longer or shorter will need to WOW us. Original stories only, we are not looking for reprints at this time. Submissions should be in standard manuscript format. Be sure to include your name, address, email address, and phone number....

Deadline: August 31st, 2019 Payment: $5 BMR Promotions are open to submissions for our new horror anthology - Stuff of Nightmares! Deadline: August 31st 2019 Genre: Horror Word Count: Up to 5k Release Date: Fall 2019 (Approx Oct 1st) Brief: The Stuff of Nightmares will feature 13 short stories focusing on Nightmares. We want stories that will keep you awake at night. All stories must center around nightmares - dreams that become reality, nightmare worlds, creatures that prey on us when we sleep. We will be accepting ten stories for the anthology, as we will be featuring a story each in the anthology. If your submission is accepted, you will be paid $5 via Paypal. No royalties will be paid out on this anthology. A contract will be sent upon acceptance and we will retain all rights until Nov 30th 2019, at which point, all rights will revert to the author. Authors will be contacted within two weeks of the closing date, if they are accepted. The book will go up for pre-order in late September for one week. Submissions can be sent to [email protected]. All stories must be edited before being submitted. Stories cannot be previously published.

Deadline: August 31st, 2019 Payment: Prose: $10 per page ($250 maximum), Poetry: $25 per page CONSEQUENCE is an independent, international literary magazine. Annually in the spring we publish a print edition that includes short fiction, poetry, non-fiction, interviews, visual art, and reviews focused on the culture and consequences of war. WRITERS whose work has appeared in the magazine include Peter Balakian, Bob Shacochis, Fanny Howe, Phil Klay, Afaa Michael Weaver, Askold Melnyczuk, Tom Sleigh, Anne Germanacos, Yusef Komunyakaa, Dan O'Brien, Martha Collins, Sven Birkerts, Margaret Luongo, David Abrams,  Ed Ochester, Jill McDonough, Christopher Lydon, Bruce Weigl, Lee Hancock, Fred Marchant, Brian Turner, Homero Aridjis, Martha Cooley, George Kalogeris, and Richard Hoffman. SUBMISSIONS are welcome during the reading period between May 1st and  August 31st. We do not consider work previously published in English.  All unsolicited work must be submitted through our website's submissions portal: www.Consequencemagazine.org/submit.  We do not accept mailed or e-mailed submissions. For fiction and non-fiction: please submit one piece of no more than 5,000 words. For poetry: please submit up to three poems of any length. Translations are considered when permissions have been obtained. Simultaneous submissions are welcome and encouraged, but if your work is accepted elsewhere, please let us know immediately. Each submission may be accepted for publication in the print edition of CONSEQUENCE  and CONSEQUENCE Online. CONSEQUENCE is an independent, non-profi magazine, and a 501(c)(3) charitable organization. We pay $10 per page for prose work, $25 per page for poetry, and $15 per page for translations that we commission. For the print magazine, we offer a contributor’s copy and a gift copy of the issue. Address: CONSEQUENCE Magazine P. O. Box 323 Cohasset, MA 02025-0323 Reading period: May 1 – August 31, 2019. CONSEQUENCE is an independent, non-profit literary magazine published annually. We publish short fiction, poetry, non-fiction, interviews, visual art, and reviews primarily focused on the...

Deadline: August 31st, 2019 Payment: 1 cent a word, to a maximum of $20., poetry $5 Note: NZ and Australian authors only We publish SF, horror and dark fantasy short fiction from NZ and Australian authors. Submissions for the zine are OPEN. Deadline for Breach #11 is August 31. ​ ​ In the Zine All work must be original and previously unpublished. We pay for first worldwide publication rights for six months and nonexclusive reprint rights. Copyright belongs to the author or artist. We simply ask for you to credit Breach as the site of first publication if your work is then subsequently reprinted elsewhere (after the six month exclusive period). Stories between 500 and 2000 words, in doc format. Poetry of a page length, doc format. Cover art in A4, 600dpi, RGB. ​ Payment Short stories: 1 cent a word, to a maximum of $20. Poetry: $5 per piece. Cover art: $20 per piece. ​ We're also after submissions of longer works of novella (17,000 to 40,000 words) and novelette (7,500 to 17,000 words) length. Our short stories lean toward horror and the darker side of science fiction and we'd like to carry that over to novellas and novelettes. If you're interested in publishing with us, please send the first chapter and a single-page synopsis as a Word doc using the form below. All work must be original and previously unpublished. Breach pays 60% of royalties from all print and ebook sales - we don't offer advances. We pay for exclusive worldwide publication rights for one year and non-exclusive reprint rights. Copyright belongs to the author. Via: Breach Ezine.

Deadline: August 31st, 2019 Payment: $10 In anthropological terms, liminality is the midpoint of a ritual: the threshold where a person is no longer quite who they were, not yet who they might become. In between masks, what face might you have? What might you be in transit? Where will you go? Everything is possible in that moment; change is its own goal. Liminality is the space between. Liminality is an online quarterly magazine of speculative poetry edited by Shira Lipkin (co-founded and co-edited through our third year by Mattie Joiner). We are very pleased to meet you. We’re looking for speculative literary poems that touch the heart as much as the head; poems of the liminal, the fluid, and the fantastic. We’d love to see work that shifts shape, refuses to be to be easily pinned down or categorised. We actively welcome diversity; we want to hear new as well as established voices. Tell us tales we thought we knew, the way only you can tell them. Give us new myths. Liminality pays $10 per poem, for first worldwide publication rights and non-exclusive anthology rights. We will be open: April 1 – May 31 July 1 – August 31 October 1 – November 30 To submit, send up to five poems to liminalitypoetry AT gmail.com with the subject line “SUBMISSION – ”. Please include your poems in the body of the e-mail; if you have formatting that makes that untenable, you may attach the poem as an .rtf. You may send up to five poems per reading period. We do not accept reprints or simultaneous submissions. (If the poem has been publicly viewable online, yes, it would be a reprint.) “Dear Editor”, “Dear Shira”, and “Dear Mx. Lipkin” are all fine as forms of address. Via: Liminality.