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Taking Submissions: The Dead Inside
Deadline: August 2nd, 2021
Payment: Poetry: $25 per poem, Flash Fiction: $25, Short Stories: $50, NonFiction: $50
Theme: Identity Horror
Dark Dispatch is excited to announce we’re teaming up with Laurel Hightower (Crossroads, Whispers in the Dark) for The Dead Inside, an anthology of identity horror. Explorations of what happens when our core identities are stripped, altered, suppressed, or denied to us, whether by choice or not. The way parenthood turns you into a different person. How toxic masculinity shapes us and robs boys of their childhoods. Suppression of race, culture, or ethnicity to stay safe, get the job, or grab that publishing contract. Being forced to stay closeted for safety, acceptance, or love. How does a lifetime of suppression and self-hatred affect us? What might our lives have been like if we’d been able to break free? Who do we become when we perpetuate the same patterns? And who are we, really, when we strip down the outer skin of what we are? Submissions open May 15.
Editors: Laurel Hightower and Sandra Ruttan
Publisher: Brian Lindenmuth
Opens May 15 to submissions of original works focusing on the theme of identity horror. Submission window closes August 2, 2021 midnight EDST. We accept submission of the following:
- Flash Fiction (we favor submissions 400 to 850 words in length)
- Short Stories (we prefer submissions 2,000 to 6,000 words in length)
- NonFiction (we favor submissions 1,500 to 3,000 words in length)
- Poetry: $25 per poem for print and ebook rights
- Flash Fiction: $25 per story for print and ebook rights
- Short Stories: $50 per story for print and ebook rights
- NonFiction: $50 per piece for print and ebook rights
Reprints will be considered on a case by case basis and will be subject to a different pay rate.
Submission format for original unpublished works:
All submissions should be attached as .doc or .docx files. – .rtf and PDF files will not be read.
All submissions should use Times/Times New Roman/Courier New font.
Text should be in black ink, text size should be 12pt, and the file should not display editing changes or comments.
The email’s subject line should have the type of content-submission title-author’s name-word count-submission date. For example, if Windbags McBlowhard is submitting a 2,200-word story called Foul Wind, their subject line should read as follows:
Short Story-Foul Wind-Windbags McBlowhard-2,200-May 16
The email should include the following:
- Paypal address
- 50-100 word bio written in third person
A pitch or summary of unpublished submissions is not required.
Submissions should be emailed to [email protected]
We accept simultaneous submissions but ask you to notify us immediately if your story is accepted elsewhere for publication.
Do not submit unpublished content that’s already under contract for publication.
Writers may submit two pieces in total. If you submit more than two pieces your submissions may all be disqualified from consideration.
Submission format for previously published works should follow the standard submission guidelines above, with one exception. In the body of your email, include one paragraph explaining where the work was previously published, when it was previously published, and include 2-3 sentences covering the content topic. You should also make it clear you have the right to republish the work in November 2021. If your prior publishing contract prohibits you from republishing the work by then, do not submit it.
All payments will be made via Paypal. You must have a verified Paypal account to receive payment.
We should also add the usual:
Extreme violence, sexual violence, derogatory language, hateful and harmful language of groups, people, or belief systems will not be considered. We welcome strong themes, but they do have to be relevant and serve the story.
Via: Dark Dispatch.
- About the Author
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Angeline Trevena is a British author of dystopian urban fantasy and post-apocalyptic fiction. She has an impressive backlist of novels, a series of worldbuilding guides for authors, and short stories appearing in various anthologies and magazines. Despite the brutal and dark nature of her fiction, Angeline is scared of just about everything, and still can’t sleep in a fully dark room. She goes weak at the sight of blood, can’t share a room with a spider, but does have a streak of evil in her somewhere. Find out more at www.angelinetrevena.co.uk