Ongoing Submissions: Lackington’s

Payment: 1 cent CAD per word for stories ($25 CAD minimum)
Note: Limited reprints allowed, read before submitting.
Note: Check the main page for the current theme which rotates

Lackington’s publishes speculative fiction between 1,500 – 5,000 words in length. The “spec” element can be overt or subtle (so blow us away with realism if it possesses the merest twinge of strangeness). Fantasy, SF, slipstream, post-apocalyptic, magic realism, mythopoeia, folktale, grimdark, weird, or any flavour of ‘punk, it’s all good, BUT WAIT! Read this before submitting — meeting our style preference is our foremost demand. We’re excited by stories by, or representative of, members of traditionally marginalized communities. We are never excited by fanfic, so please don’t send us any. We prefer stories with experimental prose and structures, but second-person POV narratives have become a hard sell at Lackington’s simply because we see so many.

Submission window: We rely on rolling submissions, which means we close for submissions once our Table of Contents is full or near-to-full. We don’t post deadlines, but we do make announcements on Twitter when we’re a week or two off from closing. Submission windows are usually open 8-12 weeks but there’s no guarantee, so get your tales in sooner than later.

Fiction submissions: Email submissions to lackingtonsmagazine at gmail dot com. Your email must include the word count for your story, byline, publication history, the country you live in, and the theme/issue you’re submitting to (see above). We don’t accept attachments. Copy and paste your story into the body of your email, below your cover letter, and be sure the font isn’t too small or creative (clear, readable text is the way to our hearts). It should go without saying that paragraph breaks must be obvious, and work must be polished. Type SUBMISSION: [THEME] [YOUR TITLE] in the subject line of your message. If we accept your story, we’ll ask for a Word doc in standard manuscript format. We love getting work from authors we’ve published before, but to keep things varied we ask those authors to target every third issue or more. We have a very small staff and a very large number of submissions, so alas we can’t offer feedback on stories.

Reprints: We aren’t a reprint market but make exceptions for English-language work previously published outside Canada, U.S., British Isles, Australia, and New Zealand. We also accept new English translations of work that was previously published in another language, anywhere in the world. Be sure to read your contract carefully before submitting previously published work to ensure that you have the right to resell and we have the right to republish. You MUST indicate that your work has been previously published in your submission email, and let us know where and how long ago. Our reprint rates are the same as our rates for original fiction (see below). Please note that we consider work sold to readers through Patreon or crowdfunding drives to be previously published.

Art submissions: We commission artwork for each story, so don’t send us individual pieces for consideration. Rather, email us a link to your online portfolio, with cover letter, and if we think your style is a good fit for Lackington’s, we’ll ask if you’re willing to illustrate a specific tale when an opportunity comes up. 

Simultaneous and multiple submissions: No and no. We respond within 60 days or sooner, and we ask that authors submit no more than twice a reading period.

Poems, plays, flashlings?: We’re only interested in short stories. However, stories that experiment with structure are especially welcome–we love works that incorporate elements from poetic or dramatic forms.

Payment: We pay 1 cent CAD per word for stories ($25 CAD minimum), $25 CAD for interior illustrations, and $40 CAD for cover art. We do so using PayPal, and payment will be made before your story goes to print. Be sure to read our legalese, below, about what “first rights” entails.

Legalese: We buy first world electronic and print rights, which means we have exclusive rights to your work leading up to the date of publication and, in the case of stories, for 90 days thereafter (art may be reprinted or resold any time after we publish it). We also purchase reprint rights, which means that we have permission to reprint the work we bought from you in any future anthologies. Authors may publish a teaser of 200 words or less to promote their upcoming release. Illustrations, however, don’t break down that way, so artists must refrain from publishing/posting anything we buy from them until after we have unveiled the work in Lackington’s (“exclusive first rights” means just that). After 90 days post-publication, stories may be reproduced or anthologized in their entirety elsewhere, electronically or in print; we ask, however, that contributors or future editors note that the work originally appeared in Lackington’s. We reserve the right to reproduce purchased work in our online and print promotional materials (e.g. masthead, bookmarks).

Production: We have a professional editor on staff, so expect some minor nips and tucks (they correct typos and awkward/unclear sentences, and ensure that author style is consistent throughout each story). If the editor has questions, or suggestions for broader changes, we always contact the author for approval before going to print. Please trust the editor, who’s been doing this for a long time. They will use the lightest possible touch, respect the author’s taste on more subjective matters, and will not alter an author’s overall voice, ever. We hope contributors will consider editor feedback as a service rather than a slight — Lackington’s would not have accepted your work if we didn’t already admire it six ways to Sunday.

Via: Lackington’s.

Taking Submissions: Trouble The Waters: Tales from the Deep Blue

Deadline: November 1st, 2017
Payment: 6 cents per word

She moves with deliberate grace.

 

Mami Wata, Momu Watu, La Sirene, Sedna, Coventina, Suijin, Mother of Waters

She is the water between us, the water within us, the water that slakes thirst, from which we were born. Water is the natural and the sacred, the functional and the necessary. All over the world, in cultures young and old, water is life and from this force, great adventures, quests, and legacies begin. And whether it is still, moves, rises, or falls, water fills us. Imagine what stories and strange tales can be told from the depths of its depths.

 

TROUBLE THE WATERS: Tales from the Deep Blue will be a new anthology of water-themed speculative short stories that explore all kinds of water lore and deities, ancient and new as well as unimagined tales. We want stories with memorable, engaging characters, great and small, epic tales and quieter stories of personal and communal growth. Science fiction, fantasy, horror, interstitial, and unclassifiable works are welcome. We are seeking original stories in English (2500 – 7000 words; pays 6 cents per word) from writers of all walks of life from this beautiful planet and will accept some select reprints (pays 2 cents per word). Deadline: November 1, 2017. Projected publication: November 2018, Rosarium Publishing, www.rosariumpublishing.com. Please send submissions as a .doc, .docx, or .rtf file in standard mss formatting with your name, title, and word count to: [email protected]

Please note that we are unable to accept simultaneous or multiple submissions.

Via: Roasrium Publishing.

Ongoing Submissions: Spaceports & Spidersilk

Payment: 6.00 for each accepted original story; $2.00 for each accepted story reprint; $2.00 for each accepted poem; and 10.00 for the door art
Note: Reprints Allowed
Note: Younger Target Audience – READ!

Spaceports & Spidersilk is an online magazine for younger readers [8 to 17 and beyond].  Formerly it was called KidVisions.  Spaceports & Spidersilk features short stories, poems, and art, as well as brief essays on science and the environment, interviews, quizzes, contests, [and, quite frankly, anything else that is genre-oriented and will help encourage the younger generation to read…and to dream, especially about going to the stars].  We at Nomadic Delirium Press hope that younger writers and artists, as well as adults, will submit their work.

 

The genres for Spaceports & Spidersilk include fantasy, science fiction, and a category we are going to define as ‘shadow stories’.  Shadow stories are mild horror.  We want spooky, not terrifying.  Most of all, we want ADVENTURES!  And especially SF or fantasy adventures.

 

Also, we are looking for works set in a speculative genre, rather than about a speculative genre. In other words, we want stories where the fantasy or science fiction is real within the piece, not pieces where those elements turn out to be a dream, or even a daydream.

While we believe that adult readers can and will enjoy good stories aimed at kids, we still want stories which are aimed at kids.  Generally, kids (especially in the 8-14 range ) prefer to read about other kids. Stories about middle-aged couples seldom appeal.

No reader, young or old, wants to be force fed a moral. Too often stories written for kids seem to be all about the lesson the reader is meant to learn, and few things are as likely to make readers run screaming. Give us a good story, one that entertains and connects with emotions. If that story causes the readers to rethink something, or proves an interesting point, great, but in the end it has to be something they enjoy reading.

The guidelines for submissions to Spaceports & Spidersilk are simple and straightforward.  Here they are:

 

What we want:

Spaceports & Spidersilk will consider—

genre stories of up to 3000 words.

poetry of up to 25 lines.

art, in color or black-and-white

essays of up to 800 words.

interviews and articles of up to 800 words

Spaceports & Spidersilk will accept reprints, provided they are identified as such, provided you have the rights to the work, and provided you tell us where and when the submission was first published. We do not accept simultaneous submissions.

 

What we DO NOT want:

NO “bad language”.  This includes cussing, swearing, and those wonderful hyphenated words you use when you whack your thumb with a hammer.  You know what they are.  I don’t have to tell you.  Also, no racial epithets.  You know what those are, too.

NO sex.  Your characters may kiss, or fall in love, or get married, but that’s all.

 

What we ALMOST DO NOT want:

NO drugs, unless there are severe and very clear consequences to the character involved with them.

NO sexist language.  I said ‘almost’.  It is quite typical of boys of a certain age to say things like, “She can’t do that, she’s just a girl.”  Usually, in real life, such statements are preludes to valuable and sometimes painful lessons learned.  So it must be in the fiction you submit to Spaceports & Spidersilk.

 

Effective 01/01/2008, Marcie Lynn Tentchoff is the editor of Spaceports & Spidersilk.

 

Payment–Effective the issue of March 2008, the following payments apply:

Spaceports & Spidersilk will pay $6.00 for each accepted original story; $2.00 for each accepted story reprint; $2.00 for each accepted poem; and 10.00 for the door art.  These rates are effective with the December 2011 issue.

 

HOW TO SUBMIT YOUR WORK:

Please submit stories and essays [and articles, etc] as RTF attachments to Spacesilk at yahoo dot com.  You will have to convert this to a usable address, of course.  Please write SUBMISSION and the title of your piece in the subject line of your e-mail.

Please submit poems in the body of the e-mail to Spacesilk at yahoo dot com.  You will have to convert this to a usable address, of course.  Please write SUBMISSION and the title of your piece in the subject line of your e-mail.

Please submit art as a jpeg attachment to Spacesilk at yahoo dot com.  You will have to convert this to a usable address, of course.  Please write SUBMISSION and the title of your piece in the subject line of your e-mail.

 

If  Spaceports & Spidersilk accepts your submission, we will ask for your mailing address so that we may send your payment.  We will also ask for a brief bio of the writer or artist.

 

If you have any questions about this, or about Spaceports & Spidersilk, please e-mail them to Spacesilk at yahoo dot com.  Again, you will have to convert this to a usable address.

Via: Nomadic Delirium Press.

Taking Submissions: Drive-in of the Damned: Black and White

Deadline: October 31st, 2017
Payment: 10 USD per story

Stitched Smile Publications in collaboration with Paul Mcvay present:

Drive-in of the Damned: Black and White

Guidelines: 
We are looking for 13 original stories (reprints will be considered on a case by case scenario)
Word Count: 7500 word max
Deadline: October 31st 2017
Anticipated Release: Summer of 2018 (Drive-in Season!)

Compensation: 10 USD per story, multiple submissions allowed (one at a time), but only one story will be chosen per author.
Submissions: We accept word documents only. Once you have submitted, please be patient. Acceptance letters will be sent within 90 days *after* the deadline. Send all submissions via form at www.stitchedsmilepublications.com (click “submissions) and be *sure* to include DRIVE-IN OF THE DAMNED for clarification! Or Email directly to: [email protected]

Summary:
The sky was dark driving up the road to the drive-in. Headlights from other cars cut across your vision as you pull up to the ticket booth. With the window down, the warmth of the air was reprieved by the passing of a single breeze. The operator was nothing more than a silhouette in front of the flickering bulb behind him. He reaches out a thin, bony hand with his palm up and you place your money in the center of it. When he curls his fingers inward, you notice that they are unnaturally cold in comparison to the temperature.

Leaning forward, he gives you a wide grin and you can see the highways of deep lines through his wrinkled skin.

“Right this way,” he says, swinging his arm out.

He directs you to the one of the many paths that leads down into the quarry where countless screens form a circle at the bottom of the quarry. You pass the big sign with giant letters that announce your arrival to … “The Drive-in of the Damned”.

(Each story centers around a person, or persons present in the vehicle. The quarry is at the entrance of another dimension; a place of limbo between heaven and hell. Those that arrive are unaware of this, though, but will soon realize it when the story played on their screen reveals the events leading up to their death.)

Do’s
• do tell a well thought out story centered around the theme and time-period which is any time prior to 1970.
• do be conscious of vernacular used in the year/time you are writing in.
• do send in a well-edited draft and include on the title page, author name, address, phone number, email and TITLE of the story. If you use a pen name, please make that clear as well.
• do have fun! Stories can include monsters, aliens, demons, supernatural, etc.
Don’t
• Nothing modern will be accepted: no modern technology, terms, clothing, etc.

Via: Stiched Smile Publications.

Taking Submissions: A Midas Clutch: Tales of Opulent Horror

Deadline: December 31st, 2017
Payment: 5 cents a word, 2 cents a word if a reprint.
Note: Reprints Allowed

edited by Steve Berman

Avarice and a fealty to Mammon are elements of this forthcoming anthology slated for January of 2018. Lethe is seeking weird and eerie stories of people consumed by wealth. Each tale must be suffused with the trappings of the well-to-do. Decadence should be paramount. However, we do not want these tales to be moralistic; we’re celebrating those who can buy the finest things in life…they just happen to be the leads in a horror story. The better stories will incorporate status and wealth as both character traits and elements of the plot. For an excellent example, we recommend “Dirty American” by Lara Elena Donnelly or “His Mouth Will Taste of Wormwood” by Poppy Z. Brite. Our preference is for stories that are contemporary but we are willing to read and purchase a few historical tales. No vampire or zombie tales.

Stories should be from 4,000 to 14,000 in length. Original fiction is more important to us, but we will make an offer on exceptional reprints. Payment for reprints is 2 cents per word. Payment for original fiction is 5 cents a word. All payment is upon publication in Summer of 2018. We’ll be doing a lovely, off-set, hardback edition of this book, perhaps a trade paperback, digital and audiobook versions.

Deadline is January of 2018. Please submit to Steve Berman at lethepress @aol.com with the Subject line of Midas Clutch Submission. Include an embedded copy letter with biographical details, if the story is original, and some sense of prior publications (if any).

Basic Submission Guidelines

If you would like to submit a manuscript to Lethe Press here are our guidelines:

  • We seek manuscripts that are a minimum of 45,000 words but no more than 135,000 words (and we are very, very selective on submissions more than 100,000 words).
  • We are primarily interested in queer speculative fiction. That is our specialty. We are willing to read and consider other genres (however, we have more resources to apply to such titles).
  • Currently we are only interested in reading poetry manuscripts for our Tincture imprint.
  • When submitting, please email to Steve Berman (at [email protected]) a synopsis of your ms. and the first three chapters as a RTF file or MS Word document. Please include a cover letter (you may list previous publications) and give us a sense why you have chosen to submit to Lethe Press.
  • Obviously we will not consider any title that has a negative perspective of LGBT individuals.
  • Please allow us 120 days to respond to your query; we do not consider simultaneous submissions.

Via: Lethe Press Books.

Ongoing Submissions: Uprising Review

Payment: $5 for flash fiction, $10 for short stories, Reprints pay at half price.
Note: Reprints Allowed!

Thank you for choosing Uprising Review for your piece! All of our story and formatting guidelines can be found below. Submissions that don’t adhere to word length and formatting guidelines will be rejected, unread, from our queue. Keep that in mind while submitting. Above all, we never want you to be afraid to push the envelope with your writing!

We accept flash fiction and short stories of any genre. This included fantasy, science fiction, horror, romance, literary, steampunk, political, and anything else under the sun. We do accept pieces that include profanity, sex, and violence when it is used with purpose and care. Often times these elements are used for shock value. While this is a valid use of those elements, there must be a reason beyond shock.

 

  • – flash fiction under 1,500 words of any genre will be considered
  • – short stories under 3,000 words will also be considered

 

We do not accept erotica. There are many markets for erotic stories but we are not one of them. We will not accept serials or chapters of novels or novellas. We want to provide our audience with full, complete stories with each read.

While we have limited resources, we think it’s important that authors are paid for their work. We pay writers $5 for flash fiction pieces and $10 for short stories. We do accept stories under 500 words, however we will only pay for flash fiction that is over 500 words. After we approve a story, we ask for exclusive rights for 6 months after the date of publication and anthology rights for one year. The writer maintains full ownership of their work and is free to publish their story elsewhere at the end of the 6 months.

Uprising Review focuses on blind submissions. This means we read your work before we read your cover letter. Your gender, race, and sexuality do not determine your strengths as a writer. Please remove any indication of your name, or pen name, from the file (title and document) before sending it to us. If your name or pen name are included, your work will be rejected unread.

Please send us only one story at a time and wait four weeks before sending us another, after a rejection or acceptance letter.

We welcome you to submit your story to other markets. If you chose to do this and your story is accepted elsewhere, please alert us as soon as possible.

Formatting for submissions:

 

  • – 12pt Times New Roman (or comparable) font
  • – double spaced
  • – include a page and word count in the header
  • – accepted file formats: .rtf .doc .docx .od

We will try to respond to your submissions as quickly as we can but we are all very busy people. If you have not received a rejection or acceptance letter from us within four weeks, please email us at [email protected] with the subject header “Submission Query.” We will do our best to respond from there.

Email Submissions To:

Via: Uprising Review.

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