Tagged: Short Story

Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter Two

  1. Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter One
  2. Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter Two
  3. Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter Three

Chapter Two

                                                          

A FRAGMENTARY HISTORY OF TERRAN CULTURE

BY NOEL RODGERS

What follows in this volume are the lecture notes I gave to the residents of Lunar Colony Seven in the first season after our connection with Earth was severed. My intentions at the time were to create a space for us to come together to celebrate Earth culture, to calm our frittered nerves, in the hopes that we would be connected again to our mother planet soon. That day has not yet come. It may never come. The fate of Earthbound humans may not be known for some time, perhaps ever. It may be up to future generations to find a way to return to Earth. The Moon is our home now, and that has to be good enough.

Many of you know I remain a committed student to Earth’s history, and the contributions my corporations made to advancing human knowledge on Earth, beneath its oceans and on other planets, is something I have dedicated my life to. Our lunar arrays, and the work many of you have advanced, has deepened our understanding of the universe, provided a clear view of the vastness of space, unencumbered by the atmospheric disturbances of Earth. Our vision from the lunar array could not be clearer, and we persist still to look deeper into the unknown, to answer the questions that persist. It is our evolutionary mandate to continue to explore and learn about our universe. In the case of space exploration, I was not content merely to be the CEO of my companies, but the captain of a colony. That decision has proven to be the wisest one I ever made.

I share the original notes in this volume, as much a lecture on scientific inquiry and the history of discovery, as a reflection of my thoughts and desires during that early period of great tumult. Please be sure to include the lecture slides when you play back this volume, for a more complete immersion into the original talk.

Yours faithfully,

Noel Rodgers, Captain, Lunar Colony Seven

Shackleton Crater, Lunar South Pole

EY 2095/LY 59

***

Hosts, Phantasms, and Phantasia. 

Good evening, lunar colonists, and welcome to tonight’s talk. I begin this lecture with the word: host. As in the host that holds the virus, the holy host, or one who hosts his guests for an exploration of Earth histories. As in hostage, someone held against their will as currency in an exchange with one’s enemies. Hosts held hostage, but to whom? In Latin, hostis. Means both friend and enemy. Hostile even. Tricky business, you see? 

As the host tonight, I welcome you into my home. As the host of a would-be virus, I would certainly not welcome such an uninvited guest. Have our people on Earth hosted an uninvited guest into their corporeal bodies? Hostile takeover? Next slide please.

Phantasms. Ghost hosts. 

Friend or enemy depends on the context. I see some pregnant mothers in the front row. Surely they could share some wisdom on this host business. The antithesis of a virus hosted inside our bodies would be a woman’s right to bear children, to host the species across time, into the future. But let us expand beyond the body, the social network of bodies, and go big, to the expanse of the universe. Next slide please.

Ptolemy created a geocentric theory of the universe perhaps the greatest anthropocentric idea in the history of humankind.  Every man is the center of his own universe, and this image was projected outward. Ptolemy’s theory lacks elegance and must be continually revised to account for the planets’ strange trajectories around the Earth. Unholy hosts. Looking back to our ancestral species, this evolutionary flaw comes to be known as Ptolemy’s curse—man’s inability to see his own folly. Next slide please.

Copernican Mind Spasms.

In 1543 Copernicus’s heliocentric theory places the sun at the center of the universe, with the planets revolving around it. Some say this is the beginning of modern astronomy, and of the scientific revolution. Next slide please.

Invisible Adversaries.

Ninety-nine per cent of light and the electromagnetic spectrum is invisible to the human eye. For our species to progress, we needed instruments that could render the invisible visible. Next slide please.

Mapping Time.

The Soviet filmmaker, Dziga Vertov, calls the cinema the microscope and telescope of time. He was among the first philosophers to explore the archeopsychic realm, to truly understand the power of the cinema to cross grand time scales into the past and future. To enter our minds through the conscious hallucinations that the cinema brought to bear. Proto-feed was born. Next slide please.

Sensorial Overload.

Aristotle places phantasia between sensory perception and reason: “thinking is carried out by means of images, and the images have to be provided by the imagination”. Imagination becomes the engine of thought, a means of lubricating the harsh contact points between external sensorium and inner vision. “Imagination alone contains poetry,” and, “Imagination is the most scientific of the faculties”. For Baudelaire, imagination is what makes both synthesis and analysis possible. Next slide please.

Universe Man.

Ah, a man after my own heart: Giordano Bruno, philosopher, poet, magician, mathematician, astronomer. Believing magic was the result of phantasmic images, he dreamed the feed before it was born. Extended the conceptual theories of the Copernican model of cosmology. Giordano was among the first to claim the universe was infinite. He was burned alive at the stake for his heretical views, for which he was unapologetic to the end, even as the flames consumed his mortal core. Next slide please.

“It is not surprising that man, burdened with obsolete ‘knowledge’—his spontaneous reflexing conditioned only by past experience, and as of yet unable to realize himself as being already a world man—fails to comprehend and cope logically with the birth of Universe Man.”  R Buckminster Fuller, Utopia of Oblivion, 1969. Big year for mankind! Next slide please.

Time Travels through the Light Machine.

Edwin Hubble works in total darkness to adjust his eyes to the starlight. He fixes his gaze on the Andromeda Galaxy and three candidate novae, one being a Cepheid—a star that pulsates. The length of the pulse betrays its actual luminance, and its visible luminance when measured against its actual luminance betrays the star’s distance from Earth. Tonight the most significant photograph in the history of humankind will be taken.

It is October 4, 1923. Next slide please.

Documenting Terran Bio Destruction.

Many of Earth’s thinkers recognized the destructive nature of their species, and a form of salvage biology was conducted by its most radical thinkers. In 1843, botanist Anna Atkins published a collection of images, documenting Terran plants and algae. In less than two hundred Earth years, all of these species were functionally extinct. Some exist on Mars and here on the Moon but no longer live freely on Earth. It should be noted that Atkins’s work was funded by her husband’s business in the English slave trade. These tradeoffs of human suffering versus human knowledge form the bedrock of our great gains, I might add. Sometimes referred to as the Dusky Seaside Sparrow Paradox. Landing on the Moon must have been a hard pill to swallow if you were among the last of the coastal Florida sparrows. Something has to suffer for something else to gain, or the engines of progress stall. Next slide please.

Next slide please.

One solves mysteries of the universe through the trinity of observation, theoretical development, laboratory experiment.

Next slide please.

Moth Light Flame Terrain.

If splitting the atom invoked darkness, evolutionary biology would have prevented the threat of mutual destruction, nuclear holocaust, gamma radiation, unstable elements invading our bodies, the destruction of Earth systems’ ability to sustain human life. The paradox of light: mothlight. The movies, the internet, and the feed prepared industrialized society for nuclear holocaust, like the scientists who desired detonations at night. The feed prepared us for the spectacle of light against the dark, for anything is possible. Sunrise promises warmth, ruptures night, offers another chance at survival. Mastering the sun satisfies the primal evolutionary need for light, warmth, clear lines of sight, like crosshairs in a mirror! Are you with me, people? Next slide please.

Failure to Adequately Map Time.

Old-timey corporate thought patterns structured time on quarterly profits. Wrong! Profits should be structured on the hour! Time is our most valuable asset, why wait? As the Peruvian folklorists say, there is more time than life! The Soviets invented the five-year plan. Wrong! The concept of thinking seven generations ahead is said to have originated from the Great Law of the Iroquois. Okay, I concede the wisdom of this, but that is as anti-profit as it gets. 

Most Terrans tended to think on the human timescale, a lifespan, no more. The failure to think on grander timescales while also extracting profits by the second, geologic-time-real-time paradox indicates the poverty of thought that led to the destruction of the Terran noosphere, the planetary doom that was to overtake Mother Planet. Let’s not forget there’s a reason we’re living on the Moon people, and it’s not just the amazing views! Okay, let’s wrap here. I’m getting hungry. Duck Confit Crostinis with parsnips and figs, anyone? 

Trembling With Fear 12-8-24

Greetings, children of the dark. As you read this (if you’re reading it pretty close to publishing time), I’m sitting in London’s Southbank Centre surrounded by paranormal enthusiasts. It’s time for UncannyCon, the now-annual gathering of the community that’s built up around the Uncanny podcasts. For those who haven’t had the pleasure yet, this is a BBC (i.e. state broadcaster) podcast offering that investigates paranormal cases from multiple sides, and features experts who try to explain what might or might not be happening – is it sleep paralysis or did you really see a ghost sitting on your bed, that kind of thing. I was slow to the uptake but have been obsessed with this thing for the last few years, and try to get to all its live events within reach of me whenever I can. I even got to fangirl over one of the resident experts, Evelyn Hollow, at my Writing the Occult: Hauntology event last weekend! (Gods, how I embarrassed myself in front of one of my heroes. So much shame.) 

Why am I saying this? Partly to boast, but also partly because it’s part of my denial that Christmas is coming and the end of the year looms large in the rear view mirror. On the former festive phenomenon, be aware that our Christmas special edition has now closed to submissions. The team is reviewing them all and you’ll hear from us soon. As to the other parts? Well, just a reminder of the sort of thing that tickles my fancy, I guess. I’m here for the dark and supernatural tales, not the gory crime ones. TWF has evolved over the years, after all! You’ll find our likes and dislikes over in the submissions guidelines, which I very much recommend you read if you want to submit to us because, my word, our inbox is looking very much like those guidelines are optional.

They are not.

Please note our open windows for short stories and specials (we are open year-round for all other sections). 

Note that you need to use our submission form at the bottom of that submissions page and fill in every part of it so that we know where to direct your submission – I’ve been accidentally putting some Christmas drabbles into the regular ol’ weekly edition pile and that limits your chances of getting picked once Christmas is over. 

Note that you need to upload your story in a MS Word document – don’t paste it into the form and send it to the general contact inbox. 

And make sure your story fits our needs! We’re not looking for true stories. This is a publication for dark speculative fiction. 

OK, so it’s the end of the year and I’m tired and grumpy, so let’s just move onto our weekly fare. This week’s main course from Cameron Walker has us confused and muttering in a hospital ward. That’s followed by the short, sharp speculations of:

  • Adam Hannah’s good dog,
  • Christina Nordlander’s lost time, and
  • Andrew Keyworth’s fairytale folly.

Over to you, Stuart.

_____


PS – speaking of my hauntology event, just wanted to pass on a massive congratulations to Adam S Leslie, whose weird folk horror novel Lost in the Garden has been shortlisted for the Nero Book Awards. Adam was one of the event guests, and we chatted about infusing your fiction with a hauntological atmosphere. Lost in the Garden definitely has that, and is one of my favourite reads of this year – go grab it if you haven’t already!

PPS – speaking of Writing the Occult, the next edition will focus on the uncanny, and we’ll gather on 18 January. Details to come! Pitch me an idea if you want to be one of the guests 😉

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“A Horror Short Story Collection by Josh Schlossberg

A hiker stumbles on a gruesome species undiscovered by science… An injury triggers an appalling new ability… A domestic pet holds a household in thrall… A human monster finally meets his match… Crimes against nature birth an abomination…

These and fifteen more tales make up WHERE THE SHADOWS ARE SHOWN, a short story collection by Josh Schlossberg (author of CHARWOOD and MALINAE), who guides you on a trek through the shadowy realms of biological and folk horror, supernatural and weird fiction.

So, lace up your boots, fill your water bottle, and put fresh batteries in the flashlight, because there’s not a chance in hell you’re getting back before dark.”

Support our sponsor and pick up Where The Shadows Are Shown today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all!

I’m not going to lie. With Thanksgiving last week, I didn’t get much done for the website. We did push forward slightly with TWF, but the new layout, which is a work in progress for the site, didn’t get attention at all. 

For my personal writing? That short story that was shortlisted last week has officially been accepted! More details will come when official announcements are made. 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Please, order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!
  • Be sure to follow us on both BlueSky and Threads!

Stuart Conover

Editor, Horror Tree

(more…)

Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter One

  1. Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter One
  2. Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter Two
  3. Serial Saturday: Lunar Colony Seven by Georg Koszulinski, Chapter Three

Chapter One

                                                          

A scruffy-looking man wearing a white undershirt and white shorts and thick white wool socks sat at a wooden desk with a radio receiver in his hand, held close to his mouth as he thought of his next words. Twice a day for countless years he sent a message across space, hoping to get some kind of response. None came. The man stared silently out the large window before him. In the foreground, the barren pocked moonscape disappeared into the horizon, and beyond that Planet Earth loomed large in the black expanse of the universe. 

The room was small, white-walled, and gave off a mid-century modern aesthetic with the elegant wooden desk and the three white chairs surrounding it. The walls were constructed of bricks made of lunar regolith and looked strangely similar to the walls of a 19th-century factory like one might have found on Earth in cities like Baltimore or Buffalo or Boston, or the cigarette factories in old North Carolina. The face of the desk was constructed from a single slab of multihued acacia wood, grown in the wild on the African savannahs. 

The sound of birds played through the invisible speakers embedded in the lunar bricks. A few plants with deep green ovoid leaves hung from the ceilings closest to the window, lit with artificial light that brought their lush growth into glittering focus against the cool white of the room. 

The air in the tiny room was crisp and clean. Cleaner than the air one might have breathed in Los Angeles or Mexico City or Tokyo or Beijing or Mumbai, Egypt, Vienna, Prague, Paris, Moscow, Madrid, Nairobi, Bogotá, Buenos Aires, Rio de Janiero, Taos, Toronto, or New York City if you were on a boat traversing the narrow waterways between the aging island skyscrapers of former Manhattan, which now belonged to the sea. You would have had to go to the far reaches of the Arctic Circle or Antarctica to find breathable air that came anywhere near as pure and clean as the air being breathed here in the white Moon room.

Deep within the lunar South Pole, on an embankment where sunlight never touched, the trapped ice was mined with large drilling machines, hundreds of them, that transported the ice to be heated in vast underground processing centers, manned by Terran refugees with engineering and aeronautical expertise who migrated from all over the world and almost never saw the surface of the moon, never saw natural light, never saw stars, never saw a smiling face, the landscape of the human soul. Only water and ice. And the pipes that led to the above-ground lunar colonies where the first- and second-class colonists lived and worked. The workers’ living quarters were deeper still, beneath the platforms where they worked in their waking hours. These were the unmen who kept the lunar colony afloat.

The heated ice transformed into vast amounts of water, pumped in through underground channels to electrolysis stations where the water split into hydrogen and oxygen, or viaducts that fed the greenhouse crops where the sun reached, or the lunar waterworks where drinking water and lakes and pools made life pleasurable for the surface colonists. Aquatic life existed in some of those waterworks above, and the colonists enjoyed watching them through the transparent walls of their tanks. 

Some of the subterranean pipes led to the rocket fuel processing centers. Others led many kilometers away to the lunar colonies above, where the breathable air extracted from ancient moon water was breathed and enjoyed by the lunar citizens of Earth. None of the colonists knew what had happened on Earth, so they continued to process the ice, produce the rocket fuel, drink the pure water, and breathe the clean lunar-manufactured air. Life on the Moon continued without disruption, despite the reality that they could not return to Earth, could not communicate with their home planet, could not answer any of the questions that had plagued them for almost a decade. 

The air pumped into the small white room overlooking Planet Earth, and the man at the desk continued staring into the vastness of space. A system many kilometers away and hundreds of meters below the lunar regolith kept this room in a state of perfect comfort and stasis, with the purest air one could ever hope to breathe. The value of this air here in Shackleton Crater on the Earth’s only moon was immeasurable. Without it, all the colonists would be dead within a matter of minutes. 

The man breathed the lunar air and enjoyed the gravity processors that kept his body tethered to the moon like a normal human being, not one of the unmen below who floated and bounced on the moon’s light gravity, their bones and muscles weakening and atrophying to the point where to return to Earth would crush their bodies, render them immobile. They were trapped processing the lunar ice until the end of their lives. There seemed to be no escape from this reality. Not even sunlight on the lunar surface to calm their nerves.

On the wall opposite the large window hung a number of priceless artworks, among them a small drawing of six symmetrical moons, framed in an ornate wooden rectangle. The drawing depicted detailed sketches of the moon in various phases of light, some checkered white on black squares, others floating orbs on the white paper. The sketches were highly detailed and could be read both as an object of study and an aesthetic rendering of Earth’s moon. The drawings, encased behind glass, were sketched by none other than Galileo Galilei himself in 1609 after having viewed the moon through his telescope. Here, those drawings were now staring back at the Earth itself from across the glass. 

Next to Galileo’s drawings, the imposing canvas of Jan Vermeer’s The Geographer hung. On the large canvas, a man stood hunched over his maps, facing the lit window of his painted world. Looked at from just the right angle, it was as if the man in the painting were staring out the glass window in the room, gazing out towards a distant Earth. 

In the far corner of the room, shrouded in shadow, an Egyptian sarcophagus laden in gold stood sentinel, and next to it, a grayed stone carving of the Egyptian goddess, Sakhmet. Her slender humanoid form was topped with the head of a lioness crowned with an orb above her head, the stilled image of the moon floating above the goddess of violence, disaster, and illness. Behind the sarcophagus and behind Sakhmet, hanging on the wall, was a blackboard. On the blackboard, this formula was hastily written out in chalk:

Beneath the chalkboard on a small white card affixed to the wall, the words ‘Einstein’s Chalkboard’ were neatly typed out in black 12-point Times New Roman font.

The man at the desk stared out the large window in absent gaze. His eyes were not focused on the moonscape, or the Earth beyond, only out into space. The man broke his trance, reached for a leaf, broke it off, and chewed on it slowly. He clicked the radio on and began to speak.

Hello? This is Noel Rodgers, is anybody home? Do you read me? I repeat, this is Noel Rodgers of Lunar Colony Seven. Do you read?

The man took a deep breath and swallowed.

He looked down on Earth and asked himself the same thing he had been asking for years, without ever getting a satisfactory answer: what have you done down there? 

Just then the intercom kicked on, muting the birds. A man spoke with a heavy Eastern European accent.

Mr. Rodgers, are you there? We’re about to start season two, Breaking Bad. Classic American television. Best stuff. Only gets better after first season. Should I tell them wait for you?

Rodgers put down the radio, grabbing another leaf from the hanging plant and shoving it in his mouth. He took a deep breath, stretched his arms, broke out of his inquisitive state.

Tell them I’ll be right there.

Very good, sir. We wait. 

The intercom clicked off and the birds resumed their song.

Trembling With Fear 12-1-24

Greetings, children of the dark. I’m in denial. I refuse to believe today is the 1st of December. This year cannot almost be over. I haven’t done anything! I’ve wallowed in the dark too much! What happened to all of those plans I made?!?! If you’re in the same position – and/or you’re still too full of Thanksgiving food to be able to move – let me invite you to escape into some darkly speculative fiction. 

If you fancy penning some of your own, our Christmas special is open for subs for about another week – make sure your story is absolutely, 100% verifiably tied to the season, please! Not just that it’s a bit cold. And we always, always need more drabbles – not seasonal, though those are welcome; just general dark drabbles always, please. Make them dark but also make them speculative: less of the true crime as we’re unlikely to accept those unless a supernatural beast did it. 

For now, though, it’s time for our weekly fare. This week’s main course is of the zombie insect variety, courtesy of Mike Scofield. That’s followed by the short, sharp speculations of:

  • Corinne Pollard’s scientific experiments,
  • John M’s string-pulling, and
  • P.D. McKone’s staring contest.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“A Horror Short Story Collection by Josh Schlossberg

A hiker stumbles on a gruesome species undiscovered by science… An injury triggers an appalling new ability… A domestic pet holds a household in thrall… A human monster finally meets his match… Crimes against nature birth an abomination…

These and fifteen more tales make up WHERE THE SHADOWS ARE SHOWN, a short story collection by Josh Schlossberg (author of CHARWOOD and MALINAE), who guides you on a trek through the shadowy realms of biological and folk horror, supernatural and weird fiction.

So, lace up your boots, fill your water bottle, and put fresh batteries in the flashlight, because there’s not a chance in hell you’re getting back before dark.”

Support our sponsor and pick up Where The Shadows Are Shown today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all!

As I mentioned last week, we’re steadily working on our late-to-be-released Trembling With Fear Year 7. The cover has been selected, the compilation is in the works, and hopefully, we’ll have it out REAL SOON! (Note: I didn’t put a date in there.)  I’m also hoping to get back to the new layout soon as well. With it being the holiday season, everything has gone a bit nuts. Also, we’re talking through changes to the newsletter for formatting, visuals, etc. I know a few have had issues with its size, so we’re hoping to have that resolved shortly. 
Fingers crossed! 

On a personal note, I’ve recently had one short story shortlisted and was able to write another from scratch. Also, I’ve printed up a copy of my WIP novella to do some redlining edits before it goes off to an actual editor and/or a press if I’m really feeling feisty! 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Please, order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!
  • Be sure to follow us on both BlueSky and Threads!

Stuart Conover

Editor, Horror Tree

(more…)

Serial Saturday: A Touch of Fear by Zach Grant, Chapter Four

  1. Serial Saturday: A Touch of Fear by Zach Grant, Chapter One
  2. Serial Saturday: A Touch of Fear by Zach Grant, Chapter Two
  3. Serial Saturday: A Touch of Fear by Zach Grant, Chapter Three
  4. Serial Saturday: A Touch of Fear by Zach Grant, Chapter Four

Chapter Four

                                                          

“You have to let me in, Alan. I can’t help you if you don’t talk to me.”

Liz leans forward in her plush armchair and places a hand on my knee. Her soft green eyes emanate warmth, and her sharp chin wrinkles as she smiles.

“I can’t…” I mutter. “I can’t put that on you.”

“You’re my brother,” she insists. “If they’re hurting you, I need to know. Are they hurting you, Alan?”

I shrink into the couch and shake my head. She scowls, and the scene shifts. 

My arms are bound to the chair as a body is thrust before me—a young man, maybe twenty years old, with a stab wound in his abdomen. 

“Go ahead, Alan,” purrs Dr. Heart. “Do the ritual.”

They position the man under my cuffed hand so that I can touch his skin. I sob, salty tears pooling under my tongue. They tighten the restraints and I yelp. Sniffing, I swallow my tears and utter the choice words:

“Grant me permission to see—to share in your pain. Allow me into your soul so I might catch the one who did this to you.”

“How dare you!” shouts a woman in the background. It’s Liz being held by Dr. Li in the corner. 

“What do you feel, Alan?” asks Dr. Heart. “Are you scared? Is it you or the victim?”

I writhe and cry, trying to stop the reel of emotions that flicks through my brain—images of Liz mixed with the dead man’s fear, depression, and defeat. 

“You can’t do this,” Liz shouts. “I’ll call the police. You…”

Her voice wavers in and out of focus. The man’s final moments still echo through my body like an electric shock. 

“You can’t,” Dr. Li retorts. “We had a deal. You signed.”

“Screw your deal, you’re torturing my brother!”

“Alan,” Dr. Heart whispers as Liz continues to shout. “Please speak to your sister. She must calm down, or things are going to get complicated.”

“L-Liz,” I managed through my chattering teeth. “It’s okay. Don’t make them angry.”

I can barely see her face as it lingers just out of focus. But she’s shaking her head and trying to wrench herself free. 

“No!” she shouts. “You guys are monsters, you…”

I snap back to the warehouse as quickly as I left. Deja vu strikes harder than a bus as my hands remain bound against a wooden chair. Rachel is next to me, her mouth gagged and eyes wide with fear. 

“You’re back,” muses a familiar voice. Dr. Tyler rises from a small desk. She resembles her photo on the fourth floor—rounded face with piercing blue eyes and short black hair—but with additional age lines, as if carved through her skin with a scalpel. 

“Dr. Tyler?” I ask. “I assume you’re our killer.”

“Killer?” She scoffs. “I am the greatest mind of our generation.”

She drags her chair in front of me and sits so we’re face to face. 

“My, you’ve grown up since those videos,” she says, prodding my cheek with her sharp pencil. 

“Right,” I say. “You had a lot of those on your computer.”

I glance at Rachel again, who looks surprisingly calm. She must trust me to get her out of this. It’s not the prospect of death or being back in the chair again that makes my heart race. It’s her life at risk. 

“I’ve spent a long time studying you,” she says. “The others did the hard work, but their vision died when you left. It was up to me to continue their legacy.”

“And what legacy would that be?” I ask. 

She spreads her arms as if addressing a large crowd. “Fear,” she says. 

She rises from her chair and begins to pace. 

“Is fear really a weakness?” she poses. “Or is it a strength? You work with emotions, Alan, you tell me.”

I’m not in the mood for a psychology lesson, but keeping her talking is the only thing preventing my partner’s death. I remember Lara’s poster: “Fear: Poison or Prosperity.”

“Both,” I say.

“Indeed.” She claps her hands. “Fear is what drives our survival instinct. We needed fear to evolve fight or flight, yes? But what about all that useless fear that still lingers? The anxiety that drives modern society. See, that’s where fear becomes poison. What we need is an antidote.”

She pulls a thin syringe from the breast pocket of her lab coat. I’m so fixated on the instrument that all thoughts of escape drain from my brain.

“What do you mean, antidote?” I ask. 

“Haven’t you wondered what you felt when you touched Lara Henderson? I figured that you wouldn’t understand. If you did, you may have put it together faster.” She flicks the empty syringe. 

The terror re-enters my mind—a sensation of being dragged through the worst moments of her life all at once, just like the memories I experienced only moments ago. 

“You’re making a vaccine,” I manage. “Forcing people to re-live the worst moments of their lives, then harvesting their fear.”

“Look at you.” She grins. Her icy eyes dance like marionettes in the moonlight. “They said you were smart. Yes, I believe that a microdose of liquid terror would help our bodies cure themselves of fear once and for all. Humans will become limitless.”

“But why me?” I ask. “Your notes said I was the final piece. Why?”

“I thought that was the most obvious part,” she says. “From the start, I’ve been laying clues, Alan. After the terror gave Lara a heart attack, I wouldn’t have left her body in the street if I didn’t want your attention. I needed you here because you are the key. Your fear is unique because of all the outside emotions you’ve experienced. When I extract it from you, it will be the catalyst for my reaction.” She flicks the syringe again. “If you don’t mind, of course.” Tyler giggles at her joke, making my stomach churn. 

My mind works overtime trying to figure out a way around the end. Once she pricks me with that needle, we’ve served our purpose. I think I have a way, but it requires time. 

“This wasn’t your idea, though,” I say, slowly rubbing my wrist against the ropes. 

“What do you mean?” she snaps. 

“Wasn’t it Lara’s? I saw her poster. Seemed like excellent work.”

Dr. Tyler snarls and storms back to her desk. “Lara had no clue what she was talking about,” she says. “She was working under me. They were my ideas.”
“So, why’d you kill her?”

“I didn’t kill her. Well, I guess I committed the act, but her ridiculous passion got her killed. She went digging where she wasn’t supposed to—learned about my plan, and you. So, I used her for my experiment.”

“Have there been others?” I ask. “Other people you’ve killed? Victims who died of fear?”

She nods. “A scientist with one subject isn’t bound to succeed. Lara was simply made public as my beckon to you.”

I keep sawing at my bonds, hoping Dr. Tyler remains at her desk. But the purpose of her trip becomes apparent when she snatches a note and marches back, shoving it in my face. 

“Proof,” she says, “that it was my idea first.”

I don’t bother reading the theories or scribbled formulas. Dr. Tyler just gave me all the information I need to widdle out of this. 

“Okay, sure, it’s you now,” I say. “But you weren’t there when I was being researched. You didn’t actually witness my abilities; you watched them on a TV screen. If anything, the other three doctors are at least equal in the discovery.”

As suspected, her pride gets the better of her. She growls and punches me in the face. I feel blood trickle from my nose. The metallic taste graces my tongue. 

“You really want them to get credit?” she snarls. “After what they did to your sister.”

I hear Rachel struggle as the doctor hits me again. I avoid my friend’s eyes. I don’t want to see how scared she is or how disappointed I didn’t tell her about Liz. 

“I have an answer for you,” I say through a mouthful of blood. “About fear. It’s not poison. Liz was scared for me, and that’s what made her so kind. I was terrified of those doctors, but I use that fear now to do good. I use it as a reminder of my responsibility to help people, even though I couldn’t help her. You would know what kind of person I am if you’d been there.”

She leans in, her eyes dark with rage. 

“You would also know that they bound my hands every night,” I say. “You think I’d go that long without learning a few tricks?” I grin and spew blood into her open eyes. As she stumbles back, I flip my chair onto its side. I grit my teeth in preparation for the pain. Then, I apply pressure and feel my thumb snap. I wrench my hand free just as Tyler bounds towards me. In one hand is the syringe, in the other, a thin blade. She pins me to the floor, knife to my throat. 

“Do you feel the fear?” she hisses. “Let me take it from you.”

She plows the syringe into my arm. In my desperation, I reach into her pocket to find the pencil she flicked me with. With no other option, I jam it into her neck. I close my eyes as the weight of her limp body sags on my weak shoulder. As the life leaves her, her skin presses against my broken hand and I can’t help but recite the sacred words, as I absorb her final moments.

***

“You okay, Alan?”

Rachel shoves through the crowd of officers who have been showering me with questions about how I killed Dr. Tyler. Even though my abilities didn’t save me, I’m still their magician putting on a good show. They disperse when my partner arrives and wraps me in a hug tight enough to suffocate a large bear. 

“I’m good,” I say. “How are you?”

“Alive.” She chuckles and squeezes me tighter. “Jesus, Alan. I’m sorry.”

“Sorry for what?”

“Everything that’s happened to you. I never knew.”

She releases me, a look of guilt and grief in her eyes, like I’m a wounded animal she doesn’t know how to address.

“I didn’t want to burden you,” I say. “Last time I did that, it was to my sister. And that didn’t end well.”

“What happened?” Rachel asks. “You promised to tell.”

I sigh. “When I was fourteen, our family was struggling. The doctors wanted to research my abilities, so the government set up a confidential contract allowing their experiments for compensation.”

“That can’t have been allowed,” says Rachel. 

I shake my head. “The original contract was never meant to include any of the experiments they ran down the line. The compensation wasn’t enough. When my parents passed, and it was just me and Liz, we needed the money. So, when the doctors offered an under-the-table deal, we took it. That’s when the torture began.”

“God, Alan,” she whispers. “I can’t even imagine…”

“I’m not done,” I say. “I was so scared of the doctors. I never told Liz what they were doing because I knew she would get upset. We needed the money, and I was also afraid they’d hurt her if she confronted them. But one day, I gave in and I explained how they forced dead bodies upon me like meals, and made me re-live their final moments and…” I trail off and clear my throat. “Anyway, one day, they brought Liz to the lab for a special test. They wanted to see how my body would react to my own fear—seeing Liz in danger while experiencing someone else’s, a dead man’s. Liz lost her mind. I was told I needed to calm her down before she breached the contract. I tried, but I couldn’t do it. I was so scared I could barely talk. And when I woke up, Liz was gone.”

“G-gone?” Rachel squeaks. 

“The doctors said a fire broke out in all the chaos.” I shrug. “But I think the truth is pretty obvious. I told them I’d never go back—that I’d call the police if they ever came near me again. I was the greatest scientific discovery of the decade. They weren’t about to kill me. I wish I realized that sooner.” I lean against a police car and massage my aching temples. “I felt her body, you know—Liz. I went through her final moments. She was so scared and angry. But beyond all, there was a sense of loyalty I’ve felt in no other victim. So, that’s when I accepted my responsibility. I spent the next fifteen years becoming who I am today. And I swore that no one would ever see me afraid again.”

“And that’s why you never told me,” says Rachel. 

I nod. 

“Alan, I…”

I hold up a hand and allow myself a smile. She looks so much like Liz in this moment—her rageful eyes and proud posture, like she’s ready to take on the world for me. I clap her on the shoulder. 

“Don’t apologize,” I say. “It’s in the past.”

She rolls her eyes and smiles back. “You really take no pity, Alan. Won’t even let me be sorry for you.”

“Nope.”

We laugh, and the joy in her eyes is enough to tell me I did the right thing. 

“At least let me be there for you,” she says. “Promise you’ll talk to me from now on.”

“Okay,” I say. “You’ve earned that. Coffee?”

She snorts and looks up at the moon. “Sure, why not? Can I ask you something first?”

“Go ahead.”

She shifts on her heels, the purple bruises on her cheek shining in the white glow of the night. 

“Did you feel Tyler’s final moments?” she asks.

I incline my head. 

“And?”

I follow her gaze to the moon and stars above—the same stars I cursed every night I was dragged to the lab. The sky I screamed at when Liz was taken, and poured my fear into after every case since. 

“She was scared.”

Trembling With Fear 11-24-24

Greetings, children of the dark. Some quick reminders and parish notices for you before we get stuck in:

  • Our Christmas special is open for subs for another few weeks – make sure your story is absolutely, 100% verifiably tied to the season, please! Not just that it’s a bit cold.
  • We are very much closed to our regular short story submissions. I don’t like returning things unread, but please help us to help you and only submit when we’re open. 
  • Thanks to those who’ve heeded our plea for more drabbles. I’m behind on the inbox because ~life~ but I’ll get through it hopefully this weekend (and hopefully actually find time to train our new assistant so you don’t have to wait on me anymore!)

For now, though, it’s time for our weekly fare. For this week’s main course we head to Grandma’s house with Philip T Bond. That’s followed by the short, sharp speculations of:

  • DJ Tyrer’s game time,
  • Kyle Smith-Laird’s relationship problems, and
  • Rebecca Krouse’s purple palace.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“A Horror Short Story Collection by Josh Schlossberg

A hiker stumbles on a gruesome species undiscovered by science… An injury triggers an appalling new ability… A domestic pet holds a household in thrall… A human monster finally meets his match… Crimes against nature birth an abomination…

These and fifteen more tales make up WHERE THE SHADOWS ARE SHOWN, a short story collection by Josh Schlossberg (author of CHARWOOD and MALINAE), who guides you on a trek through the shadowy realms of biological and folk horror, supernatural and weird fiction.

So, lace up your boots, fill your water bottle, and put fresh batteries in the flashlight, because there’s not a chance in hell you’re getting back before dark.”

Support our sponsor and pick up Where The Shadows Are Shown today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all!

So, you may have noticed that we’ve gone silent on X over the past week. This decision was (surprisingly, if you know me) not political. They’ve finally started charging large-scale customers to use their APIs, and with how much our engagement has dropped there over the past two years, I just don’t have the time, energy, or motivation to search for an alternate way to auto-post to the platform. 

So, as always, we’re on all the other sites. 

Also, by the time you’ve read this, the cover for our delayed Trembling With Fear Year 7 should have been decided upon, and the next step is getting text on it. We’re getting there! Woohoo! 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Please, order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!
  • Be sure to follow us on both BlueSky and Threads!
 
 

Stuart Conover

Editor, Horror Tree

(more…)

Serial Saturday: A Touch of Fear by Zach Grant, Chapter Three

  1. Serial Saturday: A Touch of Fear by Zach Grant, Chapter One
  2. Serial Saturday: A Touch of Fear by Zach Grant, Chapter Two
  3. Serial Saturday: A Touch of Fear by Zach Grant, Chapter Three
  4. Serial Saturday: A Touch of Fear by Zach Grant, Chapter Four

Chapter Three

                                                          

I had hoped never to return to the university in my lifetime. As I approach in the dead of night, memories of guards and their strong arms wrap themselves around me like handcuffs. Sometimes, I wish those experiments never ended. That way, the accident wouldn’t have happened. She’d still be here. 

I follow the familiar route to the side entrance, locked by a fob scanner. A quick stop at home had allowed me to pick up the copy I made ten years ago when I managed to steal one from the head doctor. The punishment for my theft was twelve hours of searing pain, but those appear to have paid off. I scan the old fob, and with a flash of green, I’m in. 

The stairwell to the fourth-floor lab remains painfully similar to my day. Purple flowers speckle the off-white paint, leading up towards my agony. I focus on my feet, one step at a time, as I forge my path to the grand laboratory. The stairs open to a large plaque that’s new to me. The glass is clear with fine navy letters naming the researchers on the floor.

 

Dr. Ivory White

Dr. Desmond Li

Dr. Richard Heart

Dr. Brie Tyler

 

Pictures are displayed next to their titles, each smiling in a frustratingly professional manner. I recognize all but Dr. Tyler, who must have been hired after my time. I resist the urge to spit on the plaque and continue down the hall to the lab and offices. I peek into each dark room, my badge ready in the event of any caretakers or night dwellers. For all I know, the doctors have another subject they’re torturing once the moon rises. As I creep down the hall, a poster catches my eye—a research project by none other than Lara Henderson, dated a few years back. A bold title sits above the cluster of neuronal diagrams and charts: 

Fear: Poison or Prosperity? 

I scan the text for anything helpful in solving the author’s murder—any illicit references or backhanded comments towards faculty or research organizations. There’s nothing of the sort. It just appears to be a fine project about whether fear is useful in developing the human mind. I can certainly attest to its usefulness in solving murder cases, though I suspect that’s not what Lara had in mind. 

All that remains is the large oak door at the end of the passage—a door that’s plagued my nightmares for the past fifteen years. I draw my revolver, the metal cool against my sweaty palm. My breath comes in short rasps as I edge toward the lab entrance. My legs tremble and beg me to turn back or to call Rachel and insist she join me—anything to avoid entering that room alone. But I drain all anxiety from my brain with an image of Lara’s sightless eyes. It’s my responsibility to do this for her. I push open the door. 

The main lab is just as I remember it—normal. Standard benches poke from the walls, with shelves bending under stacks of pipette tips, beakers, and solutions labelled in black felt marker. The pungent stench of ethanol lingers as if someone recently disinfected the entire workspace. This is where the students do their work and, most likely, where Lara spends her days. But the door into the back is where I’m most familiar. 

The hidden laboratory is a freakish display of machines pulled straight from a horror movie. Long hospital beds and chairs with restraints sit beside large devices with nodes sticking out like strands of hair, slithering along the dark floor. A desk is situated near the back, where I picture the doctors sitting and observing my strapped body—listening to my screams of terror. There’s a wall of cubbies to my right, empty now, but that used to hold the dead bodies that they would force upon me. Corpse after corpse, they would flash at me, forcing me to relive hundreds of final moments—thousands of emotions evoked by every method of death imaginable. The despair re-enters my mind, as if it never left, weighing so hard on my soul that I stumble into a rolling bed. I take a deep breath and wipe the tears from my eyes. Now is no time to cry. 

I wade through the equipment to the main desk, scattered with notes. I refuse to sit where they’ve sat and choose to stand over the workspace as I inspect the scrawls. They don’t make much sense—just observations and ideas about fear and its roots. But there is one note that proves useful—a password. I enter it into the desk computer to discover folders of notes and videos. The first I see is labelled “Alan River.”

My finger hovers over the mousepad. Afternoon coffee creeps up my throat, stinging my tongue with acid and vomit. I click the first video. 

“Please! No more. I don’t want to do this. I want Liz. Please. I want Liz!”

My blood congeals at the sounds of my fourteen-year-old voice wailing. I close my eyes and exit the file before I can see anything else. Then I vomit into the trash can. Blood rushes to my head. My eyes pop from their sockets as tears and saliva drain down my chin. 

“Get ahold of yourself, Alan,” I mutter. “Find Lara.”

It takes all my strength to look back at the screen. I work some computing magic to locate the most recent open tab, or rather video. This one is labelled “Henderson.” 

I watch through squinted eyes as Lara screams at the top of her lungs. She’s strapped to the bed, her eyes closed with nodes protruding from her hair. A woman stands above her, inserting something into her victim’s arm. It’s the needle of a syringe. I can’t see her face when the doctor turns, but I’d know three of the four with my eyes closed. It isn’t any of them, which means it must be Dr. Tyler. 

I shut down the computer and scour the notes one last time. They’re all gibberish. I curse and swipe them from the table, blood pounding in my ears. Then, I spot one on the floor. It’s simple, only two sentences. But the few words still scare me worse than anything I’ve seen so far. 

 

It all comes back to River. He is the final piece. 

 

I scramble to dial Rachel’s number. Each ring hits me with a train of terror as my heart beats like a racehorse. She doesn’t answer. I call again, and this time someone picks up. 

“Rachel!” I stammer. “This is so messed up, you will never believe…” But I’m interrupted by an unfamiliar hiss that does not belong to my friend. 

“Hello, Alan. Solved the case already?”

I freeze as my ears buzz. “Who is this?” I demand. 

“I think you know. I need you, Alan. Stop poking around my lab. I think it’s time we had a little chat in person. Sending you the details. Come alone, or she dies.”

The line cuts to static. I’ve never heard that voice before, but I can guess who it belongs to. The same person I just saw in the video—the one at the bottom of the plaque, and the name of the Supervisor on Lara Henderson’s poster. Dr. Brie Tyler.

***

My sister Liz taught me more than anyone about the consequences of being afraid. Dr. Tyler has my only friend, and I’m frozen with fear, just like I was that day all those years ago—the day of the accident. The difference is that I refuse to remain paralyzed today. I swore an oath to Liz, and it’s about time I kept it. 

Tyler summons me to a warehouse thirty minutes out of town. I inform the department, but I have a head start, meaning that if Tyler bests me before they arrive, Rachel and I might both be done for. Perhaps it’s for the best, as her instructions were to come alone, but if I can’t beat her, we’re screwed.

The warehouse in question is the most stereotypical hideout I’ve ever seen. Graffiti decorates the exterior with painted murals depicting blood, bodies, and murder. A rather gruesome scene of a woman screaming sends a shiver down my back despite the warm summer breeze. I replace the paint with chalk drawings in my mind, imagining Liz colouring all over the grotesque designs. The thought gives me strength as I plow into danger.

The inside is dark and damp, with boxes stacked in sky-high piles, creating a cardboard maze. Mould clings to the corners and ceiling, spreading like leaking oil. I wind through the labyrinth, gun in hand, ready to shoot at every turn. The stench of rot, blood, and decay infiltrates my nostrils to join the aroma of fear. A small light peeks from the final turn. I raise my gun, but the force comes from behind. A figure emerges from the shadows. I see the whites of her wide eyes before everything goes dark.

Trembling With Fear 11-17-24

Greetings, children of the dark. I’ve noticed the TWF mailbox is getting chockers with seasonal greetings, just as the streets of London are filling up with Christmas lights and trees and baubles. And I don’t like it. We’ve just had Halloween! Surely it can’t be that time already?!

Alas, it is. Which means yes, our Christmas special is open for subs for another few weeks. 

However, we are very much closed to our regular short story submissions until January. We’re still working through the backlog from the last window, and we have even more from the October one dragging down the pile to boot. We can’t possibly handle any more right now! But I fear that there is a submissions grinder somewhere that says we’re still open year-round, because there’s been an uptick in outside-the-window subs. I’d rather think that instead of thinking our dear dark brethren aren’t reading our submissions guidelines… I don’t like returning things unread, but please help us to help you and only submit when we’re open. 

Right now, our weekly edition is very much open to one thing only: the drabble cupboard is looking rather bare indeed! Please don’t let us think it’s a result of climate change or something… Heck, the world is a f***ing scary place now. Channel it into some dark fiction that’s only 100 words long and send it over. Please?

For now, though, it’s time for our weekly fare. This week’s main course takes us into realtor territory as Kahlo R.F. Smith shows us around an Open House with more than a little bit of history. That’s followed by the short, sharp (somewhat real-worldy this week!) speculations of:

  • Penny Brazier’s festive feast,
  • M. Brandon Robbins’s saving grace, and
  • Johanna B. Stumpf’s scholarly risk.

Over to you, Stuart.

Lauren McMenemy

Editor, Trembling With Fear

Join me in thanking our upcoming site sponsor for the next month! Please check out Josh Schlossberg’s ‘Where The Shadows Are Shown’!

“A Horror Short Story Collection by Josh Schlossberg

A hiker stumbles on a gruesome species undiscovered by science… An injury triggers an appalling new ability… A domestic pet holds a household in thrall… A human monster finally meets his match… Crimes against nature birth an abomination…

These and fifteen more tales make up WHERE THE SHADOWS ARE SHOWN, a short story collection by Josh Schlossberg (author of CHARWOOD and MALINAE), who guides you on a trek through the shadowy realms of biological and folk horror, supernatural and weird fiction.

So, lace up your boots, fill your water bottle, and put fresh batteries in the flashlight, because there’s not a chance in hell you’re getting back before dark.”

Support our sponsor and pick up Where The Shadows Are Shown today on Amazon!

 

Be sure to order a copy today!

_____________________________________________

Hi all!

We’ve had an uptick in people asking about the font size in the newsletter. Apparently, increasing the amount is too small. I’ve been trying to troubleshoot in the last couple of newsletters and haven’t been making much progress. I reached out to Mailchimp this week, and they told me there was an issue with the template that we’re using (we’re using a really old template) and that we would need to create a new one.
So, I’m going to try to work my way through creating a new one in the coming month. This isn’t my area of expertise, so it may take a bit, but I promise you, this is in the works! 

Now, for the standards:

  • Thank you so much to everyone who has become a Patreon for Horror Tree. We honestly couldn’t make it without you all!
  • Please, order a copy of Shadowed Realms on Amazon, we’d love for you to check it out!
  • Be sure to follow us on both BlueSky and Threads!
 
 

Stuart Conover

Editor, Horror Tree

(more…)