The Horror Tree Recent Markets, Articles, Interviews, and Fiction!

WiHM 12: An interview with Sarah Glenn

Sarah Glenn and her “Strangely Funny” world of horror

 

Sarah Glenn has a dark funny bone, and loves sharing humorous horror with her readers. She has a background in journalism and even worked the Reports Desk for her local police department. There she learned some criminals, are in fact, dumb. She and her partner Gwen Mayo have published eight issues of their Strangely Funny anthology series, and are opening submissions for the ninth edition in August. They’re looking for funny paranormal stories, and the guidelines give examples from stories they’ve accepted in the past, “Homicide is summoned to a halfway house for the undead, a finger transplant from a serial killer leads to hilarious consequences, a mummy regrets hiring a cheap embalmer. Lovecraft humor is welcome; shaggy dog stories are not.”

I met Glenn when she accepted a story of mine, “The Writing Retreat” for Strangely Funny VII, and sat down with her to learn more about this talented “woman in horror”.

 

AF: Tell me about the creation of your small press, Mystery and Horror, LLC.

SG: Mystery and Horror began in the days before same-sex marriage was legal, long before we set up the press. We could not pass the copyright of our characters to one another unless we were married or related, so Gwen and I set up an LLC that would permit each of us to leave our creative works to the surviving partner. At the time, Gwen Mayo and I each had books published by Pill Hill Press. When they went on hiatus, we discussed our options and decided to set up our own press. We’d been involved in newsletter/zine production before, and we expanded our skills to book publication. Since we were already legally organized, we expanded the functions of the LLC.


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Ongoing Submissions: Polar Starlight


Payment: Poem (regardless of length–maximum 60 lines): $10
Theme: Science Fiction, Fantasy, and Horror Poems
Note: Canadian authors or residents of Canada only

POLAR STARLIGHT is ALWAYS OPEN to poetry and cover art.

Contributors must be Canadian, or at least resident in Canada.

I prefer Science Fiction over Fantasy, though of course SF can include fantasy elements, so I’m flexible. Weird Fantasy would intrigue me. Also interested in Horror with SF aspects. Have a weakness for Lovecraftian Horror. Nothing obscene or ultra-violent. Idea-driven combined with character-driven would be ideal.

Particularly interested in beginning writers who haven’t made a sale yet. The primary purpose of this zine is to encourage beginning writers. I welcome experienced authors but will judge unpublished writers as a separate category so they won’t have to compete with pros. Ideally at least two to three first-sale stories will be in in every issue. Be sure to mention whether you have been published or not so I’ll be sure to place you in the proper category.

SPECIFICS:

I offer First Publication English Language World Serial Online (PDF) Internet Rights with a post-publication exclusivity period of just one week, after which the author/artist is free to sell as a reprint to anyone anywhere.

The exclusivity period is unusually short because I have no financial stake in holding on to rights and am more than willing to encourage the author to sell again ASAP.

Note that reprints are less desirable to most publishers and are more difficult to place. On the other hand, my payment rates are so low you might even make more money selling your work as a reprint than you did selling it to me as a first publication!

The advantage of selling First Publication to me is that I want to publish at least two or three works per issue which are first sales for previously unpublished authors, so I am more likely to buy than magazines concentrating on known authors with proven sales records.

I am also willing to publish reprints under the same rights as First Publication, but no exclusivity period is involved. You can sell it again even before I publish it.

Please bear in mind:

Short stories must be three thousand words or less. For budget / financial reasons I prefer stories 1,000 words or less, will look at stories 2,000 words or less but will only accept a few, and just one story 3,000 words or less per issue.

Up to 2 stories may be submitted. Doesn’t matter if simultaneous submission elsewhere.

Short stories can be Science FictionFantasy, or Horror.

Subgenres can include:

Science Fiction: Alternate History, Apocalyptic/Post-Apocalyptic, Contemporary/Near Future, Cyberpunk, Dystopian, Hard SF, Humorous SF, Mystery cross genre, Space Opera, Steampunk, Time Travel, Weird Tale, Weird Western, etc.

Fantasy: Dark Fantasy, Gothic, Heroic, Mythological, Science Fantasy, Shapeshifter, Steampunk, Supernatural, Sword & Sorcery, Weird Tale, Weird Western, etc.

Horror: Creature Horror, Gothic, Historical, Horror Western, Lovecraftian, Monsters, Noir, SF Horror, Shapeshifter, Steampunk, Supernatural, Weird Tale, Weird Western, etc.

In other words, almost anything goes as long as it is genre-related and imaginative.

Note: all poems received are considered submissions to both Polar Borealis and Polar Starlight. Can be sixty lines or less on any of the above themes

Up to 5 poems may be submitted. Can be submitted together. Doesn’t matter if simultaneous submission elsewhere.

Not currently open to themed interior art for specific stories (hope to be some day) or interior fillo pieces, but am currently open to potential Cover Art.

Be aware normally contributors are paid after they have signed the contract but before publication. (See “Contract” for a sample contract.)

Everyone submitting should include a short, one or two paragraph bio which confirms Canadian status, publication status, and makes you appear quite the character.

Include word count (if story) or line count (if poem).

Also, be sure to let me know if the work being submitted has been previously published or not, and whether my acceptance would constitute your first sale ever.

And please include your full mailing address as I will need to put that into the contract.

HOW TO SUBMIT:

E-mail a word doc (not a PDF) to me at <  [email protected]   > and include “PB Sub” in your heading.

The format of your submission should be as follows: A word doc. in either Courier or Times Roman font size 12, black print on white page, double spaced, beginning of paragraphs indented, ragged justification, your name and title on each page in the header, each page numbered, and your name, address and contact info on the title page. In other words, the standard, traditional, classic format.

Note: prefer single space between the end of one sentence and the start of the next sentence.

Note concerning poems: indentation, and justification albeit left, centred, or right, is entirely according to the visual pattern the poet has laid out. To ensure the layout is printed as intended, it would be best to submit the poem with Bookman Old Style font, point size 13, and line spacing 1.5, as this is how the poem will appear in the magazine.

Note concerning cover art: Must be portrait-shaped (as opposed to landscaped shaped) in JPEG form about 1,000 kb in size. It will fit under title on cover page and be surrounded by white space, no bleed. I will adjust size of JPEG to fit space.

Note: I do accept both reprints and multiple submissions, and don’t care if simultaneously submitted elsewhere.

Via: Polar Borealis.

WiHM 12: Quick Six Questions With Pamela K. Kinney

Welcome to The Horror Tree and thank you for participating in Women In Horror Month. First, tell us a bit about yourself and your interest in horror.

 

I always enjoyed reading horror as much as fantasy and science fiction. So, it was natural for me to write what I read. I’ve always been interested in the dark side of life. 


Why is Women In Horror Month important, and what do you say to someone who says ‘Oh, I don’t care if it’s by a man, a woman, etc., as long as it’s a good story’?”

 

Because for a long time, there weren’t many women writing horror, even though we had women who wrote it as far back as the 1800s, like Mary Shelly (her novel, Frankenstein is considered hard science fiction too, so she proved women can write good sci-fi, also), Charlotte Perkins Gilman (who was not creeped out by her shirt story, “The Yellow Wallpaper?”), Ellen Glasgow (the author is from here where I live, Richmond, Virginia), and many others. I found that when people think of horror authors, many think of male ones. I believe we women write creepier than men, so they should try and read as many women horror authors as possible out there and see what I mean.  

 
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WiHM 12: Quick Six Questions With Nancy Kilpatrick

Welcome to The Horror Tree, and thank you for participating in Women In Horror Month. First, tell us a bit about yourself and your interest in horror. 

 

I’ve been a full-time writer and editor for about 1/2 of my life and a dabbler before that. I started dabbling about the age of 7. Most of my work is in the horror and dark fantasy genres, but not all. Like many writers, I like to try my wordly skills at new types of writing or writing-related projects. To that end, over the years I have written: a graphic novel and a short story for a graphic antho; lots of non-fiction articles and reviews; a couple of radio plays; co-written a stage play; and even department store ad copy back in the day. I’ve also edited 15 anthologies. I’ve taught writing for a college and a university, many different courses over the years, but have now settled on one, Short Story Writing, which has two levels through George Brown College, Distance Ed.  I’ve had real jobs and if anyone reading this has time to kill, they can peruse my silly blog post about some of them: https://nancykilpatrickwriter.blogspot.com/2020/02/jobsworking-for-man-not-steve-noun.html?spref=bl

 

Why is Women In Horror Month important, and what do you say to someone who says ‘Oh, I don’t care if it’s by a man, a woman, etc., as long as it’s a good story’?” 
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Indie Bookshelf Releases 02/19/21

Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.

Got a book to launch, an event to promote or seeking extra work/support as a result of being hit economically by Covid? Get in touch and we’ll promote you here. The post is prepared each Thursday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.

Support Your Indie Authors and Reviewers

This is a space which I hope will help bring extra work to those who’ve been hit economically by Covid. If you’ve lost your day job, had hours cut, are struggling and have services to offer, a new venture, a patreon page to promote etc, let us know and we’ll plug them here.

James Gauvreau is offering proofreading and editing services: $1.50 per 250 words for basic proofreading, and $5 per 250 words for developmental editing (proofreading, structural suggestions, and story feedback). Sample edits can be provided for long projects (3,000+ words). He can be reached at [email protected].

Reviewer Max Stark has created a gallery of his amazing photography https://www.pictorem.com/gallery/Max.Stark, where you can purchase his prints. If you have a space on your wall, you might find something here to fill it!

Elle Turpitt Editing provides a range of editing services – short stories, novella and novels across different genres. For rates and further details visit https://www.elleturpittediting.com/services.

Events

Please send us details of any online panels, conventions, festivals and workshops and we’ll list them here.

May be an image of 8 people and text that says "Horror Writers ASSOCIATION WiHM WOMENINHORRORMONTH.COM In celebration of Women in Horror Month, the HWA is pleased to present: FEMALES OF FRIGHT! ZOOM EDITION Join us for two evenings of conversation, conver Q&A, and fun with members of the HWA. It's live and. it'sFREE! FEATURED PANELISTS CASTRO MODERATED BY BECKY SPRATFORD LARISSA ALMA NICOLE CYNTHIA SARAH DANIELLE GLASSER KATSU GIVENS KURTZ PELAYO READ TRUSSONI PANEL 2: Friday, FEBRUARY 26, 8PM EST"

 

 

Charity Anthologies

 

7th Nov 5th Dec   31st Jan Flashes of Hope by [Anna Taborska, Dave Jeffery, Amy Grech, Matthew Davis, John Cady, Emma Lee, Gwen Weir, Ken Goldman, Alyson Faye, Theresa Derwin]

9th Feb

Latest Book Launches

Horror Tree Sponsor* and Patreon Releases!

*All Horror Tree sponsors are able to claim a spot at the top of our listing during the donation of their sponsorship. Please use our contact form for more advertising pricing.
 
15th March
 

January

15th The Wind In My Heart by [Douglas Wynne, Crystal Lake Publishing] 16th Helminth by [S. Alessandro Martinez] 19th The House of the Dark Whale: A Chapbook of Weird Fiction by [Dennis Mombauer] 20th

23rd ZERO HOUR 2113 by [Black Hare Press, David Green, K.T. Tate, Chris Hewitt, C. Marry Hultman, Chris Bannor, Ximena Escobar, Callum Pearce, Alanna Robertson-Webb, Hari Navarro, Raven Corinn Carluk, Tim Mendees, R.A. Goli, Gregg Cunningham, Shawn M. Klimek, Steven Lord, Ali House, S.O. Green, Mason H. Hilden, D. Kershaw, Ben Thomas]25th The Love in Between by [Melissa Ashley Hernandez, Arrianna Daniels, Aldas Kruminis] 26th Clementine’s Awakening by [Jennifer Soucy ] 29th Cathedral by [Dave Jeffery]

29th The Wired City (Weird! Wonderful! Other Worlds! Book 2) by [Yolanda Sfetsos] 29th The Unwelcome: A Novel by [Jacob Steven Mohr]  29th

February

1st 1st Friday Night Massacre by [Michael Patrick Hicks]3rd Where Shadows Move by [Caroline Angel]5th image17

9thChildren of Chicago by [Cynthia Pelayo] 9th 11th Sole Survivor 2: Drop Bears on the Loose (Rewind or Die Book 23) by [Zachary Ashford]13th 2 B: “When your ex wants you dead, they will take you to the grave with them!” -2 B (Valhalla Books presents Horror Book 1) by [Mark Allan Gunnells, Valhalla Books Publisher]

14th 15th Hearts Strange and Dreadful by [Tim McGregor] 17thBow-Legged Buccaneers from Outer Space by [David Owain Hughes]19th Miracle Growth (Underground Book 2) by [Tim Mendees, D. Kershaw, Ben Thomas]

23rd Folk Songs for Trauma Surgeons TBA

March

15th

April

3rd Murder and Machinery: Tales of Technological Terror and Mechanical Madness by [Cameron Trost, Paulene Turner, Michael Picco, Sarah Justice, Karen Bayly, Kurt Newton, James Dorr, Linda Brucesmith, Chisto Healy, Danielle Birch] 13th From Death Reborn by [Kenneth W. Cain] 13th STERN-web-medium.jpg

June

1st Malignant Summer by [Tim Meyer]

Support Indie Creatives

An Indiegogo campaign to raise funds to make this horror anthology film based on the book from Grindhouse Press can be found here.

You can also follow updates via their Facebook Worst Laid Plans Movie group page here.

Project Crystal Lake Publishing is running a kickstarter campaign for ‘NEW STORIES OF FAMOUS CREATURES by such horror legends as Jonathan Maberry, Ramsey Campbell & more than a dozen Bram Stoker winners’. For information, go here.

Happy reading.

Steph

 on behalf of Stuart and the Horror Tree Team

 

WiHM 12: WiHM and Why Allies Are Important By Somer Canon

WiHM and Why Allies Are Important

By Somer Canon

It’s Women in Horror Month again. An interesting time, to be honest. It’s interesting as a fan of the horror genre and it’s interesting as a female horror creator. It’s interesting being introduced to new (to me) women creating in the horror genre, especially if I’m being introduced by their fans. There’s an enthusiasm that comes with those sorts of introductions that are intriguing and make one want to look into further that creator. This is also the best time of year to take stock of just how many people you’ve reached in your career, who remembers you and your works when asked to shine the light on a female creative. It can be nice.

Yet, we still have to have this month to make sure that we don’t creep back into the scenery and end up forgotten by many. Part of it is because there are less of us. This is a male-dominated industry and while there’s nothing inherently wrong with that, it can make being a woman in a man’s playground difficult. We don’t tend to stand out as oddballs in this field. We tend to be overlooked, underestimated, and just plain forgotten. I don’t like it. My male contemporaries don’t like it. So how do we fix this?

I think Women in Horror Month is a great start, by highlighting women and their works and making sure our names are put out there year after year. But it’s a complicated process for many of us. We wish there was no need for a month that reminded people that women are out there creating horror that can stand toe-to-toe with the work of any man, yet we have to acknowledge that need as well. And acknowledging that need can wear on even the most gracious and patient women in our ranks. We don’t want to come off as tired or bitter or defeated, but sometimes that’s just how we feel knowing that come the first day of the month following Women in Horror Month, it’s back to business as usual and names of female creators are sometimes forgotten. 
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Taking Submissions: Not Meant for Each Other

Deadline: April 1st, 2021
Payment: Royalties
Theme: A story about the ending of a romantic relationship, any genre.

LBP is pleased to announce that we will be accepting short story submissions for the months of February/March 2021!

We will choose 8-12 submissions to be published in our 2021 summer anthology, “Not Meant for Each Other”!

Prompt:

The topic for submissions: a story about the ending of a romantic relationship.

Important note: The goal for writers here to give us characters that we care enough about within a short space to be upset or elated over their relationship ending.

Accepted stories will be published in ‘Not Meant for Each Other’ summer anthology! E-book and print!

Parameters

Every genre qualifies.
Works must be previously unpublished.
Must be at least 3k but no more than 9k.
Submissions must be in Times New Roman 12pt.
No headers or footers, please. Name and title on top/left of first page.
Submissions deadline is April 1st, 2021.
All submissions must be submitted to [email protected]. Add ‘Not Meant for Each Other Submission’ in the subject line.

SUBMISSIONS ARE NOW OPEN

Selected Stories:

Will be notified by email no later than April 15th, 2021. Winners will receive full publishing credit in the anthology w/competitive royalty.

Via: Lost Boys Press.

WiHM 12: Quick Six Questions With Jo Kaplan

Welcome to The Horror Tree, and thank you for participating in Women In Horror Month. First, tell us a bit about yourself and your interest in horror. 

I’m Jo Kaplan, author of the gothic horror novel It Will Just Be Us. Ever since I was a kid, I’ve been drawn to horror. I used to scribble down my own scary stories, and I loved reading aloud the tales from Scary Stories to Tell in the Dark to freak out other people. These days I teach English at a local college and write horror, both novels and short stories, which have appeared in Nightmare Magazine, Black Static, Vastarien, Fireside Fiction, and in anthologies edited by Ellen Datlow, Lisa Morton, and Jonathan Maberry. I also write under the name Joanna Parypinski.

 

Why is Women In Horror Month important, and what do you say to someone who says ‘Oh, I don’t care if it’s by a man, a woman, etc., as long as it’s a good story’?” 

I don’t think there’s anything wrong with someone who doesn’t care whether the story is by a man, woman, etc., so I don’t know that I good have a response to that. Though it seems to me that sometimes the people who say that are just using it as an excuse against diversifying their reading… I’ve personally found horror helmed by women to be particularly provocative, emotional, beautiful, and potent. I also love horror by men! But because horror has for so long been a genre dominated by men—a genre which also has a history of blatant misogyny in the way women are portrayed both on screen and on the page—celebrating Women in Horror Month is a way of reminding everyone about the diverse perspectives that makes horror fresh and exciting. Reminding us that horror is not one-size-fits-all.

 

Who are some Women In Horror (or other women) who have influenced your work, and why?
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