Events

Deadline: November 1, 2014 Payment: Royalty Split and contributor copy As part of the State of Horror Anthologies, Charon Coin Press under the guidance of editor Jerry E. Benns, will begin accepting stories based in the state of Tennessee. Submitted stories meeting the guidelines below will have the opportunity to be included within the upcoming release of this popular anthology series. Before we get to the guidelines, let’s take a look at the featured state for this release. Tennessee has a unique past which helps to give the state its own flavor. Settlers looking for farmland spread out from the original 13 states to the rugged wilderness of Tennessee following Daniel Boone’s path through the Cumberland Gap. From its humble beginnings Tennessee soon became a land of opportunities with a fiercely proud culture. Home to the Tennessee sharpshooters under the command of Andrew Jackson, Jack Daniels spirits, Civil War battle sites, and the Great Smoky Mountains, there are many tales to tell about the state. Whether you enjoy the grassy roots of bluesy Memphis, with its dry rub and saucy BBQ, or the country music capital of Nashville- home to singers and songwriters trying to make it big, Tennessee has a rich culture to entice a good story. Tennessee is southern-facing but acts as a gateway to the Midwestern region. The state lends itself well to scary stories. You could set your yarn in the misty Smoky Mountains, maybe atop Lookout Mountain. Great place names like Chickamauga or Chattanooga could be prominent in your story. Or you could incorporate the Mississippi River or any number of lakes into a dark tale. Horrors from a farm or the middle of the woods could play a part in your account of the dark side of Tennessee. Maybe you are more inclined to the upscale urban...

Deadline: November 1st, 2014 Payment: $.05/word or $25 depending on status (read below) CALL FOR SUBMISSIONS: BlackWyrm Publishing is opening several positions in its spring short fiction anthology for general submissions. We offer professional rates (typically $.05/word) for full members of professional organizations such as the HWA, MWA, RWA, and SFWA; other stories accepted through general submissions receive a flat semi-professional rate of $25. All contributors receive copies. The collection, tentatively titledReel Dark: Twisted Fantasies Projected on the Flickering Page, focuses on the infection of (prose-fictional) worlds by movies. We want innovative approaches: if you think endless references to films or characters stepping into or off of the screen is innovative, reconsider submitting. Although the anthology as a whole will be dark in tone, it will speak to a range of audiences interested in horror, science-fiction, fantasy, and/or romance (particularly paranormal). Stories should not exceed 3,500 words. Submissions are open now and close November 1, 2014. We intend to launch the collection at the World Horror Convention in May 2015. Submit stories in standard manuscript format [email protected]. Direct questions about the focus, rates, etc. to Editor-in-Chief L. Andrew Cooper via [email protected]. Submissions sent directly to the editor will be deleted unread. Authors accepted or invited to submit may join the group at www.blackwyrm.com/movieantho for more information. Via: L. Andrew Cooper.

Deadline: November 1st, 2014 Payment: $25.00 - $50.00 for fiction We love the fact that writers around the world are inspired by our first lines, and we know that not every story will be sent to us. However, we ask that you do not submit stories starting with our first lines to other journals (or post them online on public sites) until we've notified you as to our decision (usually two to three weeks after the deadline). When the entire premise of the publication revolves around one sentence, we don't want it to look as if we stole that sentence from another writer. If you have questions, feel free to drop us a line. One more thing while I've got you here: Writers compete against one another for magazine space, so, technically, every literary magazine is running a contest. There are, however, literary magazines that run traditional contests, where they charge entry fees and rank the winners. We do not - nor will we ever - charge a submission fee, nor do we rank our stories in order of importance. Occasionally, we run contests to help come up with new first lines, or we run fun, gimmicky competitions for free stuff, but the actual journal is not a contest in the traditional sense. Fiction: All stories must be written with the first line provided. The line cannot be altered in any way, unless otherwise noted by the editors. The story should be between 300 and 5,000 words (this is more like a guideline and not a hard-and-fast rule; going over or under the word count won't get your story tossed from the slush pile). The sentences can be found on the home page of The First Line's Web site, as well as in the prior issue. Note: We are open...

Deadline: November 1st, 2014 Payment: $30 and two copies of the published book upon publication Payment & Rights: $30 and two copies of the published book upon publication. Contributors retain the rights to their work. Editor: Ily Goyanes Publisher: Liz McMullen Show Publications Guidelines: Previously unpublished work only Desired length is 3,000 – 4,000 words (exceptions made for exceptional work) Multiple submissions okay, simultaneous submissions not okay Use a standard font such as Times New Roman – no funny business Size does matter – 12 pt. is perfect Double-space, por favor Include your contact information in both the document and body of the email If you’re on the down low, include your pseudonym in your contact information Send your submission to [email protected] as an attachment in Word format (.doc). In the subject line, include ‘appetite antho,’ the title of your story, and your last name. Subject line should look like this: Appetite antho/Hungry Like a Wolf/Gonzalez. If you have any questions, please direct them towards the same email address. Hard deadline is November 1, 2014, but the sooner you submit, the better you’ll feel. If you have not received a response by January 1, please feel free to query me at the email address above. Editor: Ily Goyanes is a widely-published and award-winning author, editor, and journalist. Girls Who Score: Hot Lesbian Erotica, a Lambda Literary Award finalist, was Goyanes’ first full-length anthology and won a Golden Crown Literary Society Award in 2013. She has also served as a judge for the Lambda Literary Awards and as a mentor for the GCLS writers’ program. Tweet her @realily. Via: The Liz McMullen Show

Deadline: November 1, 2014 Payment: 6¢ per word The Journal of Unlikely Coulrophobia: For 2015′s April Fool’s Day, we want to screw with everyone’s head. And what better way than with clowns? Officially, Coulrophobia is the fear of clowns, but we don’t want to just just get rehashes of It. So the issue is open to anything involving clowns in some significant way. Think Stephen King’s Pennywise and Danny Kaye’s Jacamo in The Court Jester, think Sacred Clowns and Holy Fools. Horror, humor, existential angst, and tears of, we’re open to all that and more, in any combination. Heck, why not see how many different genres you can fit into a piece of flash fiction? We’re looking for flash fiction (1000 words or less) for this issue, but just like a clown car, this issue’s flash fiction can fit more words than you’d expect. Specifically: 1038 words. Why 1038? Well, that’s your standard flash fic limit, plus the number of clowns that fit into a 1968 VW bug, plus the number of clowns that fit into an original Mini Cooper, plus the value of The Fool in the Major Arcana. Unlikely Story Submissions Guidelines What we’re doing: Unlikely Story publishes three themed issues a year: The Journal of Unlikely Entomology, The Journal of Unlikely Cryptography, and The Journal of Whatever Tickles Our Fancy This Year. We reserve the right to put out an indeterminate number of further sub-themed mini-issues on an irregular basis, or not, depending on how we feel. See below for specific details regarding each issue. What we’re looking for: Beautifully-written fiction, characters that grab us by the throats and refuse to let go, worlds that draw us in and demand to be explored. Genre isn’t particularly important to us—speculative, mainstream, slipstream, and the unclassifiable tales in between—we’ll...