Deadline: September 22nd, 2020
Payment: eight cents a word for prose, thirty dollars a page for poetry
Theme: Creative writing about environmental justice
We’re currently reading for Reckoning 5! Please refer to the specific calls from poetry editor Leah Bobet and fiction/nonfiction editor Cécile Cristofari!
To understand what we’re looking for, try reading Reckoning 3, Reckoning 2, Reckoning 1, the interviews, the Reckoning twitter, or LCRW 33.
The short version: creative writing about environmental justice. Fiction preferably at least a tiny bit speculative, nonfiction preferably more creative than journalistic, poetry tending towards the narrative and preferably with some thematic heft, art leaning away from the pulpy heavily towards the political. But the heart of what we want is your searingly personal, visceral, idiosyncratic understanding of the world and the people in it as it has been, as it is, as it will be, as it could be, as a consequence of humanity’s relationship with the earth.
Payment: $20 for a poem
Theme: Poetry on SF or fantasy themes
We are currently open to submissions, but we do have a big pool of accepted pieces so will be reading very selectively.
Polu Texni is looking for articles, poems, or art profiles that pertain to our themes. Submissions can be sent to submissions at polutexni.com.
Non-fiction: This is our current biggest need. We are looking for articles on future art, technology and art, fannish culture, emerging media, art and science, or art and fantasy, among other things. Feel free to drop us a quick email with an idea and a short bio before you write, although we are unlikely to make a commitment before reading the finished piece. We will pay 3 to 5 cents a word.
Artist Profiles: We want to run profiles and interviews on speculative artists. We want to hear from mixed media artists, and artists with less exposure. Please send photos or links to photos, and if chosen we will contact you for an interview.
Poetry: Poetry on SF or fantasy themes. We prefer strong visual images. We pay $20 for a poem. Please send one poem per email, in the body of the email. Please, no attachments. It’s OK to send multiple poems, but please send them in separate emails. We might make an exception for attachments if your formatting is particularly fussy, but also be warned that WordPress isn’t the best tool for finicky formatting so this is not the best market for pieces that rely on careful visuals. If you have a suggestion for an accompanying photo or illustration, let us know if your poem is accepted.
Book Reviews: We would like reviews of books pertaining to our themes, either speculative fiction books, art books, illustrated books or graphic novels. Pays 3 cents a word.
Please contact me at submissions at polutexni.com if you have any questions.
Via: Polu Texni.
Payment: $.03/word for fiction. For nonfiction, we pay $.01/word. Reprints are paid at $.01/word.
Note: Reprints Welcome
We want stories that are well written, intelligent, and enjoyable to read. We are looking for stories with metaphors and emotional ambience and imaginative descriptive writing.
Unreal Magazine is looking for stories that define the rules of magic at this indefinite point in time.
Unfit Magazine is looking for stories that bend the rules of science at this indefinite point in time…unfitmag.com
After you finish the submission form, we will contact you if we’re interested in publishing your material. Due to the volume of submissions we receive, we are unable to respond unless a story is accepted for publication. If you have not heard from us in thirty days, assume your work didn’t fit with what we needed at the time.
For best results, send your story to as many publications as possible. Just remember, “Simultaneous submissions are your friend.”
We wish you the best in your endeavours as an author.
The Boss (and a few other clowns)
Fiction: 500 to 5,000 words
Pay: We pay $.03/word for fiction. For nonfiction, we pay $.01/word. Reprints are paid at $.01/word. Payments are only made to your PayPal account. We only pay for what appears in print, not for online publication.
Terms: We don’t charge for submissions. Reprints are welcome. Simultaneous submissions are most certainly welcome. Multiple submissions are not welcome. (If you don’t hear anything, wait 30 days before trying again. Thanks!)
Rights: We are looking for one time non-exclusive rights.
Head to the page below to submit!
Via: Unreal Magazine.
Payment: $10AUD per story
Reprints allowed but not preferred
- Word count: 2000-5000 words
- Genre: Any Young Adult fiction
- Must have: Diverse protagonist/s
- Payment: $10AUD per story.
- Email: [email protected]
At Visibility Fiction, we’re looking for short, young adult fiction with protagonists with diverse identities. We want to read stories of characters from typically underrepresented minorities including lesbian, bisexual, gay, transsexual, transgender, queer, intersex and asexual people, people from racial and ethnic minorities, neuro-diverse people and people with disability.
We want young adult fiction with characters who are interesting and diverse, but we are not looking for stories that are specifically about being different.
We want fun stories, with exciting plots and great characterisation.
We are interested in young adult fiction in any genre, from contemporary, to science fiction and fantasy. For us, young adult fiction means it’s aimed at a teen audience with a teen protagonist.
Stories should be between 2000 and 5000 words, in standard manuscript format. Stories should be submitted as doc or docx files. Please ensure that your name and story title are listed in your email subject and manuscript file title.
Email submissions to: [email protected]
Payment and Rights
Visibility Fiction is now a paying market, thanks to the donations of our wonderful readers – all of which go to paying our authors. We now offer $10AUD for all fiction stories, with payments made via PayPal. Note: Teen writers under 18 will be paid via a gift card of their choosing (such as Amazon), due to PayPal age restrictions.
Copyright remains with the author at all times. Visibility Fiction simply asks for the non-exclusive rights to publish your story on our website.
We do accept simultaneous submissions, but let us know as soon as possible if your work has been accepted elsewhere.
Original works are preferred, but we will consider reprints. If your work is a reprint, please include any reprint information in your submission email.
If you have an article about teens and literature, visibility in literature, the importance of inclusive culture, etc., we would love to read it and share it on our blog. Equally, if you have a personal story about your own experiences surrounding inclusive culture or lack of visibility in culture, we would love to read and share that too.
We also love sharing relevant reviews of inclusive YA novels or related texts. In the case of reviews, we are happy to publish those reblogged from your own blog or Goodreads.
Pieces for the blog should be between 500 and 1500 words and submitted as doc or docx files. Please ensure that your name and article title are listed in your email subject and manuscript file title.
We are not currently offering payment for non-fiction blog posts. However, as is the case for fiction and artwork, we do offer exposure and provide authors/artists with a profile page, which can include a photo, bio, and links to personal sites and social media.
Email submissions to: [email protected]
We love reading diverse YA fiction. If you’re an author with a book you’d like reviewed, send us the blurb and relevant links and we’ll let you know if we would be interested in a review copy.
You can contact us at [email protected]
Via: Visibility Fiction.
Payment: 1 cent per word of final, edited length
What is Pulp?
According to Wikipedia, the pulp “magazines were best known for their lurid and exploitative stories and sensational cover art. Modern superhero comic books are sometimes considered descendants of ‘hero pulps’; pulp magazines often featured illustrated novel-length stories of heroic characters, such as The Shadow, Doc Savage, and The Phantom Detective.”
Pulp magazines, and the self-named pulp fiction which appeared in them was often seen as low quality, run of the mill literature. Literature for the masses.
In the context of Crimson Streets, Pulp is not a genre. It is not to be confused with Hard Boiled Detective fiction or Noir Fiction, although these themselves may be considered pulp.
Crimson Streets is looking for fiction with a focus on action and atmosphere over characterization. Stores can fall into the adventure, aviation, detective/mystery, fantasy, hard-boiled, gangster, horror/occult, masked vigilante, noir, railroad, romance/spicy, and war genres. We publish everything that could fall under the banner of pulp with the exception of Science Fiction and Westerns. Science Fiction and Westerns are special cases and deserve their own homes. That’s not to say that stories from other genres couldn’t have Science Fiction or Western elements, after all where would Dick Tracy be without his wrist radio or a mad scientist be without his planet destroying device?
The central conceit of Crimson Streets, is that it is being published not in today’s world, but in a darker, grittier version of the 1930s or 40s. Where possible, language should reflect the time period.
We are looking for stories from 800 to 6,000 words. We are not interested in poetry, fan-fiction, or stories that fall outside of the broad umbrella of pulp. (If you think your fiction could win an award or be taught in an English class, then it’s probably not suited forCrimson Streets.) A work of fiction should be a quick read. While publishers of a more literary bent intend to be the “art house cinema” of the short fiction world, we intend to be the “action movie at the cineplex.”
We may be interested in serializing longer works such as novellas, but these only accepted if complete, and then broken down for publication.
In addition to fiction, Crimson Streets will also publish a limited number of articles on topics related to the pulps. Ideas that come immediately to mind are on “Law Enforcement in the Pulp Story” or “A Guide to 1930s and 40s Slang”. Any article that would help an aspiring author of pulp stories may be of interest to us.
We do not accept print submissions. Every submission should be accompanied by query letter in which you briefly describe your submission in one or two paragraphs. Be sure to provide your address, phone number, and email address. Please send your submission in either a Microsoft Word (.doc) file in Rich Text Format (.rtf).
Crimson Streets is a web now/print later publication. When stories and articles are accepted, they first appear on the web site atwww.crimsonstreets.com in the new fiction feed. From time to time anthology editions of Crimson Streets will be printed that collect the stories and articles from the web site.
Our standard rate is 1 cent per word of final, edited length to be paid on posting to the new fiction feed. Payments are made by PayPal where possible. Payment is made within 30 days of acceptance and delivery of final copy.
Art, with the exception of one-shot cartoons and covers, is commissioned specifically for each article. We maintain a file of portfolios from artists who are interested in working with us. We refer to the file when we have an article that requires illustration. The goal is to match the article with the artist whose style is best suited to the task.
We do our best to make illustrating Crimson Streets an interesting job for the artist. Rather than dictate specific illustrations, we try to provide several possible scenes from which the illustrator can choose. We also welcome illustration suggestions from the artist. Our belief is that a work you wish to create is going to be much better than one you are ordered to create.
Art should be delivered electronically via email, DropBox, Google Drive, or like service.
As mentioned, one-shot cartoons are the only work that we purchase straight from submissions. We pay the stunning rate of $10 for single panel cartoons under the same terms as articles and stories. Cartoons can deal with any subject linked to noir, hardboiled detective, masked vigilante, pulp adventure, or associated genres.
Admittedly, the cover is the glamour spot for artists. Covers are contracted a little differently than interior illustrations. Let us know if you are interested in being considered for cover work. Usually, we will ask to see some samples of your work and perhaps a rough sketch or two. Covers should be provocative, at least by the standards of the 1930s and 40s with a cover-much but hide-little aesthetic.
For black and white illustrations, our standard rate is $40 for full page, $20 for half-page and $10 for spot illustrations. Rates for color work are negotiable. We usually pay around $100 for cover art.
Please do not send us original work unless you already have a contract with us. Your portfolio should contain a representative sampling of your style or styles. The majority of the illustrations inCrimson Streets are black and white, but we do also use limited color work. Please include samples of both, though you may wish to emphasize the monochromatic pieces. We look not only for overall quality in a portfolio, but also consistency.
By sending your submission to Crimson Streets you are offering us the right to first publication of the work in any format; perpetual rights to publish the work thereafter across multiple editions, formats, and media either singularly or in combination with other works; and exclusive rights to the work for eighteen (18) months from date of first publication.
The best avenue to reach us is [email protected]
℅ Roger & Janet Carden
7120 Apple Mill Road
Efland, NC 27243
Again, we would like to thank you for your interest. For us, working with our contributors is one of the greatest rewards of publishing a magazine. We look forward to seeing your work soon.