Category: Non-fiction


Taking Submissions: Page & Spine

Deadline: June 1st, 2020
Payment: Flat rates $5-$30 depending on length and type (listed below.)
Theme: Genre, literary, poetry, and beyond! Sadly, not spelled out directly below but they do have an area for genre fiction.
Note: Apologies for the short window, we just found out about this one!

Page & Spine is a paying site (paid via PayPal or company check in USD only).  Because of the large number of submissions, we will no longer accept work that does not comply with our requirements.  Emails containing attachments will be deleted unopened and without notice.

Please research our site for appropriate style and content of submissions.  Our readers like what we publish.

Page & Spine considers only unpublished work conforming to the requirements listed below.“Published” is defined as any piece that has been on public view anytime, anywhere.  Members only critique sites where work is viewed only by paying members is not a publication venue.  Reprints will not be considered.

Because we have bulging pending files in our short story and poems categories, submissions will be accepted only between October 1 and June 1 in these categories and may take 8 months to be vetted. Simultaneous submissions will not be considered.  Please plan your submissions accordingly. If you haven’t heard from us after eight months, please check back with us.  Sometimes the volume of submissions causes further delays, but be assured we’re not ignoring you. 

Author generated photography will not be paid, but may be published at the editor’s discretion with the understanding that Page & Spine can neither control dissemination nor protect copyrights and will not be held responsible for theft or misuse. Do not send photos to which you do not hold the copyright.(If you did not snap the shutter or purchase or inherit the copyright–not permission to use, but the actual copyright–don’t send it.)   

For additional information or to share your writing with us, please send your submissions in the body of an e-mail to [email protected] .  Please mark the subject line: “Submission” or “Inquiry” and add the page (“Story”, “Poems”, etc.) your work is intended to appear on, as appropriate.  

Taking Submissions: Reckoning 5

Deadline: September 22nd, 2020
Payment: eight cents a word for prose, thirty dollars a page for poetry
Theme: Creative writing about environmental justice

We’re currently reading for Reckoning 5! Please refer to the specific calls from poetry editor Leah Bobet and fiction/nonfiction editor Cécile Cristofari!

To understand what we’re looking for, try reading Reckoning 3Reckoning 2Reckoning 1the interviewsthe Reckoning twitter, or LCRW 33.

The short version: creative writing about environmental justice. Fiction preferably at least a tiny bit speculative, nonfiction preferably more creative than journalistic, poetry tending towards the narrative and preferably with some thematic heft, art leaning away from the pulpy heavily towards the political. But the heart of what we want is your searingly personal, visceral, idiosyncratic understanding of the world and the people in it as it has been, as it is, as it will be, as it could be, as a consequence of humanity’s relationship with the earth.

Ongoing Submissions: Polu Texni

Payment: $20 for a poem
Theme: Poetry on SF or fantasy themes

We are currently open to submissions, but we do have a big pool of accepted pieces so will be reading very selectively.

Polu Texni is looking for articles, poems, or art profiles that pertain to our themes. Submissions can be sent to submissions at

Non-fiction: This is our current biggest need. We are looking for articles on future art, technology and art, fannish culture, emerging media, art and science, or art and fantasy, among other things. Feel free to drop us a quick email with an idea and a short bio before you write, although we are unlikely to make a commitment before reading the finished piece. We will pay 3 to 5 cents a word.

Artist Profiles: We want to run profiles and interviews on speculative artists. We want to hear from mixed media artists, and artists with less exposure. Please send photos or links to photos, and if chosen we will contact you for an interview.

Poetry: Poetry on SF or fantasy themes. We prefer strong visual images. We pay $20 for a poem. Please send one poem per email, in the body of the email. Please, no attachments. It’s OK to send multiple poems, but please send them in separate emails. We might make an exception for attachments if your formatting is particularly fussy, but also be warned that WordPress isn’t the best tool for finicky formatting so this is not the best market for pieces that rely on careful visuals. If you have a suggestion for an accompanying photo or illustration, let us know if your poem is accepted.

Book Reviews: We would like reviews of books pertaining to our themes, either speculative fiction books, art books, illustrated books or graphic novels. Pays 3 cents a word.

Please contact me at submissions at if you have any questions.

Via: Polu Texni.

Ongoing Submissions: Unreal Magazine

Payment: $.03/word for fiction. For nonfiction, we pay $.01/word. Reprints are paid at $.01/word.
Note: Reprints Welcome

We want stories that are well written, intelligent, and enjoyable to read. We are looking for stories with metaphors and emotional ambience and imaginative descriptive writing.

Unreal Magazine is looking for stories that define the rules of magic at this indefinite point in time.

Unfit Magazine is looking for stories that bend the rules of science at this indefinite point in time…

After you finish the submission form, we will contact you if we’re interested in publishing your material. Due to the volume of submissions we receive, we are unable to respond unless a story is accepted for publication. If you have not heard from us in thirty days, assume your work didn’t fit with what we needed at the time.

For best results, send your story to as many publications as possible. Just remember, “Simultaneous submissions are your friend.”

We wish you the best in your endeavours as an author.


The Boss (and a few other clowns)


Submission Guidelines

Fiction: 500 to 5,000 words

Pay: We pay $.03/word for fiction. For nonfiction, we pay $.01/word. Reprints are paid at $.01/word. Payments are only made to your PayPal account. We only pay for what appears in print, not for online publication.

Terms: We don’t charge for submissions. Reprints are welcome. Simultaneous submissions are most certainly welcome. Multiple submissions are not welcome. (If you don’t hear anything, wait 30 days before trying again. Thanks!)

Rights: We are looking for one time non-exclusive rights.

Head to the page below to submit!

Via: Unreal Magazine.

5 Places To Get Paid To Write About Writing!

I’d LOVE to start out this list by saying that Horror Tree is your #1 spot to get paid to write about writing. Unfortunately, anyone who follows our Patreon knows that we’re not quite there yet. Still, we’re getting closer all the time! While we will happily take your guest posts on writing *cough*cough* there is likely more of a chance that putting pen to paper on the writing process is something that you’d like to get paid for.

Today, we’re hoping to help with that and have found five markets who accept non-fiction about the writing process and will throw some money your way if they accept your work! (Shameless self-plug: We’re totally interested in those of you who want to help support Horror Tree by donating guest posts on the art of writing, publishing, reviewing, etc.)

[Editor’s note: I have stabbed my left hand which is the one that keeps trying to get you to send in your work so the rest of the article WILL be safe from such requests.]

So, without further ado, here are the five markets we have for you to check out today.

Writers Weekly

Each year, all year long, we purchase articles for WritersWeekly is distributed to freelancers across the globe every Wednesday. focuses on “selling” the written word. We do not seek articles on how to write. Rather, we seek articles on how to make more money doing what you love….writing! We are also interested in other forms of home-based businesses and self-employment that may result from writing, such as self-publishing, corporate writing, ghostwriting, etc. All ideas that help writers support themselves performing the work they love are warmly welcomed.

Payment: $60 on acceptance via PayPal (preferred) or check for first rights only ($40 for reprints).

For full details please head over to Writer’s Weekly Submission Guidelines today!

Write Naked

At this time the publication is accepting original work that includes:

  • Interviews
    Want to connect with a literary agent? Offer to interview them here. Or interview a freelancer, author or editor. Any figure in publishing is a good interviewee to feature on Write Naked.
  • Publishing Trends
    Notice a particular genre of fiction is hot right now? Are two big publishing houses merging–how will this affect authors? Suggest a post on topics along these lines.
  • Day-in-the-Life of a Writer
    Feature a day in your life that illustrates how varied a writer’s life can be. View a sample here.
  • Writing Essentials
    Do you have insight on copyright you want to share? Did you traditionally publish and then self-publish, or did your article turn into a book? Were you called in for jury duty? Tell me.
  • Behind the Pen
    Did you self-publish and sell 5,000 copies or more of your book? Find a way to save time and bill more as a freelancer? Pitch a tip or three.

Payment is $75 per post.

Write Naked has reading schedules which you should absolutely check before sending in an article.

The full guidelines are found on Write Naked’s Submission Page!


Ongoing Submissions: Visibility Fiction


Payment: $10AUD per story
Reprints allowed but not preferred

Quick Guidelines:

  • Word count: 2000-5000 words
  • Genre: Any Young Adult fiction
  • Must have: Diverse protagonist/s
  • Payment: $10AUD per story.
  • Email: [email protected]

Submission Guidelines

At Visibility Fiction, we’re looking for short, young adult fiction with protagonists with diverse identities. We want to read stories of characters from typically underrepresented minorities including lesbian, bisexual, gay, transsexual, transgender, queer, intersex and asexual people, people from racial and ethnic minorities, neuro-diverse people and people with disability.

We want young adult fiction with characters who are interesting and diverse, but we are not looking for stories that are specifically about being different.

We want fun stories, with exciting plots and great characterisation.

We are interested in young adult fiction in any genre, from contemporary, to science fiction and fantasy. For us, young adult fiction means it’s aimed at a teen audience with a teen protagonist.

Stories should be between 2000 and 5000 words, in standard manuscript format. Stories should be submitted as doc or docx files. Please ensure that your name and story title are listed in your email subject and manuscript file title.

Email submissions to: [email protected]

Payment and Rights

Visibility Fiction is now a paying market, thanks to the donations of our wonderful readers – all of which go to paying our authors. We now offer $10AUD for all fiction stories, with payments made via PayPal. Note: Teen writers under 18 will be paid via a gift card of their choosing (such as Amazon), due to PayPal age restrictions.

Copyright remains with the author at all times. Visibility Fiction simply asks for the non-exclusive rights to publish your story on our website.

Bonus Points:

We do accept simultaneous submissions, but let us know as soon as possible if your work has been accepted elsewhere.

Original works are preferred, but we will consider reprints. If your work is a reprint, please include any reprint information in your submission email.


If you have an article about teens and literature, visibility in literature, the importance of inclusive culture, etc., we would love to read it and share it on our blog. Equally, if you have a personal story about your own experiences surrounding inclusive culture or lack of visibility in culture, we would love to read and share that too.

We also love sharing relevant reviews of inclusive YA novels or related texts. In the case of reviews, we are happy to publish those reblogged from your own blog or Goodreads.

Pieces for the blog should be between 500 and 1500 words and submitted as doc or docx files. Please ensure that your name and article title are listed in your email subject and manuscript file title.

We are not currently offering payment for non-fiction blog posts. However, as is the case for fiction and artwork, we do offer exposure and provide authors/artists with a profile page, which can include a photo, bio, and links to personal sites and social media.

Email submissions to: [email protected]


We love reading diverse YA fiction. If you’re an author with a book you’d like reviewed, send us the blurb and relevant links and we’ll let you know if we would be interested in a review copy.

You can contact us at [email protected]

Via: Visibility Fiction.

Ongoing Submissions: Cosmic Roots and Eldritch Shores

Payment: 6¢ per word for new fiction, and 2¢ per word for reprints and fact-based work.
Reprints Allowed

Writers Guidelines

We accept new work as well as reprints, anywhere from 1000 word flash fiction on up, but as we are just starting, shorter pieces will be favored. We have tough standards but only care about the quality of the writing, characters, plot, and ideas, not whether you’re new or established.  Only submit finished work you are proud of.  Commensurate with the time available, if we don’t accept your submission we’ll explain why.

We are following the Science Fiction and Fantasy Writers of America (SFWA) guidelines; after one year of meeting their criteria they will retroactively qualify us as a pro site and new work printed during that year will count towards a writer’s SWFA qualifications.  We pay 6¢ per word for new fiction, and 2¢ per word for reprints and fact-based work.


We are looking for well written original stories in science fiction, fantasy, myth, legend, fairy tales, and eldritch, in written, podcast, video, and/or graphic story form, and from around the world.  We’re accept both serious and humorous work. We like science fiction in all its states of matter, from solid to gaseous to plasma, i.e., from hard as steel to as insubstantial as interstellar space.  If you use real existing science, please get it right.

We’re not looking for angsty romance, fanfics*, horror, hate, blood & guts, excessive violence, sex, axe-grinding, or stories that leave readers feeling they’ve had the energy and joy sucked out of them.


We are looking for fact-based articles, interesting information, reviews, and humor in any discipline that relates to the type of stories we publish or might provide inspiration and information for writers and artists.

Artwork and Other Imagery

We’re looking for storytelling through images.  We want to see skillful composition, use of color, rendering of form, character, and emotions.   For photo manipulations or photography using models, etc., all stock and resources used must be credited and used according to the stock provider’s rules.

We are not presently commissioning any work.  We are looking only for already existing work for use on site pages or for illustrating stories.  We pay $10 for the non-exclusive right to use each image, for as long as the site is online.  If we publish a print collection we will pay a pro-rata share for each image used.

Just as for written works, we’re not looking for romance, fan art*, hate, horror, blood & guts, excessive violence, sex, nudity, copies of photographs, propaganda, or work that leave readers feeling they’ve had the energy and joy sucked out of them.  We do not accept work using materials that required the death or mistreatment of animals.

*If the original work is still in copyright and was not commissioned or sanctioned by the creator or owner we will not accept it.  Some fan art is accepted or encouraged by the copyright owners — e.g., cosplay, and these works we welcome.
An illustration of a fairy tale, myth, legend, old classic, or any work no longer in copyright would not be counted as fan art.

No simultaneous submissions, and no multiple submissions to the same genre.  Please include title, medium, size, and any remarks relevant to the work’s creation.

Submit text in .doc and images as a jpg or through a link.  Provide links to all stock used.  For video, if possible send links, and have it available in both MP4 and WEBM formats for compatibility across all browsers.

On the submissions page, remember to check that you agree with the terms of our guidelines before you submit.

Interstellar submitters please use standard Earth formats or query in advance for other arrangements.  We’d love to be the first to publish your work here on Earth!

After reading our guidelines you can enter the submissions page here

Via: Cosmic Roots and Eldritch Shores.

Ongoing Submissions: Thinking Horror

Payment: Exact rate may differ between issues until feasible model is found. Payment at this time is $20 per article.

The unofficial theme of the magazine is “Why Horror?”

We are looking for non-fiction articles about the genre written by the people who generally think most about it.

Interested contributors must submit a short proposal to the editors outlining the proposed topic. It needn’t be long, just so long as it communicates the topic and the goals of the essay. This will help prevent repetition, or work on something that ultimately does not fit the journal’s intentions.

When imagining ideas for the journal, please keep in mind the idea of ‘timelessness’. In other words, material that would date the journal isn’t encouraged, unless a strong case can be made for it. The hope/goal of the journal is to have its issues remain releveant in perpetuity.

The sorts of articles we envision/encourage:
• analysis of specific authors and how their work illuminates the genre as a whole
• discussions of movements like Splatterpunk and New Weird
• essays on the different facets of horror (i.e. Nightmare Horror, Folk Horror)
• interviews with authors and editors about the genre and how it works, and its goals
• observational essays by writers and critics about how they view horror and what horror means to them

Essentially, we want to read a series of meditations on the genre, on what it means, on its history and its future. We want to see analysis from across the spectrum. We want this to be a premiere venue for horror and weird scholarship.

WORD COUNT: 1,000 words or more

PAYMENT: “Thinking Horror” is a paying market. Exact rate may differ between issues until feasible model is found. Payment at this time is $20 per article.

SUGGESTIONS: The editors would like to hear your ideas, but if you need help, any of the below would make for fascinating reading (where appropriate to issue theme):

  • “A Thousand Black Eyes: The Masculinity of Horror in the Work of Cornell Woolrich.”
  • “I Don’t Care if I’m Here Tomorrow: Exploring the Relationship Between Nihilism and Homosocial Concepts of Family in Post-Aids America Through the Work of Poppy Z. Brite.”
  • “Blood Splattered Black Denim: Examining the Liminal Between the Contemporary Literatures of Crime and Horror.”
  • “Bones, Bodies, and Clock Hands: Defining Depravity As Context Within A Longing for Place and The Socioeconomic Legacy of Jeffrey Dahmer in Joyce Carol Oates’ ‘Zombie’ and Poppy Z. Brite’s ‘Exquisite Corpse.’”
  • “When They Do I’ll Be Right Behind You: Phobophobia and Phobophila in the Work of Ramsey Campbell.”
  • “All the Dark You Can Stand: Nyctophobia and Nyctophilia in the Work of Laird Barron”
  • “Every Little Thing Is Wrong/Wronged: Perception and the Rejection of an Authentic Reality in the Work of Terry Lamsley.”
  • “Under Skin(s)- Cities of Bone and Muscle: Shifting Physicality as Manifestation of Queer Impulse in the Early Work of Clive Barker.”
  • “What Burns Never Returns: The Spenserian Sublime and the Fable Structure in Simon Strantzas’ ‘These Last Embers.’”
  • “We’ll See What We See: Animism, Animal Imagery, and the World Invisible in the Works of Peter Straub.”
  • “Beyond the Past and the Past Beyond: The Intersection and Overlap of the Spectral and the Weird in Fritz Leiber’s ‘Our Lady of Darkness.’”
  • “Your Son Consumed, Your Daughter Drowned: The Rhetoric of Paternal Death Anxiety in the Work of Tim Lebbon.”

Via: Thinking Horror.

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