Taking Submissions: Contrary Spring 2019 Issue

Deadline: March 1st, 2018
Payment: $20

“Turning words into art is unnatural. It begins with a contrary attitude. It says, I am unhappy with the way things are and desire to make things different. Rather than represent the world, I will make something wildly and savagely new. I will defy logic. I will invest in new perceptions. I will combine and recombine and fabricate and juggle until something that I have never experienced is experienced. The process is alchemical. The process is violent. It goes to the heart of creativity. It disrupts and shatters. It is splendid with provocation. It is an aggression against banality. It is sharp and loud like a janitor scraping frost from a window. The hectic bounce of steam on a street after a truck roars by. The anarchy of waters, the comedy of the face, dangerous feelings vented from a cage of skin.” ~ John Olson

Poetry — We believe poetry is contrary by nature, always defying, always tonguing the tang of novelty. We look especially for plurality of meaning, for dual reverberation of beauty and concern. Contrary’s poetry in particular often mimics the effects of fiction or commentary. We find ourselves enamored of prose poems because they are naturally contrary toward form – they tug on the forces of exposition or narrative – but prose poems remain the minority of all the poetic forms we publish. Please consider that Contrary receives vast amounts of poetry and that we can publish only a small percentage of that work. Please submit no more than three poems per issue. Our poetry editor is Shaindel Beers.

Fiction — We ask our fiction writers to imagine their readers navigating a story with one finger poised over a mouse button. Can your story stay that finger to the end? We have published long stories on the belief that they succeed, but we feel more comfortable with the concise. We favor fiction that is contrary in any number of ways, but our fiction typically defies traditional story form. A story may bring us to closure, for example, without ever delivering an ending. It may be as poetic as any poem. Our fiction editor is Frances Badgett.

Lyrical commentary/creative non-fiction —“Commentary” is our word for the stuff that others define negatively as non-fiction, nominally as essay, or naively as truth. We favor commentary that delivers a message less through exposition than through artistry. The commentary we select is often lyrical, narrative, or poetic. Examples from our pages include “Plum Island” by Andrew Coburn, “Ascension” by Kevin Heath, and “A Spring Sunday” by Heywood Broun. Our commentary editor is Jeff McMahon.


Terms of Submission

PLEASE NOTE: Because of Contrary’s 15th Anniversary issue in Autumn 2018, current submissions are being considered for the Winter 2019 issue. Acceptances will be delivered in December.

Our deadline, response, and publication cycle – Contrary receives submissions throughout the year and publishes four issues per year, with the change of seasons. In Spring our deadline is March 1, and the issue appears on or about April 1. Following that cycle, our deadline for Summer is June 1, Autumn is Sept. 1, Winter is Dec. 1. We begin each issue from scratch, with completely new submissions. If your submission is accepted, you will hear from us. If not, you can always verify that it was not accepted by viewing the issue for which you submitted. We do not send rejection letters.

Rights – Upon acceptance, Contrary acquires: 1) worldwide rights to publish in any or all versions of Contrary and other Contrary-affiliated media, including domestic and foreign, whether in the English language or translated into a foreign language, including any successor, similar or replacement versions thereof; 2) exclusive worldwide rights for a period of 90 days from the date of Contrary’s first publication of the work; 3. non-exclusive perpetual rights to republish, store, syndicate or distribute the work or portions of the work in any language and in any country, and 4) the right to use your name and likeness in a fair and dignified manner and to publish information about you in connection with the advertising and promotion of Contrary and of the Work. 5) When exclusive rights expire after three months, the author is free to seek republication elsewhere, but Contrary must be credited in all subsequent publications. 6) All rights granted by this agreement are granted in perpetuity and applicable in all media including, but not limited to, all electronic media, internet, wireless or mobile platforms whether now known or hereafter created.

Payment – For original commentary, fiction, and poetry, Contrary Magazine pays $20 per author per issue, regardless of the number of works or nature of the submission, if invoiced within six months. Reviews and Contrary Blog posts are unpaid. Author must email us an invoice within six months of acceptance for the payment to be processed. If no invoice is received within six months of acceptance, author forfeits payment, and all rights remain in force. Upon receipt of invoice, payments will be made through Paypal.

Simultaneous submissions – We accept simultaneous submissions, but you must inform us when submissions are simultaneous, and you must withdraw your submission immediately if the work is accepted elsewhere (you may resubmit any parts of your submission that remain unpublished). A submission constitutes an agreement to publish in Contrary under the guidelines on this page. Accepted works go into production immediately and may not be withdrawn under any circumstances.

Mailing List — When you submit your work you will be automatically subscribed to the mailing list we use to communicate with our contributors. We use it to call for submissions no more than four times each year. You may unsubscribe at any time or otherwise manage your subscription at our list host.

Before submitting, you may wish to consult our Manuscript Suggestions.

Via: Contrary Magazine.

Taking Submissions: Great Weather For Media

Deadline: January 15th, 2019
Payment: One contributor copy, plus $10 for writers based in USA. To help towards shipping costs, international writers receive one copy.

unpredictable, fearless, glistening, innovative… GREAT

great weather for MEDIA seeks poetry, flash fiction, short stories, dramatic monologues, and creative nonfiction for our annual print anthology.

  • Submissions are open from October 15th through January 15th every year. Need a reminder? Sign up to our monthly newsletter.
  • Our focus is on the edgy, fearless, and experimental but we do not have a set theme for our anthologies. We highly recommend reading one of our previous collections to get a feel for the type of work we are interested in. Our latest anthology is Suitcase of Chrysanthemums. We are based in New York City and welcome submissions from both national and international writers.
  • 1-4 poems of any length. If you are submitting more than one poem, include them all in a single document. Do not submit multiple poems in separate files. Single-spaced please, or how it should appear on the printed page. Start each poem on a new page.
  • 1 prose/creative nonfiction piece, 2 if under 500 words. Maximum word count: 2,500. Prose should be in English.
  • Multiple submissions (in the same genre) are not accepted and will not be read. Please wait until you receive a response from us before submitting again.
  • Simultaneous submissions are fine – just notify us with your good news immediately. If you wish to withdraw part of your submission, please log in to your Submittable account to add a note to your submission activity and list the title no longer available for consideration. If you wish to withdraw your entire submission, log in and update your Submittable account – instructions here.
  • Please don’t send revisions. You can always add a note to your submissions if there is something you need to let us know about.
  • Payment: One contributor copy, plus $10 for writers based in USA. To help towards shipping costs, international writers receive one copy.
  • We aim to respond in 1-4 months. If you have not heard from us after four months, please email [email protected]
  • Copyright: great weather for MEDIA holds first serial rights for material that we publish. The copyright automatically reverts to the author upon publication. All work may be permanently archived online. We ask that great weather for MEDIA be acknowledged in any subsequent publication of the work.
  • We look forward to reading your work!
  • Finally, please take a look at our books. Small presses love readers and all support is much appreciated!

Via: Great Weather For Media’s Submittable.

Taking Submissions: Blood Bath Literary Zine Issue 2: DEMONS

Deadline: February 14th, 2019
Payment: £20 per 1,000 words for prose, £20 per 15 lines for poetry

Following the success of issue one, Blood Bath opens submissions of short fiction, poetry and visual art for its second issue: DEMONS

Agents of tangible evil, or paranoid ideas nestled inside our brains, DEMONS influence, divide and ruin us.

Internal or external, real or imagined, DEMONS haunt the corporeal and fictional plane, and just like the saints in heaven, there’s a specific Demon for every purpose. We’re open to references to academic demonology theories or newly invented creations; try your best to surprise or intrigue us. The reading team are avid horror fans and dying to be exposed to a new kind of terror.

Demons also represent an aversion to institution; they are heathens, unclean spirits. Perverted angels or cursed mortals, transformed during satanic ritual or born in hell, we are open to all interpretations. Demons from outside traditional Western Christianity depictions are enthusiastically welcomed.

WE LOVE:

The quickest and best way to find out what we love is to buy a copy of our first issue, BODIES. Print and EPUB copies are available in our shop. Supporting small publishers helps them to continue existing!

As always, we are particularly interested in experimental and subversive forms, as well as contribution from women, people of colour, members of the LGBTQIA+ community, and people living at the intersection of these identities.

Last call for submissions produced an overwhelmingly white response; this issue we are looking for work specifically from people of colour, in particular trans and non-binary POC and women of colour.

Horror has always been political, and BB is specifically searching for socially aware genre stories.

Speaking of genre, we are open to any and all; science fiction, fantasy, erotica…but it also must contain an element of horror.
(more…)

Taking Submissions: AGNI Online

Deadline: May 31st, 2019
Payment: $10 per printed (or printed-out) page for accepted prose, and $20 per page for accepted poetry, up to a maximum of $150., 2 copies of print magazine if accepted into a print copy

We look for writing that catches experience before the crusts of habit form—poetry and prose that resist ideas about what a certain kind of writing “should do.” We seek out writers who tell their truths in their own words and convince us as we read that we’ve found something no one else could have written.

When to submit

AGNI welcomes manuscripts between September 1st and May 31st. Submissions mailed in June, July, or August will be returned unread, provided sufficient return postage is included.

Things to know when submitting

  • Nearly everything we publish is unsolicited.
  • We encourage submissions from writers of all identities, living anywhere, published and unpublished.
  • We will not consider writing that has already been published in English, whether in a book, magazine, newspaper, or on an app, a website, a social media feed, or a publicly accessible online community.
  • We consider only work written in English or translated into English.
  • We have no word limits, though space is at a premium and length sometimes affects our decisions.
  • We do not publish genre romance, horror, mystery, or science fiction; however, we are open to writing that borrows elements from any of these.
  • We will consider excerpts if they read as if they were meant to stand alone.
  • We are interested in personal essays, think-pieces, memoir, prose poems, formal poems, blank verse, free verse, short stories, and short shorts; we do not publish academic essays or purely journalistic writing.
  • Though we rely on student interns for many things, they are not involved in considering submissions. All manuscripts are read by masthead editors.
  • Our blog features posts by writers who have appeared previously in AGNI or AGNI Online.
  • You can familiarize yourself with the magazine by ordering a recent print issue or by perusing the writing that appears here. This site includes selected pieces from our decades of print issues and everything we’ve published at AGNI Online since its inauguration in 2002.

Some requests

  • Please send only one story, one essay, or up to five poems, and please wait for our reply before sending more. As soon as we respond, you can feel free to submit again during a reading period.
  • Please double-space your document and include page numbers.
  • Please do not submit revisions of work we’ve already considered.
  • If you submit on paper and want us to reply by mail, please enclose a stamped, addressed envelope (SAE). If the envelope is large enough and you include sufficient postage, we will return the manuscript; otherwise, it will be recycled. If you’d like to be notified by email only, please include your email address and skip the SAE.
  • Do not email your work; we do not read or consider emailed submissions.
  • Feel free to submit the same work to other magazines simultaneously. If your entire submission is accepted elsewhere, please log in to your online account and withdraw using the link there—or, if you’ve submitted by mail, or if only a portion of your submission has been taken elsewhere, please contact us with a quick withdrawal note.
  • Do not mail your work to us in the months of June, July, or August. The online portal is also closed during those months.
  • Do not send us your only copy; we cannot accept responsibility for your manuscript.
  • Please do not contact us about your submission until four months have passed. We work hard to respond within two, but we’re not always able. After four months, please contact us right away if you have not received a reply.

WHERE to send:

If you’d rather not submit through our free online portal, please address your envelope to the Fiction Editor, Poetry Editor, or Nonfiction Editor and mail to:

AGNI Magazine
Boston University
236 Bay State Road
Boston, MA 02215

Regular post is fine. There is no advantage to sending a more expensive way.

Purchasing rights

All submissions are considered for both print and online publication.

We buy first worldwide serial rights and pay $10 per printed (or printed-out) page for accepted prose, and $20 per page for accepted poetry, up to a maximum of $150. We also give a year’s subscription to AGNI. In the case of print publication, each contributor receives two copies of the issue their work appears in, and we send up to four additional copies to friends or family.

Blog publication, which is limited to writers who have previously appeared in AGNI or AGNI Online, is unpaid.

Via: AGNI Online.

Taking Submissions: The Literary Hatchet

Deadline: March 1st, 2018
Payment: FICTION, SHORT STORIES: 500-6,000 words — $10

The Literary Hatchet is a journal devoted to provocative fiction, poetry and prose. We are interested in well-written but digestible works in any genre (except erotica).

We will consider previously published material but prefer original works.

We accept short fiction, flash fiction, first-person narratives, speculative fiction, short stories, poetry, photography, art, cartoons, and illustrations.

We’re interested in new angles on old ideas, or topics that don’t get covered frequently. We like to showcase articles that don’t just sum up some issue but make us think and make us want to read further.

The above is not exhaustive. If you don’t have an immediate idea for a piece, but you’d really like to write for us, let us know and be prepared to show us work you’ve done. We can always think of subjects!


WHAT WE DON’T WANT

We do not accept erotica, either as articles or images
We do not accept articles or images with excessive crude language or outlandish sexual humor
We cannot consider partial or incomplete stories or essays
We do not accept Haiku poetry, unless as a part of a collection of five or more


GUIDELINES BY TYPE OF SUBMISSIONSHORT STORIES:

We accept short stories from 500-6,000 words in length. Feel free to contact us with inquiries about the type of stories we might be interested in if you are in doubt. We appreciate the well-written work, and acceptance is determined by whether the piece grabs the editor and holds their interest. We consider works of general fiction as well as horror, dark subjects, detective fiction, and stories about monsters, either real or imaginary.

POETRY:
We are looking for high-quality extraordinary poems (both serious and humorous) that explore the darkness that resides in each of us. Personal pieces that offer a self-reflection are acceptable.

ART, PHOTOGRAPHY, CARTOONS, AND ILLUSTRATIONS:
All submitted art and illustrations must be in 300 dpi, JPG or GIF formats and no larger than 1200 X 1200 pixels.

INTERVIEWS:
If you would like to interview someone our readers would find interesting (including, but not limited to, authors, celebrities, relatives of Borden case members, experts in a related field of study), you can submit your idea to us for approval.


COMPENSATION, RIGHTS, AND LENGTH

RIGHTS: By submission of your work, you are agreeing to The Hatchet and its publisher PearTree Press holding exclusive first-printing world rights for a period of 6 months. While your piece is online, it may not appear anywhere else on the Internet, in print, or sold for profit. Rights revert back to the writer/artist at the end of 6 months.

We ask, but do not require, that you then give us non-exclusive electronic rights to include your work in our archives after it is rotated off the issue. You have the right to remove your article from the archives at any point after 6 months.

COMPENSATION AND LENGTH REQUIREMENTS: We pay compensation for almost all work accepted for publication. Payment is made upon publication. Checks are sent by mail. Foreign contributors can choose to be paid by check (US dollars), PayPal or Amazon Gift Card.

FICTION, SHORT STORIES:

  • 500-6,000 words — $10

INTERVIEWS and REVIEWS:

  • compensation is paid to the person conducting the interview — $5

POETRY:

  • we prefer poetry under 100 lines — $5

ART/ILLUSTRATIONS:

  • in JPG or GIF format only — $5

FIRST PERSON STORIES:

  • 250-750 words — $1

HOW TO SUBMIT

We buy exclusive first-printing world rights for 6 months.

Submissions must be made via Submittable.com

Electronic submissions should be as an attached MSWord or AppleWorks file. Do not include the text of your submission within the email.

Multiple submissions are accepted.

No simultaneous submissions accepted.


RESPONSE TIME

Average response time is about 30 days. If you don’t hear from us in 30 days, please query.


EDITING POLICY

We prefer not to edit heavily. If we like your idea, but feel that your article needs significant editing, we’ll send it back to you with lots of suggestions and recommendations. We will correct all typos, grammatical errors, and adjust punctuation to our house style. If we make any substantial changes we will contact you first for approval well in advance of publication.

If we cannot contact you or you do not return our emails, we will assume that you have withdrawn your submission. Feel free to resubmit it at a later date.

We prefer poetry under 100 lines. Please don’t send us poetry unless you have thoroughly proofread it. Accepted submissions may be edited for clarity or to correct minor errors. Poetry submissions which do not meet minimum standards for correct spelling will be rejected.

HOW TO CONTACT US

SUBMISSIONS: Submissions must be made via this link: Submittable.com

or write us at

PearTree Press
328 French Street
Suite #2
Fall River, MA 02720

The Literary Hatchet is open for submissions and we financially compensate our authors and artists for their works.

You can submit more than one work per issue, but please send each submission individually.

SUBMISSION DEADLINES:
March 1 (publication date April/May)
July 1 (publication date August/September)
November 1 (publication date December/January)

Via: The Literary Hatchet.

Taking Submissions: Breach #10

Deadline: December 31st, 2018
Payment: Short stories: 1 cent a word, to a maximum of $20. Poetry: $5 per piece.
Note: NZ and Australian authors only

Guidelines

We publish SF, horror and dark fantasy short fiction from NZ and Australian authors.

We publish bimonthly and open for submissions for the month prior to release. Our submission periods for 2018 are as follows:

Issue #08: August (to publish in September)

Issue #09: October (to publish in November)

Issue #10: December (to publish in January 2019)

In the Zine

All work must be original and previously unpublished. We pay for first worldwide publication rights for six months and nonexclusive reprint rights. Copyright belongs to the author or artist. We simply ask for you to credit Breach as the site of first publication if your work is then subsequently reprinted elsewhere (after the six month exclusive period).

Stories between 500 and 2000 words, in doc format.

Poetry of a page length, doc format.

Cover art in A4, 600dpi, RGB.

Payment

Short stories: 1 cent a word, to a maximum of $20.

Poetry: $5 per piece.

Cover art: $20 per piece.

From August, 2018 we’ll also accept submissions of longer works of novella (17,000 to 40,000 words) and novelette (7,500 to 17,000 words) length. Our short stories lean toward horror and the darker side of science fiction and we’d like to carry that over to longer works. If you’re interested in publishing with us, please send the first chapter and a single-page synopsis as a Word doc using the form below. All work must be original and previously unpublished.

Breach pays 50% of royalties from all print and ebook sales – we don’t offer advances. We pay for exclusive worldwide publication rights for one year and non-exclusive reprint rights. Copyright belongs to the author.

Via: Breach.

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