Taking Submissions: DreamForge Magazine

Deadline: June 30th, 2019
Payment: Between $0.04 and $0.08/word, depending on factors listed below
Note: Reprints, poetry accepted

Following our guidelines does not guarantee that we will accept your story, but ignoring them does guarantee that your submission may be returned without receiving the attention it deserves.

An Overview

At DreamForge, our goal is to publish positive science and fantasy fiction. (That’s about it, but if you want to know more, you can check out our Rules of Fiction page.)

What Are We Looking For?

Space opera, urban fantasy, military sf, magical realms, hard science fiction, sword & sorcery, time travel, cyberpunk, steampunk, hopepunk, and whatever else comes before punk. Parables, poetry, zombies, and vampires are also welcome. No horror please.

  • Yes to communities and teams working together to overcome dire challenges.
  • Yes to marginalized and under-represented characters as protagonists.
  • Yes to science and magic that solve problems, alleviate suffering, and boldly explore new possibilities.
  • No to corrupt, dystopian governments or evil corporations.
  • No Horror, please
  • Stories set before, during, or after an “apocalypse” are more likely than not to be rejected.
  • Tone down the violence, profanity, and sex

Story Length

Shorter is better!

If you submit a story over 5,000 words, it has to be amazing to get very far in the review process. We want variety in each issue, and longer your story, the less variety we can print.

Overall, we will consider the following word counts:

  • Flash Fiction & Poetry: 100 – 1500 words
  • Short Stories: 2,000 – 7,500 words
  • Novelettes: 7,500 – 12,000 words.

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Taking Submissions: Electric Spec August Issue 2019

Deadline: July 15th, 2019
Payment: $20 per story

Please don’t query us about your story submission. We don’t have the manpower to answer such queries. An editor will email you back as soon as possible with the decision about your story. This can take a few days, or, up to three months. We make every effort to get back to authors in a timely manner but we get a lot of submissions so sometimes it’s not possible.

A note on our editorial policy: before publication we may edit the story for length or readability. However, we always remain true to the spirit of the story.

Issues are published at the end of February, May, August, and November. We reserve the right to shift publication date slightly, as necessary.

We have reading periods for each issue, though we never close to submissions.

February closes January 15

May closes April 15

August closes July 15

November closes October 15

Please do not submit the same story more than once, and please submit only one story at a time.

We consider any story between 250 and 7000 words with speculative fiction elements. We prefer science fiction, fantasy, and the macabre, but we’re willing to push the limits of traditional forms of these genres.
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Taking Submissions: Weird Mask Magazine – Cthulhu / Lovecraftian Edition

“Das Cabinet des Dr. Caligari”
D 1919/20
R.: Robert Wiene
Conrad Veidt

Deadline: April 30th, 2019
Payment: Contributor’s Copy

Hey weirdos!

We are looking for Cthulhu mythos / Lovecraftian tales for our May issue.

Submissions must be in by April 30th!

Length should be between 1k-3k.

Compensation is a contributor copy.

Send submissions, copy and pasted in the body of the email, to weirdmaskzine at gmail dot com

Please be sure to add your address, story credit and twitter or instagram handle (if you have one).

Via: Weird Mask.

Ongoing Submissions: Rock and a Hard Place Magazine

Payment: $35

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SUBMISSIONS

Rock and a Hard Place Magazine is a cross-genre magazine publishing works of fiction that focus on the plight of marginalized, poor, depressed, and desperate people.

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What types of stories will you publish?

We want fiction from any genre. We want stories that mix genres. We want stories that don’t acknowledge the existence of genre or categories.

Really, what we want is stories that detail life at the bottom or at the margins of human society. These can be stories about losers who always make the wrong decisions, or they can be stories about people who always make the right decisions but who still can’t get ahead because of the hand they were dealt in life.

You can make it weird. You can make it sad. You can make it dark. Or you can make it just the tiniest bit hopeful.

The title of this magazine is Rock and Hard Place. We want stories about that situation.


What do you not want?

You know that cousin you have that inherited a bunch of money and who everything goes right for? We don’t want stories about him or any of his friends.

Also, don’t send us any racist, homophobic, transphobic, or misogynistic shit. If you do, not only will we not accept your piece, but we will mail you actual shit.

How long should my story be?

Between 2,000 and 5,000 words, but if it’s a little more or a little less, send it. If it’s good, we’ll publish it.

How much are you going to pay me?

We’ll pay you $35 via paypal upon publication.

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Can I submit garbage?

Not literal garbage, no. But if you are a new writer and haven’t got the polishing thing going yet, send it over. If we see a story in there, we’ll try to work with you.

We do however reserve the right to not publish whatever we don’t want to publish. This includes submissions made while we are hangry, and we expect you to know when that is.

How should I submit?

Email your piece as an attached word document to [email protected] Add Submission, the name of the piece, and your name in the subject line.

Via:Rock and a Hard Place Magazone.

Taking Submissions: The Journal of Compressed Creative Arts

Deadline: June 15th, 2019
Payment: $50

The Journal of Compressed Creative Arts is looking for, as you might guess, “compressed creative arts.” We accept fiction, creative nonfiction, poetry, mixed media, visual arts, and even kitchen sinks, if they are compressed in some way. Work is published weekly, without labels, and the labels here only exist to help us determine its best readers.

Our response time is generally 1-3 days. Also, our acceptance rate is currently about 1% of submissions. We pay writers $50 per accepted piece and signed contract.

We are open for compressed poetry, compressed prose fiction (including prose poetry), and compressed creative nonfiction during two reading periods: September 15 – December 15 & March 15 – June 15.

The reader for your submission is, during this current round of submissions, the managing editor.

Please be sure to submit in the correct category; we’ve been receiving several fiction submissions in the creative nonfiction category.
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Taking Submissions:: Switchblade: Tech Noir

Deadline: May 5th, 2019
Payment: $15

Switchblade is an outlaw fiction print anthologyfeaturing authors writing in the hardboiled/noir genre, and nothing else. So think Richard Stark, Ross MacDonald, Jim Thompson, Don Winslow, Ken Bruen, James Ellroy, Lawrence Block, Iceberg Slim, Max Allan Collins, Christa Faust. (just to name a few) We don’t do cozies. We don’t do procedurals. We’re not a literary magazine, and we don’t do other genres. That said, we will consider noir/crime fiction ranging from the early twentieth century up to present day. Aside from that, we are a no limit hardboiled fiction journal—we publish the kind of stories no one else will consider. Back in the day there was a Nynex yellow pages ad campaign that went like this: if it’s out there, it’s in here—that’s how we feel. The world is filled with deviance, and good hardboiled fiction reflects that. We like strong characters, and good story telling, and we will not reject anyone based on mainstream morality. Amoral protagonists are encouraged. We will not however, publish masturbation fodder for masochistic pedophiles. We’re not interested in torture-porn erotica. But if you’ve got a deplorable protagonist, and there’s a good story—we’ll print it.

SUBMISSION GUIDELINES
          **Submissions for 2019** 
          Our next reading period will be
                 MARCH 10th to MAY 5th
For the 2019 Cybrerpunk themed Special Issue ONLY
            Switchblade: Tech Noir

Content. Rural noir is fine (very popular right now) but we love urban noir too. Urban being the setting.(not a reference to the racial demographic–any racial demographic is fine) We do mob stories. And not just Russian mob stories. Got a tight piece of fiction about the Sicilian mob in Jersey—we’ll look at it. Anyone who thinks the Italian Mafia (LCN) in America evaporated into thin air after the John Gotti trial, hasn’t spent any time in Philadelphia. That said—if it reads like a Sopranosscript or Goodfellas fan fiction, it’s going right into the trash bin. Make it original. If I open up a story about an Irish mob guy from Chuckytown (Charlestown), and his name is Blackey—it better be one hell of a story.
Just like the other guys, we’re not interested in clichés. Serial killers are boring to me. Heist plots are also going to be a tough sell. We like Michael Mann’s “Heat”, and Stanley Kubrick’s “The Killing” as much as the next guy, but as I’ve stated, we’re looking for originality, first and foremost. We love suspense. We like tension, and we like tightly written, gritty fiction with a twist (or two). If you really want to know what we’re all about, and to see what kind of stories end up in the pages of Switchblade, do yourself a favor and pick up a copy of our latest issue. For $7.99 it’s a real steal.

Formatting. Our motto is quick and dirty: we’re looking for short fiction: 2,000 to 4,500 words. We’re also seeking flash fiction with a maximum of 1,000 words. Please put “fiction submission” and the title of the story in the subject line. Include a cover letter in the body of the email as well as a brief (100 word max)third-person biography. No Revised Drafts: The first draft you submit (upon selection) is the draft we print. So proofread your work before you submit.
No simultaneous submissions. Address your cover letter to “Dear editor at Switchblade…” We’re not the big five, but we expect some professionalism. Please wait 30 days after the submissions deadline before querying about the status of a submission.
Please set tab indentations for paragraphs at .25” Response time: We don’t send out “received” emails. Please allow up to three weeks after the end of the posted reading period before querying about the status of your submission. Send your story in standard manuscript format, double spaced as an attached Microsoft Word document (.doc or .rtf) to switchblademagsubmissions (at) gmail (dot) com

Payment: We’re now upping the ante. (a little) Each selected contributing author will now receive a payment of  $15 (via Pay Pal)we are no longer including contributor copies as payment. Payment is per contributor, not per story. So whether we print your story, or poem, or both, you will receive a one time payment of $15. Payment for artwork will be $15 per page*(with a maximum of 4 pages)

Artwork: Please put “Artwork Submission” in the subject line of the email. We are currently seeking gritty-themed artwork featuring urban blight, femme fatales, juvenile delinquents, enforcers, shady characters, choppers, hotrods, and of course switchblade knives. Artwork should be submitted either as a link to your online portfolio, or as an attached JPEG file (at least 200 DPI)

Poems: We are also seeking noir poems (no more than a page) Please include “poetry submission” in the subject line of the email.

Rights: Switchblade claims the following publication rights: First English-language Rights, English-language Periodical Rights, World Periodical Rights, and Electronic Distribution Rights. All rights  revert back to the author six months after initial publication. ShouldSwitchblade  choose to create an anthology of previously published work, new rights will be negotiated.

Reprints: We are not accepting any reprints at this time.

Find us on *twitter: https://twitter.com/SwitchbladeMag

Follow us on instagram: switchblademagazine

Don’t bother looking for us on Facebook. We don’t associate with social media platforms that censor advertisements or posts.

*Please do not submit fiction through twitter

Via: Switchblade.

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