Deadline: November 15th, 2019
Payment: $5 per thousand words for fiction and $.35 a line with a $5 minimum for poetry.
Now that the eighth issue of The Audient Void: A Journal of Weird Fiction and Dark Fantasy is out, we are opening submissions for issue #9. We are looking for quality works of poetry and short fiction.
Poetry should be Weird or darkly fantastical with strong imagery. We pay $.35 a line with a $5 minimum, payable upon publication.
For short fiction our tastes are broad and we will consider anything with Weird, horrific or fantastical elements. We will consider any length work but will be much less likely to publish stories over 5,000 words. Our rate is $5 per thousand words, payable upon publication. First time publication only, no reprints please.
To submit please send your work as a .doc, .docx or .rtf file to [email protected] and be sure to include a header with your name and email address. We do not accept simultaneous submissions or reprints and ask that you wait for our response before submitting elsewhere. The submission deadline is November 15th, please do not inquire about your submission before that deadline and understand that it may take some time to follow up on all submissions after the deadline has passed.
I very much look forward to reading everyone’s work!
Deadline: December 15th, 2019
Payment: Contributor’s Copy
Dare. Risk. Dream. Share. Ruminate.
Clockhouse accepts works of poetry, fiction, memoir, creative nonfiction, and dramatic works for stage or screen. We encourage submissions from both established and emerging writers. (Current students of Goddard College are ineligible to submit to Clockhouse, but we look forward to reading your work after you graduate.)
Be original, unpublished work written by the author.
Follow the industry-standard formatting guidelines appropriate for the genre as well as the applicable guidelines below:
Fiction: Short stories and self-contained novel excerpts in a literary style. Genre fiction will be considered only if it sustains literary merit (Up to 5,000 words) Poetry: All poetry in traditional and experimental styles including prose poetry (Up to 250 lines of poetry, total. Only one poem per submission. Poets may submit up to three times per reading period.) Memoir and Creative Nonfiction: All memoir and creative nonfiction in traditional and experimental literary styles. No academic or scientific essays (Up to 5,000 words) Dramatic Work for Stage or Screen: Short dramatic works in traditional and experimental styles, either a standalone piece or an excerpt from a one-act or full length play or screenplay (Up to 15 pages)
Include a short bio of approximately 100 words or less.
Include a brief artist statement: a few sentences about your work as an artist (i.e., not a “pitch” for this submission, but rather a statement about what you’re interested in writing about now, what drives your writing, or how your writing is reflecting or influencing the world at large, etc.).
Be submitted only through our online submission manager (see link at bottom of page). No email submissions will be accepted.
Submissions that do not follow these guidelines will be discarded unread.
The submission period for the Volume Eight 2020 will begin on August 15, 2019 and remain open through 11:59 on December 15, 2019.
Responses to submissions
Please expect to wait up to four months for a reply. After that time, if you have not yet received a reply, please check on the status of your submission by sending an e-mail to [email protected] Indicate the title of your piece, the genre, and the original date of submission.
By accepting any offer of publication by Clockhouse, the author will grant the magazine first serial rights. Upon publication, rights to the work revert back to the author. The author retains all other rights to the work. Any subsequent publication will note that the work was first published in Clockhouse. Payment for publication in Clockhouse is one contributor’s copy in which the work appears. As appropriate, we may also choose to nominate published work for awards or other recognition.
Planning to submit and have questions about Clockhouse? Please send them to [email protected] Submissions themselves are not accepted at this address.
All of us here at GST like tattoos; we have many. There is something about the process, the pain, the permanency that appeals to us (and many others I’m sure).
For this collection, we would like your stories to do with tattoos or tattooing. Does your main character have them? Are they a tattooist? Is there something about a particular tattoo that is so unusual, special or strange that it just must be written about?
Colp is for everyone and therefore we are willing to read stories that fall into any genre. So, no matter whether your story is a horror, adventure, romance, sci-fi or historical fiction piece, please send it on through. Be original. We also encourage new and unpublished writers to take the leap and get in touch.
Please ensure that you read through the general guidelines below and format your submission accordingly. If you have any specific questions please contact us using the form on the home page or via the listed social media accounts.
To help make sure that your submission gets to the correct place, please include the following in the subject line of your email: Colp – B&G – Story Title.
Deadline: January 15th, 2020
Payment: $10 and a contributor’s copy
unpredictable, fearless, glistening, innovative… GREAT
great weather for MEDIA seeks poetry, flash fiction, short stories, dramatic monologues, and creative nonfiction for our annual print anthology.
Submissions are open from October 15th through January 15th every year. Need a reminder? Sign up to our monthly newsletter.
Our focus is on the edgy, fearless, and experimental but we do not have a set theme for our anthologies. We highly recommend reading one of our previous collections to get a feel for the type of work we are interested in. Our latest anthology isBirds Fall Silent in the Mechanical Sea. We are based in New York City and welcome submissions from both national and international writers.
1-4 poems of any length. If you are submitting more than one poem, include them all in a single document. Do not submit multiple poems in separate files. Single-spaced please, or how it should appear on the printed page. Start each poem on a new page.
1 prose/creative nonfiction piece, 2 if under 500 words. Maximum word count: 2,500.
Multiple submissions (in the same genre) are not accepted and will not be read. Please wait until you receive a response from us before submitting again.
Simultaneous submissions are fine – just notify us with your good news immediately. If you wish to withdraw individual pieces from consideration, click on the title of your submission in Submittable, click on Active, and add a note listing the title(s) to be withdrawn. If you wish to withdraw your entire submission, please use the Withdraw button.
Please don’t send revisions. You can always add a note to your submissions if there is something you need to let us know about.
Payment: One contributor copy, plus $10 for writers based in USA. To help towards shipping costs, international writers receive one copy.
We aim to respond in 1-4 months. If you have not heard from us after five months, please email [email protected]
Copyright: great weather for MEDIA holds first serial rights for material that we publish. The copyright automatically reverts to the author upon publication. All work may be permanently archived online. We ask that great weather for MEDIA be acknowledged in any subsequent publication of the work.
We look forward to reading your work!
Finally, please take a look at our books. Small presses love readers and all support is much appreciated!
FIYAH is a quarterly speculative fiction magazine that features stories by and about Black people of the African Diaspora. This definition is globally inclusive (Black anywhere in the world) and also applies to mixed/biracial and Afro-appended people regardless of gender identity or orientation.
We will be open to unthemed submissions Oct 1 – Dec 31.
We will be open for “Joy” themed submissions Spring 2020.
We accept submissions of short fiction 2,000 – 7,000 words and novelettes up to 15,000 words.
We are looking for brave works of speculative short fiction by authors from the African continent and diaspora that reject regressive ideas of blackness, respectability politics, and stereotype. Please submit your bravest, blackest, most difficult to sell stories to us. We want to read them.
We want stories that are well written, of high quality, and generally easy to read on a screen.
We are open to receiving stories around many themes, but we will immediately reject stories that feature any of the following:
Graphic depictions of rape or sexual assault
Needless brutalization of women and children
Depictions of brutalization or abuse of people with disabilities
Graphic abuse of animals
We only consider unpublished work, and we do not consider reprints (work that has been published in another magazine or on your blog or other social media) or fan fiction.
We do not accept multiple submissions, so please wait until you have heard a response to a submission before submitting again.
We do not accept simultaneous submissions.
Please do not resubmit previously rejected stories in a new submission period. Resubmissions are by editorial solicitation only.
We are only accepting submission from authors from the African diaspora and the African continent because #BlackWritersMatter. This is an intersectional definition of Blackness, and we strongly encourage submissions from women, members of the LGBTQIA community, and members from other underrepresented communities within the African diaspora.
What we want in speculative poetry is verse that struggles, reveals, instructs, comforts, and fights back. We are looking for weird, complex, honest and challenging work with a clear speculative element from Black authors. You can check out this post from our Poetry Editor for more on what we’d like to see in your poetry.
FIYAH opens for one month every summer to acquire cover artists for the following publication year. In keeping with our mission, we prioritize Black creators as the face and content of our magazine.
Beginning with submissions for the 2020 publication year, we are using a simple form to collect submissions for prose and poetry. We understand the use of a form may not be accessible to disabled users. If you require an alternative means of submission for your work, please contact us at team[@]fiyahlitmag.com and we will arrange one for you.
Click here to learn more about how to write a professional cover letter.
Submissions should be submitted in proper short story manuscript format with your name, address, email address, and the story’s total word count on the first page. Click here for an example of proper short story manuscript format.
For poetry, you may submit up to four (4) separate poems, but they must all be in a single document. This is a change from our previous submission guidelines, so please make sure you’re up to date.
Payment + Rights
Our payment schedule is as follows:
Short stories (2,000 – 7,000 words): $150 USD
Novelettes (<15,000 words): $300 USD
Poetry: $50 USD
FIYAH will publish accepted stories in a quarterly ebook magazine format, as well as archiving them on our website. Thus, FIYAH will claim first world electronic rights, nonexclusive archival rights, and nonexclusive anthology rights to your story.
This means that we are buying the rights to publish your story on FIYAH’s website and in electronic issues of our magazine. This also means that you can only publish your story as a reprint after it appears in FIYAH, and it cannot appear anywhere else online or in print prior to submission, or for 180 days after we publish it. After that it can be reprinted online, in a magazine, or in an anthology.
Response time will vary by volume of submissions. You may query after 45 days using email submissions[at]fiyahlitmag.com. Please include the date that you submitted and the title of your story.
Please do not submit the same piece to multiple categories.
Please review your piece carefully before submitting – every time we receive a submission that is withdrawn for resubmittal, it counts towards our overall per-month submittal count. If you notice a small mistake, let us know. Otherwise, please do not attempt to resubmit.
We pay $10/contributor via PayPal.
If we publish your work, wait one calendar year before submitting again.
If we decline your work, please wait until the next submission period to submit again (don’t submit within the same issue’s reading period)
Simultaneous submissions are fine, just keep us in the loop. Withdraw your work (congrats!) or leave us a comment in Submittable.
Previously published work cannot be considered (this include blogs, Facebook, Wattpad, etc).
We retain first serial rights on work we accept and then all rights revert to the author. If the work is reprinted, we ask that Third Point Press be acknowledged as the place of initial publication.
EXPEDITED READING ($5)
If you use the expedited reading option in Submittable for poetry or fiction, we’ll put your work at the very top of our reading pile. You won’t get anything more than that (no preferential treatment, no instant acceptance). Think of it as a way of patting us on the back while satisfying that urge to avoid waiting in line.
FEEDBACK OPTION ($7)
You can also choose the feedback option when submitting. This simply ensures that we will provide our thoughts explaining what we liked, didn’t like, and thought could be improved on in your work.
Send a short story up to 3,500 words or up to 3 flash pieces (each of which should not exceed 1,000 words).
Do not send an excerpt of longer works unless it can absolutely stand on its own.
Submit all of your work in a single file, use clear page breaks between pieces, and clearly identify each title in the title area of Submittable (Title A/Title B/Title C).
Please use a standard font and double space your submission.
What to Submit:
It’s pretty easy to tell you how to format your submissions. What’s tough is trying to convey what we want to see, what makes us say, “this!” We love character-driven stories that possess a strong sense of language, no matter the genre. In considering what makes a story a good fit for us, we look to Roxane Gay and Kelly Link, who’ve both mentioned how a writer’s obsessions not only generate strong story ideas, but are also the source of a writer’s distinct voice. We want to hear yours.
Send up to 5 poems in a standard font.
Submit all of your poems in a single file
Make sure to check your work for errors. This is even more important with poetry. We want your work to look exactly like you mean it to look.