Deadline: April 15th, 2019
- You must be eighteen or older.
- Stories must be the previously unpublished, original work of the submitting author.
- Your story must be written in English, double-spaced in 12pt. Times New Roman font, and submitted by email as a .doc or .docx file attachment, or copied directly into the body of the email to [email protected].
- Your story must be complete, edited, and publication-ready, between 3,000 and 7,000 words.
- Your story must be written (fully or partially) from a cat’s point of view. That is, from a cat’s perspective, using its words or thoughts. The cat does not have to be a principal character, though the cat’s character should impact the plot in a significant manner.
- All genres and time periods will be considered, excluding erotica, but including mainstream literature, romance, science fiction, fantasy, mystery, steampunk (or any “punk” sub-genre), humor, paranormal, or horror. Achieving a variety of genre will be a component in selection.
Note: Plots involving cat familiars and witches are low on our list of preferred stories for the second volume. To be considered, it must be freaking brilliant! Submit at your own risk.
- Most adult language is acceptable, but indiscriminate or extreme usage may affect selection.
- Multiple stories by the same author will be considered but each story must be submitted separately and will be treated contractually as a separate submission.
- Simultaneous submissions are okay, but please notify us immediately if your story has been picked up by another publisher. (This is a generous provision, and failure to advise us that your story is no longer available can jeopardize your future standing as a contributing author.)
- You will be notified of your submission status within sixty days of receipt. If your story is selected, emailed notification will include an attached Publishing Agreement for your review and signature.
The following summarizes the major terms in the agreement, but the summary is not part of the agreement nor intended to replace the necessity to read the agreement in its entirety prior to signing.
Publication: The story will be included in an anthology book titled FROM A CAT’S VIEW VOL. II (or other title to be named) and published in ebook format (and print and/or audio formats at the discretion of the Publisher) to Amazon (Kindle), and may be published to other online retailers, such as Barnes & Noble (Nook), Apple iBook, and Kobo, at the discretion of the Publisher.
Payment: All payments will be made to contributing author by check or Paypal (preferred method) within thirty days of the ebook publication date (or sooner at Publisher’s discretion). Payment shall be in the amount of $25.00 U.S. for each story submission selected by Publisher.
Note: Submissions received from Post-To-Print Publishers existing list of contributing authors, if selected for publication, will be paid $35.00 U.S. However, our selection process is not biased in favor of past contributing authors (regardless how much we cherish each of you).
IMPORTANT: For published pieces, Post-To-Print takes Electronic Publishing Rights and First Print. Note that most publications will not accept work that has been previously published in print, eBook, or on the web. Once your work is published it can only be marketed as a reprint, which severely limits the number of markets that will accept it, and drastically reduces the pay rate it can receive. It is up to you, the author, to decide if publishing your work in print and/or eBook formats and/or on the web, giving up your First Publishing Right for a token payment, is advisable.
Contributing Author Warranties: The contributing author must warrant that s/he owns the copyright for each individual story submitted, and that the submission(s) is the original work and creation of the contributing author and only the contributing author.
Copyright: The Anthology will be copyrighted separate from each individual story, and individual copyright notices for each story will be printed on the appropriate front page of the publication(s) (or other location depending on the publication format).
Author Credit: In addition to the customary copyright notice, each contributing author’s story title, and byline will be listed within the pages of the anthology book in the order of the story’s appearance, and on other pages as appropriate and customary. The presentation order of individual stories will be determined at the discretion of the Publisher.
Author page(s), not to exceed five hundred words, will be allocated at the end of the anthology for each contributing author’s biographical information, referral to his/her website, blog or similar online site and social media accounts, and the promotion of other published works by the contributing author, if any. No advertising or promotion unrelated to the author’s internet presence or published, or soon to be published, works will be allowed.
IMPORTANT: This anthology may contain a story (or stories) written by Post-To-Print’s staff; however, staff submissions will never constitute a majority of stories selected and will be considered as a means to fill the publication if the desired number of stories is nearly met at submission deadline.
Cost of Publication: The Publisher will absorb all costs of production and publication, if any, i.e., costs associated with editing, cover art, and formatting. The Publisher has final say in selecting and approving cover art and cover design.
Personal Information: Each contributing author is required to provide the following personal information to the Publisher upon signing the Publishing Agreement:
- Full legal name and all pen names
- Physical address, including zip code
- Cell and/or home telephone number(s) (and the best times to reach you)
- A list of all URLs/addresses to your personal website(s) and/or blog(s), and social media accounts, including Amazon author pages, Facebook, Flicker, Goodreads, Google+, Instagram, LinkedIn, Meetup, Pinterest, and Twitter—whatever applies.
Please feel free to email me directly if you have questions that aren’t answered above. We look forward to receiving your submission.
Robin Praytor, Managing Editor
Post-To-Print Publishers, LLC
Via: Post To Print.
Deadline: April 30th, 2019.
Payment: 2 cents a word for reprints, 4 cents a word for original work.
This horror anthology, to be edited by Jerry L. Wheeler, seeks stories under 10,000 words that involve one of the traditional tropes of campfire tales and slasher films: the axe murderer. Stories need not focus solely on this antagonist, but all stories must somehow involve this threat or concept. Think Angela Carter’s “The Fall River Axe Murders.” Surprise us by breathing new life into this theme. That said, we anticipate most of the book will be reprints – for which we are offering 2 cents a word. Original work pays 4 cents a word but first query the editor with a synopsis.
Specs? Please submit Word docs only, standard formatting, 12 pt Times Roman to me at [email protected], using the title of the anthology as the subject line. The deadline is April 30th, 2019.
Via: Lethe Press Books.
Deadline: September 2nd, 2019
DEATH’S STING is RBE’s first anthology on immortality.
Quite simply, we want Sword & Sorcery tales about immortals in the vein of Karl Edward Wagner’s Kane, Barry Sadler’s Casca, Steven Erikson’s Rhulad Sengar and Kallor, and Dennis O’Neil’s Rā’s al Ghūl.
Dark tales of those who return from death, victorious over death’s sting — or horrifyingly despite! Do not be writing horror though; think dark and low and gothic fantasies as you devise your S&S tales. Obviously – no matter how many times our protagonists die throughout your stories – they’ll die to live another day . . . and perhaps see another RBE anthology on immortality. RBE is seeking stories for this anthology that most closely deliver the dark sides of S&S more than its potential for humor or lightheartedness.
We will be accepting 13-15 stories, and stories should be 2k-9k words in length. Nothing shorter will be read, and our sweet spot is in the 5k-7k range. Don’t hold back – wow us with good ol’ heroic storytelling!
Submissions will remain open until we find the stories we want or through the end of Labor Day Weekend 2019. Response time on your first 500 words should be less than a week, while response time after we receive your full story should be less than two months. There are always exceptions, but we will strive to keep all informed.
Publication is intended for Christmas 2019. We will publish within months of closing, so depending upon acceptances, DEATH’S STING could appear any time before or after the target. Again, we will keep all informed. Payment of $30 flat per story shall be rendered after publication. Authors will receive electronic copies and permanent discount on print purchases.
Via: Rogue Blades Entertainment Submittable.
Deadline: May 1st, 2019
Payment: $25.00 – $50.00 for fiction, $5.00 – $10.00 for poetry, and $25.00 for nonfiction and a contributor’s copy
To celebrate twenty years of publication, we’re going to revisit the past. There are no new first lines for 2019. Each issue will be comprised of original works based on past first lines.
Were you inspired by the fall 2008 first line (Roy owned the only drive-thru funeral business in Maine.) but didn’t see the sentence until 2015? Or maybe you started writing a story for the spring 2005 issue (Life would be so much easier if I were a cartoon character.) but you never got around to submitting it. Or maybe you sent us a story that just missed the cut and you reworked it and want to try us again. Well, now is your chance to make up for missed opportunities.
The following is the schedule/list of first lines for the 2019 issues (click the season to see the entire list of first lines for each issue):
All submissions must begin with one first line from Volume 6, Issue 1 to Volume 10, Issue 4.
Due date: May 1, 2019
Don’t just resubmit a story we’ve already rejected. We will know. We have every story submitted to us on file and why we rejected it.
Also, we understand that writers may add our first line to a story they are currently working on or have already completed, and that’s cool. But please do not add our first line to a previously published story and submit it to us. We do not accept previously published stories, even if they have been repurposed for our first lines.
However, if you used one of our past first lines for a story that was published in another journal or magazine, write and tell us about it.
Fiction: All stories must be written with the first line provided. The line cannot be altered in any way, unless otherwise noted by the editors. The story should be between 300 and 5,000 words (this is more like a guideline and not a hard-and-fast rule; going over or under the word count won’t get your story tossed from the slush pile).
Poetry: All poems must be written with the first line provided. The sentence can be broken across lines, but the punctuation cannot be altered or dropped. Poem length is up to the poet.
All Submissions: Writers should include a two- to three-sentence biography of themselves that will appear in the magazine should their story run.
Multiple Submissions: We don’t mind if you want to submit multiple stories or poems for the same issue.
Submissions: We prefer you send manuscripts via e-mail to submission (@) thefirstline (dot) com. We accept stories in MS Word or Word Perfect format (we prefer attachments). Please do not send pdf versions of your story or links to Google docs. Make sure you tell us what issue you are submitting to in the email Subject Line. Make sure your name and contact information, as well as your bio, are part of the attachment. Stories also can be sent to The First Line‘s post office box. No manuscripts will be returned without an accompanying SASE with sufficient return postage.
Notification: We don’t make decisions about stories until after each issue closes. We typically send notices out within three to four weeks after the issue’s deadline to everyone who submitted a story. You can also check the home page of the Web site as we will indicate each issue’s production status there.
Payment: We pay on publication: $25.00 – $50.00 for fiction, $5.00 – $10.00 for poetry, and $25.00 for nonfiction (all U.S. dollars). We also send you a copy of the issue in which your piece appears. You’ll receive your money and issue at the same time.
Note to our international writers: Postage cost for sending author copies overseas is becoming outrageous, so we are reducing international author payment by the amount it would cost to send one author copy overseas. However, if you would like to receive an electronic version of the issue (PDF) instead of a hard copy, author payment will not change.
Via: The First Line.
Deadline: April 1st, 2019
Payment: .01 cent/word plus 1 contributor copy
Note: You must be a member to submit, free to join here.
Welcome to the Splatter Club: Beyond the requirement that you are a member of the Splatter Club, there are no limits on what you may submit. Obviously, we want to publish the kind of stories that Splatter Club members enjoy reading and something that will proudly highlight our unique genre of literature to the world but it is non-themed beyond splatterpunk, bizarro, and weird fiction.
As discussed in the Facebook group, this will feature both seasoned authors and you fresh meat writers looking for your first publication. Even though we are combining the previous two anthology calls into one, we will still use the original email.
- Email: [email protected]
- Length: 500 words up to 6K
- Deadline: April 1, 2019
- Multiple Submissions: No
- Simultaneous Submissions: No
- Payment: .01 cent/word plus 1 contributor copy
The submission period runs from Jan.- April 1st 2019 and the reading period will last from April – June 2019 with final decisions being announced by July 1st 2019
Not a Member? Join here for free!
Via: Splatter Club.