Deadline: December 31st, 2024
Payment: 1 cent USD per word
Theme: Eco-horror with a sexy or erotic spin
Note: Only open to BIPOC authors
Z. K. Abraham (she/her) is a writer and psychiatrist. She has been published in Clarkesworld, The Rumpus, Fantasy Magazine, FIYAH Magazine, JMWW, and more. She will be a Royal Literary Fund Reading Round lector for 2024-2025. She is represented by Carleen Geisler at ArtHouse Literary Agency.
Read Abraham’s interview here!
Eco-horror explores the idea of nature becoming the source of terror; in an article for MUBI, Danielle Burgos describes eco-horror as “nature becomes uncanny and maliciously turned against man.” In a Teen Vogue article “Ecosexuals are Queering Environmentalism,” musician Peaches describes Mother Earth as a lover. “Sex-ecologist” Annie Sprinkle amusingly reflects on how “all this wood here is very sensual.” Ecosexuality might include, “masturbating with water pressure, using eco-friendly lubricant, or literally having sex with a tree.”
Nature as setting or character contains so much possibility for the sensual and horrifying. Nature is inherently physical and erotic; we are stripped down to our most grounded, raw selves in nature. We can experience the tactile and sensual when we touch plants, bark, earth, when we smell flowers, when we feel the shift in temperature or moisture in the air. However, nature contains decay as well as growth. Shadows move between distant trees, while legends and folktales come to life in forests and valleys and deserts. In nature’s beauty, there is a sense of power beyond our grasp, an awe-inspiring terror, as well as a delicate intimacy.
With this anthology, we are looking for stories between 1500 to 4000 words (firm) that explore eco-horror with a sexy or erotic spin. Please note that for this call, we will only be considering submissions from BIPOC authors. Additionally, while a portion of the anthology will be from invited contributors, Hedone Books is dedicated to encouraging and elevating new voices in the community. For this reason, we are pledging that at least 70% of the anthology’s total word count come from unsolicited submissions.
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