Category: Call Type

Anthology / Events / Semipro

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Taking Submissions: Enter Here

Submission Window: Marginalized writers from June 1, 2025 to June 15, 2025 and for BIPOC writers from June 1, 2025 to June 22, 2025.
Payment: $0.01 USD per word
Theme: Speculative fiction from marginalized voices that include a door opening (literally or metaphorically) in some manner.

GENRE: Speculative Science Fiction, Fantasy, or Horror

TITLE: Enter Here: An Anthology of Portals

For untold years, the door has been closed. But today, the key turns. The lock clicks. The door opens, and you go through it.

What awaits you on the other side?

ENTER HERE is an anthology of thirteen short stories of speculative fiction from marginalized voices. Breaking into publishing can feel like knocking on a closed door or being turned away from a locked gate. With this anthology, we want to open the doors.

Stories in this collection may fall into any genre of speculative fiction and will span the range from cozy to grimdark, but every piece must include a door opening in some manner. Physical or metaphorical, traditional or unusual—make the doors your own. Send us your lushly written, genre-blending stories that look at portals in unexpected or unusual ways.

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Artwork / Events / Flash / Flat Amount / Magazine / Poetry / Pro

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Taking Submissions: It Was Paradise

Deadline: June 22nd, 2025
Payment: 15 cents per word for fiction and $75 per page for poetry and artwork.
Theme: In a world devastated by catastrophes, we need stories that confront these horrors.
Note: Prioritizing work by people with lived experience of war and conflict.

It’s time to announce the call for submissions to It Was Paradise*, a special issue of Reckoning edited by Sonia Sulaiman and with cover art by Moníca Robles Corzo. In a world devastated by catastrophes, we need stories that confront these horrors. This is all out war on the planet, on life itself. War and conflict are the themes for this volume of Reckoning. Probe into the heart of extinction, genocide, and climate crisis. Expose the exploitation of the earth. Show us how the world could be on the other side. Send us your stories of environmental justice, of violence, imperialism, fascism, and resistance, of destruction, survival, and of triumph.

It Was Paradise is open for submissions now through the summer solstice, June 22, 2025, with tentative release scheduled for October. Payment rate will be 15 cents (US) per word for prose, $75 per page for poetry and art. As always, we’re seeking submissions from Black, Brown, Indigenous, queer, trans, disabled, neurodivergent, imprisoned, impoverished, and otherwise marginalized human beings from everywhere, but in particular for this issue, we will be prioritizing work by people with lived experience of war and conflict. We’ll continue to accept submissions to our communication-themed regular issue, Reckoning X, throughout. Also, during this submission window only, we’re relaxing our usual rule about multiple submissions to allow folks to submit to both calls simultaneously.
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Events / Flat Amount / Non-fiction / Online

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Taking Submissions: Burial Books Is Looking For Horror-Themed Articles For Their Website

Deadline: October 31st, 2025
Payment: $5 and a contributor copy if it goes to print
Theme: Horror and almost all it contains! Details below

What We Want: We are seeking 500 to 2000 word articles to post on our website. You can send one already completed or send us a proposal. The articles should be about something horror related including, but not limited to, such things as a horror movie review or discussion, a horror product or toy review or discussion, any musings on the horror genre you want to discuss or comment on, any nonfiction article related to the horror genre, horror flash fiction or poetry, and anything that would be considered an article in the horror genre that is entertaining. You could write an article on how bad the newest horror movie was. You could write a short history or analysis of an historical event, production, or person in the horror genre. You could write a philosophical analysis of the treatment of children, plants, or hats in horror movies. We’ll even post creepy flash fiction or poetry. You can write almost anything at all as long as it’s got an element of horror and it’s creative and fun. You can send art with the article for posting as well if you have accompanying artwork. All blogs posted on Burial Books website may be compiled into a book annually called The Blogs of Burial Books. So, you must be cool with this.

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Anthology / Events / Flash / Semipro

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Taking Submissions: Tiny Terrors 2025

Deadline: October 31st, 2025
Payment: .02¢ per word
Theme: Tiny Terrors is our short fiction program for when a novel just won’t do. Just a short shocking scream to keep you awake at night …

Tiny Terrors is our short fiction program for when a novel just won’t do. Just a short shocking scream to keep you awake at night …

Graveside Press is again looking for submissions for our Tiny Terrors short fiction program.
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Anthology / Events / Pro

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Taking Submissions: Other: The 2025 fantasy short story anthology

Art by Anwen O’Driscoll

Deadline: August 31st, 2025
Payment: $0.08 CAD per word
Theme: Fantasy short stories

OTHER: the 2025 fantasy short story anthology (Book 2 of the Other Anthology series)

We are seeking short stories by international writers. The story can be visually evocative or character/narrative focused as long as it leaves the reader thinking about the story long after closing the book. We don’t want a lesson, we want an experience that makes us come alive.

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Flash / Flat Amount / Magazine / Ongoing Submissions / Poetry / Semipro

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Ongoing Submissions: Jupiter’s Eye

Payment: Original Stories: $30.00, Reprint Stories: $15.00, Flash Fiction: 1 cent/word, Poems: $5.00, Articles and reviews: $10.00
Theme: Original science fiction stories about the exploration and settlement of other worlds

Jupiter’s Eye is a digest published three times a year, in April, August, and December, in print and digitally. It presents original science fiction stories about the exploration and settlement of other worlds. It also presents one or two original fantasy stories along that same theme. Although it does consider darker sf/f, it
does not present horror. It also presents a few original poems, again consistent with the overall theme.

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Anthology / Events / Flat Amount

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Taking Submissions: Hellbound Highway

Deadline: August 31st, 2025
Payment: $15
Theme: Road trip terror

Are you brave enough to take a ride on the Hellbound Highway? HellBound Books is seeking short horror stories for an anthology on the theme of bad trips, which will be curated and edited by the double-trouble partnership of veteran horror writers Jane Nightshade and Ann O’Mara Heyward. We want road trips, sure, but also airplane journeys, ship crossings, railroad passages, heck even cattle drives–as long as it’s a trip and it’s B-A-D.

What if a family like the Griswolds from National Lampoon’s Vacation were zombies? What if a weary business traveler waits for the red-eye in an airport that is literally a portal to hell? What if the night manager of the local Greyhound bus station was a vampire who feeds off of the poor and desperate? What if a crook on the lam checks into a cheap motel and discovers that the usual cockroaches are mutants with deadly powers? What if someone stopped at a cafe in the middle of nowhere, and slowly realized that they were the special on next day’s menu?

These are the types of scenarios we are looking for, so let your creepiest imaginings run wild. Scary horror, psychological horror, or comedy horror are all welcome–it just has to be GOOD.

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Flash / Flat Amount / Magazine / Ongoing Submissions / Royalties

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Ongoing Submissions: Incensepunk Magazine

Payment: $100 and royalties of the profits from the magazine
Theme: High tech, high church. A literary magazine on the intersection of faith and sci-fi.

Length: About 4,000 to 6,000 words

Pay: $100, plus lifetime “paid” subscription to Incensepunk Magazine. Stories included in annual anthology also receive pro-rata share of 50% of profits (each story’s author receiving a share from that 50% proportioned by the length of their contribution to the total length of the book) and a print copy of the anthology. See the sample contract for details.

Rights: First digital print plus one-time non-exclusive digital and print rights for the annual anthology.

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