Deadline: October 31st, 2017
Payment: 10 USD per story
Stitched Smile Publications in collaboration with Paul Mcvay present:
Drive-in of the Damned: Black and White
We are looking for 13 original stories (reprints will be considered on a case by case scenario)
Word Count: 7500 word max
Deadline: October 31st 2017
Anticipated Release: Summer of 2018 (Drive-in Season!)
Compensation: 10 USD per story, multiple submissions allowed (one at a time), but only one story will be chosen per author.
Submissions: We accept word documents only. Once you have submitted, please be patient. Acceptance letters will be sent within 90 days *after* the deadline. Send all submissions via form at www.stitchedsmilepublications.com (click “submissions) and be *sure* to include DRIVE-IN OF THE DAMNED for clarification! Or Email directly to: [email protected]
The sky was dark driving up the road to the drive-in. Headlights from other cars cut across your vision as you pull up to the ticket booth. With the window down, the warmth of the air was reprieved by the passing of a single breeze. The operator was nothing more than a silhouette in front of the flickering bulb behind him. He reaches out a thin, bony hand with his palm up and you place your money in the center of it. When he curls his fingers inward, you notice that they are unnaturally cold in comparison to the temperature.
Leaning forward, he gives you a wide grin and you can see the highways of deep lines through his wrinkled skin.
“Right this way,” he says, swinging his arm out.
He directs you to the one of the many paths that leads down into the quarry where countless screens form a circle at the bottom of the quarry. You pass the big sign with giant letters that announce your arrival to … “The Drive-in of the Damned”.
(Each story centers around a person, or persons present in the vehicle. The quarry is at the entrance of another dimension; a place of limbo between heaven and hell. Those that arrive are unaware of this, though, but will soon realize it when the story played on their screen reveals the events leading up to their death.)
• do tell a well thought out story centered around the theme and time-period which is any time prior to 1970.
• do be conscious of vernacular used in the year/time you are writing in.
• do send in a well-edited draft and include on the title page, author name, address, phone number, email and TITLE of the story. If you use a pen name, please make that clear as well.
• do have fun! Stories can include monsters, aliens, demons, supernatural, etc.
• Nothing modern will be accepted: no modern technology, terms, clothing, etc.
Via: Stiched Smile Publications.
Deadline: July 21st, 2017
Payment: $5 per 1,000 words
Franklin/Kerr Press is looking for exceptional horror short stories with post-apocalyptic and dystopian themes or settings for our upcoming horror anthology Down with the Fallen. Stories can cover a wide variety of horror sub-genre′s such as sci-fi, splatter, psychological, suspense and the weird as long as they have a substantial dystopian or post-apocalyptic element. We will not accept works with erotic or extreme sexually explicit elements. We will choose eight to ten stories to include in the anthology from author submissions to be published in both print and e-book formats.
All stories should be edited and as free of error as possible prior to submission. Each story can range from 2,000 to 8,000 words, however, longer stories will be considered.
Accepted works will grant Franklin/Kerr Press first exclusive English-language rights for one year and non-exclusive English-language rights for the life of the anthology in digital and print formats. The author of each short story will retain the copyright to their respective work.
Payment per Story
$5 per 1,000 words
Each author will also receive one copy of the published anthology in print and be entitled to an author discount on additional copies.
Simultaneous & Multiple Submissions
No simultaneous submissions will be accepted. Multiple submissions from the same author will be considered but please note that only one story per author will be accepted to allow for greater variety and diversity. Previously unpublished stories only, no reprints unless requested.
July 21, 2017 at Midnight EST or until all slots have been filled.
How to Submit
Send your full manuscript along with a query letter and brief bio to [email protected] in a .DOC or .DOCX format with a subject line of “DWTF Anthology Submission / Your Name,” i.e. “DWTF Anthology Submission / John Doe.” Submissions should be formatted according to the Shunn Short Story Manuscript Formatting Guide here. We will send out acceptance notifications a few weeks after the submission deadline.
Via: Franklin Kerr.
Deadline: July 1st, 2017
Payment: $25-$200 depending on length and three free copies.
Note: Texas writers only
I attended a meetup today and got information on an open call for Texas-based writers (either born here or living here) for Road Kill: Texas Horror from Texas Writers, Vol. 2. They are eager to hear from authors who have been traditionally marginalized, excluded, or unrepresented because Texas has many voices and it’s important to include everyone.
Here are the details straight from the Editor’s hand.
Hello, E.R. Bills and Bret McCormick here. We are the editors of the upcoming horror title, Road Kill: Texas Horror by Texas Writers, from Eakin Press. Due to the success of the anthology, we are accepting stories for Road Kill Vol. 2. We are looking for original horror stories, 1,500–10,000 words, give or take. If we receive a 14,00-word story that knocks our socks off, we will consider it. And the same for an 800-word yarn. We prefer not to receive stories that have already appeared elsewhere.
Submissions should be sent to ba.mccormick (at) yahoo.com.
The primary objective of Road Kill is to promote new, up-and-coming horror writers in Texas, but the collection will include some works from established wordsmiths. The stories must be written and submitted by Texas authors and they must take place in Texas—hence the title. No one will be making a fortune, but we will be paying one-time fees (based on word count) and if the anthology sells over 5,000 copies, royalty percentages—1% per writer—will kick in. Every writer will receive three free copies and every contributing writer will receive 50% discounted wholesale pricing on any copies of the book that he or she purchases to carry and sell on their own.
The scale for writer stipends will look something like this:
10,000 words – $200
7,500 words – $150
5,000 words – $100
2,500 words – $50.00
1,500 words – $25.00
All payments will be made upon official acceptance and when acceptance is communicated, each author will need to supply a short bio.
We will be requesting one-year non-exclusive rights. This means we will use your story in this anthology and we can print excerpts of it online and otherwise (for promotional purposes, etc.), but you can still sell it a year down the road to someone else, we simple request that you note in later publications that it appeared here first. Authors retain all TV and/or film rights—you own them outright—but, again, we request that the writer of any story that receives TV or film treatment note that the story appeared in Road Kill Vol. 2.
The deadline to turn in stories is July 1, 2017, and our intent is to have the book printed and available by October 1, 2017, in plenty of time for Halloween. eakin Press will be promoting Road Kill Vol. 2 and my co-editor, Bret McCormick, and I will be submitting it for review to local, state and national media outlets. We will also be setting up signings and appearances around the state for the authors themselves to promote the book.
If your work is chosen to appear in this collection of Texas horror, you will join a talented group of upcoming and accomplished authors and expand your reach in the competitive field we are all trying to excel in. Hope to see your work soon!
Bills and McCormick.
P.S., Your submission does not have to be double-spaced. Thanks!
Via: Pulled It Outta My Ass.
Deadline: June 13th, 2017
Payment: $15 and contributor’s copy
Theme: Death is permanent. This is the falsehood that we tell ourselves so that we can sleep at night. It’s the lie that we tell our children so they don’t carry their little kitten’s corpse to the old cemetery deep in the forest, in the grove where nothing living grows. It’s the myth that we wrap ourselves in so we can ignore the gut-wrenching terror of what really comes after all this rigmarole.
If the afterlife’s so great, why do the dead keep getting up?
The Misbehaving Dead is an anthology about rebels–the dead that won’t stay down. Maybe their business isn’t finished, or maybe Hell spat them back out, but no matter how strong the grave, they just refuse to stay in it. These are the misfits of biology, abominations that aren’t alive but don’t care. They’ll get shit done anyway. They’ll get what they want.
Simultaneous Submissions: Sure, but please let us know that it’s a simultaneous submission and tell us immediately if it was accepted somewhere else.
Multiple Submissions: Yes
Reprints: Yes, but let us know where it has been previously printed and make sure you have the rights to have it reprinted.
Word Count: Up to 10k words.
Formatting: This is a very good guide if you have any questions. You can’t really go wrong with it. But, if you don’t feel like reading that, here’s the down and dirty of it.
- Italicize italics. Do not underline
- Don’t use spaces to lead paragraphs. Use tab or, even better, the formatting options to get the indent.
- For scene breaks, use either “#” or “***”.
- Use an easy to read font, like Arial or Times New Roman in a reasonable size (about 12 point).
- Double space your work.
Please make sure to include a synopsis of the piece in your cover letter. If you’re not sure how to do that, here’s a good collection of articles to learn from. Yes, even it’s poetry or flash. Just a quick line or two helps us out a lot.
Aside from that, just be yourself. Tell us anything you think we should know about you or your work. What inspired you to write this? How did you find us? What’s your favorite part about this work? Who inspires you?
Once you’ve done all that, go ahead and click this button:
Via: A Murder of Storytellers.
Deadline: June 30th, 2017
Payment: 8 cents per word
With Ride the Star Wind in the editing phase, we are now open to submissions for our next anthology: Welcome to Miskatonic University, an anthology of modern-day weird tales set in good ol’ MU.
Miskatonic University is still going strong in the Arkham Valley (and in various satellite campuses and research stations around the world). Resilient and forward thinking, few institutions can weather the times and adapt like good ol’ MU. It’s a strange brew of conservatively reaching into the past while progressively marching forward. And it’s a hotbed for the weird and the wonderful!
So what might a modern MU look like? What might student life be like today? These tales combine college life and the cosmic weird. Of course, there’s beer, sex, and parties; study groups and all-night cramming; campus activism and impassioned discourse; vital research and faculty struggling for tenure. But also, you know, gruesome and psychedelic cosmic weirdness.
What avenues of study has the university sanctioned either publicly or privately? Where are they getting so much funding? The university’s been around the block and are at the bleeding edge of certain realms of research. Occult studies have seeped, seemingly innocuously, into various branches of nearly all academic departments and inform everything from quantum physics to computer science, sociology to modern American literature. Library studies is hands down the best, most advanced in the world, likely one of the most well funded of sectors at the institution with ever-evolving safeguards and best practices.
But there’s bound to be lingering effects from all the occult activity, like “sensitive” people and locations with breaches to the “other side.” People disappear all the time; sometimes they even come back. Entire wings are off limits to humans indefinitely. As a whole, this anthology is about the angst and drama of college life, the promise of big occult ideas, and the terror and dread (and headfirst exploration) of the unknown, of the forbidden. And some dark humor would not be misplaced.
We want diverse stories with modern sensibilities from many different voices that show the immense and diverging possibilities ahead for the weird. We want to forge ahead and explore the new and the strange. We are actively seeking submissions from writers from underrepresented populations. (This includes, but is not limited to, writers of any race, gender, sexual orientation, religion, nationality, class, and physical or mental ability.)
- We want weird fiction set in a modern-day Miskatonic University. Stories should be set within or be inspired by the Cthulhu Mythos. We want to see the Mythos continue to grow and evolve, to expand as a shared literary world and not be tied to outdated and limiting sensibilities. We are not interested in stories with bigoted views on race and gender.
- Subversive or experimental stories are welcome.
- No pastiches of previous eras.
- Original, previously unpublished short stories (3,000-6,000 words) and flash fiction (1,000 words or less).
- Pay rate of 8 c/w for first rights to digital, audio, and print formats in English.
- Simultaneous submissions are welcome, but please, let us know as soon as possible if your submission has become unavailable before you hear back from us.
- Only one submission per author.
- We seek both rich characters and grandiose ideas. We seek diverse characters.
Submit your story in standard manuscript format as an attachment to submissions(at)brokeneyebooks(dot)com with a subject line of the following: [WTMU] “Your Story Title”.
Submission window open from April 1, 2017 to June 30, 2017. (We are working on streamlining our review process. We will start reading submissions in May after making headway into Ride the Star Wind edits. We cannot confirm receipt of your manuscript.) The published anthology will be a mix of stories both from invited authors and from slush pile submissions. Don’t self-reject. If in doubt, submit.
- We’re trying to present a living, breathing setting for MU. There’s no requirement or even request for any coordination of story details. We just ask that you avoid the more world-ending (or even university-ending) plots. Sure, people will die, just as new faculty is hired and new students fill empty seats. Buildings will crumble or disappear into wormholes, but there is always new construction. Monsters will come and go, sometimes with fanfare and sometimes not; some even stick around as lab specimens, secret pets, lazing in the sewers, or disguised as faculty. But above all, Miskatonic University persists.
- For this anthology, Miskatonic University is assumed to be a fully modern, multicultural hotbed of cutting edge occult and technological research. In this modern incarnation, we’re assuming that it has fully embraced modern technology and norms and has both a faculty and student body thriving with personalities from all walks of life (no matter race, religion, gender, or anything [so it’s not just a bunch of white dudes])–and it’s been that way for at least decades. Of course, the institution will have its secrets and likely everyone there has their own agendas as well. So while there could certainly be your occasional reactionary character pining for the “old days,” those characters are not the norm. Hope that helps!
Content & Style
- Rape: Avoid rape, especially that intended only to demonize villains or raise heroes to action. Avoid rape victims serving only as plot devices. And on the instances when rape is vital to a story, we need to see the victim’s reactions, their journey after, the consequences. We prefer characters to have agency, not just be plot points and set pieces. If those considerations are unattainable in the writing, no rape. Also, no bestiality or child abuse.
- Sex: Sex between consenting adults is perfectly welcome, regardless of gender, including with aliens and monsters. It doesn’t need to be tasteful, just consensual (though we’re not currently shopping for stories that are solely erotica). Incest, however, should be treated with the same considerations as rape (see above).
- Hate: Vile, hate-filled (such as racist or sexist) characters/speech, that which could promote such hate, should not be reflective of the entire work. Any such characters should not be portrayed as narrators; such speech should not be adopted by the narrator. Such topics would be of interest to us if well navigated, as in LaValle’s The Ballad of Black Tom.
- Style & Theme: We are happy to consider subversive themes, marginalized voices, and experimental styles.
- Editorial: We will edit your work in collaboration with you and “in broad daylight” in accordance withChicago Manual of Style and our experience. We are always open to discussion.
- Current Tropes to Avoid: Forced Motherhood; Chosen One.
Via: Broken Eye Books.
Deadline: September 1st, 2017
Independent Legions Publishing is seeking original horror stories in English for the new anthology THE BEAUTY OF DEATH 2 – DEATH BY WATER, edited by Alessandro Manzetti and Jodi Renée Lester, to be published October 2017 in print and digital editions.
We’re looking for stories that fit the theme: Death by Water. All types of horror are welcome. Sex or violence in a story should be artistically justified; no excessive gore. No stories about child abuse of any kind. We welcome all subgenres and forms of speculative fiction.
Word Count: We are open to stories of 4000-5000 words.
Deadline: September 1, 2017
Pay Rate: We pay (via PayPal) $100 for each original story.
We buy first exclusive English-language rights for three years.
We do not accept multiple or simultaneous submissions, nor do we accept unsolicited reprints.
Submissions should follow standard manuscript format (12 pt Times New Roman or Courier fonts, 1” margins all around, line spacing 1½ or 2 spaces). It must be in .doc or .docx format or it will not be considered. Your name and contact information must be at the top of the first page of the story. Page numbers with author’s last name and/or partial story name on subsequent pages would be appreciated.
Cover letter is optional, but if you do include one, please add a short bio (up to 200 words).
Response time is currently within four weeks. After that, if you haven’t heard from us, please query. We will not be sending confirmations of receipt.
To submit a story, go to our story submission form below. To submit your story via email, put “SUBMISSION – TBOD2” in the subject line and send to: [email protected]
Via: Independent Legions.