Indie Bookshelf Releases 06/04/21
Click on the book covers for more information. Remember to scroll down to the bottom of the page – there’s all sorts lurking in the deep.
Got a book to launch, an event to promote or seeking extra work/support as a result of being hit economically by Covid? Get in touch and we’ll promote you here. The post is prepared each Thursday for publication on Friday. Contact us via Horror Tree’s contact address or connect via Twitter or Facebook.
Editing – Elle Turpitt, elleturpittediting.com, is facing redundancy. Help her by considering her as an editor. She is available for all editing work – short story, novella, novel, or chapter extracts. She also has a Ko-Fi (ko-fi.com/elleturpitt), or if you’d rather send a little gift to help her smile at a stressful time, she has a wishlist set up for this month (amazon.co.uk/hz/wishlist/ls). All support is appreciated.
Please send us details of any online panels, conventions, festivals and workshops and we’ll list them here. Click the images for details!
Latest Book Launches
Horror Tree Sponsor* and Patreon Releases!
on behalf of Stuart and the Horror Tree Team
- About the Author
- Latest Posts
Stephanie Ellis writes dark speculative prose and poetry and has been published in a variety of magazines and anthologies. Her longer work includes the folk horror novels, The Five Turns of the Wheel and Reborn, and the novellas, Bottled and Paused. Her novel, The Woodcutter, is due for release via Brigids Gate Press in 2023. Her dark poetry has been published in her collections Lilith Rising (co-authored with Shane Douglas Keene), Foundlings (co-authored with Cindy O’Quinn) and Metallurgy, as well as the HWA Poetry Showcase Volumes VI, VII, VIII, and IX and Black Spot Books Under Her Skin. She can be found supporting indie authors at HorrorTree.com via the weekly Indie Bookshelf Releases. She is an active member of the HWA and can be found at https://stephanieellis.org, on Twitter at @el_stevie, Instagram stephanieellis7963 and also somewhere on Facebook.