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Unholy Trinity: Murder She (W)Rote by Nic Tusa

Our church worships at the altar of the Unholy Trinity. Its gospels are delivered as a trio of dark drabbles, linked so that Three become One. All hail the power of the Three.

 

Murder, She (W)Rote. Season 1, Episode 1: Honey, It’s Considered Manslaughter if It Isn’t Planned (And No One Knows I Sharpened the Knife)

 

He hadn’t hidden it well; always shit with details. 

Hell, he still thought her eyes were brown.

 

Men are more likely to be stabbed on weekends.

Because they’re home annoying their wives.

 

Veronica toed off her shoes, crossing the dark house to their bedroom.

 

Fun fact: men usually stab underhanded into the stomach, but because women are more tricep-dominant, they tend to stab downward.

 

Her fingertips ached— manicured nails extending into imperfect talons.

 

Plenty of muscle mommies out there will prove you wrong!

More like muscle monsters!

 

Ten precise four-inch substernal wounds were the fastest way to a man’s heart.

 

 

Murder, She (W)Rote. Season 1, Episode 2: I’ve Got the Arsenic for That Tea (Sipping on Secrets, Choking on Confidences)

 

Trapped between the wall and his arms, Christina’s skin crawled like a thousand writhing snakes. 

 

Women kill differently from men.

I expected nothing less.

 

Her fangs had dropped during puberty. Clandestine bumps on the roof of her mouth. If she opened her mouth wide, they mobilized, sharp and deadly as a viper’s.

 

We are more subtle and patient.

Out here, dosing hubby’s morning coffee with a little poison, like “today’s the day!”

 

He leaned into her neck so she did the same, sinking her teeth into his vulnerable skin.

Two pinpricks of blood against her tongue as the venom sang.

 

 

Murder, She (W)Rote. Season 1, Episode 3: Darling, This Embrace is a Chokehold for Your Neck (And I’m Waiting For Your Final Breath)

 

A lot of women will try to make it look like an accident. 

When Shelby capsized their kayak two klicks from shore, Miranda laughed. Shelby was a strong swimmer but Miranda was the water. It would have been easier to break up.

 

So like…

Asphyxiation and strangulation.

 

Bobbing in the sea, small waves caressed her gills. Her legs had fused; scales sprouted to protect her from the cold.

 

You mean like drowning their kids in the bathtub?

Or smothering them with pillows.

That’s awful.

 

In one powerful kick, Miranda closed the distance, wrapping webbed fingers around Shelby’s ankle. 

She dove.

 

Nic Tusa

Nic Tusa spent almost a decade as a NYC paramedic and writes speculative fiction that blends the gritty chaos of reality with the strict rules of magic. She enjoys a good slice of pizza, running, and the emo music of the early aughts. Her short story An Animal Within? was recently included in BDA Publishing’s Your Body, My Rage anthology.

Taking Submissions: Neurodiversity and the More-Than-Human

Deadline: August 31st, 2025
Payment: $50 AUD
Theme: Neurodiversity and the More-Than-Human

Our second anthology will gather a wide range of creative responses on the theme of Neurodiversity and the More-Than-Human.

We want to foster neurodivergent situated knowledge that is not limited to the traditional academic essay: engage in autotheory, autoethnography, creative essay, poetry, short story, speculative sci-fi, visual art, and more.

While the close bond between neurodivergent humans and other living beings are often put forward, little thematic focus has been placed on the intersection of neurodiversity and the more-than-human in academic and creative writing. This anthology seeks to fill this gap and foster a more-than-human turn in neurodiversity with an emphasis on creative responses.

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Taking Submissions: It Takes a Village

Deadline: June 1st, 2025
Payment: $5 for poetry sets (up to 5 pages), $10 for flash fiction (up to 1000 words), $25 for fiction stories up to 5000 words, +$2/1000 words for over 5000 for fictions stories up to 10,000 words
Theme: Canadian authors telling stories about community: finding it, building it, maintaining it, being expelled from it. SF and F are called out as acceptable, no word on H so probably a hard sell

This anthology’s theme is “It Takes a Village” – I’m looking for stories about community: finding it, building it, maintaining it, being expelled from it. How do we build our villages as adults? How do we grow connections with those around us? What do we do when we’ve lost them? We’ve heard the phrase “It takes a village to raise a child” but also “The child who is not embraced by the village will burn it down to feel its warmth.” How do we tackle these emotions as adults?

As this is a bit trickier of an anthology theme than the last one, the reading period is going to be much longer, and the final evolution of the anthology’s theme will come from what the overarching theme and tone from the submitted and accepted pieces create.
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Weathering the Maddening Winds in the Alps

Weathering the Maddening Winds in the Alps

 

Location: Balzers, Liechtenstein and various villages at the foot of the Alps

For fans of: Ecological horror and psychological thrillers

To read: “The Wind” by Ray Bradbury (1943)

 

On various days from the middle of March to the end of April, the Foehn wind roars down the lee side of the Alps at up to 130 km (80 miles) per hour, bringing all manners of malady upon the northern border of Italy, some southern parts of France, Switzerland, Germany, Austria, and Slovenia, and the entirety of Liechtenstein – from headaches and breathlessness to suicides and hauntings. This month, I will highlight the darker forces that some believe to be at work through the Foehn, or, the Snow Eater, as the locals call it, and encourage you to read Ray Bradbury’s classic short horror story “The Wind” as you tour the Alpine villages of Liechtenstein for yourself. Bradbury’s work tells the story of a stormchaser in 1940s America who believes the winds he has encountered over the years have, finally, come together on his doorstep seeking revenge. I would have recommended something longer (such as JG Ballard’s sci-fi novel The Wind From Nowhere, for example); however, given that dizziness, fatigue, and complete psychosis are common symptoms of the Snow Eater, anything novel-length may admittedly be hard to get through out here. 

The Snow Eater and its kin winds, in fact, appear often in classic literature from all over Europe. Voltaire wrote about the Foehn’s effects in France. Edmund Spenser and Shakespeare both refer to England’s similarly-behaved Helm Wind; the former describing it as “bitter, black, and blustering” and the latter accusing it of causing “gout, the falling evil, the itch, and the ague.” Gabriel Garcia Marquez describes the Tramontana winds of Italy as “harsh, tenacious land wind that carries in it the seeds of madness” which “blows without pause, without relief, with an intensity and cruelty that seemed supernatural.”  

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Taking Submissions: HamLit Issue #9

Deadline: May 15th, 2025
Payment: $5
Theme: Flood Memory
Note: Must live in: Washington, Oregon, Idaho, or British Columbia

The theme for our Monsoon Issue is Flood Memory. Our original inspiration comes from a river that is straightened for the ease of those who live around it. When the river floods, however, it reclaims its original pattern. The water remembers. What else is water trying to tell us these days? What memories rush forward when the dam can no longer hold? Most importantly, how will you bend and mold and reclaim this theme for your own?

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Ongoing Submissions: Memento Mori Ink Magazine

Payment: Feature Articles (200 words): $20, Essays (300 words): $40, Reviews (Anything but book reviews) (100-200 words): $30, Columns/Op-Eds (500 words max): $35-$40
Themes: Non-fiction – Mortality and Death, Gothic Culture, Dark Aesthetics, True Crime, Psychological Exploration

THINK YOU HAVE WHAT IT TAKES?

HOW TO SUBMIT

ANYTHING NOT SUBMITTED PROPERLY WILL NOT BE READ. IT IS YOUR RESPONSIBILITY TO READ THESE REQUIREMENTS THOROUGHLY.

What We’re Looking For:

Memento Mori Ink Magazine seeks thought-provoking, non-fictional articles that explore the darker aspects of life, death, culture, and the human experience. We are particularly interested in pieces that delve into:

  • Mortality and Death: Essays that examine cultural, philosophical, or personal perspectives on death and the rituals surrounding it.
  • Gothic Culture:Analysis of gothic literature, art, fashion, and the lifestyle that embraces the macabre.
  • Dark Aesthetics: Articles exploring the beauty and significance of dark aesthetics in various forms of media, including art, film, and music.
  • True Crime: In-depth, well-researched articles on historical or contemporary true crime stories, with a focus on lesser-known cases.
  • Psychological Exploration:** Essays that analyze the darker side of the human psyche, such as fear, grief, or the allure of the unknown.

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Writing Prompt Wednesdays: The Diary

Writing Prompt Wednesdays: The Diary

Welcome to “Writing Prompt Wednesdays,” a haven where your imagination can roam free in the realms of speculative fiction. As we embark on this weekly journey, it’s thrilling to think about the untold stories waiting to be penned in the domains of horror, science fiction, and fantasy. Whether you’re a seasoned author or a budding wordsmith, these prompts are your gateway to unexplored worlds and untapped potentials.

Every Wednesday, we’ll serve up a fresh, thought-provoking prompt designed to ignite your creative spark and challenge your storytelling prowess. Think of these prompts as a key, unlocking the doors to uncharted territories where your creativity is the only limit. From eerie, shadow-laden corridors of Gothic horror to the farthest reaches of interstellar space, and the mystical depths of high fantasy, our prompts are a kaleidoscope of possibilities.

Remember, there’s no right or wrong way to approach these prompts. They are mere stepping stones, guiding you towards the vast landscapes of your imagination. Use them to break free from writer’s block, to experiment with new ideas, or simply as a fun exercise to keep your writing skills sharp.

This week’s writing prompt:

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Taking Submissions: Bizarro Circus of Madness

Deadline: June 30th, 2025
Payment: $100
Theme: Bizarro

Do you write odd misfit stories that no publisher ever wants to touch? You’re in luck—the Bizarro Circus of Madness is in town!

I am seeking bizarro stories in the range of 2,000 to 5,000 words and will pay 100 dollars plus a contributor’s copy for each accepted work. What is bizarro? Simply put, it’s the genre of really weird stuff. Matt Clarke, publisher at Planet Bizarro Press, describes it this way: Think of the weirdest thing you’ve ever read, then times that by potato. Bizarro can be comedy, it can be horror, it can be romance—there’s really nothing it can’t be, as long as it’s bizarre.

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