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Deadline: November 30th, 2018 Payment: $10/contributor via PayPal. Note: While they do have pay submissions options, generall submissions ARE free which is why this is being included. 2018 Submission Periods All submissions through Submittable. February 1 – April 30 (issue 10 published in May) June 1 – July 31 (issue 11 published in September) NOTE: Submission period closed early due to volume. September 1 – November 30 (issue 12 published in December)   Important Information Read our past issues to see what we like. Please do not submit the same piece to multiple categories. Please review your piece carefully before submitting – every time we receive a submission that is withdrawn for resubmittal, it counts towards our overall per-month submittal count. If you notice a small mistake, let us know. Otherwise, please do not attempt to resubmit. We pay $10/contributor via PayPal. If we publish your work, wait one calendar year before submitting again. If we decline your work, please wait until the next submission period to submit again (don’t submit within the same issue’s reading period) Simultaneous submissions are fine, just keep us in the loop. Withdraw your work (congrats!) or leave us a comment in Submittable. Previously published work cannot be considered (this include blogs, Facebook, Wattpad, etc). We retain first serial rights on work we accept and then all rights revert to the author. If the work is reprinted, we ask that Third Point Press be acknowledged as the place of initial publication. Expedited Reading ($5) If you use the expedited reading option in Submittable for poetry or fiction, we’ll put your work at the very top of our reading pile. You won’t get anything more than that (no preferential treatment, no instant acceptance). Think of it as a way of patting us on the back while...

Deadline: November 30th, 2018 Payment: $10 In anthropological terms, liminality is the midpoint of a ritual: the threshold where a person is no longer quite who they were, not yet who they might become. In between masks, what face might you have? What might you be in transit? Where will you go? Everything is possible in that moment; change is its own goal. Liminality is the space between. Liminality is an online quarterly magazine of speculative poetry edited by Shira Lipkin and Mattie Joiner. We are very pleased to meet you. We’re looking for speculative literary poems that touch the heart as much as the head; poems of the liminal, the fluid, and the fantastic. We’d love to see work that shifts shape, refuses to be to be easily pinned down or categorised. We actively welcome diversity; we want to hear new as well as established voices. Tell us tales we thought we knew, the way only you can tell them. Give us new myths. Liminality pays $10 per poem, for first worldwide publication rights and non-exclusive anthology rights. We will be open: April 1 – May 31 July 1 – August 31 October 1 – November 30 To submit, send up to three poems to liminalitypoetry AT gmail.com with the subject line “SUBMISSION – ”. Please include your poems in the body of the e-mail; if you have formatting that makes that untenable, you may attach the poem as an .rtf. You may send up to five poems per reading period. We do not accept reprints or simultaneous submissions. (If the poem has been publicly viewable online, yes, it would be a reprint.) “Dear Editors”, “Dear Mattie and Shira”, and “Dear Shira and Mattie” are all fine as forms of address. Via: Liminality.

Deadline: November 30th, 2018 Payment: $20 USD and a contributor's copy Hell hath no fury as a woman scorned Give me your scorned women–jilted brides, protective mothers, vengeful servants. As long as the ghost doing the haunting is female, it’s fair game. She can be trying to keep her husband from finding love again, she could be protecting her children, she could be out to ruin someone’s life in retaliation for a long-standing done-her-wrong. Why is she doomed to remain among the living? What’s her unfinished business? That ghost has a story and I want to know what it is and what she’s doing about it. But wait, there’s more. It’s gotta be a romance. Are the ghost-hunters trying to suppress a burning attraction? Is a grieving husband falling for someone new? All I ask is that there’s no banging corpses or ghosts. (What fun would either of those be?) The details: Stories 4,000 words or more Reprints accepted but not preferred. When submitting a reprint include information about its original publication in your submission email. Open to all gender pairings and multiple partners Contemporary setting preferred, but not required. Simultaneous & multiple submissions = No Payment: $20 USD and a paperback copy of the anthology in exchange for the non-exclusive right to include the story in both the print and electronic versions of the anthology. Open Submission Period: September 1, 2018 – November 30, 2018 To submit: Please submit a .doc or .rtf in something approximating standard manuscript format to [email protected] Please note: It may be several days between submitting and receiving a confirmation email because the editor is sending them manually rather than automating the process. About the Editor: Trysh Thompson has written just about every form of non-fiction you can think of–everything from news, movie reviews, magazine...

Deadline: November 30th, 2018 Payment: $15.00 What We Want – Fiction SUBMISSIONS ARE CURRENTLY OPEN FROM NOVEMBER 1, 2018 to NOVEMBER 30, 2018! BROADSWORDS AND BLASTERS is looking for quality submissions in the pulp magazine tradition. What does that mean? We want your tales of: sword and sorcery; westerns (Weird or otherwise); horror (Cosmic, Southern Gothic, visceral, and psychological); detective tales; two-fisted action; retro science fiction. Tales should feature strong characters and visceral action. No navel-gazing. Despite having great action, detailed settings, and iconic characters, much of old-school pulp is unfortunately emblematic of limited cultural ideals that we have no interest in propagating. As such, we encourage diverse characters and welcome stories that subvert the standard pulp formula. We prefer clear descriptions. While we appreciate poetic prose, the reader has to be able to understand what is happening. For rating guidelines (language, descriptions) we are looking at a hard R-rating as the maximum we will publish. That is to say, we don’t shy away from cursing, gore, or sex, but such content needs to serve the story, not be there for the sake of being there. Word count: Submissions must be between 2,000 to 5,000 words. Anything outside these limits will be rejected. Please submit stories in either .rtf, .doc, or .docx. Please use standard submission format. http://www.shunn.net/format/story.html We do not accept reprints. We do not accept multiple submissions. Please submit only one story at a time. We do accept simultaneous submissions, but please tell us in the body of the email that you are submitting to more than one publication. If the story is accepted elsewhere, please let us know as soon as possible. Payment and terms We pay a flat $15.00 per story upon publication. All payments will be made through paypal. All published contributors will receive a...

Deadline: November 30th, 2018 Payment: $10 usd EconoClash Review (Quality Cheap Thrills) is a biannual print journal of Genre Fiction. We accept only the best contemporary pulp submissions. Which includes quality Crime, Noir, Fantasy, Horror, Sci-Fi, Weird, Humor and Other Words for Uplifting Gormandizers. EconoClash Review believes in free speech and wants to provide our readers with a much needed escape into other worlds. We like stories about Weirdos, Criminals and Pregnant Prom Queens going to great lengths to destroy or keep the status quo. HOWEVER, we don't want erotica, or adult, or torture between characters of any age, race, species both real or fictional. Nothing gratuitous. Avoid the tropes best you can. Just because we want GENRE doesn't mean we want STALE. Above all else--EconoClash Review wants fiction full of energy that feels real. We encourage our writers to submit short fiction between 1,500 and 4,500 words. That word limit is FIRM and STRICTLY ENFORCED. SUBMISSIONS will OPEN November 1st through November 30th. Any manuscripts sent outside the open submission window will be deleted unread. Follow us on Twitter @econoclashrevue for updates. EconoClash Review claims the following publishing rights: First English Language Rights, English Language Periodical Rights, World Periodical Rights, First Audio Distribution Rights, Subsidiary Rights and Electronic Distribution Rights. All Rights revert back to the writer six months after initial publication. Should EconoClash Review choose to create an anthology of previously published work, new rights will be negotiated. Bear in mind that most publications will not publish pieces that have been published in print, eBook, or on the web, so for all intents and purposes after your work is published by us it can only be marketed as a reprint, which severely limits the number of markets that will accept it, and drastically reduces the pay rate it...

Deadline: November 30th, 2018 Payment: $10 CA YES, PLEASE: Flash fiction stories only.  Word count: 1,000 or less. English language only. Original work only. Genre: science fiction, fantasy, horror, romance, humour, western, mystery, literary…and any variation or combination thereof.  If in doubt, send it along – you never know. Multiple submissions:  feel free to send as many submissions as you wish to during the reading period.  Please send each submission in separate emails. Simultaneous submissions: all good. If your story is selected for publication elsewhere, please contact me right away to withdraw it from my consideration. NO, THANK YOU: Word count over the limit. Poetry, non-fiction, essays, children’s stories, anything other than flash fiction. Erotica, excessive gore, abuse, or ‘isms such as racism, sexism, etc.. Overly saucy language.  I don’t mind swear words, I just would prefer to keep the content on the site closer to the PG side of things. Reprints. Stories sent outside of the reading period. Artwork. Queries. They’re not necessary.  Send me your work if you think there’s a chance I might like it.  Please don’t ask me about your submission after you’ve sent it. I will get back to you by December 31, 2018. FORMATTING: I’m not picky about fonts or font sizes or margins or paragraph indentations or anything of the sort.  I will format your work to fit the site if it is accepted for publication.  If your story has an experimental form and I accept it, we’ll work together to ensure it is posted properly. Cover letters are not required. Your contact information (name, email address) MUST be included somewhere in your submission. Please watch your spelling and grammar – if your story is littered with errors, I am likely to give it less of a chance.  Don’t worry about American/Canadian/British spelling;...

Deadline: November 30th, 2018 Payment: A contributor copies and stories 1000-3000 words will receive $5. Stories that are longer than that will receive $10. Submission Guidelines Unfading Daydream is looking for unique and exceptional fiction to be showcased in our quarterly literary magazine. We strive to feature stories within the genres that have inspired us (sci-fi, fantasy, horror, etc) as well as stories that feature LGBTQ+ themes. We are currently seeking submissions for Issue 7 (published in January 2019). This issue is unthemed, meaning that any speculative fiction story that follows our guidelines is welcome. Basic Details We are open to established and new, emerging authors. In terms of length, we’re looking for stories between 1000 and 7000 words. Shorter or longer stories will be evaluated on a case by case basis. No previously published works. Please no simultaneous submissions Reading periods are May, August, November, and February.  All submissions must be in by 11:59pm CST on the last day of the reading period (May, August, November, or February) Please do not send submissions outside of our reading periods. Submissions received outside of reading periods will not be considered. Expect a decision within four weeks See full guidelines below Payment Stories that are between 1000-3000 words will receive $5. Stories that are longer than that will receive $10.  All contributors receive a hard copy of the magazine. In time, we would like to pay contributors more! Submissions We accept submissions only by email. Free to submit! Please send your submission to submit  unfadingdaydream com with the title of ‘Unfading Daydream Submission’. Full Guidelines We want to see your unique sci-fi, fantasy, horror, etc. We prefer stories that are between 1000-7000 words, but if you feel that your 8000 word story or your 700 word story is brilliant, we’d love to see it. The Submission Piece One submission per author per reading...

Deadline: November 30th, 2018 Payment: $0.03 per word, minimum of 10.00 Apparition Lit is open for poetry and short story submissions four times a year. February 15-28 May 15-31 August 15-31 November 15-30 Our themes for 2019 will be: Resistance (Submission period November 15-30, 2018, Publishing January 2019) Ambition (Submission period February 15-28, 2019, Publishing April 2019) Retribution (Submission period May 15-31, 2019, Publishing July 2019) Euphoria (Submission period August 15-31, 2019, Publishing October 2019) Our themes for 2018: Apparition (Published January 2018) – Delusion (PublishedApril 2018) – Vision (Published July 2018) – Diversion (Published October 2018) Apparition Lit also holds monthly flash fiction contests. These stories will follow selected themes and be published online. For more information on themes and submission guidelines, please see the flash fiction drop down below. PAYMENT: Apparition is a semi-pro rate magazine, paying $0.03 per word, minimum of 10.00 dollars (excluding flash contest. See details in the Flash Fiction dropdown for flash rates). If we accept your story, we are purchasing the right to publish the story online and in the quarterly edition. Rights will revert back to the artist after one year. WHAT WE’RE LOOKING FOR: SHORT FICTION: We will only accept stories between 1000-5000 words. If the story is complete with an extra hundred words, then it will still be considered. Any stories over 5,200 words will automatically be rejected. PAYMENT: Apparition is a token-rate magazine, paying $0.03 per word, minimum of 10.00 dollars (excluding flash contest). If we accept your story, we are purchasing the right to publish the story online and in the quarterly edition. Rights will revert back to the artist after one year. HOW TO SUBMIT: Format the story using the Shunn manuscript Please only use Times New Roman or Arial font in your document Save as an RTF file and attach to an email In the text of the email, provide a brief cover letter that...

Deadline: December 1st, 2018 Payment: Royalties Remnants is a shared-world science fiction project created by Stephen Coghlan.  Our goal is to produce an anthology where a number of different authors can explore the world of Remnants with their own voice and perspectives. What is a “Shared-World?” An shared-world writing project is a setting, situation, or concept created by an author and then opened for other authors to contribute their own stories.  These stories are expected to be created within a certain set of specifications. The World of Remnants BASIC WORLDBUILDING The world of Remnants takes place in the near-future where the world of man has been overrun with monsters hell-bent on wiping out the human race. These are horrifying beasts and consist of The Horde and The Swarm; and possibly other abominations? WHAT IS THE HORDE? The Horde have no eyes or other facial features, just mouths filled with terrible rows of razor-sharp fangs and a tongue that rolls about in thick saliva. Their necks are little more than stumps that lead to wide, flabby chests. Their arms are long and serpentine and snake all the way to the ground. Their bulbous guts are covered in pinkish-orange skin, fattened on human flesh, and all is supported by squat legs.  They wobble deceivingly, hiding their blinding speed and terrifying strength. The ground troops of death, these squat beasts feast on humankind or any species that are or risk being domesticated.  Known for being sadistic, they may torture people; keeping victims alive for days at a time.  Bullets have almost no effect on them and they seem to be able to shrug off entire magazines without issue.  Melee weapons seem more effective, and the most effective weapon against them is their own claws and fangs.  Travelling in packs, they are on the hunt wherever...

Deadline: December 1st, 2018 Payment: $20 “Turning words into art is unnatural. It begins with a contrary attitude. It says, I am unhappy with the way things are and desire to make things different. Rather than represent the world, I will make something wildly and savagely new. I will defy logic. I will invest in new perceptions. I will combine and recombine and fabricate and juggle until something that I have never experienced is experienced. The process is alchemical. The process is violent. It goes to the heart of creativity. It disrupts and shatters. It is splendid with provocation. It is an aggression against banality. It is sharp and loud like a janitor scraping frost from a window. The hectic bounce of steam on a street after a truck roars by. The anarchy of waters, the comedy of the face, dangerous feelings vented from a cage of skin.” ~ John Olson Poetry — We believe poetry is contrary by nature, always defying, always tonguing the tang of novelty. We look especially for plurality of meaning, for dual reverberation of beauty and concern. Contrary’s poetry in particular often mimics the effects of fiction or commentary. We find ourselves enamored of prose poems because they are naturally contrary toward form – they tug on the forces of exposition or narrative – but prose poems remain the minority of all the poetic forms we publish. Please consider that Contrary receives vast amounts of poetry and that we can publish only a small percentage of that work. Please submit no more than three poems per issue. Our poetry editor is Shaindel Beers. Fiction — We ask our fiction writers to imagine their readers navigating a story with one finger poised over a mouse button. Can your story stay that finger to the end? We have published long stories on the belief...