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Taking Submissions: Whetstone Issue 7

March 31, 2023

Deadline: March 31st, 2023
Payment: $10
Theme: Pulp Sword and Sworcery

Submissions: OPEN (Issue 7)
• Submission deadline: Friday, March 31st, 2023, 11:59p.
• Editorial decisions: Sunday, May 7th.
• Publication of Issue 7: Friday, June 17th, 2023.

Special Guest Editor for Issue 7: Dr. Nicole Emmelhainz is Associate Professor of Composition and Rhetoric at Christopher Newport University, where she also directs the Alice F. Randall Writing Center and serves as Writing Program Administer. She received her MA in English from Ball State University, her MA in Creative Writing Poetry from Ohio University, and her PhD in Writing History and Theory from Case Western Reserve University. She is the co-editor for The Dark Man: Journal of Robert E. Howard and Pulp Studies and has presented widely on elements of pulp fiction, sword and sorcery, and feminism.
Length: We prefer short, compressed stories that are nevertheless complete and cohesive narratives (1500 to 2500 words). These limits are firm. No more, no less. Stories over or under the limit will not be read. We mean it, friends! This limit serves two functions: (1) the limit is an artistic challenge. It takes skill to tell a compressed, punchy story. (2) We are an amateur publication and only pay a token honorarium, so save your longer works for better paying markets.
Style: We prefer “dialog light, action heavy” fiction with vivid imagery that is unselfconsciously literary but nevertheless takes joy in an occasional old word that gives the breath of antiquity. Please eschew typographical emphasis and variation–e.g. bolding, italicizing, underlining (there are more artful ways of rendering verbal timbre).

Publication, payment, and rights: Issues will be published as .pdf files. If work is selected for publication in WHETSTONE, authors will (1) be paid an honorarium of $10 and (2) will be asked to provide, by contract, “First North American Serial Rights.” In our opinion, this means that copyright is NOT transferred. All copyright stays with you, the writer; however, you will have sold/transferred a form of “exclusive use rights” called “First North American Serial Rights” (FNASR). This is the right to publish your unpublished work for the first time, and ONLY the first time, no more. The important thing to remember is that some professional publications may ask for FNASR upon acceptance of a specific work; you are not legally permitted to provide those for that specific work after publication in WHETSTONE, for you have already rendered their use to us. In other words, once you publish a work in WHETSTONE, that works’ associated FNASR have been sold/transferred. You CAN publish your previously published work elsewhere as a reprint but only as long as that publication does not require FNASR. This is a long way of saying that WHETSTONE is an amateur publication, meant for showcasing emerging talent for the consideration of professional markets (which is why we kept the word count so low). In essence: save your best work for higher paying markets!
Submit: Proofread standard manuscripts should be sent to the publisher at [email protected] as .doc or .docx attachments. Include the following subject line: “WHETSTONE: [Last Name].” Please keep cover letters brief. A story title and a one- or two-sentence bio is sufficient. If you have sold a story as a semi-pro or pro-rate, we appreciate the support but please refrain from submitting. We particularly encourage those who have not already been published to submit.
Managing Editor: Managing Editor: Jason Ray Carney is a Senior Lecturer in the Department of English of Christopher Newport University in Newport News, Virginia. He is the co-editor of the academic journal The Dark Man: Journal of Robert E. Howard and Pulp Studies and the area chair of the “Pulp Studies” section of the Popular Culture Association. He serves as the Academic Coordinator for the Robert E. Howard Foundation. He is the author of Weird Tales of Modernity (McFarland Press) and Rakefire and Other Stories (Pulp Hero Press).
Associate Editor: Chuck E. Clark lives in Southern Wisconsin with his wife and four children. He graduated from the University of Kentucky with a Political Science degree, apprenticed as a jeweler, joined the navy, and now fixes laser microscopes. He has been published in Whetstone and The August Derleth Society’s newsletter, Sage of Sac Prairie. He loves collecting rocks, books, and whiskey.
Associate Editor: Luke E. Dodd is a scientist, devourer of music, and collector of hobbies. He is one of the three hosts of The Cromcast, a podcast dedicated to the works of Robert E. Howard and other weird fiction. He lives in Kentucky with his wife and son.
First Reader: Chase A. Folmar is a writer of all forms of speculative fiction, particularly in the vein of weird fantasy and horror. The central philosophy behind much of his work can be expressed most eloquently by weird fiction author Clark Ashton Smith, who wrote, “Only the impossible has any real charm; the possible has been vulgarized by happening too often.” A graduate of English Literature from the University of North Carolina at Asheville, he currently lives in Virginia with his wife and their horde of rescued pets. You can find all of his writings and other works on his website, www.chaseafolmar.com.

Via: Whetstone Magazine.


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