Category: Flash

Taking Submissions: Saturday Mourning Television

Deadline: June 30th, 2025
Payment: $35 and a contributors copy
Theme: Short horror fiction inspired by early morning kids TV

Send us your best short horror fiction inspired by early morning kids TV for our next anthology, Saturday Mourning Television. Tune us in to something scary based on any decade you like: the educational/bizarre 1960’s & 70’s, the advert-packed 80’s, the radical 90’s, the wayward & wacky 2000’s or anything beyond. Even web-based entertainment is fair game. And don’t limit yourself to tales involving kids, what about parents, or performers & hosts, workers behind the scenes, even animated creations. Let your imagination go wild, and remember not to sit too close to the screen!

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Taking Submissions: Home Constellations

Deadline: September 30th, 2025
Payment: Prose and poetry: 5$ + 1c/word over 500 (up to 5k) words + .2c/word over 5k words, Graphic Narrative Fiction: 5$/page, Reprints of any category: Half of above, Cover Illustration: $100
Theme: Stories about the future which feature non-traditional families

Submissions are open for Home Constellations: A sci-fi anthology of unconventional bonds (working title) from Manawaker Studio, edited by CB Droege.

Home Constellations is an anthology focused on stories about the future which feature non-traditional families. This volume will contain stories and poetry.

THEME

Submitted works should be of any genre, as long as the work depicts a world that is noticeably in the future. Hard and Soft Sci-fi, (Post-)apocalyptic, Solarpunk, Slipstream, Fantasy, Magical Realism, Alternate (future) History, Supernatural, Retro-futurism etc. are all fine names for genres that often take place in the future, but your story doesn’t have to fit into one of those. In fact, if it manages to miss all of those labels, we may be even more interested to see it (unless it thus falls into what we specifically don’t want (see next paragraph)). All works must also prominently feature a relationship or family structure which might be considered unconventional. The story doesn’t have to be about the relationship. The adventure or challenge of the story can be anything, but some prominent characters should be in a chosen family. We’re particularly looking for stories with healthy polyam relationships, but want to also include other queer structures. Send us a story of a stable triad struggling to raise their son in a Martian colony dome. Show us a gay couple exploring alien ruins. Tell us about the escaped assassin-bot and the genetically engineered hypercat who find a baby on their doorstep. Whatever else the story is about, we want it to show that each person gets to decide for themselves what family means, and who gets to be part of theirs.

We are not looking for gore horror nor erotic romance. Works that contain horror elements or romantic elements are fine, but we would like the book to remain accessible to young adults and squeamish people. Works which seem particularly hateful or which discriminate against specific real-world groups will also be rejected.

We’re unlikely to accept stories that depict unconventional relationships as unworkable, or as causing problems by their nature. Not everything has to be perfect in every relationship, of course. We all have struggles, some unique to our relationship structures, but part of the goal of the book is to help normalize the depictions of such relationships, and help people who live them to see themselves represented in fiction. Showing consensual relationship structures which are inherently ‘bad’ is counter to that goal.

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Taking Submissions: Hellbound Highway

Deadline: August 31st, 2025
Payment: $15
Theme: Road Trip Terror

Are you brave enough to take a ride on the Hellbound Highway? HellBound Books is seeking short horror stories for an anthology on the theme of bad trips, which will be curated and edited by the double-trouble partnership of veteran horror writers Jane Nightshade and Ann O’Mara Heyward. We want road trips, sure, but also airplane journeys, ship crossings, railroad passages, heck even cattle drives–as long as it’s a trip and it’s B-A-D.

What if a family like the Griswolds from National Lampoon’s Vacation were zombies? What if a weary business traveler waits for the red-eye in an airport that is literally a portal to hell? What if the night manager of the local Greyhound bus station was a vampire who feeds off of the poor and desperate? What if a crook on the lam checks into a cheap motel and discovers that the usual cockroaches are mutants with deadly powers? What if someone stopped at a cafe in the middle of nowhere, and slowly realized that they were the special on next day’s menu?

These are the types of scenarios we are looking for, so let your creepiest imaginings run wild. Scary horror, psychological horror, or comedy horror are all welcome–it just has to be GOOD.

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Taking Submissions: Samhain Screams!

Deadline: May 30th, 2025
Payment: $50 AUD and a contributors copy
Theme: Halloween

Edited by Greg Chapman and Cameron Trost

Halloween.

So much more than costumes and candy, it’s the time when the veil between our world and the other side is at its thinnest. The hour when dark forces come into the light in search of innocent souls. A time of blood and evil.

Australian Shadows Award-winning and multiple Bram Stoker Award-nominated author and artist Greg Chapman, and acclaimed author Cameron Trost, are seeking new original Halloween tales for this anthology, planned for release in October 2025.
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Taking Submissions: Story Unlikely Magazine 2025 Window

Deadline: September 29th, 2025
Payment: 8 cents per word, 2 cents per word for reprints
Theme: Action/adventure, general, fiction/narrative nonfiction, humor/comedy/satire, speculate (fantasy, sci fi, horror, magic realism, cyberpunk), memoir, western, romance, alternate history, suspense/thriller, mystery/crime, literary, and any cross/hybrid genres.
Note: Reprints Welcome

Submissions to our magazine run annually from February 2nd through September 29th

Why submit to us?
– WE PAY WRITERS FAIRLY. It’s hard work writing good stories, and you deserve to get paid. Or maybe you don’t and you’re just duping us? Regardless, we pay 8 cents a word (with a $500 cap), and 2 cents a word for reprints.
– NO SUBMISSION FEES. Nobody’s getting rich off $3 per submission, but paying money just for the privilege of receiving a form letter rejection is the worst. (Costs of running an E-zine aside) We’re going to go ahead and coin a phrase right here and now – ‘Write privilege’, get it? Of course, you do.
– GET YOUR WORK IN FRONT OF A LARGE AND GROWING AUDIENCE. Our aim is fixed on telling good stories, period, and because of that we have built a massive readership from all over the globe. Want to get your stories out to more than just dear old nana? Then you’ve come to the right place.
– REASONABLE TURN-AROUND TIME. If you haven’t heard from us within 90 days, then your story was rejected. Rejections stink – we get it – but its better than forever waiting and wondering.

– WORKABILITY. Is that the right term? Well, we’re going with it. Unlike large publishers who view authors as just a number, we actually work with you to help present the story in its best possible light. We do, however, expect reciprocity; Story Unlikely is comprised of volunteers who are by nature team players. If you’re an inflexible my way or the highway type – or even worse, an unbearable ideologue – then consider this a premature breakup. No really, it’s us, not you.
– GET ILLUSTRATED. We illustrate ALL stories we publish, and we think we’re doing a pretty bang-up job with that. You can learn more about our artists at Design Unlikely.
– GET REVIEWED. Although we’re not genre specific, since we’re a professional paying magazine, Tangent Online reviews any SF&F (loosely defined) stories we publish. Your story might even make their Annual Recommended Reading List.
– Still NOT CONVINCED? Then listen to a word from our CFO – who The Office fans may recognize – to our editor-in-chief on every writer’s bane: rejection. Yes, that’s a watchable video below, and you’ll find more of them (with other cheeky celebrities) littered throughout our site.

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Taking Submissions: Thema: I Wish I’d Said That

Deadline: July 1st, 2025
Payment: short story, $25; nonfiction/essay, $25, short-short piece under 1000 words, $10; poem, $10; artwork/photography, $25 for cover, $10 for interior page display.
Theme: I Wish I’d Said That

Upcoming premises (target themes) and deadlines for submission [postmarked]:

The Lost Sock (March 1, 2025)

ALL SHORT STORIES, ESSAYS, POEMS, PHOTOGRAPHS and ART MUST RELATE TO ONE OF THE PREMISES SPECIFIED ABOVE.

NOTE: Previously published pieces are welcome, provided that the submission fits the theme and that the author owns the copyright.

The premise (target theme) must be an integral part of the story, not necessarily the central theme but not merely incidental. NOTE: Stories longer than 20 double-spaced typewritten pages will not be considered. Indicate premise (target theme) on title page. Be sure to Indicate target theme in cover letter or on first page of manuscript. Include self-addressed, stamped envelope (SASE) with each submission. Rejected manuscripts unaccompanied by an SASE will not be returned. Response time: 3 months after premise deadline. NO READER’S FEE.

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Taking Submissions: Roses & Wildflowers Autumn 2025 Issue

Submission Window: March 1st – July 15th, 2025
Payment: Short Stories: $20, Poetry: $10
Theme: An issue dedicated to hope. Solar-punk, hope-punk, envisioning a better future. Fantasy that explores hope and grace.

Spring 2025 Call for Submissions: MYTHO-ANARCHISM

An issue dedicated to hope. Solar-punkhope-punk, envisioning a better future. Fantasy that explores hope and grace.

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Taking Submissions: It Was Paradise

Deadline: June 22nd, 2025
Payment: 15 cents per word for fiction and $75 per page for poetry and artwork.
Theme: In a world devastated by catastrophes, we need stories that confront these horrors.
Note: Prioritizing work by people with lived experience of war and conflict.

It’s time to announce the call for submissions to It Was Paradise*, a special issue of Reckoning edited by Sonia Sulaiman and with cover art by Moníca Robles Corzo. In a world devastated by catastrophes, we need stories that confront these horrors. This is all out war on the planet, on life itself. War and conflict are the themes for this volume of Reckoning. Probe into the heart of extinction, genocide, and climate crisis. Expose the exploitation of the earth. Show us how the world could be on the other side. Send us your stories of environmental justice, of violence, imperialism, fascism, and resistance, of destruction, survival, and of triumph.

It Was Paradise is open for submissions now through the summer solstice, June 22, 2025, with tentative release scheduled for October. Payment rate will be 15 cents (US) per word for prose, $75 per page for poetry and art. As always, we’re seeking submissions from Black, Brown, Indigenous, queer, trans, disabled, neurodivergent, imprisoned, impoverished, and otherwise marginalized human beings from everywhere, but in particular for this issue, we will be prioritizing work by people with lived experience of war and conflict. We’ll continue to accept submissions to our communication-themed regular issue, Reckoning X, throughout. Also, during this submission window only, we’re relaxing our usual rule about multiple submissions to allow folks to submit to both calls simultaneously.
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