Author: Ken MacGregor

Brain Babies: No, It’s Still Not About You

A while back, I wrote one of these about authors who were getting upset that specific groups were being asked to submit, to the exclusion of everyone else. I made quite a lot of fuss about how those folks should just sit down and be quiet because they already had their turn. And because they’d have another turn any second now.

Again, in today’s social climate, we’re seeing a lot of calls for submissions by black folks, and, since it’s also June, calls for subs by LGBTQ folks. Great! Wonderful! The rest of us can afford to sit this one out.

While we’re on the topic of things not being about you, I’d like to touch on something that’s been bothering me a lot lately. Self-promotion to the point of being an asshole. I understand that self-promotion is a necessary evil. If we don’t let people know we have books, no one is going to buy them. I get it. I do.

I loathe doing this, by the way. Hate it. I’m constantly afraid someone is going to tell me I’m being annoying and they don’t want to read my books because they’re probably annoying too. So, I tend to err on the overly cautious side of promotion and likely don’t do it enough.

I find writers who shout out constantly to “Buy My Book!” to be overbearing. It honestly makes me avoid buying their books. I understand. You’re excited. Cool. When a book first comes out, or gets a good review, I do this too. But, if you’re hammering my social media feed with nothing but demands that I buy your shit…I’m not gonna buy your shit, dude.

I have a glorious solution to this dilemma about promotion, however. I do. It’s really cool because it accomplishes two wonderful things: it generates sales and makes other people appreciate you. What? How does that work? I’ll explain.

You promote someone else’s book!

Yep. That’s it. Read something you like? Don’t just review it on Amazon and Goodreads (I mean, do that. You know reviews are like an oasis in the desert for us, right?). Also, let everyone know you liked it. Shout it from the rooftops. Get on your platforms and say, “Y’all need to read this book. It’s the bomb!” Or, however you talk. You do you.

We need to have one another’s backs. It’s not a competition. Your success is my success. Readers wanna read and we owe it to them to point them in the direction of great books. Also, you will make that writer’s day! You might make a friend too.

So, please, remember, it’s not about you. You do need to self-promote, naturally. But, you really need to promote each other. Because, if you do this for others, you boost them up. And, who knows? Maybe someone will do it for you too. Maybe we’ll all benefit from promoting each other. Pretty sure that’s what will happen.

But even if it doesn’t? Even if we don’t see an increase in our own sales by promoting someone else? Who cares? It costs you nothing and you did a fellow writer a solid favor. That’s good enough for me.

And, back to that other thing: if you see a call for authors and it’s outside your particular group… instead of getting mad about it, how about you nudge the people you know in that group. Let them know a publisher is looking for stories by them. And then, if they sell it, you can tell everyone you know what a great story it is.

 

Thanks for listening.

Brain Babies: What the F*ck is Art?

I have made the joke, more than once, upon seeing a collection of metal scrap, say, on someone’s lawn, that, if a thing has no clear purpose, it must be “art”. I’m a tiny bit ashamed of that now, especially since a great deal of my own output is what many consider to be a lowbrow, crude sort of writing. That’s fine. I’ll own that. I’m not exactly literary. I like to tell stories. There’s no shame in that. Anyway, this got me thinking about art, and how it is interpreted, and how that changes from person to person. Here’s what I came up with.

Art expresses human emotion, or the conveyance of an idea, through a (usually) visual medium.

That’s from the dictionary.
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Brain Babies: Love in the Time of Corana(virus)

Unless you’re one of the badass motherfuckers who is considered an essential worker (my hat is off to you if you are—stay safe and thank you, thank you, thank you!) you are, like me, probably spending a lot of time at home. You’re likely in your pajamas or underwear (of less, but that’s your business and a visual I frankly do not need) with far more time on your hands than you know what to do with.

Maybe you’ve done all the dishes and laundry. The garage is spotless. Vegetables or flowers have been planted. You’ve played every single board and video game in the house at least twice (in my case, that last bit is true anyway). What now?

Now, you write.

Carve out a space for yourself in whatever room is most comfortable. Get a large glass of water (it’s important to stay hydrated). Snag your laptop, or Composition book. Put on music if that helps get your motor humming. Sit down and make some damn words!

You’re probably wondering about the title I chose. Fair. I’ll explain. Other than the obvious homage to Gabriel Garcia Marquez’s book (a fantastic writer! If you haven’t read him, get on that). It’s also a way to remind you all that writing is an act of love. Unless you’re one of those writers who hates the act of writing. If it’s pure suffering for you. Well, if that’s the case, I have some friendly advice for you. Fucking Stop! Why would you be a writer if you hate writing?

[Ken paces the room, shaking his head and muttering darkly.]

I have a theory about that: if you feel like writing is a hateful, miserable experience, your readers are probably going to feel the same way reading your output.

However, if you love it… if writing is fun! Your work will show it.

Okay. That point has been made, and the horse ain’t getting’ any deader.

The other reason I chose this title is that, right now, as we speak (…so to speak), I am actively trying to date again (I was widowed in 2018; one gets lonely). Or, rather, I was actively trying to date. I even had a date set up for a recent Saturday night (we connected on an Internet dating site). The Thursday before our date, the plague came to Michigan, where I live. Prudently, we canceled.

It’s frustrating. The world is scary. We’re trapped at home, able only to go outside (I strongly encourage this every day; it helps keep the isolation demons at bay) or the dreaded grocery store when low on supplies, or to get gas. Other people have become potential disease vectors. We have to stay at least six feet away or risk ending up six feet under.

Use your anxiety. Capitalize on your fear. Channel your frustration. Pour all of it into doing the thing you love. Write.

And, hey… when this is over, hit me up. I’m probably still gonna be looking for a date.

Thanks for listening.

New Year’s Eve Reflections: Happy New Year! … Or is it?

New Year 2020 is coming concept – inscription 2019 and 2020 a beach sand, the wave is almost covering the digits 2019.

Happy New Year!

Or is it?

I’ll get right to the point: milestones are hard on me. Birthdays (just had one! You can wish me happy birthday. I’ll wait. Okay. Thanks.); anniversaries; Mother’s Day; Father’s Day; the day my wife died (eight days after our wedding anniversary… yeah. June sucks); Valentine’s Day; it goes on and on.

So, biggies, like New Year’s Eve, are especially rough. This is the time when everyone is thinking about their whole past year. They’re introspective and contemplative (See? I have a vocabulary that includes more than four-letter words. I just like those better).

Everyone is talking about how it went all year long; they’re talking about how things will change in the new year. I mean, it’s cool and all, but… I’m over here just thankful to still be drawing breath. I’m thankful that no one else I love has died lately. That my kids are doing okay (Mostly. We all have PTSD from Liz’s death, and it’s taking forever to find ways to cope with that).

I quit drinking just over six months ago. I needed to. I was on an ugly downward spiral as I medicated myself with alcohol every night. I needed to be numb. I won’t apologize. But, I’m totally relieved to not be in that cycle anymore. New Year’s Eve is, like St. Patrick’s Day, traditionally a drinking holiday. I have plans to go to dinner with some friends (and a date; yeah, I’m dating. I’m allowed. Mind your business), but I won’t be drinking. No champagne toast for me. I can’t touch the stuff. I can’t do moderation. I’m either all-in, or I’m out. So, I’m out.

I also don’t really believe in resolutions. I mean, I know they exist. I just don’t make them. I prefer to try to better myself, in small, reasonable ways, over the course of my life. I don’t want to select a basically random date and make all my effort then. Seems like too much pressure. Your mileage may vary. Some folks need the hard deadlines. I don’t.

So, I’m not going to say, “I’m going to write fifty stories in 2020.” No “I’m going to run a marathon.” None of this “I won’t eat any sweets until at least January 24 (that’s my dead wife’s birthday, which I started typing by accident, because my subconscious is a dick).” Nope. Not my way. Instead, I’m going to try to keep it together, emotionally, as I navigate through the next six months, in this, the second year of widowhood. I’m going to try to make sure my children, now thirteen and ten, are getting what they need, not only to survive, but also to grow into self-sufficient, functional adults. I’m going to write, because I love it. I’m going to try to make each thing better than the last. I’ll read more books. I’ll do crossword puzzles to keep my brain sharp. I’ll exercise nearly every day. I will heal. Because these are the things I do anyway. This is who I am.

If you, reading this, need to resolve to make changes in your life; if you need the hard date of 1/1/2020 to be the impetus for change… cool. You do you. I’m pulling for you. I hope you make it. I hope that, if you don’t, you’re not too hard on yourself. Setting goals is easy. Making them is not.

As for me, I’ll raise a glass (of cranberry juice) to you all. Have a happy New Year if you can. If you can’t, at least keep your head above water. Fight on. Keep going. Because, I believe anyway, we get this one chance at life. We should make the best of it. Hold the ones you love. Practice kindness. Laugh out loud. Get laid. Take a hot bath or shower, and stay in there as long as you want (don’t do this all the time; it’s a tragic waste of resources). Read a good book (life’s too short to read the bad ones, y’all). Stream a fun show on TV. Treat yourself to your favorite food. Eat dessert. Laugh some more.

I’m going to try to do the same. It’s unspeakably difficult to come back from grief with a smile on your face, but it’s possible. I’m working on it. It gets easier with time. If you don’t know what I mean, good. I hope you never have to. If you do, know that you’re not alone. I feel your pain. I understand. It sucks.

But, I find more smiles as I go. I laugh more easily. I’ve even loved again, wonderfully and intensely. That’s in the past now, too, but I cherish it. She and I are still friends (albeit somewhat awkwardly). I’m confident I’ll love again too. I’m healing. Whatever your situation might be, know that you can heal too. It takes time. It takes patience. There will, no doubt, be moments of utter despair (I’ve had more than my share, thanks), but, slowly, you come through it. You’re tougher than you think.

I sincerely hope that 2020 brings you joy, and fun, and the kind of challenges that make you go, “Bring it!” instead of the kind that feel overwhelming. I hope you have love and friendship in your life. I hope you find pleasure in writing. In reading. I hope for the absolute best for you all.

Happy New Year!

Is it? Yeah. It fucking is.

 

Thanks for listening.

Ken MacGregor 2019 (for another day)

Brain Babies: T&A, or Tepid and Asinine

It has recently come to my attention that men are still, in damn near 2020, writing women as if they were a collection of erogenous zones and nothing else. Stop it.

Seriously, cut it out. This is sloppy, amateurish, inaccurate, and, frankly, insulting. Women, like men, are complex. They’re arrogant, shy, belligerent, kind, messy, obsessive, thoughtful, acidic, and every other damned character trait you can think of. They are not simply bouncing breasts and long, toned legs. They are not meat puppets in skirts.

Stop. Writing. Them. This. Way!

When a man writes about a woman’s breasts, attributing them with personality, or highlighting their physical characteristics over the course of an entire fucking paragraph, it’s like broadcasting to the reading world, “I have no idea what women are really like, because I’ve only ever observed them from a safe distance!”

Women are not mythological, magical beasts with parts wondrous and strange. I’m gonna let you in on a little secret. Ready? They’re human beings, just like you. They fart, and poop, and hiccup. They dream big and have crushing disappointments. They laugh, and cry, and hate and love, and feel inadequate. Just like men.

So, when you’re writing a woman as a character, try to remember that she’s a real person. Try to avoid focusing on her tits, on the way they strain against her shirt. No woman alive thinks about her own breasts (outside of sex play) unless it’s because her damn bra is cutting into her shoulders, like it does every damn day, and Jesus Christ, do these things really have to weigh this fucking much?

Another thing: most women, like most men, really do enjoy sex. But, you know what? Most of them also enjoy the lead-up. Not just foreplay (though that’s a ton of fun for everybody, if you’re doing it right); also, the romantic stuff. Kissing. Nuzzling. Slowly discovering someone’s body for the first time. Relishing the pleasing of a partner she knows intimately. If you’re going to write sex, remember, too, that there’s almost always something else going on. There are two (or more) people in the room. They have feelings, baggage maybe; they might be scared, hopeful, overwhelmed, or just insanely horny. People are complicated. Men are. Women too.

Try not to forget that. Women are complicated. Women have feelings. They have brains. They are people.

Nor just T&A. Not just bodies flouncing around for your amusement. And, you know what? This is a good thing to remember outside of just writing fiction, folks. Women are people. It’s not that difficult a concept.

So, the next time you’re writing a woman in a story, put yourself in her four-inch heels; try not to fall over, as you try to navigate her world, her feelings, her mind. And, once you’re there, write her like she deserves. As a real person: flawed; aching; hopeful; terrified; longing; wounded, etc.

Please. For pity’s sake.

 

Thanks for listening.

Brain Babies: Envy And Stuff

I want to talk about envy for a minute. I mean, we all experience it, I’m pretty sure. I certainly do. When I come across a bit of prose that sings, a line that stops me cold, making me wish I was anywhere near that good, I almost weep with envy.

When that happens, I try (and sometimes succeed) to channel that into something closer to respect. I try to think to myself, “Wow… this writer is so great; someday, maybe I can be that good.” I try to use that feeling to motivate myself to be better at this stuff.

Sometimes, it even works.

Here’s the thing I try not to do, and I strongly encourage you to avoid it as well. I try not to be bitter, or angry, or resentful. I try, instead, to celebrate the skill and success of my fellow writers. I try to see their position (typically way the fuck above my own) as a place to which I should be ascending, so I can stand beside them. Not to knock them off.

See? That’s the thing: there’s enough room on top of that pedestal for me too. And you. And all of us. The readers out there don’t give a damn if one writer is more successful than another. They just want good stories. And, that’s what we should be giving them.

On a related note, the one thing I consistently tell people, when asked ‘what’s the most important thing for new writers to know?’ is “Don’t be a dick.” When I say this, I mean, of course, don’t be rude. Don’t start fights with other people in the industry. Don’t aggressively push your own work (seriously. Don’t be the one walking around shouting “Buy my book!” in everyone’s face. Don’t do it in person. Don’t do it online. Just don’t do it. If an occasion arises, and someone is talking about how scary hurricanes can be, for example, and you just happen to have written a novel about the devastation from the world’s most powerful hurricane ever… sure. Pimp that shit. Use the moment to sell yourself. Otherwise, unless someone asks you about your work, eat some fucking humble pie and keep that shit to yourself.)

Also, if you ask another writer for a blurb (this is a necessary evil, and I hate it a lot), be polite and respectful, and take “no” with grace. You’re going to get a lot of “no” responses. Especially if you ask big players in the industry. Most writers who do it full-time are extremely busy people, and, much as they might want to help (most do), they simply cannot. Thank them for responding and move on with your life. I imagine the writers I ask feel bad they can’t help. I know I would. I hope to find out someday.

I think we all want to be read widely and loved for our work. I think we all would like to be able to quit our day jobs and support ourselves writing. I think a small percentage of us will make it there. Most of us won’t. Sad, but true. So, if you are one of the struggling ones, who maybe has a small fan base of 10-30 readers (hello, my tiny, but loyal group of people. I love you guys!); if you’re putting the words out there for the world; if you expose your heart to the world… keep it up. The world needs you. We need art, and stories, and escapism. We need to shine the light on the ugliness (there’s a fuck of a lot of it) in the world. We need to read.

But, if someone else is where you want to be, instead of glaring at them, applaud them. Instead of being unhappy it’s not you there, be happy one of us made it. And, try to remember, we’re all human beings. We all have lives outside of fiction (or nonfiction, if that’s your thing. I try not to judge). We all have feelings, and hopes, and dreams, and struggles. People we love die (don’t get me started). We hurt. We cry. Our children break their arm in a fall (another real-life example from me. What the hell, my life? Why you gotta throw this shit at me?). We have bills to pay. We have a house that leaks (yeah. Me again). We have a sore back. We’re tired. We’re in chronic pain. Whatever. We’re all in this together. We all serve the reader. We’re on the same side.

Let’s act like it, huh?

 

Thanks for listening.

Ken MacGregor

Brain Babies: Speak up!

I want to talk about something. I mean, that’s why I write these. So, to set the tone, I’d like to quote the following bit of wisdom:

It only takes one voice, at the right pitch, to start an avalanche.” – Dianna Hardy

Unless you live under a rock, you’ve probably heard that the Game of Thrones series just ended. Now, I didn’t watch the ending. I’m still on Season 5. I know, I know. But, come on. I have kids. I can’t just watch that sort of thing with them in the room, and there are so many other amazing things I need to watch after they’re asleep. I’ll get to it.

Point is, though, that a lot of people are pissed about how it ended. And, that’s fine. They have every right to be upset. Fans get excited. It’s normal.

What’s not normal, and not okay, is this movement to have the show redone to fit their preconceived notions of how it should have been.

Now, I love readers. I truly do. I am one. And, as a writer, I’m nothing without my readers. But, you guys… come on. It’s art. It’s supposed to cause a reaction. You’re supposed to feel things. That’s the whole point! If a book, or movie, or TV show doesn’t end the way you want it to, well… too fucking bad! You want a different ending, you go ahead and write one. You want the story to go the way you think it should, then you need to write the story.

Don’t try to tell Mr. Martin what to write. Don’t tell me what to write. Neither of us is going to listen. In fact, we’ll probably write the thing you’re complaining about, because were contrary like that. At least I am. I’m betting George is too.

And, this is directed at the writers here (whom are also readers, I assume; I can’t imagine being one and not the other)… don’t try to write for anyone else. Don’t try to please everyone. You can’t. Some readers are going to hate your work. Some hate mine for sure. I’m okay with that. Some readers are going to love your work. That’s the best feeling right there. Some are going to think you’re just okay. That’s fine too.

When you try to appeal to all the readers, you’ll most likely appeal to none. Your writing will be washed out, pale, and unappealing. You want to piss people off! You want them incensed. You want them to motherfucking feel something.

That’s why we’re here. To shake shit up. To make noise. To make waves.

Go use your voice. Start an avalanche. If someone tells you that you should be doing it differently, you can say, “Thank you for your opinion.” And, then walk away, because you don’t need that kind of negativity in your life.

Go art hard. Bleed on the page. Make some noise. Send the rocks barreling down on the readers’ heads. Hurt them. Kill them (This is hyperbole: don’t actually kill your readers. You need them.). Fuck their shit up. The good ones, the ones who matter, will thank you for it.

 

Thanks for listening.

Ken MacGregor

WIHM: An Interview With Jessica McHugh

HorrorTree Interview with Jessica McHugh

Nosy Person: Ken MacGregor

I first encountered Jessica’s work in an anthology we were both in. It was called VIGNETTES FROM THE END OF THE WORLD (Apokrupha 2014; edited by the extremely selective Jacob Haddon). It was a touching and moving SF story that had a lot of feels in just a few paragraphs. Since then, I’ve read a few of her books (she has a bunch!) and enjoyed them all. Jess has a broad range, tackling middle-grade, young adult, and (some very sexy) horror. She’s a writer with guts, a unique voice, who is unapologetically herself, both in her fiction and in real life. I’ve only met her once, at a con, but I’ll never forget how her boisterous personality filled the room. She’s one of a kind, and I wish her runaway success in her writing career; few people deserve it as much as she does. All right. Let’s get on with the interview.

 

Hey, Jess. First of all, thanks for being willing to do this…again. Last time I interviewed you, I worked from a template of questions. This time, I’m making it up as I go, so it may get weird. I’ll start off simple. Do you have a favorite character, or moment, or scene, from one of your stories? A bit of dialogue that cracks you up on a reread? You know. That stuff.

Thanks so much for hosting me on Horror Tree, Ken! It’s always nice to get into the nitty gritty of writing with one of my favorite inky cohorts.

As for your question, I absolutely love Perry Samson from “The Green Kangaroos.” Despite Perry being a pretty sleazy fella with lots of unappealing issues, writing/embodying him was so much fun. His observations and conversations with other characters in the barn-house chapters still crack me up, especially his interactions with Benito. Oh, and in case readers weren’t aware, the name “Benito” is a play on my maiden name, “Bonito,” because this is the most personal novel I’ve ever written. When people ask which book in the McHughniverse they should start with, I usually say “The Green Kangaroos.”

 

You have, what? Four jobs? I know I would love to support myself writing someday (that’s still a ways off, for sure—Yay, day job!), and I imagine you would too. Do you have a plan of attack? A projected date for autonomous author status? What still needs to happen to get there?

I was working as a production associate in a GMP biotech firm in Frederick when I dropped everything to try my hand at writing full-time. It went pretty well for about two years–actually paid bills with story sales and royalties–but as time went on, it became clear that it didn’t make enough financial sense to continue on. That’s when I started collecting my beloved part-time jobs. It’s actually been a wonderful experience working as a creative writing and science instructor, a tour guide, and an escape room gamemaster because I’ve discovered skills and sources of inspirado I wasn’t aware of before. I now feel like so much more than an author, which is why I have no current aspirations to return to full-time writing. In the beginning I thought all the writing time in the world would be worth the financial struggle. Well, I’m here to tell ya, friendos: it’s super duper not. I’ve found I’m much happier working a handful of jobs that don’t eat up all my writing time but also take the financial pressure off my creativity.

 

You’re outspoken about, well, everything. (I respect the hell out of that, by the way.) On social media, you boldly proclaim your position on politics, sexuality, body image, and whatever else is important to you. Has this ever negatively impacted you? Have you had blowback from fans? Friends? Family?

I’m certain there are family members who’d prefer I didn’t speak so frankly about these issues, but no one’s ever confronted me about it. If I’ve lost friends or fans, I haven’t noticed. And I’m not sure I’d kick up much of a fuss if I had. The fact is it’s taken me over 30 years to find the confidence and power to be myself, unapologetically and joyfully, and I refuse to let anyone derail what I hope will be a continuous evolution of myself and my work.

 

When you were a stripper, you got naked for money. Is writing really that much different? Other than the first one pays a fuck of a lot better, I mean.

Ha! You’re right, stripping pays a LOT better. But you have a point about the professional similarities, especially when it comes to bearing it all. It takes a long time to get there though. When I was dancing nude, I emulated the other dancers until I found that confidence to be myself, just as I did when I started writing. I copied a lot of my favorite authors’ styles in the beginning until I felt comfortable and courageous enough to strip down and expose the stories secreted inside. By the end of my stripping career and now in my writing career, there’s little need to copy or cover up. I might still be slathered in makeup and glitter, but I’m also strong enough to climb and spin and slide down the pole, and fearless enough to bend right over and risk my tampon string glowing in the blacklight.

😉 Of course I’m kidding.

I use a Diva Cup.

 

 

I know you sometimes write for themed anthologies, and that you also come up with wildly original material. Do have a preference for what you like to work on? Is it helpful for you to have a prompt? Do you split your time equally between writing for yourself and others? (I’m not good at asking just one question at a time. Sorry.)

Themed anthologies are definitely my toast and jam these days, mostly because I feel like I can conceive of and write a story faster if I have that constant inspirado screaming in my ear. Whether it’s a theme, a word or phrase, or a piece of art, I always find a prompt helpful. I do enjoy developing stories and characters from scratch, but I haven’t been doing that much lately. I’ve been trying to cut back on writing short stories to focus on novels–a task at which I consistently fail, as I went from 1 story due by March to 5 stories due by June in just the last few weeks. However, I am very close to finishing my first novel in over 3 years…though it’s felt like much longer. I’ve talked a lot about how hard it’s been for me to rewrite and revise “Hares in the Hedgerow,” as it was originally written during a time of stress and grief for me, but this long-awaited sequel to one of my bestselling books, “Rabbits in the Garden,” will be out later this year from Post Mortem Press. Once that’s out in the world, I feel like I’ll be able to breathe enough to really tackle “A Motherfucking Heist Novel.”

 

A lot of writers complain about how awful the business is, and what a struggle being a writer is. There’s a perception of writing as being painful, a struggle. Personally, I don’t see it that way. If it was horrible, I’d stop. I’m curious about your take on this. (To make up for the last multiple-question question, I made this one a statement.)

I agree that writing is kinda pointless if you’re not enjoying it. Even if it’s just a hobby, you should be getting something out of it besides frustration. That said, I think it’s extremely hard work, and a lot of new writers come to the table thinking it’s going to be a breeze. Even if you’re enjoying something you’re writing, or if it comes easy, there’s still the business side, which requires a lot of promo and hustle that introverted folks simply aren’t comfortable with. And jesusfuck, we haven’t even gotten into the rejection side. It’s tough to set aside your ego and accept that you might not be as good as you think. I’ve been a published author for almost 11 years and I believe I still have a lot of growing to do. I try to learn from every rejection and bad review (though sometimes you have to take the latter with a grain of salt), and I strive for every story I write to be better than the last. It doesn’t get easier. If anything, it gets more difficult to write an entertaining and poignant piece of fiction and stand out in a crowd of authors you admire. And what if you don’t stand out? What if there’s no financial reward or critical praise? You need to have that personal satisfaction and sense of accomplishment, or it gets a little rough to maintain the creative flow.

 

What are some of the challenges of being a woman in the writing field? Particularly in horror? Do you believe we’re anywhere close to breaking out of the pointlessly misogynistic attitudes?

I don’t encounter many misogynistic attitudes in the writing community anymore, but that’s probably because I’ve either blocked those good ol’ boys or they simply slither under my radar like the slimy smegsharts they are. I’m actually shocked I haven’t had more vitriolic encounters with these types of dudes, but that might be because they know the strength of my presence and the sheer magnitude of inky cohorts who’d rally behind me as I’ve rallied behind others. For me, dudes who say women can’t write horror or bizarro or get peeved at the notion of publications dedicated to female-identifying authors and LGBTQIA authors aren’t worth discussing longer than it takes to turn a page. They have nothing to offer artistically or professionally. In the words of Ariana Grande, “Thank U, Next.”

 

Pimp your shit here. Tell us about what just came out. What’s about to come out. What books should people be buying from you to get a feel for your style? Personally, I haven’t read anything from you I haven’t liked. And, let me tell you, that’s not something I can say for too many writers.

Thank you, Ken! My recent short stories releases are in anthologies chock-full of some of the best writers working today. My story “Ghosts of Hyperia” appears in Adrenaline Press’s Lee Murray-edited subterranean horror anthology, and “Amity in Bloom” explores a unique brothel in late 1800s NYC in Nightscapes Press’s “Ashes and Entropy” anthology. My work also  appeared in Perpetual Motion Machine’s “Lost Films” anthology and will soon cook up some trouble in their forthcoming pizza horror anthology. I’ve also had some icky flash pieces published by Forbidden Futures recently.

As mentioned before, “Hares in the Hedgerow” will be out in 2019, and though you don’t absolutely have to read “Rabbits in the Garden” to understand it, I highly recommend picking it up. If for no other reason than the beautifully horrific illustrations by Philip R. Rogers.

And speaking of horrific, there are good reasons I include an apology in inscriptions to readers who’ve purchased print copies of my Raw Dog Screaming Press novel, “Nightly Owl, Fatal Raven.” A rewrite and rerelease of a novel I started writing at 19, “Nightly Owl, Fatal Raven” is perfect for people who like a heavy grimdark revenge story.

Thank you so much for having me, Ken & Horror Tree. And thank you for continuing to support women in horror all year round.

 

Thanks for your time, Jess. Hope to run into you again someday. You’re one of the cool ones. -Ken MacGregor

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